{"id":142308,"date":"2020-12-27T15:16:00","date_gmt":"2020-12-27T12:16:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-20-best-breakout-performances-of-2020\/"},"modified":"2020-12-27T15:16:00","modified_gmt":"2020-12-27T12:16:00","slug":"the-20-best-breakout-performances-of-2020","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-20-best-breakout-performances-of-2020\/","title":{"rendered":"#The 20 Best Breakout Performances of 2020"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3e3a5e55c33\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3e3a5e55c33\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-20-best-breakout-performances-of-2020\/#Sidney_Flanigan_and_Talia_Ryder_Never_Rarely_Sometimes_Always\" >Sidney Flanigan and Talia Ryder (Never Rarely Sometimes Always)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/the-20-best-breakout-performances-of-2020\/#Alan_Kim_Minari\" >Alan Kim (Minari)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/the-20-best-breakout-performances-of-2020\/#Radha_Blank_The_Forty-Year-Old_Version\" >Radha Blank (The Forty-Year-Old Version)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/the-20-best-breakout-performances-of-2020\/#Maria_Bakalova_Borat_Subsequent_Moviefilm\" >Maria Bakalova (Borat Subsequent Moviefilm)<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#The 20 Best Breakout Performances of 2020<\/strong>&#8221;<\/p>\n<div>\n<aside class=\"mashsb-container mashsb-main mashsb-stretched\">\n                <\/aside>\n<p><!-- Share buttons by mashshare.net - Version: 3.7.8--><em>This article is part of our\u00a02020 Rewind<\/em>.\u00a0<em>Follow along as we explore the best and most interesting <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, shows, performances, and more from this very strange year.<\/em>\u00a0<em>In this entry focused on the year\u2019s movies, we spotlight twenty unforgettable breakout performances of 2020.<\/em><\/p>\n<hr class=\"wp-block-separator is-style-wide\"\/>Much has changed in the world this year, and cinema certainly hasn\u2019t come away unscathed. But despite shuttered theaters and delayed releases, one gleaming ray of light that has refused to be dimmed is that of the breakout actor. Whether we caught them on big screens pre-COVID-19 or watched them from home in the months that followed, this year has brimmed over with fresh acting talent.<\/p>\n<p>Some were multi-hyphenates long overdue their share of the limelight \u2014 <strong>Radha Blank<\/strong>, for example \u2014 while others, like <strong>Alan Kim<\/strong> and <strong>Michael Martin<\/strong>, burst onto the scene out of obscurity. Their performances have encompassed a similarly vast array of acting styles, ranging from the devastating naturalism of <strong>Sidney Flanigan<\/strong> and <strong>Talia Ryder<\/strong>\u2019s performances in <em>Never Rarely Sometimes Always <\/em>all the way up to the audaciously improvisational hijinks of <em>Borat Subsequent Moviefilm<\/em>\u2019s <strong>Maria Bakalova<\/strong>. <\/p>\n<p>And while some made their mark by portraying heightened versions of themselves, others did so by taking on the formidable challenge of playing icons of history. Together, 2020\u2019s breakout actors have illuminated the myriad ways there are to leave an indelible impact on cinema. We celebrate twenty of the year\u2019s most exciting new faces below.<\/p>\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<h2 id=\"h-sidney-flanigan-and-talia-ryder-never-rarely-sometimes-always\"><span class=\"ez-toc-section\" id=\"Sidney_Flanigan_and_Talia_Ryder_Never_Rarely_Sometimes_Always\"><\/span>Sidney Flanigan and Talia Ryder (Never Rarely Sometimes Always)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"600\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/sidney-flanigan-talia-ryder-never-rarely-sometimes-always-1.jpg\" alt=\"Sidney Flanigan Talia Ryder Never Rarely Sometimes Always\" class=\"wp-image-360917\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/sidney-flanigan-talia-ryder-never-rarely-sometimes-always-1.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/sidney-flanigan-talia-ryder-never-rarely-sometimes-always-1-768x576.jpg 768w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/sidney-flanigan-talia-ryder-never-rarely-sometimes-always-1-160x120.jpg 160w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/sidney-flanigan-talia-ryder-never-rarely-sometimes-always-1-320x240.jpg 320w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<p>Just as Eliza Hittman\u2019s<em> Beach Rats<\/em> marked an understated debut from Harris Dickinson in 2017, the director\u2019s latest film, <em><strong>Never Rarely Sometimes<\/strong> Always<\/em>, is a quietly striking showcase for its two stars. <strong>Sidney Flanigan<\/strong> and <strong>Talia Ryder<\/strong> play teenage cousins from rural Pennsylvania who are forced to <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">travel<\/a> to New York City when Flanigan\u2019s character, Autumn, unexpectedly needs to access abortion services, a journey that tests their bond and ultimately reveals its profound strength.<\/p>\n<p>In keeping with Hittman\u2019s style, <em>Never Rarely Sometimes Always<\/em> is raw and realist and finds much of its potency from its wordless moments. Ryder and Flanigan fit perfectly into that low-key fabric: their bond feels genuinely sisterly, and their performances are free of emotional hyperbole. They rely less on dialogue than on quiet gestures to communicate the depth and warmth of the connection they share.<\/p>\n<p>Together and separately, their performances give the film its piercing profundity: you\u2019re just as likely to be moved by Skylar\u2019s (Ryder) unwavering devotion to her cousin as you are by the stark emotion of the clinic scene which gives the movie its name. Flanigan\u2019s performance in the latter is surely the most overtly striking moment of the film: during an incredibly raw long-take, a burst dam of pain cracks and then finally shatters Autumn\u2019s sullen mask. <\/p>\n<p>It\u2019s a career-launching moment, as the non-professional actor does here what seasoned professionals might struggle to do even with the luxury of an edit. As with Ryder\u2019s intuitively subtle and affecting supporting work, Flanigan\u2019s sharp performance pays testament not just to Hittman\u2019s casting genius, but also to the still-potent power of understated acting, and its necessity within cinema.<\/p>\n<p><strong><em>What\u2019s next for Flanigan: My Twin is Dead<\/em><br \/><em>What\u2019s next for Ryder: West Side Story<\/em><\/strong><\/p>\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<h2 id=\"h-alan-kim-minari\"><span class=\"ez-toc-section\" id=\"Alan_Kim_Minari\"><\/span>Alan Kim (Minari)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"600\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/alan-kim-minari.jpg\" alt=\"Alan Kim Minari\" class=\"wp-image-360918\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/alan-kim-minari.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/alan-kim-minari-768x576.jpg 768w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/alan-kim-minari-160x120.jpg 160w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/alan-kim-minari-320x240.jpg 320w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<p>From <strong><em>Minari<\/em><\/strong>\u2019s otherworldly score and poetic cinematography to its intimate exploration of identity and belonging, there is much about Lee Isaac Chung\u2019s semi-autobiographical movie that will linger long in the memory. One particular standout, though, is newcomer <strong>Alan Kim<\/strong>, who plays David, Chung\u2019s stand-in within this film about a Korean-American family carving out a life in rural Arkansas in the 1980s.<\/p>\n<p><em>Minari<\/em> sees everything from David\u2019s sensitive, wonderstruck eyes, and at seven-years-old, Kim proves a precociously authoritative lead, more than up to the task of being the film\u2019s frame. His performance feels as unprocessed as cinema\u2019s best child performances do. David is still young enough to betray his most candid thoughts out loud, but he\u2019s also at the stage of development in which his <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social<\/a> self-awareness is burgeoning. It\u2019s a formative period of life, and Kim\u2019s performance gives voice to this barrage of competing influences, whether decisively blurting out his assessments of other people \u2014 \u201cI don\u2019t like Grandma\u201d \u2014 or confronting Othering encounters with white kids at church with blinking bemusement.<\/p>\n<p>Sipping Mountain Dew in his little cowboy boots, he\u2019s also an endearingly sweet presence, and part of the reason Chung\u2019s film feels so precious is that Kim lends it some of his own natural charm. One of <em>Minari<\/em>\u2019s most winning dynamics is the one he shares with septuagenarian co-star Youn Yuh-jung as Soon-ja, David\u2019s grandma (another highlight in an already consummate cast). It never gets old, watching the two spar: him, a little old beyond his years, and her gloriously immature for her age. Their relationship draws out the best in Kim, who is at his most gleefully mischievous and precociously commanding in scenes shared with Youn. That, coupled with the vulnerability he displays in scenes away from David\u2019s family, speaks to this nascent star\u2019s formidable range of talent.<\/p>\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<h2 id=\"h-radha-blank-the-forty-year-old-version\"><span class=\"ez-toc-section\" id=\"Radha_Blank_The_Forty-Year-Old_Version\"><\/span>Radha Blank (The Forty-Year-Old Version)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"600\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/radha-blank-40-year-old-version.jpg\" alt=\"Radha Blank Year Old Version\" class=\"wp-image-360919\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/radha-blank-40-year-old-version.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/radha-blank-40-year-old-version-768x576.jpg 768w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/radha-blank-40-year-old-version-160x120.jpg 160w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/radha-blank-40-year-old-version-320x240.jpg 320w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<p>It\u2019s impossible to separate the naked honesty of <strong><em>The Forty-Year-Old Version<\/em><\/strong>\u2019s <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a> from that of writer-director-star <strong>Radha Blank<\/strong>\u2019s performance. Playing a fictionalized version of herself \u2014 a playwright and teacher who takes stock of her life as her fortieth birthday approaches \u2014 Blank is confronting the Final Boss of vulnerability here. Having already laid herself bare on the page in a script that skewers herself as much as it does the New York theater world, she steps up to claim ownership of her words with this candid lead performance.<\/p>\n<p>Blank takes as her focal point life <em>after<\/em> the big milestones, a time that doesn\u2019t often receive cinematic contemplation when it comes to the lives of Black women. Her character, also called Radha, was once a 30-Under-30 Award recipient and has not long lost her mother (the latter being true for the real Blank, too). It\u2019s hugely moving to see Blank formally integrate commemoration of her mother (also an artist who didn\u2019t get her due) into the film, particularly in a long-deferred reunion with her brother in their mother\u2019s old apartment. The documentary-like rawness of scenes like this blur the film\u2019s official classification as fiction, and press home the profundity of Blank\u2019s performance.<\/p>\n<p>Blank also interweaves self-effacing comedy into her portrayal of Radha grappling with the prospect of another decade of professional disappointment, but neither her gags as written nor her delivery ever undermines the gravity of her character\u2019s crisis or the real-life implications of her film. This, alongside the refreshing directness of Radha\u2019s music \u2014 she reinvents herself as a rapper \u2014 speaks to the extraordinary candor of Blank\u2019s film and her defining central performance. At a time when the anesthetizing touch of studios is all-too-often palpable in visual media, Blank\u2019s multi-hyphenate work here is a reminder of how necessary creative visions that refuse to compromise on their integrity are to the scene, and how exhilarating it is when a voice like hers finally arrives.<\/p>\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<h2 id=\"h-maria-bakalova-borat-subsequent-moviefilm\"><span class=\"ez-toc-section\" id=\"Maria_Bakalova_Borat_Subsequent_Moviefilm\"><\/span>Maria Bakalova (Borat Subsequent Moviefilm)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"600\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/maria-bakalova-borat.jpg\" alt=\"Maria Bakalova Borat\" class=\"wp-image-360920\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/maria-bakalova-borat.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/maria-bakalova-borat-768x576.jpg 768w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/maria-bakalova-borat-160x120.jpg 160w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/maria-bakalova-borat-320x240.jpg 320w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<p><strong>Maria Bakalova<\/strong>\u2019s movie-stealing performance in <strong><em>Borat Subsequent Moviefilm<\/em><\/strong> proved a bigger surprise than the film itself, which was shot in secret and announced a month before debuting on Amazon Prime Video, just before the presidential election. Already a budding talent in her home country of Bulgaria, Bakalova burst into international consciousness this year with a starring role as Borat\u2019s fifteen-year-old \u201cnon-male son,\u201d Tutar, whom <strong>Sacha Baron Cohen<\/strong>\u2019s titular character intends to \u201cgive\u201d as a diplomatic gift to Mike Pence.<\/p>\n<p>But contrary to what that premise suggests, it is Tutar\u2019s feminist awakening, not her objectification, that is the film\u2019s narrative engine. That puts Bakalova on an even footing with Cohen as the movie\u2019s focus, and it\u2019s a responsibility she handles adeptly. In sheer comic nerve, Bakalova more than matches her seasoned co-star: set-pieces like the debutante ball see her as ready and willing as her scene-partner is to audaciously swerve into gross-out territory, while solo stunts like her impromptu speech on the delights of self-pleasure prove her to be a fearless stand-alone talent.<\/p>\n<p>What\u2019s more, like her co-star, Bakalova is as much a dramatic talent as she is a natural comic. Tutar\u2019s journey of self-discovery and her subsequently shifting relationship with her father bring unexpected emotional heft to the movie and catalyze Borat\u2019s own change of character. It\u2019s Bakalova\u2019s endearing portrayal, therefore, that provides the dramatic underpinning that keeps <em>Borat<\/em> <em>Subsequent Moviefilm<\/em> from feeling like an un-evolved rehash of its predecessor. In a sense, then, the movie\u2019s title is a misnomer: this is Tutar\u2019s moviefilm, not Borat\u2019s, and thus Bakalova is its real star.<\/p>\n<p><em><strong>What\u2019s next: Women Do Cry<\/strong><\/em><\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"364\" height=\"99\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2018\/09\/next-page.jpg\" alt=\"Next Page\" class=\"wp-image-327548\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2018\/09\/next-page.jpg 364w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2018\/09\/next-page-150x41.jpg 150w\" sizes=\"auto, (max-width: 364px) 100vw, 364px\"\/><\/figure>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/breakout-performances-2020\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=breakout-performances-2020\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#The 20 Best Breakout Performances of 2020&#8221; This article is part of our\u00a02020 Rewind.\u00a0Follow along as we explore the best and most interesting movies, shows, performances, and more from this very strange year.\u00a0In this entry focused on the year\u2019s movies, we spotlight twenty unforgettable breakout performances of 2020. Much has changed in the world this&#8230;<\/p>\n","protected":false},"author":1,"featured_media":142309,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/12\/breakout-performances-2020-2.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[85942],"class_list":["post-142308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-2020-rewind"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/142308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=142308"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/142308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/142309"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=142308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=142308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=142308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}