{"id":197914,"date":"2021-03-09T21:00:18","date_gmt":"2021-03-09T18:00:18","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-vigil-and-saint-maud-are-a-killer-double-feature-film\/"},"modified":"2021-03-09T21:00:18","modified_gmt":"2021-03-09T18:00:18","slug":"the-vigil-and-saint-maud-are-a-killer-double-feature-film","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-vigil-and-saint-maud-are-a-killer-double-feature-film\/","title":{"rendered":"#The Vigil and Saint Maud Are a Killer Double Feature \u2013 \/Film"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3fa8722957c\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3fa8722957c\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-vigil-and-saint-maud-are-a-killer-double-feature-film\/#Sitting_The_Vigil\" >Sitting The Vigil<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/the-vigil-and-saint-maud-are-a-killer-double-feature-film\/#The_Entropy_of_Saint_Maud\" >The Entropy of Saint Maud<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/the-vigil-and-saint-maud-are-a-killer-double-feature-film\/#Parables_of_Religious_Horror\" >Parables of Religious Horror<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#The Vigil and Saint Maud Are a Killer Double Feature \u2013 \/Film<\/strong>&#8221;<\/p>\n<div>\n<p>                            <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-661086 aligncenter\" src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-saint-maud-700x350.jpg\" alt=\"\" width=\"700\" height=\"350\" srcset=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-saint-maud-700x350.jpg 700w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-saint-maud-360x180.jpg 360w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-saint-maud-768x384.jpg 768w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-saint-maud.jpg 1400w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p class=\"p1\">Being alone indoors is a common facet of pandemic life, but in <strong><i>The Vigil<\/i><\/strong> and <strong><i>Saint Maud<\/i><\/strong>, it\u2019s also a recipe for religious horror. These two films, which recently hit VOD and streaming, bend in opposite directions yet are cut from the same cloth. Both have\u00a0first-time writer-directors at the helm and both are distributed by indie-horror labels (<strong>IFC Midnight<\/strong> and <strong>A24<\/strong>, respectively). Moreover, both center on an isolated individual who comes to believe that a supernatural force is reaching out to them. In <i>The Vigil<\/i>, it\u2019s a demon from Jewish folklore, the mazzik. In <i>Saint Maud<\/i>, it\u2019s a Welsh-speaking version of God himself.<\/p>\n<p class=\"p1\">Throw in a twitchy dead body under a white sheet, and a bed-ridden woman who\u2019s ready to go Regan MacNeil on you, and you might think you were in store for a schlocky double feature. We\u2019ve seen plenty of flicks like that (not naming any names, but there\u2019s a whole subgenre of exorcism <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, many of which carry <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/editorial.rottentomatoes.com\/gallery\/24-best-and-worst-exorcism-horror-movies\/\"><span class=\"s1\">abysmally low Tomatometer scores<\/span><\/a>.) What separates <i>The Vigil <\/i>and <i>Saint Maud <\/i>from those and unites them as thematic cousins is their serious-minded depiction of trauma and mental health.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-660814 aligncenter\" src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-1-700x316.jpg\" alt=\"\" width=\"700\" height=\"316\" srcset=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-1-700x316.jpg 700w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-1-360x162.jpg 360w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-1-768x346.jpg 768w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-1.jpg 1300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 class=\"p1\"><span class=\"ez-toc-section\" id=\"Sitting_The_Vigil\"><\/span>Sitting <em>The Vigil<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p class=\"p1\">Golems and dybbuks have featured on celluloid before, but as <i>The Vigil <\/i>opens, a new shadow from Jewish demonology comes shambling out of the mist: that of the mazzik, a monstrous pain parasite with a backwards-facing head. It\u2019s on a collision course with Yakov (<strong>Dave Davis<\/strong>), a young Brooklynite struggling to reintegrate into society after leaving his Hasidic community. In the bathroom mirror, he pops a pill before rejoining the members of his support group, who sit around the table, wearing yarmulkes and speaking English peppered with Yiddish.<\/p>\n<p class=\"p1\">Here, we learn that Yakov lacks basic life skills; he showed up for a job interview without a resume and tried to write one for himself on loose paper when they asked for it. Hugging people, exchanging contact information, and using the flashlight on his phone (mark that as Chekhov\u2019s flashlight) are all new to him. Later, we\u2019ll see him googling \u201chow to talk to women.\u201d<\/p>\n<p class=\"p1\">\u201cI just want to be normal,\u201d he says.<\/p>\n<p class=\"p1\">\u201cAnd a big part of that is letting go,\u201d the group leader says. \u201cLetting go of the pain, the trauma, that holds you back.\u201d<\/p>\n<p class=\"p1\">Already, the movie has stated its <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">theme<\/a>. This is a lean 89-minute feature, so less than ten minutes in, we move from the setup about Yakov to the catalyst that sets his harrowing one-night adventure in motion.<\/p>\n<p class=\"p1\">His former rabbi waits for him outside the support group meeting, leaning under the lamppost in his black hat and coat in a subtle visual nod to <i>The Exorcist<\/i>. Yakov\u2019s bleak financial situation has him choosing between medication and meals, and this is how the rabbi ropes him into being a shomer, a sort of night watchman who \u201csits the vigil\u201d over a deceased person before their hearse arrives in the morning. The body, in this case, belongs to a recluse whose previous shomer got spooked and backed out at the last minute.<\/p>\n<p class=\"p3\"><span class=\"s1\">Suffice it to say, b<\/span>eing trapped in the house with a fresh corpse, a widow with dementia, and an entity that feasts on agony can lead to some interesting turns. <span class=\"s1\"><i>The Vigil <\/i>holds a few funhouse scares that might make you jump, and there are some genuinely creepy moments involving Yakov\u2019s phone communications and an old basement recording. <\/span>After watching so many vampire-hunters wield crucifixes in the movies, there\u2019s also a certain novelty to seeing a Jewish man wrap his head and arms in tefillin to go burn the face off a demon.<\/p>\n<p class=\"p3\"><span class=\"s1\">However, somewhere between the ominous music, the quiet stretches where Yakov sits texting, and the unique cultural trappings of a Jewish horror film, there\u2019s an affecting slice of drama about a man with PTSD. <\/span>As the supernatural occurrences mount, Yakov reacts by phoning his therapist, convinced that he is having some kind of hallucinatory episode. \u201cIt\u2019s worse than it\u2019s ever been before,\u201d he says. The reason he left his community comes into focus via flashback: it was a move grounded in deep personal trauma. An antisemitic street encounter that led to worse tragedy has left him carrying some enormous baggage.<\/p>\n<p class=\"p3\"><i>The Vigil<\/i> is a film about human anguish and overcoming the past. It just happens to be couched in horror tropes and the specifics of multi-generational Jewish suffering. Among other things, the script references the Kiev pogroms of 1919 and the Buchenwald concentration camp in Nazi Germany. Filmmaker <strong>Keith Thomas<\/strong> <span class=\"s1\">draws a direct line from Holocaust survivors to hate crime victims, showing how people are broken first by violence, then by guilt. Through it all, lurks the mazzik, the creature that looks back on its own footsteps and attaches itself to a human host who does the same.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-660811 aligncenter\" src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/saint-maud-700x300.jpg\" alt=\"\" width=\"700\" height=\"300\" srcset=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/saint-maud-700x300.jpg 700w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/saint-maud-360x154.jpg 360w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/saint-maud-768x329.jpg 768w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/saint-maud.jpg 1280w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 class=\"p3\"><span class=\"ez-toc-section\" id=\"The_Entropy_of_Saint_Maud\"><\/span>The Entropy of <em>Saint Maud<\/em><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p class=\"p1\">Trauma is what causes Yakov to lose his religion, whereas, in <em>Saint Maud<\/em> (available on Epix), the title character finds herself undergoing a conversion after the fact. She\u2019s a nurse left damaged by an incident where she failed to save the life of a hospital patient.<\/p>\n<p class=\"p1\">Voiceovers take the form of prayers as Maud (<strong>Morfydd Clark<\/strong>) dines alone in her depressing one-room apartment. There\u2019s even less to show of her life than Yakov\u2019s before the inciting incident occurs. At her two-seat kitchenette table, she crosses herself, folds her hands, and begins, \u201cDear God\u201d \u2026 but this isn\u2019t <em>The Color Purple<\/em>. It\u2019s more like The Color Red, as in, boiling tomato soup or blood-stained white robes.<\/p>\n<p class=\"p1\">Ascending the steps to a cliffside mansion, Maud meets her new irreverent outpatient, Amanda (<strong>Jennifer Ehle<\/strong>), a dancer and choreographer now riddled with cancer. During physical therapy, Amanda assumes a Jesus Christ pose on the floor. Yet she fears that nothingness awaits her and she only seems to entertain the notion of Maud\u2019s God as an escape from boredom.<\/p>\n<p class=\"p1\">It seems cliche to apply the \u201cslow burn\u201d label, but this is one of those movies where the horror is more of a mood, bathed in sickly green lights and a portentous musical score. For the better part of 83 minutes, it simmers below the character drama as the film shifts the viewer\u2019s sympathies from one woman\u2019s perspective to another. There are times when Amanda comes off more like a wicked stepmother to Maud, the Cinderella who bathes her, wheels her around the house, and is left to scrub her vomit off the carpet after one of her late-night party sessions.<\/p>\n<p class=\"p1\">Amanda calls Maud her \u201clittle savior,\u201d and Maud latches onto that and makes it her mission to save her soul. Almost im<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a>tely, she finds herself competing for Amanda\u2019s affections, which only exacerbates her loneliness since she doesn\u2019t have the same support network around her that Yakov does. We never see Maud at church, talking to a minister, reading the Bible, or receiving any spiritual guidance. If hers is a faith forged by trauma, it\u2019s also one with no outside input to nourish it.<\/p>\n<p><!-- SlashFilm_300x250_In_Post -->She mistakes her inner monologue for a dialogue.\u00a0This leaves her denying reality while worshipping an imaginary friend or God of her own design.\u00a0The real horror in <em>Saint Maud<\/em> is that of a closed belief system, which can only entropy, the way closed systems do. Cut off from any other meaningful human fellowship, Maud\u2019s belief takes the form of a festering psychosis.<\/p>\n<p class=\"p1\">She talks to God \u2026 and God starts talking back to her in an audible fashion. His spirit, as she perceives it, shivers and pulses through her body, giving her orgasmic experiences. It\u2019s not without a masochistic streak, either. The first hint of this comes when we see her kneeling on popcorn seeds before she prays. Filmmaker <strong>Rose Glass<\/strong> has cited <em>Taxi Driver<\/em> as an influence but <em>Saint Maud<\/em> brings to mind another, more recent Paul Schrader script: namely, <em>First Reformed<\/em>.<\/p>\n<p class=\"p1\">On the streets at night, Maud gives money to panhandlers and blesses them, but the tone of her prayers and her words betray a conceited quality. As the audience, we have a window into her mind and can see the hubris in how she views herself and others.<\/p>\n<p class=\"p1\">\u201cI have little time for creative types as they tend to be rather self-involved,\u201d she prays. And, \u201cDon\u2019t get me wrong, palliative care is noble work, but I always knew you had something more planned for me. It takes nothing special to mop up after the decrepit and the dying. But to save a soul, that\u2019s quite something.\u201d<\/p>\n<p class=\"p1\">There\u2019s a key moment in the film when a friendly face shows up on Maud\u2019s doorstep. It\u2019s like the universe or God has put this person in front of her to be a guardian angel in human form. However, Maud turns her back to her and tunes out what she\u2019s saying. Instead of being in conversation with life, she\u2019s out of synch with it, having her own one-way conversation with herself.\u00a0Maud talks but when it matters most, she doesn\u2019t listen, because she\u2019s so wrapped up in herself that she doesn\u2019t have ears to hear.<\/p>\n<p class=\"p1\"><em>Saint Maud<\/em> is a film that understands the psychology of a certain kind of solipsistic believer. In reality, Maud isn\u2019t very saintly but she\u2019s convinced the clouds will part and she will ascend into heaven like Christ himself. She embodies the paradox of the person who goes out and transgresses in epic fashion at night and then wakes up the next morning and thinks they are saved and called and chosen to do God\u2019s work.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-660817 aligncenter\" src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-2-700x300.jpg\" alt=\"\" width=\"700\" height=\"300\" srcset=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-2-700x300.jpg 700w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-2-360x155.jpg 360w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-2-768x330.jpg 768w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-2.jpg 1200w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 class=\"p1\"><span class=\"ez-toc-section\" id=\"Parables_of_Religious_Horror\"><\/span>Parables of Religious Horror<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p class=\"p1\">Some see horror in religion; others see religion in horror. They\u2019re not necessarily mutually exclusive viewpoints. Both deal with death and the unknown. In some ways, films like <i>The Vigil<\/i> and <i>Saint Maud <\/i>might even be closer to the spirit of biblical parables than <span class=\"s1\">most faith-based movies<\/span>, insofar as they take an artful approach to delivering their themes rather than being openly didactic.<\/p>\n<p class=\"p1\">One of the basic underpinnings of Judeo-Christian belief is that human beings are subject to spiritual influence. You don\u2019t have to be hearing voices to appreciate how outside factors can affect a person\u2019s mental state.<\/p>\n<p class=\"p1\"><i>The Vigil <\/i>and <i>Saint Maud <\/i>offer two different tableaus of a believer beset by forces beyond their understanding. Because these are movies \u2014 indie dramas with a horror bent \u2014 each character\u2019s internal struggle manifests itself in visual terrors. Their survival or self-destruction depends on their ability to confront their own inner demons in a healthy manner.<\/p>\n<p class=\"p1\"><i>The Vigil <\/i>shows a character who has lost his faith because it carries painful associations, but who ultimately needs it back, if only for one night, to overcome the darkness in his own mind. <i>Saint Maud <\/i>shows a character who takes false refuge in her own faulty conceptions of the divine, following them down a path away from the truth, refusing to meet her situation head-on.<\/p>\n<p class=\"p1\">Yakov and Maud are inverses of each other. He faces himself in a narrow corridor; she looks to the sky on an open beach. At a time when people around the globe are more physically isolated or \u201csocially distant\u201d than ever, maybe there\u2019s a lesson to be drawn from these two films and their diverging portraits of stray minds seeking peace and purpose in a hostile world.<\/p>\n<p>                            <strong>Cool Posts From Around the Web:<\/strong><\/p>\n<p>                            <!-- \/post -->\n                        <\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.slashfilm.com\/the-vigil-and-saint-maud\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#The Vigil and Saint Maud Are a Killer Double Feature \u2013 \/Film&#8221; Being alone indoors is a common facet of pandemic life, but in The Vigil and Saint Maud, it\u2019s also a recipe for religious horror. These two films, which recently hit VOD and streaming, bend in opposite directions yet are cut from the same&#8230;<\/p>\n","protected":false},"author":1,"featured_media":197915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/the-vigil-saint-maud.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[1568,1532,1570,1406,14663,96925,96924,19663,93180],"class_list":["post-197914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-featured-stories-sidebar","tag-a24","tag-features","tag-horror","tag-ifc-films","tag-ifc-midnight","tag-religious","tag-saint-maud","tag-the-vigil"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/197914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=197914"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/197914\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/197915"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=197914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=197914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=197914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}