{"id":230780,"date":"2021-04-20T00:16:03","date_gmt":"2021-04-19T21:16:03","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/how-they-built-the-battle-exosuits-for-edge-of-tomorrow\/"},"modified":"2021-04-20T00:16:03","modified_gmt":"2021-04-19T21:16:03","slug":"how-they-built-the-battle-exosuits-for-edge-of-tomorrow","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/how-they-built-the-battle-exosuits-for-edge-of-tomorrow\/","title":{"rendered":"#How They Built the Battle Exosuits for Edge of Tomorrow"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3d81cc65dad\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3d81cc65dad\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/how-they-built-the-battle-exosuits-for-edge-of-tomorrow\/#Howd_they_do_that\" >How\u2019d they do that?<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/how-they-built-the-battle-exosuits-for-edge-of-tomorrow\/#Long_story_short\" >Long story short:<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/how-they-built-the-battle-exosuits-for-edge-of-tomorrow\/#Long_story_long\" >Long story long:<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/how-they-built-the-battle-exosuits-for-edge-of-tomorrow\/#Whats_the_precedent\" >What\u2019s the precedent?<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#How They Built the Battle Exosuits for Edge of Tomorrow<\/strong>&#8221;<\/p>\n<div>\n<aside class=\"mashsb-container mashsb-main mashsb-stretched\">\n                <\/aside>\n<p><!-- Share buttons by mashshare.net - Version: 3.7.9--><em>Welcome to <strong>How\u2019d They Do That?<\/strong> \u2014 a monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry explains how they built and filmed the exosuits for Edge of Tomorrow.<\/em><\/p>\n<hr\/>\n<p>Given CGI\u2019s prevalence these days, it\u2019s usually a safe bet to assume a special effect is computer-generated. And it\u2019s a hunch that tends to prove correct. But it also means that some amazing practical effects work gets handwaved or, at the very least, goes under<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>reciated.<\/p>\n<p>In <strong>Doug Liman<\/strong>\u2018s sci-fi action flick <em><strong>Edge of Tomorrow<\/strong><\/em>\u00a0(2014), a PR man with no military experience named William Cage (<strong>Tom Cruise<\/strong>) finds himself in the middle of a surprise attack against an alien invasion that threatens to destroy the planet. After the effort proves a colossal failure, he dies, drenched in the corrosive blood of an unusually massive alien creature. Then, he jolts awake. Now trapped in a mysterious time loop, Cage relives the invasion over and over in a seemingly endless cycle of life, death\u2026and desperately trying to figure out how his mechanical armor works.<\/p>\n<p>The exosuits in <em>Edge of Tomorrow\u00a0<\/em>are cumbersome, unrefined, and hulking; a hastily-made product of a military force scrambling to match a superior enemy. The suits are a burdensome mess of pistons and gadgetry, an ambulating armory to a gifted soldier and a deathtrap to an untested one. Visually, it is impossible not to assume that the suits are a digital effect. Tom Cruise and <strong>Emily Blunt<\/strong> pinwheel through the air like skipping stones in these things. They must be CGI. It would be wild if they genuinely built these things. Right?<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-364765 alignnone\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-suits.gif\" alt=\"Edge Of Tomorrow Suits\" width=\"800\" height=\"333\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-suits.gif 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-suits-768x320.gif 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Howd_they_do_that\"><\/span>How\u2019d they do that?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Long_story_short\"><\/span>Long story short:<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The exosuits in <em>Edge of Tomorrow <\/em>are, with some minor CGI exceptions, an entirely in-camera practical costume.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Long_story_long\"><\/span>Long story long:<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The key challenge of the exosuits was creating an armored suit that was both credible as a piece of military equipment and functional as a camera-ready, stunt-proof costume.<\/p>\n<p><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/cinefex.com\/blog\/edge-of-tomorrow-139\/\">Per a profile in issue #139 of <em>Cinefex <\/em>magazine<\/a>, the filmmakers did initially consider outfitting the performers in minimal armor and tracking the majority of the suit digitally. Ultimately, both Liman and Cruise lobbied to approach the suit as practically as possible.<\/p>\n<p>Collaborating with a number of departments, prop master and suit modeler <strong>Pierre Bohanna <\/strong>oversaw the design of the suits. \u201cThey are not shiny, slick, beautiful designs,\u201d specifies production designer <strong>Oliver Scholl<\/strong> in the home video release bonus featurette <em>Edge of Tomorrow: Weapons of the Future<\/em>. \u201c[Our design] is more taking its keys from actual developments that the military is doing and going back into more traditional forms and shapes that just convey more mechanics and hydraulics rather than slick engineering.\u201d<\/p>\n<p>Cruise provided pre-shoot creative input to the team, reportedly proposing that the armor ought to register with the same emotional impact often captured in war photography: a bleak toughness that also speaks to the humanity of the individuals venturing out into the battlefield. Indeed, the actors\u2019 visibility while wearing the exosuits was a critical requirement. If you have Tom Cruise in your movie, people are going to want to see Tom Cruise.<\/p>\n<p>Two-dimensional concept art and three-dimensional foam mock-ups eventually led to the creation of an aluminum prototype that effectively set \u201cthe rules of the suit,\u201d as Bohanna puts it. This included hinges that matched the organic joints of the human body. These articulated axes allowed the suits to bend naturally with the movements of their pilots.<\/p>\n<p>It then fell to costume designer <strong>Kate Hawley<\/strong> to realize the more aesthetic touches of the design, from military-appropriate color palettes to surface treatments. The exosuit worn by Blunt\u2019s character, Rita, features red slash marks across its chest. \u201cAs if to say she had been to Hell and back and lived to tell about it,\u201d Liman explains <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.motionpictures.org\/2014\/06\/building-edge-of-tomorrows-armored-exosuits\/\">in a profile for the Motion Picture Association<\/a>.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-364761 alignnone\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-Exosuit-3.jpg\" alt=\"Edge Of Tomorrow Emily Blunt\" width=\"600\" height=\"250\"\/><\/p>\n<p>Over the course of five months, Bohanna\u2019s team handcrafted more than one hundred suits, each of which consisted of three-hundred-and-twenty custom-made components and one-hundred-and-fifty pieces of additional procured and manufactured parts \u2014 nuts, bolts, etc.<\/p>\n<p>The production was, in Bohanna\u2019s words, \u201ca proper assembly line.\u201d Components were molded and fused before finding their way to the fabrication shop where they would be sanded, painted, and cleaned up. \u201cAll the [computer-aid design] drawing, all the prototype work, all the modeling, all the casting, all the fabrication, artwork, and assembly were done in-house,\u201d Bohanna explains <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/ew.com\/article\/2014\/06\/05\/edge-of-tomorrow-armor-exoskeleton\/\">in an article for <em>Entertainment Weekly<\/em><\/a>. In the end, the <em>Edge of Tomorrow\u00a0<\/em>design team developed three versions of the exosuit: \u201cdogs,\u201d with rocket launchers; \u201ctanks,\u201d with super-sized machine guns; and \u201cgrunts,\u201d with smaller firearms.<\/p>\n<p>Each suit featured multiple built-in microphones which were seamlessly incorporated into the suit\u2019s design in collaboration with the sound team. In addition to hidden mics in the helmets, another was concealed in a box on the front of the suit. This contained a lavalier with a furry widescreen concealed behind a painted mesh screen. According to production sound mixer <strong>Stuart Wilson <\/strong><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.local695.com\/magazine\/edge-of-tomorrow\/\">in an article for <em>695 Quarterly <\/em><\/a>(his local IATSE union\u2019s official magazine), several mics were destroyed but \u201call in all, they survived pretty well.\u201d<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-364760 size-full\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-Exosuit-1.jpg\" alt=\"Tom Cruise Live Die Repeat\" width=\"600\" height=\"250\"\/><\/p>\n<p>Outfitted with shock absorbers, the movement of the suits was realized by wirework, via stunt coordinator\/second unit director <strong>Simon Crane<\/strong>, and the actors themselves. You can get a real sense of the scale of the wirework in <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/youtu.be\/GYDmUR9PdUE\">the film\u2019s official making of special<\/a>. With a few exceptions, all the suits featured a one-size-fits-all design. This could accommodate actors anywhere from 5\u20194\u201d to 6\u20195\u201d in height. As Bohanna describes <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/craft-services.sounder.fm\/episode\/edge-of-tomorrow-pt1\">in a 2021 interview for the podcast <em>Craft Services<\/em><\/a>, actors would strap themselves into the frame and effectively puppeteer the suit manually as they moved around.<\/p>\n<p><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.irishtimes.com\/culture\/film\/pierre-bohanna-the-master-craftsman-of-the-dark-arts-1.3854452\">Speaking to <em>The Irish Times<\/em><\/a>, Bohanna says the build was \u201can enormous amount of work \u2026 we ended up with a crew of about one-hundred-and-seventy people making all these detailed suits in different sizes. We had to produce one-hundred-and-thirty of them. It was a colossal undertaking.\u201d This isn\u2019t to say that Bohanna wasn\u2019t above a budget-friendly hack here and there. \u201cI think we spent about \u00a34,000 on cable ties,\u201d he says in the <em>Entertainment Weekly <\/em>article. \u201cIf something popped off, we\u2019d just snap them back together.\u201d<\/p>\n<p>The suits \u201care meant to look like military pieces of hardware, not a refined piece of engineering,\u201d Bohanna explains to <em>Entertainment Weekly<\/em>. \u201cThey\u2019re brash, quickly-made pieces of equipment. So you\u2019ve got to see the guys struggling in them.\u201d And struggle they did. The suits weighed eighty-five pounds (thirty-nine kilograms) on average. At their heaviest, depending on the armaments, the suits could weigh anywhere between one-hundred-and-twenty-five and one-hundred-and-thirty pounds (fifty-six to fifty-nine kilograms). Some of the suits, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/propstoreauction.com\/view-auctions\/catalog\/id\/44\/lot\/9880\/\">made primarily out of foam rubber<\/a>, were presumably lighter. But one suit, outfitted with an over-the-shoulder weapon, clocked in at one-hundred-and-seventy-six pounds (eighty kilograms), per Bohanna\u2019s estimation.<\/p>\n<p>Actors would only feel the weight when they moved. And specially designed chain rigs allowed performers to take the weight off their shoulders between takes. \u201cThey\u2019d basically bring in these A-frames \u2026 it looks like a kid\u2019s swing set,\u201d Blunt describes in the <em>Entertainment Weekly<\/em> article. \u201cAnd they have hooks hanging from it. And you have five people hang you on these things to take the suit off you.\u201d<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-364764 alignnone\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-Exosuit-2-1.jpg\" alt=\"Edge Of Tomorrow Exosuit\" width=\"600\" height=\"250\"\/><\/p>\n<p>As producer Jeffrey Silver neatly puts it in <em>Edge of Tomorrow: Weapons of the Future<\/em>, the main challenge for the performers was \u201cto make the costume look like [it] was powering them whereas, in fact, they were powering the costume.\u201d<\/p>\n<p>Even Cruise, an infamously fearless performer when it comes to practical stuntwork, admits to never fully conquering the exosuit, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.usatoday.com\/story\/life\/movies\/2013\/12\/10\/edge-of-tomorrow-tom-cruise-emily-blunt\/3921349\/\">describing the ordeal to <em>USA Today<\/em><\/a> as \u201cphysically grueling.\u201d During an appearance on <em>Ellen<\/em>, Blunt confessed to crying when she first put on the suit. \u201cI\u2019m not really a crier,\u201d <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/loseradams\/status\/1120764203323789312?s=20\">she says in a clip from the talk show<\/a>, \u201cbut I felt completely overwhelmed that I was going to have five months of this.\u201d<\/p>\n<p>The weight of the suits was an unavoidable result of the demands of the production schedule (the dropship sequence figured early in the shoot). As a result, there was no time to experiment with lighter materials like carbon fiber.<\/p>\n<p>The weight also required some digital parts to be tracked to accommodate Blunt\u2019s smaller size. One digital element featured on every model: the guns mounted on the back of each suit. Per Davis to <em>Cinefex<\/em>: \u201cThey built practical ones for us to scan and photograph, but they never got used in the movie. They were always digital.\u201d<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-364763 alignnone\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-Exosuit-4.jpg\" alt=\"Edge Of Tomorrow Exosuit\" width=\"600\" height=\"250\"\/><\/p>\n<p>Outfitting the actors required a team of four handlers per actor. During the testing phase, it took Cruise around thirty minutes to get into the suit and an additional thirty minutes to take it off. Unsatisfied with the loss of time, Cruise informed the team that he wanted to get the turnaround time to under a minute. \u201cIn the end we timed it and to get me into the suit took thirty seconds,\u201d Cruise explains to <em>USA Today<\/em>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Whats_the_precedent\"><\/span>What\u2019s the precedent?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Inspiration for the exosuits in <em>Edge of Tomorrow<\/em> came from a number of sources, including the descriptions in the film\u2019s original source material, Hiroshi Sakurazaka\u2019s novel <em>All You Need Is Kill<\/em>, as well as bionics developed to assist paraplegics and real-world military-grade suits like the <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/youtu.be\/ViL4bAUGuGY\">Raytheon SARCOS<\/a> and Lockheed Martin\u2019s <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/youtu.be\/-Hh3C8Fq_SM\">Human Universal Load Carrier<\/a>. Per the Motion Picture Association profile, the team also looked at initiatives funded by The Defense Advanced Research Projects Agency, which is a research and development branch of the American military.<\/p>\n<p>But as far as cinematic lineages are concerned, you can\u2019t dabble in sci-fi exosuits without paying creative dues to James Cameron\u2019s <strong><em>Aliens<\/em><\/strong>. Hell, <em>Edge of Tomorrow<\/em> even features the late, great <strong>Bill Paxton<\/strong> to tie the referential room together.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-364759 size-full\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Aliens-exosuit-Ripley.jpg\" alt=\"Aliens Ripley Power Loader\" width=\"800\" height=\"433\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Aliens-exosuit-Ripley.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Aliens-exosuit-Ripley-768x416.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p>In\u00a0<em>Aliens<\/em>\u2018 final act, the very big and very pissed-off Alien Queen ambushes the surviving human characters during their dropship getaway. Unfortunately for the Queen, the ship contains a Power Loader. The intrepid Ellen Ripley (Sigourney Weaver) wastes no time using it to even the odds. Outfitted with the mechanical suit, she is able to push the Queen out of the airlock and into the vacuum of space.<\/p>\n<p><em>Aliens<\/em>\u2018 Power Loader was created by special effects supervisor <strong>John Richardson<\/strong>, with input from conceptual artist and industrial designer <strong>Syd Mead<\/strong>. \u201cThey constructed the test model with two-by-twos and trash bags stuffed with <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">news<\/a>papers to get the articulation down,\u201d Mead explains <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.vulture.com\/2013\/08\/syd-mead-design-blade-runner-aliens-elysium.html\">in an interview with Vulture<\/a>. \u201cThe finished prop was so cumbersome they had to have guys in black skin suits running it. It was not power-operated. It was operated by manipulators behind [and] out of shot.\u201d<\/p>\n<p>Parts of the scene include miniatures that feature the ILM-pioneered <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/petapixel.com\/2011\/10\/25\/go-motion-a-motion-blur-technique-invented-for-star-wars-at-at-walkers\/\">go motion technique<\/a>. \u201cI kept thinking, \u2018There is no way this is going to work.\u2019 But it did,\u201d remembers producer <strong>Gale Anne Hurd<\/strong> <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/ew.com\/comic-con\/2016\/07\/18\/aliens-anniversary-oral-history\/\">in a retrospective piece for <em>Entertainment Weekly<\/em><\/a>. \u201cThat [fight] was basically a giant exercise in practical effects,\u201d explains Cameron in the same article. \u201cIt was either practical full scale, or it was practical miniature.\u201d<\/p>\n<p>Narratively, in\u00a0<em>Aliens, <\/em>the Power Loader signals the triumphant empowerment of its heroine. Tom Cruise \u2014 ever the enthusiastic film fan \u2014 has a tendency to spit earnest truisms about the magic of movie-making. In <em>Edge of Tomorrow<\/em>\u2018s making of special, the actor remarks that at its best, action isn\u2019t just action. It\u2019s character, and it\u2019s story. In both <em>Aliens\u00a0<\/em>and\u00a0<em>Edge of Tomorrow<\/em>, practical exosuit effects are an opportunity to convey tremendous personal growth. The kind of personal growth only achieved by punching aliens in the face with metal suits of armor.\n<\/div>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/edge-of-tomorrow-exosuits\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=edge-of-tomorrow-exosuits\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#How They Built the Battle Exosuits for Edge of Tomorrow&#8221; Welcome to How\u2019d They Do That? \u2014 a monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry explains how they built and filmed the exosuits for Edge of Tomorrow. Given CGI\u2019s prevalence these days, it\u2019s&#8230;<\/p>\n","protected":false},"author":1,"featured_media":230781,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/04\/Edge-of-Tomorrow-Emily-Blunt.jpeg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[83100,44129,10761],"class_list":["post-230780","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-edge-of-tomorrow","tag-howd-they-do-that","tag-tom-cruise"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/230780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=230780"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/230780\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/230781"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=230780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=230780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=230780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}