{"id":186164,"date":"2021-02-22T23:21:44","date_gmt":"2021-02-22T20:21:44","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/toro-y-moi-shares-underneath-the-pine-instrumentals-listen\/"},"modified":"2021-02-22T23:21:44","modified_gmt":"2021-02-22T20:21:44","slug":"toro-y-moi-shares-underneath-the-pine-instrumentals-listen","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/toro-y-moi-shares-underneath-the-pine-instrumentals-listen\/","title":{"rendered":"#Toro y Moi Shares Underneath the Pine (Instrumentals): Listen"},"content":{"rendered":"

“#Toro y Moi Shares Underneath the Pine (Instrumentals): Listen<\/strong>”<\/p>\n

Toro y Moi has shared the instrumentals<\/a> for 2011\u2019s Underneath the Pine<\/em> to celebrate the 10th anniversary<\/a> of his sophomore album. In addition, he\u2019s going to release a new Desert Sun Splatter vinyl<\/a> edition of the record on April 16. Check out Underneath the Pine (Instrumentals)<\/em> below.<\/p>\n

\u201cThis was maybe one of the more challenging records to make,\u201d Toro y Moi said of Underneath the Pine<\/em> in a statement. He continued:<\/p>\n

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It was made between tours for Causers [of This]<\/em> over the course of about [two] months. I’d never really consciously recorded a record. Causers<\/em> was a bunch of demos that I sort of just whipped together. But, Underneath the Pine<\/em> was a bit more conceptual in that I wanted to keep it all natural and free of samples and loops. I worked on it at my parents house in South Carolina by myself and recorded while they were at work and would stop around when they came home. Recording UTP<\/em> really pushed me to learn the proper way to record with multiple mics and acoustic space. I was listening to a lot of disco, funk, astral jazz, and psych rock. The lyrics were once again the last thing I added to the songs, you can hear all of the imperfections and happy accidents sprinkled throughout the record that make so many great moments. When it came to mixing I didn\u2019t know what to expect being that I\u2019d never mixed in a studio before. I ended up finding Chase Park Audio in Athens, GA where engineer Drew Vandenberg helped push my insecurities out the way on mixing my vocals. It was the last record I made before moving to California and a lot of the theme<\/a>s in my lyrics were about leaving home and staying in touch with friends and family. For me this record opened the door to make records like What For?<\/em> and Star Stuff<\/em> (CBMM2). It was a statement to move beyond the bedroom. Thanks to everyone who has supported me and the band for so long, we honestly wouldn\u2019t be here without you.<\/p>\n<\/div>\n<\/blockquote>\n

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Read Pitchfork\u2019s 2019 feature \u201cHow Chillwave\u2019s Brief Moment in the Sun Cast a Long Shadow Over the 2010s.\u201d<\/p>\n

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