{"id":133575,"date":"2020-12-15T04:16:32","date_gmt":"2020-12-15T01:16:32","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-horrible-human-self-and-the-eric-andre-show\/"},"modified":"2020-12-15T04:16:32","modified_gmt":"2020-12-15T01:16:32","slug":"the-horrible-human-self-and-the-eric-andre-show","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-horrible-human-self-and-the-eric-andre-show\/","title":{"rendered":"#The Horrible Human Self and &#8216;The Eric Andre Show&#8217;"},"content":{"rendered":"<p>&#8220;<strong>#The Horrible Human Self and &#8216;The Eric Andre Show&#8217;<\/strong>&#8221;<\/p>\n<div>\n<aside class=\"mashsb-container mashsb-main mashsb-stretched\">\n                <\/aside>\n<p><!-- Share buttons by mashshare.net - Version: 3.7.8--><em>In our new monthly column <strong>Laughed to Death<\/strong>, Brianna Zigler takes a look at the way comedy and <span style=\"font-size: 15.9999px;\">existentialism<\/span> go hand-in-hand in seemingly unlikely ways. In her first entry, she examines how The Eric Andre Show finds success in exploiting \u201cthe <span style=\"font-size: 15.9999px;\">mortifying<\/span>\u00a0ordeal of being known.\u201d<\/em><\/p>\n<hr\/>\n<p>In the Season 4 premiere of\u00a0<strong><em>The Eric Andre Show<\/em><\/strong>, reality TV star <strong>Abby Lee Miller<\/strong> strolls out onto the sound stage. It\u2019s no different than most celebrity <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>earances on Eric Andre\u2019s\u00a0subversive deconstruction of the American late-night talk show formula, but there\u2019s something particularly unsettling about it this time.<\/p>\n<p>Since 2012, faces have emerged from behind a curtain and smiled to a non-existent audience, then they saunter over towards Andre and co-host Hannibal Burress where they believe they\u2019ll be doing the same horse-and-pony show they\u2019ve mastered to a <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/sciencee\/\" data-internallinksmanager029f6b8e52c=\"5\" title=\"Science\" target=\"_blank\" rel=\"noopener\">science<\/a>. But then Andre asks them something like \u201chow many famous people have you slept with?\u201d Or Burress starts boisterously rapping Waka Flocka Flame. Or dead birds fall from the ceiling onto the guest\u2019s lap. Or their armchair literally starts electrocuting them. Or Andre just s<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>s down naked, as he is want to do. It then becomes clear that this celebrity\u2019s agent unknowingly did not book them for a typical talk show appearance, but for some kind of bizarre, perverted <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social<\/a> experiment.<\/p>\n<p>That\u2019s all part of the charm of Andre\u2019s now five-season-long Adult Swim show, in which he precedes every agonizingly brilliant episode by destroying his own set and attacking his house band, followed by him tormenting his celebrity guests with \u201chouse of horrors\u201d pranks along with throwing them obscene questions and comments, interspersed by \u201con the street\u201d bits in which he and\/or Burress go out into the world and torture everyday people. The show combines what <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2020\/06\/18\/movies\/eric-andre-netflix.html\">the <em>New York Times<\/em> calls<\/a> \u201ctalk show satire with aggressive practical jokes perpetrated on unsuspecting onlookers.\u201d<\/p>\n<p>Andre turns something so regimented and respected by the average populace, part of the bread-and-butter of America, into a complete farce, one that exploits the horror of being perceived, forcing celebrities into conveying the closest version of their true selves entirely out of fear. This, paired with voyeuristic and self-mutilating aspects, of both his interviews and uncomfortable \u201con the street\u201d bits, creates a kind of art that explores the fear of the human self and our flesh.<\/p>\n<p>With Abby Lee Miller, the sinister undertones of her manufactured persona crumbling before our very eyes feel different in a way that hadn\u2019t occurred previously on the show. More than ever, she comes off as pathetic, and thus Andre\u2019s taunting becomes utterly cathartic as opposed to cringe-inducing. She emerges onto Andre\u2019s stage all hollow smiles and waves, which she directs at an audience that doesn\u2019t exist. She makes an especially excited-looking expression over at Andre when she first walks out as if to falsely convey that she already knows him. Her confidence is irritating, and her ease is innate. She is happiest and most comfortable when in front of a camera.<\/p>\n<p>Andre promptly removes this cushion from her, however, when he falls into his makeshift interviewer desk and crashes onto the floor. Confused, Miller looks out to the nonexistent audience and to crewmembers around her, seemingly looking for help\u2014for someone, anyone on set who knows what they\u2019re doing and who can assure her that everything will be alright. But there\u2019s no one to help her. She\u2019s utterly alone with her fear and bewilderment, and the safety net of her celebrity persona can\u2019t save her.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-full aligncenter\" src=\"https:\/\/i.gifer.com\/7bSI.gif\" alt=\"Eric Andre Abby Lee Miller\" width=\"480\" height=\"270\"\/><\/p>\n<p>As <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.indiewire.com\/2020\/10\/eric-andre-show-season-5-interview-1234595546\/\">he tells IndieWire<\/a>, Andre is intent on \u201cwarping people\u2019s reality to the point of psychosis\u201d when it comes to both his on the street bits and his in-house interviews, as opposed to genuinely angering or upsetting people\u2014which he still often accomplishes, regardless. This is at odds with the original aims of the conventional American talk show, which merely exists to reinforce and perpetuate cultural hierarchies, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/justtv.files.wordpress.com\/2007\/03\/talk-shows.pdf\">according to media culture and American studies professor Jason Mittell<\/a>.<\/p>\n<p>At the same time, however, by the turn of the 21st century, talk shows became a way to <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/ellenhume.com\/talk-show-culture\/\">entertain a voyeur audience<\/a>, whether a shock jock show, a relationship show, or a late-night talk show. As with late-night talk shows, some \u201cpurported to offer a populist reality check on professional <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">news<\/a> and political discourse,\u201d <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/ellenhume.com\/talk-show-culture\/i-overview-talk-show-culture\/\">writes journalist and media analyst Ellen Hume<\/a>. However, \u201cothers created a no-holds-barred entertainment arena for taboo conduct and language of all kinds,\u201d such as with <em>The Jerry Springer Show.<\/em><\/p>\n<p>Due to the political turmoil of the 1960s and 1970s (the assassination of JFK, Watergate, the Vietnam War, the Pentagon Papers), Americans became more interested in not only knowing what was going on in their country but becoming informed through means other than those given to them by the politicians and news pundits they felt betrayed by. As explained by David Foster Wallace <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/jsomers.net\/DFW_TV.pdf\">in his essay E Unibus Pluram<\/a>, \u201cif even the president lies to you, whom are you supposed to trust to deliver the real?\u201d Thus, talk show hosts found success by harnessing widespread resentment towards what was viewed as the manipulating establishment. Ironically, though, these talk shows often ended up just as inauthentic.<\/p>\n<p>Nowadays, late-night talk shows are far less about challenging any sense of status quo than they are about upholding it, placating or stroking the egos of celebrity elites, and force-feeding to average Americans the idea that wealthy celebrities are \u201cjust like us\u201d while peddling rehearsed, charming anecdotes. Celebrities make mistakes and get into silly little mishaps\u2014just like us\u2014except they\u2019re still beautiful and rich and poised and on national television. And, of course, there\u2019s Jimmy Fallon\u2019s infamous 2016 interview with then-presidential nominee Donald Trump, which was viewed as <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.thedailybeast.com\/jimmy-fallon-was-depressed-after-trump-interview-backlash\">perpetuating a false and harmful perception<\/a> of Trump as benign in the name of entertainment.<\/p>\n<p>Consequently, it seems fitting that Andre\u2019s quest to warp people\u2019s reality is done so through the lens of the late-night talk show formula, which has done much to mirror that reality which only aims to appease us. In the same essay, Wallace writes of the \u201cnormality\u201d that American television <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a>ly upholds; that \u201ctelevision\u2019s whole <em>raison<\/em> is reflecting what people want to see,\u201d which he describes as being akin to \u201can overlit bathroom mirror before which the teenager monitors his biceps and determines his better profile.\u201d<\/p>\n<p>Wallace goes on to write that \u201ctelevision looks to be an absolute godsend for a human subspecies that loves to watch people but hates to be watched itself.\u201d Andre exploits both of these ideas in his show, allowing audiences at home to revel in witnessing celebrities being put into distressing situations that force them to shed their perfectly crafted personas, while still upsetting those same audiences by putting them in his uncomfortable on the street bits. The watchers become the watched, and vice versa.<\/p>\n<p>But Wallace also argues that television is not true voyeurism\u2014\u201dvoyeurism\u201d being the practice of deriving pleasure or sexual gratification from watching people who do not know they are being watched. Despite there certainly being a voyeuristic <em>aspect<\/em> to TV and <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, which has been written about <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/medium.com\/illumination-curated\/voyeurism-is-cinema-317c81944048\">at length in film theory,<\/a> true voyeurism is unachievable by these means, since the people within them know that they are being watched, and are thereby putting on performance specifically for us, the watchers. Films from the likes of Alfred Hitchcock explore themes of voyeurism within the context of the film itself but, still, they are true voyeurism for the audience at home.<\/p>\n<p>\u201cSeeming unwatched in front of a TV camera is a genuine art,\u201d Wallace writes. Even when it comes to reality TV or something like <em>The Jerry Springer Show<\/em>, those being watched are either in control of how they are perceived or are aware of it and willing to be observed in such a manner. So, does this make <em>The Eric Andre Show<\/em> true voyeurism? What happens when the performance ends for the performers? What happens when they lose control over how they are watched by the watchers?<\/p>\n<p>Well, you get Andre\u2019s interview with Abby Lee Miller, or his more infamous one with <strong>Lauren Conrad<\/strong> in Season 3, where she could not stomach Andre\u2019s prank of throwing up fake vomit and eating it in front of her, and she promptly walked off the set. Or, you get his interview from Season 1 with <strong>Demi Lovato<\/strong>, where her genuine terror once she\u2019s assaulted by strobe lights and wild hollering upon her arrival, then sits down in that fated armchair and realizes she is not in a familiar situation that she can control, is so palpable that you almost want to save her.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-full aligncenter\" src=\"https:\/\/66.media.tumblr.com\/d49bc28e058234bd612ae3f256ad4f98\/tumblr_owm905LOf81rrkahjo4_250.gif\" width=\"250\" height=\"178\"\/><\/p>\n<p>This is not always the case, however; some celebrities arrive clueless to the situation and come away bewildered <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.facebook.com\/DJPAULYD\/photos\/hope-u-caught-my-skit-on-the-eric-andr%C3%A9-show-so-funny-\/10153230454479341\/\">but also genuinely charmed<\/a>. Others are comedians or pranksters themselves and looking to <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=SVhme1eb8SI&amp;ab_channel=AdultSwim\">join in on the joke<\/a>. And sometimes \u2014 more frequently now that Andre is far more connected in the entertainment world \u2014 celebrities are <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=bGMJFIGufes&amp;ab_channel=EverythingElse\">purposefully placed within the world of the show<\/a>.<\/p>\n<p>But to strip a celebrity of their mastered public personage could be seen as violating, and for us to bear witness to it makes us complicit in that violation. Perhaps, however, this violation is counterbalanced by Andre\u2019s absurd public pranks for the average Joe and arguable \u201cperformance art\u201d that he weaves in between interview segments \u2014 bits often so removed from any semblance of reality that their forced placement within the real world feels just as violating of reality as the violation of celebrity personas. From \u201cRanch It Up\u201d and \u201cFartsplosion,\u201d to \u201cCat Burglar,\u201d or a blind man with <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=qHctF2uTPxg&amp;ab_channel=ericandreskits\">skin covering where his eyes should be<\/a>, Andre successfully throws civilians into off-kilter states of surrealist disorientation.<\/p>\n<p>Andre wants to put celebrities into a position where they are as far away from control as possible, where their status has no power, and, thus, where they are as equally in prank peril as a bystander on a New York City street. On <em>The Eric Andre Show<\/em>, audiences and celebrities walk upon the same dangerous ground, and Andre fashions himself into a sort of god-like persona of an unearthly realm between worlds, in which he presides over punishing the watched, as well as the watchers.<\/p>\n<p>Furthermore, Andre\u2019s blatant disrespect and apathy for his own body can be seen as mocking the perverse celebrity worship of bodily perfection. Each season, Andre has contorted himself further: in Season 3, he got a Kat Williams perm; in Season 4, he lost weight, stopped showering, stopping washing his hair, and kept out of the sun to make himself as pale as possible \u2014 an overall drastic and disgusting sacrifice <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.vanityfair.com\/hollywood\/2020\/10\/eric-andre-show-season-five\">that his girlfriend at the time could not stomach<\/a>. In Season 5, Andre gained twenty pounds, shaved all the hair on his body, and consistently doused himself in Axe Body Spray. While his guests continue to come to him as beautified and poised as ever, Andre alters himself as to what would be perceived as the polar opposite. He both taunts the body obsession of the celebrity machine while making a statement about how our bodies are meaningless vessels of constant change and decay. Maintaining a perfection that doesn\u2019t truly exist is ultimately futile.<\/p>\n<p>This bodily mutilation and maltreatment extend more immediately to his interviews and street pranks, however, and it often seems as if there is nothing Andre won\u2019t do to himself in the name of bamboozling people. Drinking sludge-colored \u201cmoth water,\u201d crashing himself into a glass storefront, getting hurled into a bookcase by <strong>John Cena<\/strong> (and ending up <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/consequenceofsound.net\/2020\/10\/eric-andre-john-cena-stunt-hospital\/\">seriously injured<\/a>), or urinating into a cup and drinking his own piss. If it will upset and unbalance, it\u2019s entirely on the table.<\/p>\n<p>But despite how unhinged Andre may seem on his show, his real personality is far from the one he presents publicly. He suffers from anxiety, he\u2019s extremely \u201cmellow,\u201d and practices transcendental meditation. Part of his extreme physical transformations between seasons, in fact, have to do with separating his onscreen persona from his real self. In the end, Andre is guilty of what he satirizes on his own show. We all create another self to protect us from the watchers.<\/p>\n<p>In <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/opinionator.blogs.nytimes.com\/2013\/06\/15\/i-know-what-you-think-of-me\/\">a 2013 essay for <em>The New York Times<\/em><\/a>, author Tim Kreider proffers the words \u201cthe mortifying ordeal of being known.\u201d The phrase has since blossomed into a <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/knowyourmeme.com\/memes\/the-mortifying-ordeal-of-being-known\">successful irreverent internet meme<\/a> due to its ability to strike a chord in the age of social media, of endless watching, judging, perceiving. \u201cI Know What You Think of Me\u201d details Kreider\u2019s experience of being accidentally cc\u2019d in an email that was mocking him and reflecting on what it means to exist and be known by others \u2014 both by strangers and loved ones. He writes, \u201cIt is simply not pleasant to be objectively observed \u2014 it\u2019s like seeing a candid photo of yourself online, not smiling or posing but simply looking the way you apparently always do, oblivious and mush-faced with your mouth open. It\u2019s proof that we are visible to others, that we are seen, in all our naked silliness and stupidity.\u201d<\/p>\n<p>Kreider\u2019s essay isn\u2019t directly related to the concept of celebrity and television, to what <em>The Eric Andre Show<\/em>, in particular, strives to do\u2014and yet it is. Celebrities spend their entire careers sculpting themselves unseen, turning into a person that exists only to be watched by a television camera and by the millions of people who look through it. But on Andre\u2019s show, we observe them tricked, embarrassed, pranked, and humiliated. <span style=\"font-size: 1.14285rem;\">Andre created the talk show equivalent of finding a candid photo of yourself online. <\/span><span style=\"font-size: 1.14285rem;\">Celebrities finally become visible, in all their naked silliness and stupidity.\u00a0<\/span><\/p>\n<p>Eric Andre, the man, has since grown in popularity exponentially, since the show\u2019s humble beginnings in an<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2020\/jun\/27\/comedian-eric-andre-we-dont-tell-guests-a-thing-they-waltz-into-a-house-of-horrors\"> abandoned New York City bodega<\/a> in 2012. He\u2019s had roles in TV shows (<em>Man Seeking Woman<\/em>,\u00a0<em>Disenchantment<\/em>) and movies (<em>The Internship<\/em>,<em> Pop Star: Never Stop Never Stopping<\/em>,<em> The Lion King<\/em>). This year, he released a Netflix standup special called <strong><em>Legalize Everything<\/em><\/strong>, and his hidden camera prank movie, <strong><em>Bad Trip<\/em><\/strong>, which he stars in alongside comedians Tiffany Haddish and Lil Rey Howery, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/variety.com\/2020\/film\/news\/bad-trip-netflix-eric-andre-lil-rel-howery-orion-1234605958\/\">was acquired for distribution by Netflix<\/a>\u2014though an official release date has yet to be announced. Young people dress up as his more popular characters for Halloween or cosplay, such as \u201cRanch It Up,\u201d Kraft Punk, \u201cBird Up,\u201d and Froot Loops guy. Many of his lines and bits have gone on to see success as viral internet memes. He has to be careful about where he chooses to do his pranks now\u2014college campuses are <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2020\/06\/18\/movies\/eric-andre-netflix.html\">decidedly off the table.<\/a><\/p>\n<p>And whereas celebrity guests being in on the joke were few and far between in earlier seasons, guests will now take to outright acknowledging mid-interview that they are aware of Andre and his show, that they know exactly what he\u2019s going to do to them, perhaps thinking it might help them be prepared for what\u2019s to come. In a way, it comes off as trying to bargain with Andre, to show him that they\u2019re not so different, that they don\u2019t need to be tortured as much as those who are ignorant of him. Andre has reached a level of celebrity visibility himself that now endeavors to match those of the personalities he \u201cinterviews.\u201d But Andre is intent on making it clear that this will not help them in the least. Andre torments them even worse if they know who he is.<\/p>\n<p><span style=\"font-size: 1.14285rem;\">Kreider wrote that \u201cif we want the rewards of being loved, we have to submit to the mortifying ordeal of being known.\u201d But what is the reward of being known by Eric Andre? <\/span>On <em>The Eric Andre Show,\u00a0<\/em>there is no safety in being known. Not for his guests, not for his audience\u2014 not even for himself. To be known is both the reward and the punishment.\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/the-eric-andre-show-and-the-mortifying-ordeal-of-being-known\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-eric-andre-show-and-the-mortifying-ordeal-of-being-known\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#The Horrible Human Self and &#8216;The Eric Andre Show&#8217;&#8221; In our new monthly column Laughed to Death, Brianna Zigler takes a look at the way comedy and existentialism go hand-in-hand in seemingly unlikely ways. In her first entry, she examines how The Eric Andre Show finds success in exploiting \u201cthe mortifying\u00a0ordeal of being known.\u201d In&#8230;<\/p>\n","protected":false},"author":1,"featured_media":133576,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/Eric-Andre-Show-Abby-Lee-Miller.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[44402,72080,78390],"class_list":["post-133575","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-adult-swim","tag-eric-andre","tag-the-eric-andre-show"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/133575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=133575"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/133575\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/133576"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=133575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=133575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=133575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}