{"id":12766,"date":"2020-06-22T19:00:00","date_gmt":"2020-06-22T16:00:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/into-the-unknown-making-frozen-2-digs-deep-into-the-challenges-of-making-disney-magic\/"},"modified":"2020-06-22T19:00:00","modified_gmt":"2020-06-22T16:00:00","slug":"into-the-unknown-making-frozen-2-digs-deep-into-the-challenges-of-making-disney-magic","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/into-the-unknown-making-frozen-2-digs-deep-into-the-challenges-of-making-disney-magic\/","title":{"rendered":"#\u2018Into the Unknown: Making Frozen 2\u2019 Digs Deep into the Challenges of Making Disney Magic"},"content":{"rendered":"<p>&#8220;<strong>#\u2018Into the Unknown: Making Frozen 2\u2019 Digs Deep into the Challenges of Making Disney Magic<\/strong>&#8221;<\/p>\n<div id=\"main-bot\">\n<div>\n<div>\n<p>                            <img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"328\"  src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/intotheunknown-frozen2-trustscreening-700x328.jpg\"  width=\"700\"><\/img><\/p>\n<p>Whenever a new movie comes out, there are featurettes that show us generic footage of the cast and crew in production, whether it\u2019s on-location or somewhere on the studio backlot. There are interviews providing vague information about the story and characters along with some sneak peeks of the movie we\u2019ve yet to see. Even the traditional special features included on home video releases of <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> don\u2019t often dig much deeper than that. But <strong><em>Into the Unknown: Making Frozen 2<\/em><\/strong>, a new documentary series available exclusively on Disney  starting on <strong>June 26<\/strong>, provides an unprecedented look at the creative process of making a Walt Disney Animation production, showing the challenges of making a movie that is being anticipated by millions of fans around the world, including moments where production doesn\u2019t always go so smoothly.<span id=\"more-623092\"><\/span><\/p>\n<p>Disney  has been offering a weekly chronicle of the making of the live-action <em>Star Wars<\/em> series <em>The Mandalorian<\/em> with a documentary series where each episode focused on a different aspect of production. And now there\u2019s\u00a0<em>Into the Unknown: Making Frozen 2<\/em>, a six-part documentary series from director <strong>Megan Harding<\/strong>\u00a0that goes behind the scenes of Disney\u2019s high profile animated sequel as the crew works toward the film\u2019s premiere with only 11 months left in the production schedule. There\u2019s a lot of work left to be done on the film, and only about 20% of the movie is completed.<\/p>\n<p>The in-depth series follows the evolution of the movie as it continues to slowly come together, from the writing and recording of songs by married songwriters <span><strong>Kristen Anderson-Lopez<\/strong> and <strong>Robert Lopez<\/strong><\/span>, to the progress of animators\u2019 individual scenes overseen by directors <strong>Jennifer Lee<\/strong> (who is also the chief creative officer of Walt Disney Animation) and <strong>Chris Buck<\/strong>. The series focuses on cracking sequences that just aren\u2019t working, not to mention screening the movie for Disney\u2019s brain trust of animated filmmakers over and over again. There\u2019s even time spent on some of the personal trials and tribulations that unfolded during the year leading to the film\u2019s premiere.<\/p>\n<p>The process of making a Disney movie isn\u2019t too far removed from that of Pixar Animation. It takes three to four years to make a feature length animated movie, and it\u2019s always changing along the way. That\u2019s largely thanks to the movie being screened every now and then for fellow Disney filmmakers, a gathering of some of the brightest minds in animated storytelling. The directors and writers of movies such as <em>Moana,<\/em> <em>Wreck-It Ralph<\/em>, <em>Zootopia<\/em>, <em>The Little Mermaid<\/em>, the upcoming <em>Raya and the Last Dragon<\/em>, and more all come to Disney to watch a rough, unfinished version of the movie comprised of storyboards, animatics, songs, dialogue, and whatever else is available in its current form. After each screening, this brain trust gives raw, honest feedback about the movie, telling the filmmakers to their faces what works, what doesn\u2019t, what\u2019s confusing, what needs improvement, etc. Nothing is off limits. Then Lee and Buck take notes and go back and make improvements to the movie until the next screening. Wash. Rinse. Repeat.<\/p>\n<p>But that\u2019s just the surface-level explanation of how <em>Frozen 2<\/em> marches towards the big screen. Where this new documentary series surpasses other previous sneak peeks behind the scenes of blockbuster movies is the time spent with filmmakers as they make key decisions in the evolution of the story. The series provides several ongoing narratives (at least in the first three episodes provided to us in advance) that reveal the collaborative nature of animated filmmaking, with each person playing a key part in how a movie like <em>Frozen 2<\/em> comes together.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"Into the Unknown: Making Frozen 2 Review\" height=\"335\"  src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/intotheunknown-frozen2-animator-700x335.jpg\"  width=\"700\"><\/img><\/p>\n<p>One thread follows animator <strong>Malerie Walters<\/strong> as she works on several shots for the movie, each requiring their own special touches as Lee and Buck guide her in giving them what they need for the movie. She begins with a shot during Elsa\u2019s big musical number \u201cInto the Unknown\u201d and moves onto another from Kristoff\u2019s big 1980s-inspired rock ballad \u201cLost in the Woods.\u201d Cameras follow Walters as she sits at her animation station and slowly modifies the shots she\u2019s assigned, along with guidance from the animation supervisors. You\u2019ll watch as she pays attention to every meticulous detail on screen for what will amount to only a couple minutes of footage. She changes Elsa\u2019s steps so they don\u2019t seem so clumsy, and gets a little embarrassed when she shows how she utilizes several different amateur recordings of herself to assist in blocking part of a musical sequence involving several singing reindeer. It gives a whole new <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>reciation for just a single moment of animation, and even <strong>Idina Menzel<\/strong> watches in awe at what Walters is working on in a charming, candid moment.<\/p>\n<p>Meanwhile, the biggest hurdle Lee and Buck face through the first three episodes of the series, other than finishing the entire movie, comes from the sequence involving the song \u201cShow Yourself.\u201d It\u2019s one of the most perplexing and difficult parts of the entire production, mostly because they haven\u2019t yet figured out who or what is calling to Elsa, which is the crux of her motivation in this sequel. It\u2019s rather surprising that such an integral moment of the movie is still being figured out at this point in production. This struggle reveals how challenging it can be to bridge the story at the center of the movie, which is helped along by storyboard artists and story editor <strong>Marc E. Smith<\/strong><span>. The documentary doesn\u2019t shy away from the frustration that comes from whipping this particular sequence into shape, highlighting just how painstaking of a process animated filmmaking can be, especially on this scale.<\/span><\/p>\n<p>But for all the hardship that comes with making a Disney movie, there\u2019s infinitely more triumph. It\u2019s truly awesome watching Jennifer Lee and Chris Buck light up as they see the \u201cInto the Unknown\u201d sequence brought to life with a full orchestra for the first time. It has such a swell of power with all those instruments behind it, and the documentary lets the music shine, playing much louder over the lyrics than it does in the movie. There are also touching and crushingly honest moments, such as when Kristen Bell reflects on how the sequence with the song \u201cThe Next Right Thing\u201d helped her deal with her own depression and anxiety, and it\u2019s moving to watch her sing through real tears and she belts out the ballad in the studio.<\/p>\n<p><em>Into the Unknown: Making Frozen 2<\/em> is an informative and fascinating glimpse into the making of one of the biggest animated movies ever made. Some may not be captivated by watching footage of meetings between the various creators of <em>Frozen 2<\/em> and seeing how the cartoon sausage is made. But for those who have more than a passing interest in cinema, especially animation, this is an eye-opening, satisfying endeavor. Plus, there\u2019s still the usual footage of the cast recording lines and songs, but just with more time to show how long the process can take and how the filmmakers work with them to get what\u2019s best for the movie. It made <em>me<\/em> wish I could go back and learn all the tricks of the trade to work in animation, so I can only imagine how it will inspire the next generation of animation geeks.<\/p>\n<p>                            <strong>Cool Posts From Around the Web:<\/strong><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.slashfilm.com\/into-the-unknown-making-frozen-2-digs-deep-into-the-challenges-of-making-disney-magic\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a><\/span><\/p>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener noreferrer\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>if you want to watch Movies or Tv Shows go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/dizi.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dizi.BuradaBiliyorum.Com<\/a> <\/span> for forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#\u2018Into the Unknown: Making Frozen 2\u2019 Digs Deep into the Challenges of Making Disney Magic&#8221; Whenever a new movie comes out, there are featurettes that show us generic footage of the cast and crew in production, whether it\u2019s on-location or somewhere on the studio backlot. There are interviews providing vague information about the story and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[25708,1568,1416,25710,1498,5622,1570,5246,25711,25712,25713,1500,25709],"class_list":["post-12766","post","type-post","status-publish","format-standard","hentry","category-social-mediaa","tag-into-the-unknown-making-frozen-2-digs-deep-into-the-challenges-of-making-disney-magic","tag-featured-stories-sidebar","tag-animation","tag-chris-buck","tag-disney-pixar","tag-documentary","tag-features","tag-frozen","tag-frozen-2","tag-into-the-unkonwn-making-frozen-2","tag-jennifer-lee","tag-sequels","tag-tv-reviews"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/12766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=12766"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/12766\/revisions"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=12766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=12766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=12766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}