{"id":146336,"date":"2021-01-03T17:16:00","date_gmt":"2021-01-03T14:16:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/how-does-the-dolly-zoom-work\/"},"modified":"2021-01-03T17:16:00","modified_gmt":"2021-01-03T14:16:00","slug":"how-does-the-dolly-zoom-work","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/how-does-the-dolly-zoom-work\/","title":{"rendered":"#How Does the Dolly Zoom Work?"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a2d4c36b0883\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a2d4c36b0883\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/how-does-the-dolly-zoom-work\/#Howd_they_do_that\" >How\u2019d they do that?<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/how-does-the-dolly-zoom-work\/#Long_story_short\" >Long story short:<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/how-does-the-dolly-zoom-work\/#Long_story_long\" >Long story long:<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/how-does-the-dolly-zoom-work\/#Whats_the_precedent\" >What\u2019s the precedent?<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#How Does the Dolly Zoom Work?<\/strong>&#8221;<\/p>\n<div>\n<aside class=\"mashsb-container mashsb-main mashsb-stretched\">\n                <\/aside>\n<p><!-- Share buttons by mashshare.net - Version: 3.7.8--><em>Welcome to <strong>How\u2019d They Do That?<\/strong> \u2014 a bi-monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off.<\/em> <em>This entry explains the in-camera effect known as the \u201cdolly zoom.\u201d<\/em><\/p>\n<hr class=\"wp-block-separator is-style-wide\"\/>Even if you\u2019re unfamiliar with its name or how it works, if you\u2019re a fan of <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, you\u2019ve likely seen a <strong>dolly zoom<\/strong>. And if you\u2019ve seen a dolly zoom, you know that its power cannot be denied.<\/p>\n<p>Dolly zooms are an overwhelming and unforgettable effect. If you\u2019ve ever seen a shot where a background warps impossibly, expanding or constricting around a character, you\u2019ve seen a dolly zoom. If you\u2019ve ever seen a shot with a sudden distortion of perspective that zeroes in on the subject, you\u2019ve seen a dolly zoom. And if you\u2019ve ever seen <em><strong>Jaws<\/strong><\/em>, you\u2019ve seen a dolly zoom.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"340\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Jaws-dolly-zoom.gif\" alt=\"Jaws Dolly Zoom\" class=\"wp-image-361152\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Jaws-dolly-zoom.gif 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Jaws-dolly-zoom-768x326.gif 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<p>In all their boldness, dolly zooms can achieve some of cinema\u2019s most powerful moments of visual storytelling. <\/p>\n<p>They can create a sudden sense of unease and disorientation. They can signal powerful and uncanny emotional states such as tension, epiphany, euphoria, and dread. They can make it feel like the floor is dropping out from under you or that the walls are closing in. They can shrink distance or send the background barrelling off into the unknown. When deployed with purpose, like the best effects, they are so much more than a visual flourish.<\/p>\n<p>Employed brazenly, dolly zooms can have a positively brain-breaking effect. And after you scrape your flabbergasted grey matter off the floor, you might find yourself asking: why did that look so strange? How did they manipulate space like that? Did the filmmakers use a green screen? Was it rear projection? What is going on here, exactly?<\/p>\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<h2 id=\"h-how-d-they-do-that\"><span class=\"ez-toc-section\" id=\"Howd_they_do_that\"><\/span>How\u2019d they do that?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3 id=\"h-long-story-short\"><span class=\"ez-toc-section\" id=\"Long_story_short\"><\/span>Long story short:<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Dolly zooms are an in-camera illusion achieved by combining a wide-angle zoom lens, a steady zoom, and a dolly. By dollying and zooming in opposite directions, the foreground elements <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ear to stay the same size while the background appears to squeeze or stretch.<\/p>\n<h3 id=\"h-long-story-long\"><span class=\"ez-toc-section\" id=\"Long_story_long\"><\/span>Long story long:<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Before we begin, I want you to humor me and imagine that you\u2019re looking down a hallway at a window. The further away you stand from the window, the less of the outside world will be visible to you. Now, two things:<\/p>\n<ul>\n<li>From this far-off position, if you were to take out a camera and <strong>zoom-in<\/strong> on the window, it would appear bigger. But the amount of what you could see outside of it would remain the same.<\/li>\n<li>Again, from this distance, if you were to physically approach the window (imitating a <strong>dolly-in<\/strong>), the closer you got, the more of the outside world you\u2019d be able to see.<\/li>\n<\/ul>\n<p>That was a very basic exercise. But these are the fundamental principles of the <strong>dolly <\/strong>and the <strong>zoom<\/strong>. And we need to understand them in order to understand how the dolly zoom works. Also, before we continue, I\u2019m assuming most folks are familiar with what a \u201czoom\u201d is. But the same might not be true for dolly shots. Dolly shots refer to a shot captured by a camera mounted on a wheeled cart, which is usually on tracks. The two dolly moves that concern us are when the camera moves towards (dolly-in) and away from (dolly-out) the subject. To put it differently: zooms magnify, dolly shots move.<\/p>\n<p>Now to recap: if in our imaginary hallway you were to dolly-out or zoom-out to the same spot and look in your viewfinder, you would see an identical image. If you were to zoom-in from this position, the subject (a.k.a. the window), would appear magnified. If you were to dolly-in instead, you would create a visual phenomenon known as \u201c<strong>perspective distortion<\/strong>.\u201d Perspective distortion is the apparent spatial warping of an object and its surrounding area due to the relative scale of nearby and distant features. In other words, it is the phenomenon of objects looking different when a camera\u2019s relative distance to them changes.<\/p>\n<p>The dolly zoom combines all of these basic principles with <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>py results. To get into the nitty-gritty of how it does this, we need to unpack the two traditional types: (1) <strong>dolly-out and zoom-in <\/strong>and (2) <strong>dolly-in and zoom-out<\/strong>.<\/p>\n<p>In both types, the camera focuses on a single point in space (usually the subject). The zoom works to keep the frame crop relatively consistent. And the opposing dolly\/zoom techniques nullify the focal point\u2019s visual movement. This keeps the foreground elements roughly the same size throughout the shot. Meanwhile, everything that isn\u2019t the focal point distorts as the perspective continuously changes. This creates the effect we associate with the dolly zoom. <\/p>\n<p>Broadly speaking, dolly zooms look weird because they are, quite literally, breaking our brains. The human visual system uses size and perspective cues to determine the relative size of objects. So seeing a perspective change <em>without <\/em>a size change is naturally unsettling. <\/p>\n<p>To get more specific, how the distortion looks and feels depends on which dolly zoom you use. If the camera <strong>dollys-<em>out<\/em> and zooms-<em>in<\/em><\/strong>, the longer <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.nikonusa.com\/en\/learn-and-explore\/a\/tips-and-techniques\/understanding-focal-length.html\">focal length<\/a> creates a heightened magnification and a narrower angle of view, flattening the image. This makes it appear as though the background is <em>closing in <\/em>around the foreground subjects. That\u2019s what\u2019s happening in <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/youtu.be\/HZNBtx6RAn4?t=32\">this diner scene in<i> <strong>Goodfellas<\/strong><\/i><\/a><i> <\/i>and this anxiety attack in <em><strong>La Haine<\/strong><\/em>:<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<iframe loading=\"lazy\" title=\"Dolly Zoom\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/iv41W6iyyGs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>If the camera <strong>dollys-<em>in<\/em> and zooms-<em>out<\/em><\/strong> the focal length shortens creating a lower magnification and a wider angle of view, curving the image. This gives the appearance of the background <em>expanding <\/em>around the subject. That\u2019s what\u2019s happening in <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/youtu.be\/gTuCTVJMdQA\">this shot from <em><strong>Poltergeist<\/strong><\/em><\/a> and this shot from <em>Jaws<\/em>:<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<iframe loading=\"lazy\" title=\"Jaws - 1975 &quot;Get Out Of The Water&quot; | Dolly Zoom    1080p 60fps\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5IqRhuz72EE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Dolly zooms can also be a helpful way of seeing the difference between a <strong>telephoto lens<\/strong> and a <strong>wide-angle lens<\/strong>. Let\u2019s go back to that dolly zoom from <em>Jaws<\/em> and compare how it starts with how it ends. When the shot begins, the subject (<strong>Roy Scheider<\/strong>\u2018s Brody) is far away from the camera. We can see less of the background because the lens is focused on a smaller portion of what\u2019s in front of it. Then, when the camera pushes forward while zooming out, the focal length changes. This causes Brody\u2019s face to stretch unnaturally while more of the background becomes observable to us. This is, effectively, a shift between a telephoto lens and a wide-angle lens. And the change from one to another makes an emotional point. In this case: a horrific, stomach-turning realization that an enormous shark is chowing down on a child.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"644\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Jaws-dolly-zoom-telephoto-to-wide-angle.jpg\" alt=\"Jaws Dolly Zoom Telephoto To Wide Angle\" class=\"wp-image-361149\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Jaws-dolly-zoom-telephoto-to-wide-angle.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Jaws-dolly-zoom-telephoto-to-wide-angle-768x618.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<p>The difference between the two types of dolly zooms (expansion or contraction) produces very different emotional responses for the viewer. The contraction effect closes the world around the subject evoking paranoia and impending danger. You can see this at work when Frodo first senses the Nazg\u00fbl in <strong><em>The Lord of the Rings: The Fellowship of the Ring<\/em><\/strong>. By shrinking the distance of the road, the camera implies that this enemy is fast-approaching and that even woods have recoiled in its presence.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"330\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Fellowship-of-the-Ring-dolly-zoom.gif\" alt=\"Fellowship Of The Ring nazgul\" class=\"wp-image-361151\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Fellowship-of-the-Ring-dolly-zoom.gif 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Fellowship-of-the-Ring-dolly-zoom-768x317.gif 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<p>When you do the opposite move (dolly-<em>in<\/em>, zoom-<em>out<\/em>), the world pushes away from the subject. This expands space and can create a domineering sense of isolation and panic. If you\u2019re watching a scene where a hallway extends impossibly (as in <em>Poltergeist<\/em>) you\u2019re most likely looking at a dolly-in, zoom-out.<\/p>\n<p>In the end, three factors contribute to the dolly zoom effect: (1) the direction of the camera\u2019s movement; (2) the speed with which you dolly; and (3) the focal length of the camera\u2019s lens. Ultimately, how filmmakers modulate these factors has a considerable effect on how the shot feels. <\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"331\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Poltergeist-dolly-zoom.gif\" alt=\"Poltergeist hallway\" class=\"wp-image-361150\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Poltergeist-dolly-zoom.gif 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Poltergeist-dolly-zoom-768x318.gif 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<h2 id=\"h-what-s-the-precedent\"><span class=\"ez-toc-section\" id=\"Whats_the_precedent\"><\/span>What\u2019s the precedent?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>In order for a dolly zoom to work correctly, cinematographers require a smooth dolly track and a steady zoom lens that can be controlled reliably and precisely. A key reason for this is that the speed of the dolly and the zoom need to match in order for them to land at the same time. Suffice to say: to make a <em>cinematic <\/em>dolly zoom you need the right equipment. This is the reason it took so long to \u201cinvent\u201d the effect in the first place. Pulling them off is actually rather tricky. <\/p>\n<p>It is <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a>ly accepted that the dolly zoom first appeared in a mainstream motion picture in 1958, with <strong>Alfred Hitchcock<\/strong>\u2018s thriller <em><strong>Vertigo<\/strong><\/em>. In fact, many people know them as <strong>the Vertigo Effect<\/strong>. (The list of pseudonyms is actually very long, and includes the trombone shot, the push-pull, and contra-zoom telescoping). In <em>Vertigo<\/em>, Hitchcock deploys dolly zooms several times to convey  John \u201cScottie\u201d Ferguson\u2019s (Jimmy Stewart) agoraphobia and, well\u2026vertigo. The dolly zoom conveys his sense of nausea, imbalance, panic, and skewed proportion. It\u2019s perfect. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<iframe loading=\"lazy\" title=\"Vertigo (8\/11) Movie CLIP - The Bell Tower (1958) HD\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GjPCk494e5Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Most people agree that <em>Vertigo <\/em>put the dolly zoom on the map. But there are some who say that it was the first film to implement the technique full-stop. According to legend, Hitchcock got the idea for the shot after he got lightheaded at a party and fainted. Supposedly, this idea percolated as far back as <em>Rebecca<\/em>. And as the story goes, Hitchcock approached <em>Vertigo<\/em>\u2018s second unit camera operator, <strong>Irmin Roberts<\/strong>, who developed the shot. <\/p>\n<p>Whether the myth itself is true or not, the fact remains that<em> <\/em>the effect\u2019s presence in <em>Vertigo <\/em>represents the culmination of smoother zoom lens <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/technology\/\" data-internallinksmanager029f6b8e52c=\"4\" title=\"Technology\" target=\"_blank\" rel=\"noopener\">technology<\/a> as well as a narrative need. And if having an effect named after your film isn\u2019t grounds enough to claim precedent, I don\u2019t know what is.\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong>\n<\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/dolly-zoom\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dolly-zoom\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#How Does the Dolly Zoom Work?&#8221; Welcome to How\u2019d They Do That? \u2014 a bi-monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry explains the in-camera effect known as the \u201cdolly zoom.\u201d Even if you\u2019re unfamiliar with its name or how it works, if you\u2019re&#8230;<\/p>\n","protected":false},"author":1,"featured_media":146337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/Jaws-Dolly-Zoom.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[11537,44129],"class_list":["post-146336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-filmmaking","tag-howd-they-do-that"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/146336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=146336"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/146336\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/146337"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=146336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=146336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=146336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}