{"id":232452,"date":"2021-04-21T22:00:29","date_gmt":"2021-04-21T19:00:29","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/mank-and-screenwriters-and-signal-boosting-the-scribe-film\/"},"modified":"2021-04-21T22:00:29","modified_gmt":"2021-04-21T19:00:29","slug":"mank-and-screenwriters-and-signal-boosting-the-scribe-film","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/mank-and-screenwriters-and-signal-boosting-the-scribe-film\/","title":{"rendered":"#Mank and Screenwriters and Signal-Boosting the Scribe \u2013 \/Film"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a4130319c81c\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a4130319c81c\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/mank-and-screenwriters-and-signal-boosting-the-scribe-film\/#The_Organ_Grinders_Monkey\" >The Organ Grinder\u2019s Monkey<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/mank-and-screenwriters-and-signal-boosting-the-scribe-film\/#Know_Your_Screenwriters\" >Know Your Screenwriters<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#Mank and Screenwriters and Signal-Boosting the Scribe \u2013 \/Film<\/strong>&#8221;<\/p>\n<div>\n<p>                            <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-667427 size-medium\" src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Gary-Oldman-Mank-700x300.jpg\" alt=\"Mank and Screenwriters\" width=\"700\" height=\"300\" srcset=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Gary-Oldman-Mank-700x300.jpg 700w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Gary-Oldman-Mank-360x154.jpg 360w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Gary-Oldman-Mank-768x329.jpg 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>In\u00a0<strong><em>Mank<\/em><\/strong>, there\u2019s a scene where screenwriter Herman J. Mankiewicz, played by\u00a0<strong>Gary Oldman<\/strong>, awakens disoriented in a California mansion. He soon wanders out back to a film set, where he encounters two studio bigwigs. One of them is Louis B. Mayer, the co-founder of MGM. The other is Irving G. Thalberg, a producer who has <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.oscars.org\/governors\/thalberg\">his own Academy Award<\/a> named after him. Thalberg has to explain to Mayer who \u201cMank\u201d is, even though he co-wrote one of their <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> (just as he co-wrote, or depending on who you ask, wrote\u00a0<em>Citizen Kane<\/em>, often considered the greatest movie ever made).<\/p>\n<p>In sn<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>y dialogue, a quick picture unfolds of Mank and his place in the Hollywood ecosystem. He\u2019s a hired gun who\u2019s used to receiving notes from execs in \u201cthe oversight tent.\u201d This is a businessman\u2019s backyard where \u201cmovies are a team sport\u201d and where studios \u201cuse writers by the truckload,\u201d sometimes all at once, sometimes in relays. The astute viewer knows what Mank knows: that it\u2019s usually a sign of trouble when you see a movie with a revolving door of screenwriters.<\/p>\n<p>At this year\u2019s Oscars, due to air on Sunday,\u00a0<em>Mank<\/em> leads the pack with 10 nominations. <em>Citizen Kane<\/em> had nine yet it only won Best Original Screenplay\u2014an ironic footnote, given that the film helped set the prototype for the auteur, or director-as-author.\u00a0Like so many other crew members who labor behind the scenes to bring film narratives to life, screenwriters may not inspire the same brand-name loyalty as directors. However, their scripts are where the storytelling begins; and as <em>Mank<\/em>\u00a0shows, it\u2019s a process where words matter as much as moving pictures.<br \/>\n<!-- SlashFilm_300x250_In_Post --><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-653475 aligncenter\" src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/50-moments-mank-700x300.jpg\" alt=\"\" width=\"700\" height=\"300\" srcset=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/50-moments-mank.jpg 700w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/50-moments-mank-360x154.jpg 360w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 class=\"p1\"><span class=\"ez-toc-section\" id=\"The_Organ_Grinders_Monkey\"><\/span>The Organ Grinder\u2019s Monkey<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p class=\"p1\">When the script for <i>Citizen Kane<\/i> is still a work-in-progress, Mank\u2019s editor and babysitter, John Houseman, describes it as, \u201cA collection of fragments that leap around in time, like Mexican jumping beans.\u201d David Fincher\u2019s film, written by his own late father, Jack, mirrors that structure. However, it uses typewritten slug lines in Courier font to delineate its flashbacks. As they clack out onscreen, the viewer briefly becomes a reader, which goes against the ethos of pure cinema, but which helps the audience see the film and its non-linear progression of scenes the way a writer would.<\/p>\n<p class=\"p1\">On top of this comes an urgent Western Union telegram, summoning anyone who can string three words together out to the West Coast. \u201cCome at once,\u201d it reads. \u201cThere are millions to be made and your only competition is idiots.\u201d From here, we venture onto the Paramount lot, where the old Hollywoodland sign looms in the background. Before long, the camera draws us into the writers\u2019 room, where Mank is betting on coin tosses, doing very little actual writing. He and the other writers jump straight into a story conference with producer David O. Selznick, spitballing \u201cdirector-proof\u201d ideas and leaving the newbie, who just walked in off the street, to extemporize on how their monster movie will end.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Elsewhere, the film alludes to Mank\u2019s involvement with <i>The Wizard of Oz,<\/i> though he\u2019s already been let go from the project and can only commiserate about it drunkenly as his wife undresses him for bed. This is the guy who came up with the idea to film the Kansas scenes in black-and-white, contrasting them with the vibrant Technicolor world of Oz. Though he remains uncredited for it, that juxtaposition of images is an indelible part of movie history.<\/p>\n<p class=\"p1\">It\u2019s clear that Mank, the New York playwright and drama critic \u201cturned humble screenwriter\u201d and alcoholic, has lost himself out here on the edge of the Pacific. He comes from a literate family yet he\u2019s stuck slumming it in a business where \u2014 as Mayer puts it \u2014 the buyer, or moviegoer, \u201cgets nothing for his money but a memory.\u201d<\/p>\n<p class=\"p1\"><span class=\"Apple-converted-space\">Mank\u2019s <\/span>real-life grandson, <i>Turner Classic Movies<\/i> host Ben Mankiewicz, confirmed to <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.indiewire.com\/2020\/12\/mank-what-happened-after-ending-ben-mankiewicz-interview-1234602709\/\"><span class=\"s1\">Indiewire<\/span><\/a> that this part of Fincher\u2019s biopic rings true. \u201cBeing a screenwriter had felt cheap to Herman,\u201d he said. \u201cIt felt to him like being an ad man, you were engaged in commerce, in pointless commerce, that would vanish into the ether.\u201d<\/p>\n<p class=\"p4\">A glimmer of something beyond that comes in a brightly lit exterior\u00a0where Mank meets the rich and powerful William Randolph Hearst (Charles Dance). Hearst feeds his ego, saying, \u201cThere\u2019s no need to be humble, Mr. Mankiewicz,\u201d even likening him to a potential Shakespeare, which elicits a chuckle from Thalberg, seated nearby. \u201cI intend to make pictures with the help of real literary minds,\u201d Hearst declares.<\/p>\n<p class=\"p1\">Over the course of the movie, Mank comes to realize that his words do hold power and maybe he shouldn\u2019t be so quick to sign away the credit for them. This is reinforced in both positive and negative ways. The reactions to his screenplay are positive, even though it\u2019s a whopping 327 pages, well over the standard 120 for a two-hour movie. \u201cIt\u2019s the best thing you\u2019ve ever written,\u201d says his brother, Joseph L. Mankiewicz, the celebrated writer-director of <i>All About Eve<\/i>.<\/p>\n<p class=\"p1\">On the negative side, there\u2019s his inadvertent sway on political events and his ability to self-sabotage and alienate friends like the illustrious Marion Davies (Amanda Seyfried). A throwaway comment of Mank\u2019s puts the idea in Thalberg\u2019s head for fake <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">news<\/a>reels, which wind up influencing the gubernatorial election, causing Upton Sinclair to lose and the fictional Shelly Metcalf to commit suicide. Davies is there at the end when he causes a drunken scene at Hearst\u2019s castle, giving his host \u2014 the inspiration for Kane himself \u2014 a thorough dressing-down in front of his guests. As it turns out, Hearst pays half his salary, so Mank has bitten the hand that feeds him without even knowing what he was doing.<\/p>\n<p class=\"p1\">While walking Mank out, Hearst relates to him the parable of the organ grinder\u2019s monkey. The monkey gets so caught up in the crowd response to its street performance that it thinks the organ grinder lives in service to him \u2026 but really, it\u2019s the other way around. He\u2019s an animal who\u2019s powerless and who does the bidding of his master without realizing it.<\/p>\n<p class=\"p1\">Mank wins the Oscar for\u00a0<i>Citizen Kane<\/i>, but he\u2019s not there to accept the award and the closing text informs us that he would never write an original screenplay again. Brought low by his own self-destructive tendencies, the organ grinder\u2019s monkey is left to deliver his speech in exile on his lawn instead of on stage at the Biltmore Hotel. In the end, he can only compare himself to another mammal: a rat in a trap of his own construction.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-667428 aligncenter\" src=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Mank-Gary-Oldman-Charles-Dance-700x300.jpg\" alt=\"\" width=\"700\" height=\"300\" srcset=\"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Mank-Gary-Oldman-Charles-Dance-700x300.jpg 700w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Mank-Gary-Oldman-Charles-Dance-360x154.jpg 360w, https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Mank-Gary-Oldman-Charles-Dance-768x329.jpg 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 class=\"p1\"><span class=\"ez-toc-section\" id=\"Know_Your_Screenwriters\"><\/span>Know Your Screenwriters<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p class=\"p1\">If Mank begins his arc as a screenwriter who doesn\u2019t take his profession seriously, then perhaps it\u2019s merely a symptom of the prevailing attitude within show business, which is sometimes more concerned with putting on a show than planning it. It\u2019s always mind-boggling to hear about multimillion-dollar tentpoles that start shooting without a completed script because they\u2019re chasing a release date.<\/p>\n<p class=\"p1\">They say a movie is actually written three times: first when it\u2019s written, then when it\u2019s shot, then when it\u2019s edited. There are, of course, directors who write and\/or edit their own movies, and you\u2019ll sometimes hear industry professionals say that film is a director\u2019s medium or even an editor\u2019s medium. One thing, however, that you\u2019ll almost never hear them say is that it\u2019s a writer\u2019s medium.<\/p>\n<p class=\"p1\">Screenwriters are there on the ground floor during pre-production but somewhere along the way, it\u2019s almost like they get pneumatic-tubed down to a dead-letter basement, while actors and directors and cinematographers and rock-star composers like Trent Reznor and Atticus Ross vivify the penthouse of public awareness. What\u2019s so backwards about this is that screenwriters provide the very blueprint for the building.<\/p>\n<p class=\"p1\">No one\u2019s suggesting that we should all ditch auteur theory for the writer-centric\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/Schreiber_theory\"><span class=\"s1\">Schreiber theory<\/span><\/a>. It makes sense to think of the director as a kind of construction foreman, since everything passes through them and they\u2019re ultimately the ones who make the movie tower a reality. Yet all too often in film discussion, the director\u2019s name and authorial intent become a lazy shorthand for the efforts of an entire cast and crew. What really funnels out through the director\u2019s vision is controlled chaos, an unwieldy\u00a0creative and commercial endeavor with many moving parts that have\u00a0come together piecemeal through the craftsmanship of different collaborators.<\/p>\n<p class=\"p1\">Clutching his Oscar statuette, Mank says, \u201cI am very happy to accept this award in the manner in which the screenplay was written, which is to say, in the absence of Orson Welles.\u201d If you watch <i>Citizen Kane<\/i>, you can see Welles\u2019 face and fingerprints all over the final product. The reason <i>Mank <\/i>makes him a background character is because it\u2019s not really about the genesis of his masterpiece. It\u2019s about a dysfunctional man of letters and the disposable yet witty jesters who go so undervalued in the court of studio kings: namely, screenwriters.<\/p>\n<p class=\"p1\">Mank himself is a microcosm for every writer whose name went unnoticed in the credits. The movie puts the spotlight on his life story and if you\u2019re able to get invested in it, you may suddenly wonder about all those other movies you\u2019ve watched and who wrote them.<\/p>\n<p class=\"p1\">Knowing Jack Fincher\u2019s background as a San Francisco journalist (for <em>Life<\/em> magazine) frames his son David\u2019s film,\u00a0<i>Zodiac,<\/i> in a more personal light. One of <em>Mank<\/em>\u2019s producers is also Eric Roth, a screenwriter who has received no less than five Academy Award nominations for Best Adapted Screenplay. He won for <i>Forrest Gump, <\/i>worked with Fincher on <i>The Curious Case of Benjamin Button<\/i>, and most recently earned a nom for <i>A Star Is Born<\/i>.<\/p>\n<p class=\"p1\">Looking back, Fincher\u2019s own filmography is a perfect example of one where the writers are overshadowed by their director. He\u2019s worked with a couple who were already famous in their own right: Gillian Flynn (<i>Gone Girl<\/i>) as a bestselling novelist, Aaron Sorkin (<i>The <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">Social<\/a> Network<\/i>) as a successful showrunner. But alongside them, you\u2019ll see a number of other writers whose names might only stir up vague recognition, even among avowed cinephiles.<\/p>\n<p class=\"p1\">Would the average movie-lover be able to tell you about the ups and downs in the careers of screenwriters like Andrew Kevin Walker (<i>Seven<\/i>), Jim Uhls (<i>Fight Club<\/i>), David Koepp (<i>Panic Room<\/i>), James Vanderbilt (<i>Zodiac<\/i>), or Steven Zaillian (<i>The Girl with the Dragon Tattoo<\/i>)? Probably not. Zaillian, in particular, is a heavyweight: he\u2019s written such films as <i>Schindler\u2019s List<\/i> and <i>The Irishman <\/i>and co-created HBO\u2019s <i>The Night Of<\/i> miniseries.<\/p>\n<p class=\"p1\">Like him, many of Hollywood\u2019s best-known screenwriters have crossed over into directing, including but not limited to Lawrence Kasdan, Charlie Kaufman, David Mamet, Paul Schrader, and Robert Towne. But if you look up who wrote what and then\u00a0peruse their IMDb pages, you might also be surprised to see how certain movie titles are connected by other non-director writers. If nothing else, it\u2019s a neat bit of movie trivia to know\u00a0that\u00a0<em>Blade Runner<\/em> and <em>Unforgiven<\/em> shared a writer, David Webb Peoples, or\u00a0that the same guy,\u00a0John Logan, co-wrote both\u00a0<em>Gladiator<\/em>\u00a0and\u00a0<em>Skyfall.<\/em><\/p>\n<p>Today, aspiring screenwriters have some useful\u00a0books and podcasts at their disposal by legends like\u00a0William Goldman and pros like John August and C. Robert Cargill. <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">General<\/a> audience members may not pay as much attention to the words \u201cWritten by\u201d in movies \u2026 but maybe they should. George Clooney once said, \u201cIt\u2019s possible for me to make a bad movie out of a good script, but I can\u2019t make a good movie from a bad script.\u201d\u00a0Alfred Hitchcock, a master filmmaker, took it even further. He said, \u201cTo make a great film you need three things \u2014 the script, the script,\u00a0and the script.\u201d<\/p>\n<p class=\"p1\">When Mank and the other writers have their pitch meeting at Paramount, Selznick says to them, \u201cThis is serious. We need your help. We\u2019ve got to get people into theaters. But how?\u201d<\/p>\n<p class=\"p1\">One age-old suggestion would be for screenwriters to up their <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">game<\/a> and write better scripts. Another simple suggestion would be for Hollywood\u2019s gatekeepers to respect their writers more.<\/p>\n<p>                            <strong>Cool Posts From Around the Web:<\/strong><\/p>\n<p>                            <!-- \/post -->\n                        <\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.slashfilm.com\/mank-and-screenwriters\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#Mank and Screenwriters and Signal-Boosting the Scribe \u2013 \/Film&#8221; In\u00a0Mank, there\u2019s a scene where screenwriter Herman J. Mankiewicz, played by\u00a0Gary Oldman, awakens disoriented in a California mansion. He soon wanders out back to a film set, where he encounters two studio bigwigs. One of them is Louis B. Mayer, the co-founder of MGM. The other&#8230;<\/p>\n","protected":false},"author":1,"featured_media":232453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/Gary-Oldman-Mank.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[1568,14318,14319,1570,17094,14321,14322,1377,60751],"class_list":["post-232452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-featured-stories-sidebar","tag-citizen-kane","tag-david-fincher","tag-features","tag-gary-oldman","tag-herman-j-mankiewicz","tag-mank","tag-netflix","tag-orson-welles"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/232452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=232452"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/232452\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/232453"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=232452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=232452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=232452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}