{"id":213155,"date":"2021-03-28T16:16:11","date_gmt":"2021-03-28T13:16:11","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/these-cameras-race-at-800-mph\/"},"modified":"2021-03-28T16:16:11","modified_gmt":"2021-03-28T13:16:11","slug":"these-cameras-race-at-800-mph","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/these-cameras-race-at-800-mph\/","title":{"rendered":"#These Cameras Race at 800 MPH"},"content":{"rendered":"<p>&#8220;<strong>#These Cameras Race at 800 MPH<\/strong>&#8221;<\/p>\n<div>\n<aside class=\"mashsb-container mashsb-main mashsb-stretched\">\n                <\/aside>\n<p><!-- Share buttons by mashshare.net - Version: 3.7.9--><em><strong>Check the Gate<\/strong> is a column where we go one-on-one with directors in an effort to uncover the reasoning behind their creative decisions. Why that subject? Why that shot? In this edition, we chat with Adam Wingard and discuss how you shoot a title match as epic as Godzilla vs. Kong.<\/em><\/p>\n<hr\/>\n<p>There can be only one\u2026perfect monster. In anticipation of <strong><em>Godzilla vs<\/em><\/strong>. <strong><em>Kong<\/em><\/strong>, it\u2019s a debate we\u2019ve been having around the FSR offices for the last several weeks. We\u2019ve taken the conversation to you, the loyal reader, with our Bigger Than a Barn monster bracket. Everybody has their favorites, and it\u2019s fun to root for the underdog (go get \u2019em, <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">Game<\/a>ra!), but it\u2019s also obvious that our society has dubbed Godzilla and Kong the top two contenders.<\/p>\n<p>These two titans started it all. <strong><em>King Kong<\/em><\/strong> originally stomped into theaters in 1933, but it was the financially stunning 1952 re-release that inspired <strong><em>Godzilla<\/em><\/strong> producer Tomoyuki Tanaka to plunge into the monster business. Born from atomic terror, the titular lizard kaiju seized the public\u2019s attention, and sequels flooded the market. However, it only took two films before the franchise brought the icons together with <strong><em>King Kong vs<\/em>. <em>Godzilla<\/em><\/strong> in 1962.<\/p>\n<p>That title bout is an absolute blast once the two rubber suits start smashing on each other, but there are also far too many sequences involving droning, dull humans. A flaw director <strong>Adam Wingard<\/strong> most definitely did not want to replicate once he became the referee stuck between the raging brawlers. His <em>Godzilla vs<\/em>. <em>Kong<\/em> is a breakneck contest of champions. Coming in at one-hundred-and-thirteen minutes, the latest (and possibly last) MonsterVerse entry supplies only the bare minimum when it comes to people. No disrespect toward Millie Bobby Brown, Alexander Skarsg\u00e5rd, or Rebecca Hall, but Godzilla and Kong are the stars. No puny human can, or should, take their spotlight.<\/p>\n<p><iframe loading=\"lazy\" title=\"Godzilla vs. Kong \u2013 Official Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/odM92ap8_c0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>When considering our One Perfect Monster bracket, Wingard has nothing but admiration for the competitors below Godzilla and Kong. The Rancor is cool, no doubt. Who would deny The Blob\u2019s repulsive might? Every Ray Harryhausen creation demands deference and awe.<\/p>\n<p>\u201cIf you asked me when I was a kid,\u201d says Wingard, \u201cStay Puft Marshmallow Man would probably have been really far up on that list. But I don\u2019t know. There\u2019s something about the idea of Godzilla vs. Kong that has always felt like the ultimate endgame for monsters. Maybe it\u2019s the simplicity of the fact that Godzilla represents the East and Kong somehow represents the West. It feels somehow like the Democrats versus the Republicans. The red versus the blue. There\u2019s just something im<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a>te about that.\u201d<\/p>\n<p><em>Godzilla vs<\/em>. <em>Kong<\/em> taps into our primate nature. The desperate clash for survival rests in us all, and selecting a champion speaks to our belief. We want to come out on top. We want dominion on this planet. We have to pick our colossus carefully.<\/p>\n<p>\u201cMaybe it\u2019s because Kong is so very human-like,\u201d he continues. \u201cHe\u2019s got opposable thumbs. There\u2019s something about us like him. Godzilla represents more of a cold, reptilian thing. They\u2019re polar opposites \u2014 warm-blooded, cold-blooded. And as the director, honestly, that\u2019s what made it so fun to direct them. Their fighting styles are so drastically different.\u201d<\/p>\n<div id=\"attachment_364419\" style=\"width: 710px\" class=\"wp-caption alignnone\"><img decoding=\"async\" aria-describedby=\"caption-attachment-364419\" loading=\"lazy\" class=\"size-large wp-image-364419\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/one-perfect-monster-final-bracket-1090x571.jpg\" alt=\"One Perfect Monster Final Bracket\" width=\"700\" height=\"367\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/one-perfect-monster-final-bracket-1090x571.jpg 1090w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/one-perfect-monster-final-bracket-800x419.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/one-perfect-monster-final-bracket-768x402.jpg 768w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/one-perfect-monster-final-bracket-1536x804.jpg 1536w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/one-perfect-monster-final-bracket.jpg 1600w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\"\/><\/p>\n<p id=\"caption-attachment-364419\" class=\"wp-caption-text\">Click to Enlarge<\/p>\n<\/div>\n<p>When you look at the <em>Godzilla<\/em> franchise as a whole, the character frequently swings from bad to good to bad again. Within the MonsterVerse, Godzilla has mostly been used as a good guy or as a global defender protecting humanity from eradication. With Kong in play, the decision was made to place Godzilla back into a more antagonistic role.<\/p>\n<p>\u201cI always saw Godzilla as the heel of the movie,\u201d says Wingard. \u201cHe\u2019s Undertaker, and Kong is <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.wwe.com\/superstars\/mick-foley\">Mankind Mick Foley<\/a>. Whenever you have that sort of opposition, the heel has to be more mysterious. He\u2019s blowing stuff up, and there are obviously characters trying to figure out why that is. But at the end of the day, that creates this protagonist kind of thing with Kong.\u201d<\/p>\n<p>In <em>Godzilla vs<\/em>. <em>Kong<\/em>, Godzilla takes the backseat to Kong. We spend most of our time with the Skull Island citizen. The ape\u2019s command over screentime doesn\u2019t hint at Wingard\u2019s preference. It\u2019s merely a story necessity.<\/p>\n<p>\u201cKong is also the underdog,\u201d he says. \u201cHe\u2019s at a severe disadvantage in terms of this fight. Nobody wants to watch <em>Rocky<\/em> and have it be about Apollo Creed because he\u2019s already ahead. What even is that movie? It\u2019s just [Apollo] relaxing, having fun, being confident. Then he fights this guy at the end of the movie, and he\u2019s kind of surprised that the guy\u2019s pretty good? You want to follow the character that has the most to prove and has the most odds stacked against them.\u201d<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-364416\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/Godzilla-vs-Kong-Ending-Explained.jpg\" alt=\"Godzilla Vs Kong Ending Explained\" width=\"800\" height=\"330\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/Godzilla-vs-Kong-Ending-Explained.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/Godzilla-vs-Kong-Ending-Explained-768x317.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p>Kong is the heart of the movie. He\u2019s the emotional character. With a hero in place, Godzilla is free to rampage. Our cities have never been so fragile, nor the devastation so eagerly pornographic. Godzilla turns a rage we never knew he had against us. It\u2019s a nightmare to behold.<\/p>\n<p>\u201cI wanted to really get you right in there,\u201d says Wingard. \u201cI think this is the first film in these Godzilla <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> where we have a lot of POVs from the monsters as well. Even though you\u2019re trying to be dynamic as possible, you want to try to ground the camera work. But we do some things that are just totally impossible for cameras to do. If you put a speedometer to it, the camera\u2019s moving eight-hundred miles per hour for some of these shots. We tried to think, \u2018If you were actually filming this, there would be a helicopter over there and we\u2019d attach a camera to Godzilla\u2019s fins.&#8217;\u201d<\/p>\n<p>Wingard\u2019s mission was to make <em>Godzilla vs<\/em>. <em>Kong<\/em> as immersive as possible without betraying the viewer\u2019s brain. Too often, the director has felt a film lose itself when the digital cinematography takes over. Even the best films, especially during CGI\u2019s early days, fumble their reality during these particular and peculiar transitions.<\/p>\n<p>\u201cI love Peter Jackson,\u201d he says. \u201cI love <em>The Lord of the Rings<\/em> and all that stuff. But the one thing that always irked me when I saw those films was like, \u2018Okay, we\u2019re going to cut to a castle or something like that. And the camera\u2019s going to zoom all around it.\u2019 Well, why is the camera, all of a sudden, spinning around this stuff? It\u2019s not doing that around the normal characters and everything. I always try to be conscious about that, even though that\u2019s not a great example, because that\u2019s a great movie, but it\u2019s where the origin of my thought process kicked into gear.\u201d<\/p>\n<p>Wingard marathoned the Godzilla franchise before stepping behind the camera. He picked his favorite battles and his favorite arenas. When Godzilla and Kong finally put the \u201cvs.\u201d between them, the climactic rumble must stand apart from everything previously conceived. A challenge Wingard delighted in conceptualizing.<\/p>\n<p>\u201cI wanted to see Godzilla and King Kong in environments that I hadn\u2019t seen them in before,\u201d says Wingard. \u201cI have a natural inclination toward colorful tones. I wanted to know what neon would look like reflecting off Godzilla\u2019s scales and off Kong\u2019s fur. These characters have been in so many movies. We\u2019ve seen them do so many things in different environments, but we hadn\u2019t really seen them like this before. And obviously, when you\u2019re making a Godzilla film, you have to have a big city fight. You got to go there.\u201d<\/p>\n<p>With Hong Kong serving as the ring, Godzilla and Kong go the full twelve rounds. As they tear through skyscrapers and pound their weight upon each other, it\u2019s easy to see the child who became the man puppeteering this calamity. <em>Godzilla vs<\/em>. <em>Kong<\/em> is Wingard\u2019s shot at fulfilling a lifetime\u2019s worth of fantasy. He doesn\u2019t want to fail anyone in the crowd, including himself, but most importantly, he wants to land a K.O. for the playground posse.<\/p>\n<p>\u201cI wanted it to feel heightened,\u201d he says. \u201cWhen kids watch this film, I want them to imagine these as being big toys in a really cool-looking city and they\u2019re playing with them.\u201d<\/p>\n<p>Does Wingard prefer one titan over the other? He still won\u2019t say. He made <em>Godzilla vs<\/em>. <em>Kong<\/em> his answer. All he knows is that the One Perfect Monster is not Stay Puft Marshmellow Man. Godzilla and Kong would pass his roasted corpse between each other as they enjoyed a timeout during their mythic battle.<\/p>\n<hr\/>\n<p><strong><em>Godzilla vs<\/em>. <em>Kong<\/em> smashes into select theaters and onto HBO Max on March 31st.<\/strong>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/godzilla-vs-kong-adam-wingard-interview\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=godzilla-vs-kong-adam-wingard-interview\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#These Cameras Race at 800 MPH&#8221; Check the Gate is a column where we go one-on-one with directors in an effort to uncover the reasoning behind their creative decisions. Why that subject? Why that shot? In this edition, we chat with Adam Wingard and discuss how you shoot a title match as epic as Godzilla&#8230;<\/p>\n","protected":false},"author":1,"featured_media":213156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/Godzilla-vs.-Kong-Adam-Wingard.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[14988,89810,20255,5146,5147,95752],"class_list":["post-213155","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-godzilla-vs-kong","tag-adam-wingard","tag-check-the-gate","tag-godzilla","tag-king-kong","tag-one-perfect-monster"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/213155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=213155"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/213155\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/213156"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=213155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=213155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=213155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}