{"id":20084,"date":"2019-04-13T08:27:00","date_gmt":"2019-04-13T05:27:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/video-nasties-the-darkest-films-of-yesterday-watch-online\/"},"modified":"2019-04-13T08:27:00","modified_gmt":"2019-04-13T05:27:00","slug":"video-nasties-the-darkest-films-of-yesterday-watch-online","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/video-nasties-the-darkest-films-of-yesterday-watch-online\/","title":{"rendered":"#Video Nasties: The Darkest Films of Yesterday Watch Online"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a21e82ce1249\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a21e82ce1249\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/video-nasties-the-darkest-films-of-yesterday-watch-online\/#%E2%80%9CVideo_Nasties_The_Darkest_Films_of_Yesterday_Watch_Online%E2%80%9D\" >&#8220;Video Nasties: The Darkest Films of Yesterday Watch Online&#8221;<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9CVideo_Nasties_The_Darkest_Films_of_Yesterday_Watch_Online%E2%80%9D\"><\/span>&#8220;Video Nasties: The Darkest Films of Yesterday Watch Online&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><strong>If you want to watch Video Nasties: The Darkest Films of Yesterday  visit the <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/dizi.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dizi.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"179\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-news-clipping-400x179.jpg\"  width=\"400\"><\/img>\u2018<strong>Video Nasty<\/strong>\u2018 was a term coined in Britain around 1982 which <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>lied to certain films distributed on video cassette that were criticised by the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> and various religious organisations for their violent content. While cinema violence had been regulated by the <strong>British Board of Film Censorship<\/strong> for many years, the lack of regulations for video sales (combined with the claim that any film could be viewed by impressionable kiddies) sparked a massive public debate. Most Video Nasties were low-budget horror films produced in Italy and America. Several major studio productions were banned on video, falling under the legislation designed to control the distribution of violent videos. Major film distributors were slow to embrace the new medium of video tape so, like the drive-in market of the fifties, the video market became flooded with low-budget horror films. Some of these films were passed by the BBFC while others were refused certification, defining \u2018obscenity\u2019 as any film that might <em>\u201cdeprave and corrupt persons who are likely, having regard to all relevant circumstances, to read, see or hear the matter contained or embodied in it.\u201d<\/em> This definition was open to wide interpretation and the choice of titles seized appeared to be completely arbitrary \u2013 one raid confiscated hundreds of copies of the <strong>Dolly Parton<\/strong> musical <strong>The Best Little Whorehouse In Texas<\/strong> (1982) mistaking it for a p*rno.<span id=\"more-48545\"><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"315\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Evil-Dead-VHS-1-400x315.jpg\"  width=\"400\"><\/img>Video tapes of <strong>The Evil Dead<\/strong> (1981) were also seized and destroyed by police. In fact, The Evil Dead could legally be shown in British cinemas \u2013 the BBFC had passed it \u2013 and was premiered at the <strong>London International Film Festival<\/strong>, but BBFC legislation in 1984 proscribed graphic horror films from being sold or rented on video tape, even if they had been approved for theatrical release. Virtually no-one spoke out in public to point out that there are fine distinctions to be made in this moral minefield. Films like <strong>I Spit On Your Grave<\/strong> (1978), with scenes of graphic mutilation and prolonged sexual sadism in a supposedly realistic, almost documentary context, might very properly be condemned and banned. These were films that exploited the dark cowardice of sado-voyeurs. But when the context is clearly fantastic \u2013 when the graphic mutilations appear, so to speak, within the inverted commas provided by the film\u2019s fantastic nature, then surely the question is very different.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"312\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-I-Spit-On-Your-Grave-VHS-1-400x312.jpg\"  width=\"400\"><\/img>In the case of The Evil Dead, for example, the action was so highly conventionalised, so fantastically theatrical, that its undisputed violence is closer to that of a <strong>Tom And Jerry<\/strong> cartoon than the brutality of I Spit On Your Grave. The latter typifies the really obscene form of \u2018Nasty\u2019 in its emphasis on gloating observation, like long scenes of perverse rape or castration, for example. During the eighties, genre cinema seldom placed any emphasis on sexual mutilation, while real Video Nasties place enormous emphasis specifically on this kind of brutality, and on women <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a>ly as sexual victims and\/or avengers. The \u2018tree rape\u2019 scene in The Evil Dead is a brief and rather absurd sequence in admittedly bad taste, while the rape scenes in real Video Nasties tend to be disgracefully prolonged. At the time, the graphic violence of genre cinema was not notably sexist and, even when it was sexist, it was rarely sexual. Filmmaker David Cronenberg once told me that the horror of the body, the horror of decay, is a legitimate and important theme that genre cinema is peculiarly well-suited to contemplate. Art must be able to incorporate ugliness or violence in some manner, and the wholly theatrical rigid conventions of \u2018<strong>Grand Guignol<\/strong>\u2018 visceral horror surely provide an acceptable \u2018distanced\u2019 way of registering the body\u2019s vulnerability. After all, our viscera are separated from the outside world by the thinnest of partitions, and it may help to be reminded occasionally of what lies beneath the skin.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"VN Antropophagus The Beast VHS\" height=\"462\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Antropophagus-The-Beast-VHS.jpg\"  width=\"589\"><\/img><\/p>\n<p>Video Nasties deal with the violation of bodies, of minds, of normality, but very few of these films implicitly invited the audience to join with the oppressor, the violator, the villain. My old friend, author <strong>Gene Wolfe<\/strong>, told me back in 1985,<em> \u201cI think that all of us have a desire to experience the worst so that we can tell ourselves that we can survive the worst. That is part of the appeal of horror.\u201d<\/em> The audiences of graphic horror films may be quite innocent of sadism. They are voluntarily undertaking a kind of rite-of-passage, which is just as likely to be as cleansing and cathartic as it is to be corrupting. The entertainment to be derived from these films need not be sick \u2013 the source of the entertainment is our knowledge that the events we are witnessing are a fiction, just as riding a roller-coaster is not the same as actually plunging off a cliff. Our relief at this, along with the knowledge that we can go home afterwards and have a glass of Absinthe, constitutes a major part of of our response. For this reason, most so-called Video Nasties \u2013 very obviously fictions \u2013 should not be categorised in the same pigeonhole as certain Video Nasties presented in the realist mode.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"313\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Cannibal-Holocaust-VHS-2-400x313.jpg\"  width=\"400\"><\/img><br \/><\/br> For instance, there was a plethora of cannibal films of which <strong>Cannibal Holocaust<\/strong> (1980) was undoubtedly the most disturbing and impressive, as well as being one of the films responsible for initiating the Video Nasty moral panic in the United Kingdom. In fact, the video was indeed released by <strong>Go Video<\/strong>, although not absolutely complete, but most of the atrocity footage was still there. Anthropologist Professor Harold Munro (<strong>Robert Kerman<\/strong>) being dispatched to the Amazon jungle in search of a missing documentary film crew comprising of Alan (<strong>Gabriel Yorke<\/strong>), Faye (<strong>Francesca Ciardi<\/strong>), Jack (<strong>Perry Pirkanen<\/strong>) and Mark (<strong>Luca Barbareschi<\/strong>). Meeting the Tree People, Munro finds them both aggressive and fearful, but he manages to gain their confidence and soon discovers a gruesome totem constructed from the remains of the film crew and their equipment. This includes cans of film which he takes home to develop. These reveal that the documentary crew had systematically terrorised the tribespeople, raping and murdering them, in order to film atrocity footage which they could then present as showing a conflict between the Tree People and the Swamp People. In the end, the tribespeople turn on their tormentors and extract a hideous revenge which the filmmakers, true \u2018professionals\u2019 to the end, manage to capture for posterity in all its revolting detail.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"312\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Cannibal-Holocaust-VHS-1-400x312.jpg\"  width=\"400\"><\/img><br \/><\/br> On one level, Cannibal Holocaust is a savage critique of the whole \u2018Mondo\u2019 school of film-making. At one point Munro is shown extracts from one of the team\u2019s earlier efforts consisting of a montage of African atrocity footage \u2013 a reference to the infamous <strong>Africa Addio<\/strong> (1966). A television executive claims proudly, <em>\u201cEverything you saw there was a put-on and the ratings they got were fantastic!\u201d<\/em> However, as the retrieved footage shows, the crew\u2019s methods go way beyond simply faking events and actually make things happen for the camera to record. These include killing and cutting up a turtle, and setting fire to an entire village: The film crew advance into the village like an invading army, a reflection of My Lai, the real-life Vietnam community which was decimated by an American commando unit. No event, however horrible, is left to go unrecorded. When their guide is bitten on the foot by a snake, the ensuing amputation and cauterisation are captured in loving detail, followed by his death and crude burial. In what they call \u2018primitive social surgery\u2019 a heavily pregnant woman is forced to give birth and then murdered, whilst the foetus is buried in mud. Even their own deaths, which involve the castration of Jack, the multiple rape of Faye, and the disemboweling and devouring of them all, are captured in unflinching detail. Here director <strong>Ruggero Deodato<\/strong>\u2018s documentary style really comes into its own with alarming realism, further helped by the clever use of blank film leader, lab marks and all the other paraphernalia of the cutting room.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"VN Absurd VHS 1\" height=\"338\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Absurd-VHS-1-450x338.jpg\"  width=\"450\"><\/img><\/p>\n<p>By this time, the French theatre tradition of Grand Guignol had become a specialty of the Italians, under the guidance of filmmakers like <strong>Dario Argento<\/strong> and <strong>Lucio Fulci<\/strong>, although Argento is the superior craftsman of the two. His <strong>Suspiria<\/strong> (1976) is a stylish exercise. <strong>Jessica Harper<\/strong> plays the American girl attending a ballet school in a German provincial town. The proprietors of the school are a coven of witches hell-bent on murdering and mutilating their students. The film opens with the heroine, Suzy, leaving a German airport through sliding glass doors and, as she goes through into the wintry night outside, her scarf blows back up around her face as if directed by some unseen hand, but it is only the wind. Set-piece follows set-piece: Girls are picturesquely murdered in art deco settings; one gets her head bisected by a pane of coloured glass; maggots rain from the ceiling; the vast halls of the academy glow with coloured light; we hear a stone bird flapping its wings; a blind man has his throat torn out by his own dog; a student falls into a room surrealistically billowing with great coils of bailing wire; the dead body of a girl with pins in her eyes is reanimated by an invisible witch; art-neuvo irises on a wall hold secrets to hidden passages; whispering can be heard between heavy metal rock songs. The academy is run by Helena Markos, also known as the Mother of Whispers, who is hundreds of years old and looks like it. She is eventually stabbed by a glass dagger \u2013 a reference to Argento\u2019s earlier film <strong>The Bird With The Crystal Plumage<\/strong> (1970) \u2013 plucked from the tail of an ornamental peac**k. The labyrinthine building majestically collapses as Suzy escapes her slow-motion Gothic nightmare.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"315\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Inferno-VHS-2-400x315.jpg\"  width=\"400\"><\/img><br \/><\/br> The flamboyance of Suspiria was sustained in the sequel <strong>Inferno<\/strong> (1980), which is mostly set in a New York apartment house, ancient residence of the second of the three witches, the Mother of Darkness. Here, however, the bravura is faltering, the killings more random. This time around, we cannot identify with any one character, because one-by-one they are demolished not long after they are introduced. There is a straining for effect in the killings \u2013 attacked by cats, attacked by rats, strangled by the wires of an electronic voice-box \u2013 that comes close to being downright ludicrous. <strong>Mario Bava<\/strong> did the special effects and was responsible for the most haunting scene, in which a girl wandering through a dank cellar comes across a well in the floor. Insanely entering it to retrieve a dropped brooch, she finds herself swimming in an underwater room, sumptuously furnished. Through the rippling blue water we see paintings, carpets, grand settees. It is a moment of authentic magic as its subject. Argento is not terribly interested in linear narrative. For him, magic is arbitrary and inexplicable, the result being a fragmentation so extreme as to defy analysis of what it all might mean.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"315\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Zombie-Flesh-Eaters-VHS-1-400x315.jpg\"  width=\"400\"><\/img>Lucio Fulci made the sort of <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> that nice people did not want to see. Perhaps mercifully, as most nice people don\u2019t even know they existed. He is actually the innocent victim of Italian \u2018<strong>Giallo<\/strong>\u2018 and his childlike wish is to show successive horrors each one of which is worse than you could have ever imagined. He is the master of what my old friend <strong>Stephen King<\/strong> called the \u2018Gross-Out\u2019 in his non-fiction book <strong>Danse Macabre<\/strong>. The crude delight Fulci so obviously takes in his special effects probably has a very long history \u2013 even <strong>William Shakespeare<\/strong> used animal entrails as usefully revolting theatre props. Fulci\u2019s <strong>Zombie Flesh Eaters<\/strong> (1979) features members of the living dead with table manners so revolting as to make <strong>George Romero<\/strong>\u2018s zombies look like toffee-nosed gentlemen by contrast. In a neat turn on <strong>Jaws<\/strong> (1975), one of them even makes a meal of a shark. Viewers of the uncensored Video Nasty could witness the horrifying events, such as the gouging-out of an eye, in loving close-up, as well as heads and arms bursting upwards like thick weeds at people passing by.<img loading=\"lazy\" decoding=\"async\" alt=\"VN City Of The Living Dead VHS 1\" height=\"354\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-City-Of-The-Living-Dead-VHS-1-450x354.jpg\"  width=\"450\"><\/img><\/p>\n<p><strong>City Of The Living Dead<\/strong> (1980) carries physical horror into the realms of frank disbelief: A girl is buried alive and her careless rescuer swings a pick through the coffin within millimetres of her face in a series of thunderous blows; A dead priest glares red-eyed at a young woman who obligingly vomits up all her intestines at him; The local idiot boy becomes fascinated with a power drill; Zombie hands reach from outside the frame to pluck off the backs of people\u2019s heads and paddle about in the brains beneath. More ambitious in scope was <strong>The Beyond<\/strong> (1981), in which a New Orleans hotel is built over one of the gates of Hell. By some sort of Lovecraftian geometry, it\u2019s linked by a short flight of stairs to the mortuary of the hospital some miles away where killer zombies abound. Supernatural spiders live in the library, and a strange blind woman lives in a fine house that, in the daylight, is decayed and empty \u2013 she is later mutilated by her own guide dog. Finally the survivors walk through the cellar into the desert of Hell itself, which reflects the oil painting we see at the beginning of the film.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"314\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-The-Beyond-VHS-1-400x314.jpg\"  width=\"400\"><\/img>In fact, in his own repulsive way, Fulci became a force to be reckoned with. <strong>The House By The Cemetery<\/strong> (1981), in which the sinister Doctor Freudstein plays with corpses in the cellar \u2013 indeed, he is one himself \u2013 is at moments both witty and inventive. The unfortunates who live in this house all contrive to finish up in the cellar (one takes an alarming short-cut straight through the floor), and there is also an especially vicious vampire bat to be coped with. The treatment of children in the film is surprisingly tender, especially the scenes of the little boy making friends with the blank little girl (long dead) who exists in the timeless limbo to which he escapes from the cellar at the end, with an epigraph taken from <strong>Henry James<\/strong>. I\u2019m tempted to defend Fulci\u2019s bottom-of-the-barrel sado-exploitation Video Nasties for their macabre joviality, all papier mache and sheep\u2019s guts, and the filmmaker\u2019s ill-advised but admirable insistence on breaking every rule of coherent narrative in order to create the illogicality of a nightmare but, on mature consideration, I won\u2019t.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"315\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-House-By-The-Cemetery-VHS-1-400x315.jpg\"  width=\"400\"><\/img>It wasn\u2019t only the Italians who liked this sort of stuff. There is a strong case for arguing that the first real Video Nasties were two films produced in Italy by American \u2018enfant terrible\u2019 <strong>Andy Warhol<\/strong> who, feeling too languid to direct them himself and handed the job over to <strong>Paul Morrissey<\/strong> \u2013 both writing and direction. <strong>Blood For Dracula<\/strong> (1973) was a mildly p*rnographic vampire parody starring <strong>Udo Kier<\/strong> as Dracula, who is in terrible trouble because he needs the blood of virgins (pronounced \u2018wirgins\u2019) and there aren\u2019t any left locally. He <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">travel<\/a>s by limousine to Italy, where he moves in with a decadent aristocratic family (they hope to marry off one of their many daughters) and attempts to vampirise the sisters, one-by-one, having been assured that they\u2019re all virgins. Thanks to the heroic efforts of the stud gardener (<strong>Joe Dallesandro<\/strong>), he is mistaken. The polluted blood makes Dracula frightfully sick \u2013 he acts as if he suffers terminal tuberculosis throughout the film \u2013 and there are extremely long scenes of him vomiting violently. There is also a very bloody finale, so extreme it resembles a scene from <strong>Monty Python And The Holy Grail<\/strong> (1975), in which the gardener chops off Dracula\u2019s arms, legs and head. In between the moments of nausea and sexual couplings, there are many tedious moments, despite the implausible cameo role played by <strong>Vittoria De Sica<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"314\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Blood-For-Dracula-VHS-400x314.jpg\"  width=\"400\"><\/img><strong>Flesh For Frankenstein<\/strong> (1973), produced in 3-D alongside the 2-D Blood For Dracula, was a bloodthirsty parody featuring ponderously improvised smart-arse dialogue and mild p*rnography, as the stud villager (<strong>Joe Dallesandro<\/strong>) carries on the class struggle in bed with Baron Frankenstein\u2019s wife (who also happens to be the Baron\u2019s sister). There\u2019s internal organs strung everywhere in the Baron\u2019s laboratory, a handsome monster with the head of an innocent local virgin boy, and vast amounts of gore. As the necrophile Baron inserts \u2013 ahem \u2013 a part of his person into the abdominal slit he has carved into one of his latest victims (she is to be the monster\u2019s mate), he says to his assistant, <em>\u201cTo know death, Otto, one must f*ck life in the gall bladder.\u201d<\/em> This is my candidate for Worst Line A Horror Film Ever, although it does sum-up the intellectual level of the film.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" height=\"314\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-Flesh-For-Frankenstein-VHS-2-400x314.jpg\"  width=\"400\"><\/img>These decadent jokes against the decadents did extremely well at the box-office \u2013 audiences enjoyed the 3-D intestines dangling in their faces \u2013 and they definitely had something to do with rendering the Video Nasty acceptable to mainstream viewers. Before you have time to contemplate that last statement, I\u2019ll invite you to please join me next week when I have another opportunity to give you swift kick in the good-taste unit with a terror-filled excursion to the dark side of Hollywood for\u2026Horror <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">News<\/a>! Toodles!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"VN House By The Cemetery VHS 2\" height=\"353\"  src=\"https:\/\/horrornews.net\/wp-content\/uploads\/2012\/02\/VN-House-By-The-Cemetery-VHS-2-450x353.jpg\"  width=\"450\"><\/img><\/p>\n<\/div>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/horrornews.net\/48545\/video-nasties-dark-films-of-yesterday\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a><\/span><\/p>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener noreferrer\">Watch Movies &#038; TV Series <\/a>category<\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>if you want to watch Movies or Tv Shows go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/dizi.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dizi.BuradaBiliyorum.Com<\/a> <\/span> for forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Video Nasties: The Darkest Films of Yesterday Watch Online&#8221; If you want to watch Video Nasties: The Darkest Films of Yesterday visit the Dizi.BuradaBiliyorum.Com \u2018Video Nasty\u2018 was a term coined in Britain around 1982 which applied to certain films distributed on video cassette that were criticised by the media and various religious organisations for their&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[30877,32125,32126,32127,32128,31275,32129,5226,31306,31773,32130,32131,32132,32133,32134,32135,32077,32124,32123,32136],"class_list":["post-20084","post","type-post","status-publish","format-standard","hentry","category-watch-movies-tv-seriess","tag-andy-warhol","tag-banned","tag-blood-for-dracula","tag-cannibal-holocaust","tag-censorship","tag-cult-films","tag-dario-argento","tag-evil-dead","tag-extreme-cinema","tag-feature-article","tag-flesh-for-frankenstein","tag-grand-guignol","tag-lucio-fulci","tag-paul-morrissey","tag-ruggero-deodato","tag-suspiria","tag-video-nasties","tag-video-nasties-the-darkest-films-of-yesterday","tag-video-nasties-the-darkest-films-of-yesterday-watch-online","tag-video-nasty"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/20084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=20084"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/20084\/revisions"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=20084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=20084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=20084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}