{"id":109901,"date":"2020-11-09T21:02:00","date_gmt":"2020-11-09T18:02:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-best-comedy-movies-on-hulu\/"},"modified":"2023-10-12T12:13:42","modified_gmt":"2023-10-12T09:13:42","slug":"the-best-comedy-movies-on-hulu","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/","title":{"rendered":"#The Best Comedy Movies"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3fd1cfda79e\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3fd1cfda79e\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#2_Days_In_Paris\" >2 Days In Paris<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Beetlejuice\" >Beetlejuice<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Beetlejuice_1988_Trailer_1_Movieclips_Classic_Trailers\" >Beetlejuice (1988) Trailer #1 | Movieclips Classic Trailers<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Colossal\" >Colossal<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Fire_Island\" >Fire Island<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Fire_Island_Official_Trailer_Hulu\" >Fire Island | Official Trailer | Hulu<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Force_Majeure\" >Force Majeure<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Frank\" >Frank<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Frank_Official_Trailer_1_2014_%E2%80%93_Michael_Fassbender_Maggie_Gyllenhaal_Movie_HD\" >Frank Official Trailer #1 (2014) &#8211; Michael Fassbender, Maggie Gyllenhaal Movie HD<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#The_Full_Monty\" >The Full\u00a0Monty<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#The_Guilt_Trip\" >The Guilt Trip<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#High-Rise\" >High-Rise<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Horrible_Bosses\" >Horrible Bosses<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Horrible_Bosses_Official_Trailer_1_%E2%80%93_2011_HD\" >Horrible Bosses Official Trailer #1 &#8211; (2011) HD<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Ingrid_Goes_West\" >Ingrid Goes West<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Logan_Lucky\" >Logan Lucky<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Palm_Springs\" >Palm Springs<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Parasite\" >Parasite<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#The_Sandlot\" >The Sandlot<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Support_The_Girls\" >Support The Girls<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/buradabiliyorum.com\/en\/the-best-comedy-movies-on-hulu\/#Wild_Rose\" >Wild Rose<\/a><\/li><\/ul><\/nav><\/div>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/e56e9dfc6b6d8c765b0dbad2886d8ebb.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Clockwise from bottom left: Beetlejuice (Warner Bros.), Palm Springs (Hulu), The Guilt <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">Trip<\/a> (Paramount), Frank (Magnolia) &#8211; Graphic: AVClub<\/figcaption><\/figure>\n<p style=\"text-align: right;\"><em>This list was updated on May 18, 2023.<\/em><\/p>\n<p>Hulu\u00a0is a great resource for viewers seeking laughs, as this round-up of the platform\u2019s best available comedy <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> can attest.\u00a0<em>The A.V. Club<\/em>\u2019s list particularly proves that Hulu has a few subgenre specialties among their comedic offerings: there\u2019s plenty of romance, from\u00a0<em>2 Days In Paris<\/em>\u00a0to\u00a0<em>Palm Springs<\/em>; films featuring plucky ladies like\u00a0<em>Support The Girls<\/em>\u00a0and\u00a0<em>Wild Rose<\/em>; and Oscar winners (if we count\u00a0<em>Parasite<\/em>\u00a0as a comedy, which we do). Keep an eye on this and our chronicle of\u00a0Hulu\u2019s overall best films\u00a0as we continue to update them\u2014minimize the uncertainty of browsing and let us do the curating work for you!<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"2_Days_In_Paris\"><\/span><em>2 Days In Paris<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/hxs8lua6jokj8exddrib.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Screenshot: 2 Days In Paris<\/figcaption><\/figure>\n<p class=\"sc-77igqf-0 fnnahv\">On paper, Julie Delpy\u2019s\u00a0<em>2 Days In Paris<\/em>\u00a0might well read like a light French farce, full of wacky characters and playful relationship banter that only turns serious toward the end of the film. The reality is much more raw. Playing a thirtysomething couple making a brief stopover in Paris after a vacation to Italy, Delpy (<em>Before Sunrise<\/em>) and co-star Adam Goldberg snipe at each other with casual venom, refusing to acknowledge or accede to each other\u2019s calls for comfort or reassurance. When he says she\u2019s special, she shoots back \u201cLike in the retarded way, which is why I\u2019m going out with you.\u201d When she gives him more information than he wants about something, he says \u201cIt\u2019s like dating public television.\u201d They both seem a little neurotic and a little self-centered, but mostly, after two years together, they\u2019ve <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>arently run out of reasons to be kind. And while their give-and-take is almost playful, both actors put an uncomfortable edge on it, fit to keep viewers squirming with alternate waves of sympathy and disgust. [Tasha Robinson]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Beetlejuice\"><\/span><em>Beetlejuice<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Beetlejuice_1988_Trailer_1_Movieclips_Classic_Trailers\"><\/span>Beetlejuice (1988) Trailer #1 | Movieclips Classic Trailers<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><iframe loading=\"lazy\" title=\"Beetlejuice (1988) Trailer #1 | Movieclips Classic Trailers\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ickbVzajrk0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"sc-77igqf-0 fnnahv\">It\u2019s hard to believe that a movie as defiantly odd as the horror-comedy\u00a0<em>Beetlejuice<\/em>\u00a0even got made by a Hollywood studio in the \u201880s, let alone that it became a substantial hit and a sleepover staple. The title character\u2014a pasty-faced, hollow-eyed, green-teethed, bug-chomping corpse played by Michael Keaton\u2014doesn\u2019t make his first full appearance until halfway through the movie, and then comes roaring across the screen like a pop-eyed beast from a Tex Avery cartoon, belching and swearing and boasting. Chief among those boasts: that he can help recently deceased couple Alec Baldwin and Geena Davis scare away the hideous New York yuppies now inhabiting their charming country house. (Yes,\u00a0<em>Beetlejuice<\/em>\u00a0is pro-ghost.) Dry in tone, packed with grotesque sight gags, and surprisingly sweet at times,\u00a0<em>Beetlejuice<\/em>\u00a0never seems concerned with straightforward storytelling. First and foremost, it\u2019s a funhouse ride. [Noel Murray]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Colossal\"><\/span><em>Colossal<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/ja1v0ngoibhrmox4crmb.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Photo: Colossal (Neon<\/figcaption><\/figure>\n<p class=\"sc-77igqf-0 fnnahv\"><em>Colossal\u2019<\/em>s early April release date all but eliminated star Anne Hathaway from the 2017 awards-season conversation, which is a shame because she turns in a witty, sympathetic performance as Gloria, a self-destructive alcoholic who discovers that she has a psychic connection to the giant monster who started ravaging Seoul right around the time she moved back home in disgrace. At first, this high-concept sci-fi drama appears to be pushing a straightforward (and rather obvious) metaphor for alcoholism. But by the surprisingly moving final scene, Nacho Vigalondo, who wrote as well as directed the film, deftly pivots it into a much more interesting statement about toxic masculinity, as well as a character study of a woman taking back her life from the forces, both internal and external, that want to tear her down. [Katie Rife]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Fire_Island\"><\/span><em><strong>Fire Island<\/strong><\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Fire_Island_Official_Trailer_Hulu\"><\/span>Fire Island | Official Trailer | Hulu<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><iframe loading=\"lazy\" title=\"Fire Island | Official Trailer | Hulu\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/A0FzLCE_GnI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"sc-77igqf-0 fnnahv\">It doesn\u2019t take long for\u00a0<em>Fire Island<\/em>, Joel Kim Booster\u2019s instant-classic Jane Austen riff, to stake its claim in the romantic comedy canon\u2014or rather, defiantly outside of it. Less than a minute into the opening sequence, Booster refers to\u00a0<em>Pride And Prejudice<\/em>, his source material, as \u201chetero nonsense.\u201d As this story\u2019s Lizzie Bennet stand-in, gay Brooklynite Noah continues to narrate: he shudders at the \u201cboyfriend energy\u201d of the naked man in his bed whose name clearly eludes him, then calls his chosen family, the group of friends on their annual Fire Island vacation, the F-word (the one reserved for gays). \u201cDon\u2019t cancel me,\u201d he tells us, tongue firmly in cheek. \u201cI\u2019m reclaiming it!\u201d<\/p>\n<p class=\"sc-77igqf-0 fnnahv\">Suffice it to say this isn\u2019t your typical rom-com\u2014but then again, how could it be? With all due respect to\u00a0<em>But I\u2019m A Cheerleader<\/em>\u00a0and rather less respect to\u00a0<em>Love, Simon<\/em>, queer audiences haven\u2019t seen themselves reflected much in a genre that, at least in its heyday, defined Hollywood\u2019s mainstream and reinforced heteronormative sociocultural standards. Booster and director Andrew Ahn use Austen\u2019s tale of class tension, a romantic comedy urtext, to laugh in the face of such standards, and introduce some new ones. Queer and straight viewers alike may experience\u00a0<em>Fire Island<\/em>\u00a0on Hulu\u00a0with a mix of delight and disorientation; they haven\u2019t worked the muscles of watching a gay will-they-won\u2019t-they story, let alone one populated by unabashedly out characters. [Jack Smart]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Force_Majeure\"><\/span><em>Force Majeure<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/mii3c9cuvxsbwvlefkck.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Screenshot: Force Majeure<\/figcaption><\/figure>\n<p>For a fleeting moment, one could reasonably mistake\u00a0<em>Force Majeure\u00a0<\/em>for a disaster movie. Certainly, its characters might wonder, through their panic and fear, if they\u2019ve somehow stumbled into one. The pivotal scene arrives early, on the second day of a blissful family vacation. Seated for a relaxing lunch on the terrace of a French ski resort, married Swedish parents Tomas (Johannes Kuhnke) and Ebba (Lisa Loven Kongsli) are alarmed by the rapid approach of snow, tumbling down the adjacent slope in their <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a> direction. As the wall of white seems to close in on them, expanding outward with menacing speed, Thomas makes an instinctual flee for safety, completely abandoning Ebba and their two young children. The avalanche, as it turns out, is controlled; what looks like certain doom is just a false alarm, a dramatic billow of powder. But as the smoke clears, so too does any illusion Ebba might have held about Tomas and his paternal instincts. There\u2019s no going back from such a flagrant act of self-preservation, however involuntary it might have been. [A.A. Dowd]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Frank\"><\/span><em>Frank<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Frank_Official_Trailer_1_2014_%E2%80%93_Michael_Fassbender_Maggie_Gyllenhaal_Movie_HD\"><\/span>Frank Official Trailer #1 (2014) &#8211; Michael Fassbender, Maggie Gyllenhaal Movie HD<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><iframe loading=\"lazy\" title=\"Frank Official Trailer #1 (2014) - Michael Fassbender, Maggie Gyllenhaal Movie HD\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/1A7iVIg_ry8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>What chutzpah it takes to hire one of the world\u2019s most recognizable movie stars and then render him completely unrecognizable. With his deadpan indie comedy\u00a0<em>Frank<\/em>, director Lenny Abrahamson does just that, hiding the often-photographed face of Michael Fassbender behind a giant papier-m\u00e2ch\u00e9 mask. Fassbender plays the title character, a cult musician who never removes his bulbous, custom-made stage head, even to sleep or shower. Is Frank seriously committed to his shtick, or should he just\u00a0<em>be<\/em>\u00a0committed? The truth is closer to the latter than the former, but when the man performs\u2014gyrating with country-preacher conviction, spewing stream-of-consciousness poetry in a rich baritone\u2014the fine line separating madness from genius blurs. For a while,\u00a0<em>Frank<\/em>\u00a0seems like a one-joke movie, its humor derived solely from the tension between a meek careerist and the reclusive eccentrics barely tolerating his existence. Eventually, however,\u00a0<em>Frank<\/em>\u00a0deepens into something more meaningful, in part, because its empathy shifts from the \u201chero\u201d to the enigmatic artist whose coattails he rides. [A.A. Dowd]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"The_Full_Monty\"><\/span><em>The Full<\/em>\u00a0<em>Monty<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/61aabea3a4877fa8a3d07a9149801582.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Mark AddyScreenshot: The Full Monty<\/figcaption><\/figure>\n<p>Robert Carlyle (<em>Trainspotting<\/em>) stars as a laid-off Sheffield steelworker who devises an unusual scheme to better himself in this boisterous new comedy. Inspired by the popularity of a Chippendales appearance, Carlyle begins recruiting other unemployed men to form their own stripshow. That none of them, for various reasons, are really qualified to be taking off their clothes in public is the source for much of\u00a0<em>The Full Monty<\/em>\u2019s humor\u2014most often in the form of some very funny physical gags\u2014but the film has much more going for it than that one obvious joke would suggest.\u00a0<em>The Full Monty<\/em>\u00a0takes a harsh look at the state of post-Thatcher labor in Britain, portraying some of the humiliation involved with life on the dole. Carlyle\u2019s attempts to win the respect of his young son, and some of the other men\u2019s insecurity with their bodies\u2014a rarely touched topic\u2014are treated sensitively and incorporated seamlessly into the story. [Keith Phipps]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"The_Guilt_Trip\"><\/span><em>The Guilt Trip<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/8b52a2c413780051807f693e628b525b.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Seth Rogen and Barbara Streisand Screenshot: The Guilt Trip<\/figcaption><\/figure>\n<p><em>The Guilt Trip\u00a0<\/em>is casually astute and clever about the way even sane, responsible adults revert back to being prickly children when confronted with the gale-force wind of a parent\u2019s intense, misguided attention. But while Streisand and Rogen\u2019s relationship is smartly, affectionately drawn, just about every other element of the movie feels perfunctory, from the hooey about Streisand\u2019s lost love<em>\u00a0<\/em>to the flat, uninspired direction of\u00a0<em>27 Dresses<\/em>\/<em>The Proposal<\/em><em>\u00a0<\/em>helmer Anne Fletcher. The film\u2019s end credits feature Rogen and Streisand riffing off each other in ostensibly improvised outtakes that are far funnier and livelier than anything in the movie, hinting at the better comedy that might have ensued had the filmmakers trusted their leads\u2019 chemistry and chops more, rather than watering them down with schmaltz and shtick, wacky eating contests, contrived plotting, and a horribly hokey happy ending. [Nathan Rabin]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"High-Rise\"><\/span><em>High-Rise<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/cit3tfft84kwedsblld0.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Photo: High-Rise<\/figcaption><\/figure>\n<p><em>High-Rise<\/em>, a darkly funny adaptation by cult English director Ben Wheatley (<em>Kill List<\/em>,<em>\u00a0<\/em><em>A Field In England<\/em>) of the J.G. Ballard novel of the same title, preserves the book\u2019s \u201970s setting, steeping its vision of a toppling society in retro decadence. Dr. Laing (Tom Hiddleston, very good), a bachelor physiologist from apartment 2505, watches as the titular building regresses into a\u00a0<em>Mad Max<\/em>-esque wasteland of garbage barricades, raiding parties, and literal class warfare following a few blackouts and a problem with the trash chute\u2014a descent into collective madness that\u00a0<em>High-Rise\u00a0<\/em>underplays and elides to surreal (and audience-defying) effect. Wheatley\u2019s use of ellipses and his overall refusal to do anything that might suggest a point of view or invite identification skirt incoherence. As in Ballard\u2019s novel, the building isn\u2019t just a dystopian microcosm of alienation and stratification, with the wealthiest living at the top. It also seems to create a new reality of its own: a killer cocktail of claustrophobia, stylishness, and oblique irony. [Ignatiy Vishnevetsky]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Horrible_Bosses\"><\/span><em>Horrible Bosses<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Horrible_Bosses_Official_Trailer_1_%E2%80%93_2011_HD\"><\/span>Horrible Bosses Official Trailer #1 &#8211; (2011) HD<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><iframe loading=\"lazy\" title=\"Horrible Bosses Official Trailer #1 - (2011) HD\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bU0STezaOyk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><em>Horrible Bosses\u00a0<\/em>succeeds almost entirely on the chemistry of its three leads, who remain likeable even while resorting to homicide. The serviceable-at-best direction and screenplay mainly serve to facilitate improv and a handful of scatological setpieces, but the acting more than compensates for the film\u2019s other failings. Jason Bateman proves, as always, an ideal straight man, while Jason Sudeikis more or less recycles his glibly appealing turn as Owen Wilson\u2019s horndog sidekick in\u00a0<em>Hall Pass<\/em>, but\u00a0<em>Horrible Bosses\u00a0<\/em>belongs to Day. In the film\u2019s funniest scene, a coked-up Charlie Day rocks out to The Ting Tings\u2019 \u201cThat\u2019s Not My Name\u201d in a car in a state of ecstatic frenzy. It\u2019s a virtuoso solo turn from a wild-card actor who excels in groups of three, and a potent illustration of how a brilliant character actor with a spark of madness can elevate a ramshackle lowbrow farce into a solid mainstream comedy through sheer force of charisma. [Nathan Rabin]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Ingrid_Goes_West\"><\/span><em>Ingrid Goes West<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/nb7agzlbuzc2h7isu4cf.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Photo: Ingrid Goes West<\/figcaption><\/figure>\n<p><em>Ingrid Goes West<\/em>\u00a0begins in media res, as Ingrid Thorburn (Aubry Plaza), her face stained with tears and her long dress covered with a dirty oversize sweatshirt, barges into a wedding to pepper-spray the bride, a woman we later find out she barely even knows. After a brief detour to the mental hospital, Ingrid is back home and back to her routine of stuffing limp convenience-store food into her mouth while obsessively scrolling through Instagram in her pajamas. Ingrid\u2019s M.O. is mistaking <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social media<\/a> likes for actual human connection\u2014something she sorely lacks\u2014and so it doesn\u2019t take long for her to zero in on a new obsession, faux-hemian \u201cinfluencer\u201d Taylor Sloane (Elizabeth Olsen). An innocent reply to a comment on Instagram later and Ingrid has cashed in her modest inheritance to move to L.A. and obsessively remake herself in Taylor\u2019s image. This all happens within the first 10 minutes of the film, which devotes much of its running time to skewering the pretentious unpretentiousness of Taylor and her bearded and boat-shoe-clad husband, Ezra (Wyatt Russell). The cast is uniformly strong, although Plaza does a lot of the dirty work as the desperate Ingrid, whose unnerving smile suggests that she could fall back into psychosis at any moment. [Katie Rife]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Logan_Lucky\"><\/span><em>Logan Lucky<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/w2ijbl7kzrv1gq6adzhz.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Logan LuckyPhoto: Fingerprint Releasing\/Bleecker Street<\/figcaption><\/figure>\n<p>As a heist picture,<em>\u00a0Logan Lucky<\/em>\u00a0knows just how often to alternate straight exposition with cagey withholding. The full robbery blueprint is revealed slowly\u2014new details are still twisting the narrative even after the big heist day has passed, perfect for Steven Soderbergh\u2019s control-freak tendencies (once again, he shoots and edits himself). The snappy script by unknown (and possibly pseudonymous) newcomer Rebecca Blunt offers some Coen brothers-like dialogue, which Soderbergh complements with his compositions. Sometimes he gets a laugh just by how he positions the actors in the frame, and there are multiple gags predicated on the timing of explosions. [Jesse Hassenger]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Palm_Springs\"><\/span><em>Palm Springs<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/pky7zxsxcbdglwspnidl.jpg\" width=\"1600\" height=\"901\" \/><figcaption class=\"wp-caption-text\">Photo: Palm Springs<\/figcaption><\/figure>\n<p>Andy Samberg stars as Nyles, a slacker doofus stuck at a destination wedding in Southern California, which he\u2019s attending as the date of a bridesmaid. Blithely wandering the reception in a loud and very informal short-sleeve shirt, Nyles clearly doesn\u2019t have any fucks to give. But he also seems to have a suspiciously premonitory sense of how the night will play out. And before long,\u00a0<em>Palm Springs<\/em>\u00a0reveals the reason for both: He\u2019s stuck in a time warp, waking up every morning to find himself still in Palm Springs on the morning of the wedding. The film employs its magical conceit as a multi-purpose metaphor for a long-term relationship. The flip side, of course, is that monogamy can leave you feeling as stuck as the characters, living the same day over and over again, with only your significant other for company. But\u00a0<em>Palm Springs<\/em>\u00a0wears all that baggage lightly. It\u2019s a sadly rare thing: a sweet, madly inventive, totally mainstream romantic comedy, buoyed by inspired jolts of comic violence (some of them provided by J.K. Simmons as another wedding guest with a very big bone to pick with Nyles). [A.A. Dowd]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Parasite\"><\/span><em>Parasite<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/tamdovcsly4zk1ruo2d3.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Photo: Parasite (Neon<\/figcaption><\/figure>\n<p>The last time Bong Joon Ho made a parable of class warfare, he set it aboard one hell of a moving metaphor: a train looping endlessly around a frozen Earth, its passengers divided into cars based on wealth and status, upward mobility achieved only through lateral revolution.\u00a0<em>Parasite<\/em>, the South Korean director\u2019s demented and ingenious new movie, doesn\u2019t boast quite as sensational a setting; it takes place mostly within a chicly modern suburban home, all high ceilings, stainless steel countertops, and windows instead of walls, advertising the elegant interior decoration within. But there\u2019s a clear class hierarchy at play here, too; it runs top to bottom instead of front to back, vertically instead of horizontally. And though we\u2019re watching a kind of warped upstairs-downstairs story, not a dystopian arcade brawler,\u00a0<em>Parasite\u00a0<\/em>races forward with the same locomotive speed as\u00a0<em>Snowpiercer<\/em>, with plenty of its own twists and turns waiting behind each new door. [A.A. Dowd]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"The_Sandlot\"><\/span><em>The Sandlot<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/tm4bmdeacipe1x84xeug.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Screenshot: The Sandlot<\/figcaption><\/figure>\n<p><em>The Sandlot<\/em>, with its coming-of-age and sports-movie clich\u00e9s, broke molds when it was released in April 1993.\u00a0Director and co-writer David Mickey Evans\u00a0went the\u00a0<em>Stand By Me<\/em>\u00a0route, centering the film on a young cast but setting it in an era more familiar to the parents in the audience. The movie sounds downright trite when distilled down to one sentence: An uncoordinated indoor kid learns to love baseball and make friends in the summer of 1962. A more detailed description would note that the uncoordinated kid accidentally loses his stepdad\u2019s baseball signed by Babe Ruth, and he and his new pals spend most of the film attempting to recover the ball in between first kisses and \u201cnot too much, but some\u201d trouble. As much as\u00a0<em>The Sandlot<\/em>\u00a0replays familiar tropes, the movie succeeds in part because it embraces the magical realism that remolds all our childhood memories into the lore we pass on to the next generation: the baseball the neighbor kid hit that never touched the ground; the scary house around the corner with the dog the size of a lion; hell, at one point\u00a0<a class=\"sc-1out364-0 dPMosf sc-145m8ut-0 oFhFg js_link\" href=\"https:\/\/www.youtube.com\/watch?v=kiS-JN-6JdI\" target=\"_blank\" rel=\"noopener noreferrer\" data-ga=\"[[&quot;Embedded Url&quot;,&quot;External link&quot;,&quot;https:\/\/www.youtube.com\/watch?v=kiS-JN-6JdI&quot;,{&quot;metric25&quot;:1}]]\">the ghost of Babe Ruth even shows up<\/a>.\u00a0<em>The Sandlot<\/em>\u00a0treats these surreal moments with all the seriousness of a fifth-grader\u2014which is to say, it fully believes the myth. [Patrick Gomez]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Support_The_Girls\"><\/span><em>Support The Girls<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/sjdb61zpescdm2ntppgu.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Photo: Support The Girls<\/figcaption><\/figure>\n<p>So many movies perform grotesque contortions (or extraordinary acts of denial) to avoid showing their characters at work, at least if their jobs aren\u2019t cop, lawyer, or secret agent. And who can blame them, really? A lot of work is a soul-crushing slog, something that\u00a0<em>Support The Girls<\/em>\u00a0understands intuitively\u2014so intuitively that writer-director Andrew Bujalski doesn\u2019t need to sink his characters into a swamp of misery to acknowledge the drudgery of working at Double Whammies, sort of a poor man\u2019s Hooters in the Texas suburbs. Applying a one-crazy-day structure to a day that isn\u2019t all that crazy, Bujalski follows Lisa (Regina Hall), the restaurant\u2019s manager, as she plays boss, dutiful employee, counselor, and mother, depending on which crisis she\u2019s addressing. Hall, in exactly the kind of performance that\u2019s too grounded and true to receive the awards attention it deserves, shows deft command of the subtle differences between our various selves\u2014work, family, uncomfortable fusions of the two\u2014that so many working people are forced to navigate. Yet for all of its dead-end realism, this is also a warm and funny movie, with boundlessly charming supporting turns from Haley Lu Richardson, Shayna McHayle, and Dylan Gelula. Workplace drudgery doesn\u2019t preclude glimmers of humanity\u2014and humanity doesn\u2019t guarantee a happy ending, as the movie\u2019s perfectly open final shots indicate. [Jesse Hassenger]<\/p>\n<h2 class=\"sc-1khj4t-4 eAtTYq\"><span class=\"ez-toc-section\" id=\"Wild_Rose\"><\/span><em>Wild Rose<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure style=\"width: 1600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/i.kinja-img.com\/image\/upload\/c_fit,f_auto,g_center,q_60,w_1600\/k9lbdyt313jzxpt93bwj.jpg\" width=\"1600\" height=\"900\" \/><figcaption class=\"wp-caption-text\">Photo: Wild Rose<\/figcaption><\/figure>\n<p>Country music has a long history of brazen women doggedly persevering over daunting personal and societal odds. As far back as 1952, Kitty Wells shredded the hypocrisy of sexual double standards in her song \u201c<a class=\"sc-1out364-0 dPMosf sc-145m8ut-0 oFhFg js_link\" href=\"https:\/\/www.youtube.com\/watch?v=tKleTa94dC8\" target=\"_blank\" rel=\"noopener noreferrer\" data-ga=\"[[&quot;Embedded Url&quot;,&quot;External link&quot;,&quot;https:\/\/www.youtube.com\/watch?v=tKleTa94dC8&quot;,{&quot;metric25&quot;:1}]]\">It Wasn\u2019t God Who Made Honky Tonk Angels<\/a>,\u201d and Loretta Lynn had already given birth to three children when she taught herself to play the guitar in 1953, at the age of 21. Rose-Lynn (Jessie Buckley), the protagonist of Tom Harper\u2019s new social-realist musical drama\u00a0<em>Wild Rose<\/em>, has a life story that\u2019s similar to those of her idols: She\u2019s in her early 20s, fresh off of a 12-month prison sentence on drug charges, and trying\u2014but mostly failing\u2014to reconnect with her 8-year-old daughter and 5-year-old son. Her disapproving mother Marion (Julie Walters) wants Rose-Lynn to give up her dream of becoming a country (<em>not<\/em>\u00a0\u201ccountry and western\u201d) singer. But to Rose-Lynn, country music is \u201cthree chords and the truth.\u201d And you can\u2019t deny the truth. [Katie Rife]<\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &amp; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/film.avclub.com\/the-best-comedy-movies-on-hulu-1844158043\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This list was updated on May 18, 2023. Hulu\u00a0is a great resource for viewers seeking laughs, as this round-up of the platform\u2019s best available comedy movies can attest.\u00a0The A.V. Club\u2019s list particularly proves that Hulu has a few subgenre specialties among their comedic offerings: there\u2019s plenty of romance, from\u00a02 Days In Paris\u00a0to\u00a0Palm Springs; films featuring&#8230;<\/p>\n","protected":false},"author":1,"featured_media":109902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/i.kinja-img.com\/gawker-media\/image\/upload\/c_fill,f_auto,fl_progressive,g_center,h_675,pg_1,q_80,w_1200\/crw5mchryhqrg5xulpsg.jpg","fifu_image_alt":"#The Best Comedy Movies","footnotes":""},"categories":[1,19],"tags":[146376],"class_list":["post-109901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-watch-movies-tv-seriess","tag-the-best-comedy-movies"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/109901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=109901"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/109901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/109902"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=109901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=109901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=109901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}