{"id":204497,"date":"2021-03-17T19:00:01","date_gmt":"2021-03-17T16:00:01","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-next-great-environmental-horror-movie-film\/"},"modified":"2021-03-17T19:00:01","modified_gmt":"2021-03-17T16:00:01","slug":"the-next-great-environmental-horror-movie-film","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-next-great-environmental-horror-movie-film\/","title":{"rendered":"#The Next Great Environmental Horror Movie \u2013 \/Film"},"content":{"rendered":"

“#The Next Great Environmental Horror Movie \u2013 \/Film<\/strong>”<\/p>\n

\n

\"Gaia<\/p>\n

With shades of Annihilation<\/i>, The Last Of Us<\/i>, and The Ruins<\/i>, Jaco Bouwer<\/strong>\u2018s Gaia<\/i><\/strong> is a welcome addition to the environmental horror canon. South Africa\u2019s Tsitsikamma forest stages a warning from our universe\u2019s mother; a scolding finger pointed towards humankind\u2019s treatment of Earth. When Gaia bleeds, Gaia gets pissed. Tertius Kapp<\/a>\u2019s screenplay is contemplative horror that\u2019s as substantially frustrated as it is enthrallingly tense. Creature elements emphasize costumed contortions, devastation is a colorful bouquet, and consequences are so righteously earned\u2014and yet, we can still sympathize with opposing characters.<\/p>\n

It\u2019s never adversely preachy or obnoxiously intentioned, either. Bouwer succeeds in responsible exploitation that slithers roots under your skin with the creepiest of crawly sensations.<\/p>\n

Park rangers Gabi (Monique Rockman) and Winston (Anthony Oseyemi) cut surveillance routines short to investigate an ancient stretch of woodland after Gabi\u2019s drone glimpses a suspicious figure. Winston agrees to an hour canvas of the area, but that\u2019s before Gabi is spiked through the foot via trap. It\u2019s not long after that Gabi meets Barend (Carel Nel) and Stefan (Alex van Dyk), survivalists living off the surrounding land. Both father and son address Gabi\u2019s wound, but nightfall brings unidentifiable threats and no sign of Winston. Barend suggests they\u2019re standing on hallowed ground, where a deity no longer slumbers. Civilization has woken a beast, and their reckoning looms over the horizon.<\/p>\n

The protest propelling Gaia<\/i> doesn\u2019t mince words. Barend raises Stefan wholly self-sufficient, where Gabi\u2019s smartphone puzzles the primitive boy, and trucks are \u201cmonsters.\u201d Gabi\u2019s conformity under societal norms makes her an outcast, as Barend prays to the \u201cMother of Creation and Destruction.\u201d History\u2019s industrial revolution is referenced as a war humanity started and a war that \u201cGaia\u201d is losing\u2014the impetus for her appropriate backlash. It\u2019s commonplace pro-conservation rhetoric, but Barend\u2019s scribbled manifestos and disciple behavior towards a bulbous tree-hole altar elevate the film\u2019s fantasy allure. Not to mention biblical parallels to blind fanaticism that even teases religious replications of Abraham and Isaac\u2019s trial, whether or not climaxes mirror scripture reads.<\/p>\n

As for the genre elements nurtured by Bouwer\u2019s green thumb, fungal spores dance along windblown currents as this blustery depiction of nature\u2019s innocence\u2014until inhaled or absorbed by human bodily systems. Gabi\u2019s nightmares blossom microorganism plumes out of raw lacerations, growing within a fleshy host. It\u2019s unquestionably gorgeous makeup design as various decorated mushrooms, mosses, and fungi entomb breathing vessels without losing horrific implications. Gaia<\/i> wages an airborne assault in addition to sightless creatures launching berserker attacks after nightfall, all as Gabi comprehends her incomprehensible scenario. Barend becomes Gabi\u2019s only hope for escape, unless his devotion to foliage and soil corrodes barbaric hospitality with whispers of sacrificial offers.<\/p>\n

Perhaps the complications between characters and themes are what emboldens Gaia<\/i>. Gabi\u2019s relationship with Barend is hesitant but open to discussions. Stefan\u2019s boyhood adolescence sparks obvious but hormonally anxious chemistry as the young teenager encounters a beautiful woman for presumably the first time. Barend and Stefan genuinely offer Gabi aid, but Gabi\u2019s curiosity strengthens bonds that elongate her stay beyond hallucinogenic portals into dream states about Mother Earth\u2019s almighty wishes. Nor does the screenplay struggle with generating empathy within characters like Gabi despite scathing condemnations about how Gabi\u2019s tech-glued, emission unsavvy, greedy society is destroying our home planet. Bouwer\u2019s vision never one-dimensionally punishes those deserving Gaia\u2019s anger; rich narrative complexities weigh multiple angles\u2014but revenge is still best served homegrown.<\/p>\n

Gaia<\/i> is a dazzling bio-horror excursion from the opening minute where cinematographer Jorrie van der Walt inverts his camera to sell glassy river reflections of dense treelines as to distort stabilization, in one of many choice stylistic maneuvers. Alarm heightens as a pulsating red light against blackened backdrops amplifies the beating heart within Gaia\u2019s barky husk, cementing the visual proficiency of this sometimes hunt-and-stalk, sometimes parasitic, always damning advocation for cleaner lifestyles. As if writhing scenic callbacks to Antichrist<\/i> weren\u2019t enough? Jaco Bouwer commands a confident vision slathered in mud, conscious of diminishing resources, and inspired to strike molecular retribution\u2014but don\u2019t sigh. Monsters with extendable vines, immortal malevolence, and ferocious resolutions confirm no leisurely weekend stroll through the park.
\n\/Film Rating: 8 out of 10<\/strong><\/p>\n

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“#The Next Great Environmental Horror Movie \u2013 \/Film” With shades of Annihilation, The Last Of Us, and The Ruins, Jaco Bouwer\u2018s Gaia is a welcome addition to the environmental horror canon. South Africa\u2019s Tsitsikamma forest stages a warning from our universe\u2019s mother; a scolding finger pointed towards humankind\u2019s treatment of Earth. When Gaia bleeds, Gaia…<\/p>\n","protected":false},"author":1,"featured_media":204498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Gaia-Review.jpeg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[1568,1570,98177,1406,7598,39230],"class_list":["post-204497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-featured-stories-sidebar","tag-features","tag-gaia","tag-horror","tag-movie-reviews","tag-sxsw"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/204497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=204497"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/204497\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/204498"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=204497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=204497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=204497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}