{"id":192158,"date":"2021-03-02T15:16:16","date_gmt":"2021-03-02T12:16:16","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/how-david-priors-the-empty-man-survived-the-perfect-hollywood-storm\/"},"modified":"2021-03-02T15:16:16","modified_gmt":"2021-03-02T12:16:16","slug":"how-david-priors-the-empty-man-survived-the-perfect-hollywood-storm","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/how-david-priors-the-empty-man-survived-the-perfect-hollywood-storm\/","title":{"rendered":"#How David Prior&#8217;s \u2018The Empty Man\u2019 Survived the Perfect Hollywood Storm"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a35fc938d051\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a35fc938d051\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/how-david-priors-the-empty-man-survived-the-perfect-hollywood-storm\/#From_DVDs_to_David_Fincher\" >From DVDs to David Fincher<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/how-david-priors-the-empty-man-survived-the-perfect-hollywood-storm\/#AM1200_and_the_beginning_of_The_Empty_Man\" >AM1200 and the beginning of The Empty Man<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/how-david-priors-the-empty-man-survived-the-perfect-hollywood-storm\/#The_unmaking_of_The_Empty_Man\" >The (un)making of The Empty Man<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/how-david-priors-the-empty-man-survived-the-perfect-hollywood-storm\/#The_Empty_Man_as_a_cult_classic\" >The Empty Man as a cult classic<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#How David Prior&#8217;s \u2018The Empty Man\u2019 Survived the Perfect Hollywood Storm<\/strong>&#8221;<\/p>\n<div>\n<aside class=\"mashsb-container mashsb-main mashsb-stretched\">\n                <\/aside>\n<p><!-- Share buttons by mashshare.net - Version: 3.7.9-->Last October, a horror movie came and went. It wasn\u2019t the first time a Hollywood studio dumped a horror movie in the middle of Halloween; given the ongoing pandemic, few films with a theatrical release could have moved the needle in 2020. But in the case of <strong>David Prior<\/strong>\u2019s <em><strong>The Empty Man<\/strong><\/em>, this release was just the tip of the iceberg, the near-final act in a first-time filmmaker\u2019s multi-year struggle to bring his vision to the screen.<\/p>\n<p>In this conversation, Prior explains how he went from being <strong>David Fincher<\/strong>\u2019s prot\u00e9g\u00e9 to the director of 2020\u2019s most ambitious \u2014 and most abandoned \u2014 horror film. We also explore how a perfect storm of production problems and studio politics nearly killed the film, and how a passionate audience has already started to turn <em>The Empty Man<\/em> into a future cult classic.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"From_DVDs_to_David_Fincher\"><\/span>From DVDs to David Fincher<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>History doesn\u2019t repeat itself, but it often rhymes. If <em>The Empty Man<\/em> survives its troubled production and halfhearted theatrical release to become a household name for genre fans, then perhaps this story will serve as a fitting beginning to Prior\u2019s career as a feature filmmaker. For years, Prior worked as a production documentarian for filmmakers such as David Fincher and <strong>Peter Weir<\/strong>, but one of his big breaks came with <strong>Antonia Bird<\/strong>\u2019s <strong><em>Ravenous<\/em><\/strong>, itself a studio disaster that took years to find a passionate audience.<\/p>\n<p>In the years before <em>Ravenous<\/em>\u2019s theatrical release, Prior had built relationships in 20th Century Fox\u2019s home video department thanks to his contributions to the isolated score track on the <strong><em>Alien <\/em><\/strong>DVD release. So when Prior stumbled across <em>Ravenous<\/em> in theaters \u2014 despite a trailer that he describes as a \u201cpiss-poor representation of the movie\u201d \u2014 he saw an opportunity to build on those connections and bring some much-deserved love to Bird\u2019s film.<\/p>\n<p>\u201cI went to those people that I\u2019d met at Fox,\u201d Prior recalls, \u201cand I said, \u2018You know, you guys clearly don\u2019t understand this movie, and I think there\u2019s a real audience for it. I\u2019ve never done a special-edition DVD before, but I\u2019ve certainly watched a lot of Criterion LaserDiscs, and if you just give me a little bit of money, I\u2019ll see what I can throw together.\u201d<\/p>\n<p>His gamble worked. According to Prior, the special-edition release of <em>Ravenous<\/em> sold three times its initial projections, forcing 20th Century Fox to rush extra copies of the film into production. With his credentials established, Prior was given his pick of future home video releases, and his decision resulted in one of the most influential relationships of Prior\u2019s professional career. \u201cI said, \u2018I don\u2019t know what <strong><em>Fight Club<\/em><\/strong> is, but I really want to meet David Fincher, so I\u2019ll do that one. And that led to a relationship with Fincher that goes on to this day.\u201d<\/p>\n<p>Over the next decade, Prior became a powerhouse in behind-the-scenes documentaries, shooting features for such films as <strong><em>Master and Commander<\/em><\/strong>, <strong><em>Zodiac<\/em><\/strong>, and <strong><em>The <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">Social<\/a> Network<\/em><\/strong>. It proved to be a successful and stable career, just not the one that Prior had in mind when he went to Hollywood. \u201cI remember at the time thinking, \u2018This is gonna be something where if I\u2019m not careful, ten, fifteen years of my life is going to go by doing this instead of what I\u2019d rather be doing,\u2019\u201d the director says. So Prior took another gamble, this time using some of his own money to produce the short film that would eventually land him his role with <em>The Empty Man<\/em>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"AM1200_and_the_beginning_of_The_Empty_Man\"><\/span>AM1200 and the beginning of The Empty Man<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Despite having a front-row seat to some of the most iconic film productions of our generation, Prior turned to another medium in 2008 as his inspiration for his first short film, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/vimeo.com\/102372269\"><strong><em>AM1200<\/em><\/strong><\/a>. \u201cAt the time, it felt to me that horror <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> had sort of lost the thread of what\u2019s actually frightening in cinema,\u201d Prior says. Instead, the director found himself drawing on inspiration from horror-survival video <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">game<\/a>s like <em>Silent Hill<\/em>. Prior <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>roached <em>AM1200<\/em> as an exercise in atmosphere, one that was \u201cmore in tune with the kinds of horror movies that I loved growing up.\u201d<\/p>\n<p>Loosely based on an unnerving experience he\u2019d had in his youth, <em>AM1200<\/em> follows the doomed adventures of a white-collar criminal who finds himself drawn to an abandoned radio station. Fans of <em>The Empty Man<\/em> will find a lot to like in <em>AM1200 <\/em>\u2014 the director\u2019s knack for crafting modern Lovecraftian horror stories is on full display \u2014 and the short served as a powerful calling card for Prior in Hollywood. It certainly didn\u2019t hurt that none other than Fincher himself described <em>AM1200<\/em> as proof that Prior was \u201cone of the most promising directors [he\u2019d] ever seen.\u201d<\/p>\n<p>Once <em>AM1200<\/em> made the rounds, the meetings started. Because the short marketed him as a specific type of genre filmmaker, Prior soon learned it would take him a long time to find the right project to call his own. \u201cI spent many years developing projects that came close to happening and never did, or fell apart at the last minute, or turning down every second-rate vampire, or exorcism, or ghost franchise movie that was coming down the pike.\u201d Eventually, though, the team at <strong>Boom! Studios<\/strong> sent him a copy of the<em>\u00a0Empty Man<\/em> series by Eisner Award-nominated writer <strong>Cullen Bunn<\/strong>, and Prior was intrigued.<\/p>\n<p>\u201cAnybody who\u2019s read the comics will \u2014 and has \u2014 noted that the movie is a somewhat less-than-faithful adaptation,\u201d Prior says with a laugh. He\u2019s not wrong. In its original form, Bunn\u2019s series presents our society mid-collapse, where the nightmarish psychic energy of the title character has turned Earth into a <strong>Clive Barker<\/strong>-esque hellscape. Open to a random page of the series, and you are likely to see mass acts of violence or a half-man, half-monster holding a shotgun. Prior went a different route. \u201cI liked the title,\u201d he says, \u201cand a lot of [Bunn\u2019s] concerns \u2014 the broader, deeper concerns \u2014 were things that I had already been writing about.\u201d<\/p>\n<p>So Prior presented a version of <em>The Empty Man<\/em> to the studio that was built on the ideas that Bunn had created but incorporated concepts from one of his own unproduced screenplays. \u201cI said, \u2018Look, if you want a really faithful, straight-up narrative adaptation of this comic book, then I\u2019m not your guy,\u2019\u201d Prior says. \u201c\u2018But if you\u2019re willing to let me bounce it off some stuff that I\u2019ve already been working on and take a slightly different approach and kind of still cast it in the same world, then that\u2019s something I\u2019d be very interested in.\u2019\u201d One green light later, and Prior was in preproduction on his first feature film.<\/p>\n<p>The script was his first victory. The star was his second. From the beginning, Prior knew that he wanted <strong>James Badge Dale<\/strong> to play the film\u2019s ex-cop main character. Dale is something of a household name to genre fans \u2014 his work in films like <strong><em>The Standoff at Sparrow Creek<\/em><\/strong> and <strong><em>Hold the Dark<\/em><\/strong> has made him one of Hollywood\u2019s more underrated leading men \u2014 but Prior traces his appreciation back to 2010, when the actor starred on <strong><em>Rubicon<\/em><\/strong>, AMC\u2019s short-lived television series about a dangerous secret society. \u201cA lot of the show hinges on just how interesting he was to watch doing nothing,\u201d Prior says. \u201cI was waving the James Badge Dale flag from the very beginning.\u201d\u00a0With the backing of his casting director, Prior was able to convince the reluctant studio to cast Dale in the role.<\/p>\n<p>But Dale wasn\u2019t the only piece of the puzzle Prior had in mind. Throughout the writing process, Prior had also been listening to <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.lustmord.com\/\"><strong>Lustmord<\/strong><\/a>, an experimental Welsh musician whose music would also be featured in Paul Schrader\u2019s <em>First Reformed<\/em>. Lustmord\u2019s sound sits somewhere between music and electronic ambiance, and securing his collaboration on the film was an integral part of establishing the tone that Prior wanted for his movie. \u201cI don\u2019t even remember how [I discovered him],\u201d Prior admits with a laugh. \u201cIt might\u2019ve been some kind of biological algorithmic synchronicity or something.\u201d In a nice parallel to his work on <em>Ravenous<\/em>, which combined composer Michael Nyman with Blur and Gorillaz frontman Damon Albarn, Prior also hired <strong>Christopher Young<\/strong>, combining a composer and a popular artist to craft the film\u2019s unique sonic soundscape.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_unmaking_of_The_Empty_Man\"><\/span>The (un)making of The Empty Man<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>And then things started to go wrong. When <em>The Empty Man<\/em> was originally released, many critics assumed that the film\u2019s delays were tied to Disney\u2019s acquisition of 20th Century Fox. For <em>The Empty Man<\/em>, though, the troubles actually began in the final week of production. Most of the film had been shot in South Africa, but the final week of production was set for Chicago, which would double for St. Louis. With bad weather on the horizon, Prior remembered having several conversations with the studio about whether to pause production until the spring or to adjust to the threat of winter weather. When Chicago received two feet of snow overnight, the decision was made for them. Prior hit pause on the production and everyone went home.<\/p>\n<p>It was during this time that feature-film production executive vice president <strong>Mark Roybal<\/strong> \u2014 whom Prior describes as \u201cessential\u201d to getting the film made \u2014 <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/deadline.com\/2017\/03\/mark-roybal-fox-film-production-executive-vice-president-exiting-1202051338\/\">parted ways<\/a> with 20th Century Fox, leaving <em>The Empty Man<\/em> in something of production limbo. \u201cWe came back, we started cutting, and I did a bunch of pre-vis and animatics and storyboards and stuff to fill in the gaps of what we didn\u2019t have,\u201d Prior explains. \u201cFinally, they brought in a new executive and we were able to go finish shooting in the fall.\u201d<\/p>\n<p>The test screening that followed was anything but successful. While the crew had found itself with several unexpected months to start on its working cut, Prior was told he had to assemble a version of the print for test screenings almost immediately. \u201cIt was some ridiculous overlong thing,\u201d Prior admits. \u201cWe just hadn\u2019t had a chance to really fully digest it yet.\u201d Despite having an audience that seemed to laugh and jump in all the right places, the final scores were poor, leaving the movie on shaky ground with the studio. \u201cIt was kind of the exact same thing that happened on <em>12 Monkeys<\/em>,\u201d Prior chuckles. \u201cExcept for the final outcome, of course. We didn\u2019t end up making $160 million.\u201d<\/p>\n<p>And as if that wasn\u2019t enough, <em>The Empty Man<\/em> was operating on a unique clock, one that forced the film to be finalized before Prior was completely satisfied with his edit. \u201cWe distilled it down to pretty much what it is now,\u201d he says, noting that he had intended to do another editorial pass to remove \u201canother six minutes or so\u201d from the final cut. That was when the studio called in a panic. \u201cThey\u2019d suddenly realized they were about to lose the tax rebates from South Africa because there was a time lock on it and they have to deliver the final cut of the movie within a certain time frame.\u201d Just like that, <em>The Empty Man<\/em> had its cut, six extra minutes and all.<\/p>\n<p>Then came the Disney acquisition. Prior is no stranger to film history. Throughout our conversation, he cites several films that fell out of favor with their studio because of changes to the executive team or a reshuffled production slate. So when the Disney <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">news<\/a> became public in early 2019, Prior and his team knew they were facing an uphill climb. \u201cWe knew that that didn\u2019t portend well for any kind of timeliness,\u201d he says, \u201cbecause even if they did intend to release it or support it, they weren\u2019t gonna be doing it for another nine months while they figured out all of the corporate takeover stuff.\u201d<\/p>\n<p>After all these delays, <em>The Empty Man<\/em> limped into theaters in October 2020, more than four full years since it had first been announced. With audiences still avoiding theaters because of the pandemic, the film grossed a mere $2.9 million with domestic audiences \u2014 $4.1 million worldwide \u2014 and generated mostly negative reviews from those critics who did bother to watch it. Even in the narrow genre of studio-backed comic book horror films, this seemed to be an ignominious end for Prior\u2019s film.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Empty_Man_as_a_cult_classic\"><\/span>The Empty Man as a cult classic<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>For plenty of movies, this is where the story would end. But just as Prior\u2019s career began by offering home video audiences a fresh take on what\u2019s now a cult classic, the audience for <em>The Empty Man<\/em> has begun the slow process of finding itself. With elements of Lovecraftian mythos, Japanese horror, and good old-fashioned \u201970s paranoia, <em>The Empty Man<\/em> simply does too many things too well to avoid the attention of like-minded horror fans. And Prior has enjoyed the unique experience of watching his film gain traction through the pleasantly surprised reviews of users on Letterboxd.<\/p>\n<p>As happens with most cult movies, <em>The Empty Man<\/em>\u2019s audience has started to view the film\u2019s alleged weaknesses as its strengths. The twenty-two-minute cold open \u2014 unconventional to say the least \u2014 is the perfect self-selection process for curious horror fans. The film\u2019s one-hundred-and-thirty-seven-minute runtime has also become a major differentiator, something that helps it stand out amid an ocean of ninety-minute horror titles. This extra time is essential to the cosmic mythology Prior builds on the screen, and those with the patience for a more ambitious breed of horror film will find a lot to like in those extra minutes. Prior even remembers getting a call from an executive at a different studio who watched <em>The Empty Man<\/em> because he was intrigued by its length.<\/p>\n<p>Of course, if <em>The Empty Man<\/em> is to develop the kind of word of mouth that will sustain it as a cult classic, it will still need time to unwind some of those initial impressions. \u201cThere\u2019s a kind of promise that the marketing of a film makes to an audience,\u201d he notes. \u201cIt\u2019s not only supposed to attract the right audience; it\u2019s also supposed to repel the wrong audience. And in this case, it did the opposite.\u201d For those horror fans looking more for monsters and jump scares, <em>The Empty Man<\/em> was a frustrating experience, and the damage that word of mouth did to prospective audience members will need to be reversed before new horror fans are willing to roll the dice.<\/p>\n<p>But while some directors may approach cult-classic status as something of a mixed blessing, Prior seems genuinely grateful that an audience has found his film. \u201cWhen somebody discovers something that\u2019s been in the dirt and kicked around, and they go, \u2018Hey, I like this,\u2019 they kind of take an ownership of it,\u201d he concludes. \u201cIt inspires a certain degree of passion that something that\u2019s more of a success out of the gate doesn\u2019t necessarily [get].\u201d And whatever the future holds for <em>The Empty Man<\/em> and its audience, at least Prior knows that he made something worthwhile. \u201cI\u2019ve been very gratified and relieved to see that I wasn\u2019t completely insane, that there is an audience for the movie.\u201d\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/the-empty-man\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-empty-man\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#How David Prior&#8217;s \u2018The Empty Man\u2019 Survived the Perfect Hollywood Storm&#8221; Last October, a horror movie came and went. It wasn\u2019t the first time a Hollywood studio dumped a horror movie in the middle of Halloween; given the ongoing pandemic, few films with a theatrical release could have moved the needle in 2020. But in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":192159,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/02\/The-Empty-Man-20th-Century-Fox-1.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[95861,95862,84265,3241,76110],"class_list":["post-192158","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-david-prior","tag-james-badge-dale","tag-marin-ireland","tag-stephen-root","tag-the-empty-man"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/192158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=192158"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/192158\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/192159"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=192158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=192158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=192158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}