{"id":275645,"date":"2021-06-16T01:54:40","date_gmt":"2021-06-15T22:54:40","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/38-things-we-learned-from-the-godzilla-vs-kong-commentary\/"},"modified":"2021-06-16T01:54:40","modified_gmt":"2021-06-15T22:54:40","slug":"38-things-we-learned-from-the-godzilla-vs-kong-commentary","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/38-things-we-learned-from-the-godzilla-vs-kong-commentary\/","title":{"rendered":"#38 Things We Learned from the &#8216;Godzilla vs Kong&#8217; Commentary"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a2e1cac9d974\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a2e1cac9d974\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/38-things-we-learned-from-the-godzilla-vs-kong-commentary\/#Godzilla_vs_Kong_2021\" >Godzilla vs Kong (2021)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/38-things-we-learned-from-the-godzilla-vs-kong-commentary\/#Best_in_Context-Free_Commentary\" >Best in Context-Free Commentary<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/38-things-we-learned-from-the-godzilla-vs-kong-commentary\/#Final_Thoughts\" >Final Thoughts<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#38 Things We Learned from the &#8216;Godzilla vs Kong&#8217; Commentary<\/strong>&#8221;<\/p>\n<div>\n<aside class=\"mashsb-container mashsb-main mashsb-stretched\">\n                <\/aside>\n<p><!-- Share buttons by mashshare.net - Version: 3.7.9--><i data-stringify-type=\"italic\">Welcome to\u00a0<\/i><b data-stringify-type=\"bold\"><i data-stringify-type=\"italic\">Commentary Commentary,<\/i><\/b><i data-stringify-type=\"italic\"> where we sit and listen to filmmakers talk about their work, then share the most interesting parts. In this edition, Rob Hunter revisits the best and most recent entry in the MonsterVerse, Godzilla vs Kong<\/i>.<\/p>\n<hr\/>\n<p>We\u2019re four films deep now in Warner Bros.\u2019 MonsterVerse which brings epic kaiju battles back to the screen in CG-filled fashion. That\u2019s not a knock as they\u2019ve delivered some pretty spectacular visuals and set-pieces over the years \u2014 even if the earlier films stumble when the big monsters aren\u2019t the focus. The latest entry once again includes some uninteresting human antics, but thankfully director <strong>Adam Wingard<\/strong> and friends keep it to a minimum knowing that the monsters is where it\u2019s at.<\/p>\n<p><strong><em>Godzilla vs Kong<\/em><\/strong> premiered on HBO Max and in theaters, and now it\u2019s new to home video with a speaker-shaking release on 4K UltraHD and Blu-ray. It\u2019s loaded with extras, and of course, I went straight to the commentary track with the filmmaker. Keep reading to see what I heard on the commentary for <em>Godzilla vs Kong<\/em>!<\/p>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Godzilla_vs_Kong_2021\"><\/span>Godzilla vs Kong (2021)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p\">Commentator: Adam Wingard (director)<\/p>\n<p class=\"graf graf--p\"><strong>1.<\/strong> Wingard recorded this commentary in early February, 2021, so he\u2019s discussing it without knowing how the film would be received. (Spoiler, it\u2019s currently <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.rottentomatoes.com\/m\/godzilla_vs_kong\">fresh on Rotten Tomatoes<\/a>, and our own chief critic Rob Hunter is a fan too.)<\/p>\n<p><strong>2.<\/strong> Kong\u2019s casual morning wasn\u2019t the original opening and was instead something they thought up deep into production. It took them a while to feel confident enough that the monsters are characters in their own right.<\/p>\n<p><strong>3.<\/strong> The device on the tree seen at 1:56 was added during editing to suggest that something more was afoot in the jungle scene. They \u201cdidn\u2019t have any money\u201d to build something new, so they just repurposed a tech part from the front of the HEAV aircrafts seen later in the film.<\/p>\n<p><strong>4.<\/strong> He references John Carpenter\u2019s comments about his own filmography essentially being made up of westerns. \u201cIf I had to pick my own version I\u2019d say every movie I\u2019ve done is actually a musical in disguise.\u201d He adds that he doesn\u2019t think he\u2019d ever make an actual music.<\/p>\n<p><strong>5.<\/strong> Wingard was resistant at first to the big orchestral score as he instead favored a more synth-oriented score, but he relented after meeting <strong>Tom Holkenborg<\/strong> (aka Junkie XL) and hearing what he had in mind.<\/p>\n<p><strong>6.<\/strong> They intentionally avoided repurposing any existing monster <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">theme<\/a>s for Godzilla or Kong.<\/p>\n<p><strong>7.<\/strong> Wingard comments on Kong\u2019s look saying he\u2019s older, scruffier, and worn down. \u201cHe\u2019s the gunfighter who doesn\u2019t have a fight to keep him going anymore.\u201d<\/p>\n<p><strong>8.<\/strong> Legendary gave Wingard wiggle room to play around with Godzilla\u2019s look, but he decided to keep it in line with <em>Godzilla: King of Monsters<\/em>\u00a0seeing as this is a direct sequel. \u201cIn retrospect I wish I made his head a little bit bigger cuz his head is a little small and it does hurt some shots.\u201d<\/p>\n<p><strong>9.<\/strong> He describes Godzilla\u2019s entrance at 10:00 as \u201cour <em>Apocalypse Now<\/em> Godzilla intro.\u201d<\/p>\n<p><strong>10.<\/strong> The film\u2019s opening thirty minutes went through multiple iterations before ending here. As it now stands it features several scenes repurposed and\/or moved from later sequences. The footage of Godzilla\u2019s attack on Pensacola was originally part of an assault on a Monarch base.<\/p>\n<p><strong>11.<\/strong> The blurry footage on a TV screen at 12:36 is actually an unfinished visual fx shot from an early opening sequence. One of the vfx guys used his cell phone to shakily film it off a monitor.<\/p>\n<p><strong>12.<\/strong> He learned just how popular <strong>Millie Bobby Brown<\/strong> is when she arrived for her first day of filming \u2014 the crowd scene alongside <strong>Kyle Chandler<\/strong> \u2014 and two hundred extras grew quiet as they watched in awe.<\/p>\n<p><strong>13.<\/strong> The first meeting between Nathan Lind (<strong>Alexander Skarsg\u00e5rd<\/strong>) and Walter Simmons (<strong>Demi\u00e1n Bichir<\/strong>) was part of the reshoots, and they were stuck with a bearded Skarsg\u00e5rd as he was working on <em>The Stand<\/em> (2021) and couldn\u2019t shave it. Kudos to Warner Bros. for learning their lesson from <em>Justice League<\/em>\u2018s (2017) mustache-related fiasco\u2026<\/p>\n<p><strong>14.<\/strong> Wingard credits his history of delivering <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> on time and on budget for his being hired to direct <em>Godzilla vs. Kong<\/em>.<\/p>\n<p><strong>15.<\/strong> Little Jia\u2019s (<strong>Kaylee Hottle<\/strong>) art seen at 19:32 was actually drawn by Wingard himself. \u201cYou can never get the art department to do like real-looking child art because they\u2019re all too good of artists. So I have a lot of fun sitting off to the side with a bunch of crayons.\u201d<\/p>\n<p><strong>16.<\/strong> \u201cI\u2019m the biggest Elvis fan of all time,\u201d says Wingard, adding that he\u2019s actually been working on an Elvis movie. Let\u2019s consider this his second Carpenter reference.<\/p>\n<p><strong>17.<\/strong> Wingard took three months of sign language lessons but was incapable of grasping it. He ended up using an interpreter alongside Hottle so as to avoid embarrassing himself.<\/p>\n<p><strong>18.<\/strong> The auditions for Jia came down to a handful of deaf kids, but Hottle impressed him most and made it clear that she was a professional. He tried making her laugh at one point by attempting Michael Jackson\u2019s Moonwalk, \u201cand she was just completely deadpan.\u201d He learned then to let her do her thing and \u201cjust stay out of her way.\u201d<\/p>\n<p><strong>19.<\/strong> The aircraft carrier scenes were filmed on an airport tarmac where they also shot the boat scenes from <em>Kong: Skull Island<\/em>.<\/p>\n<p><strong>20.<\/strong> They tweaked the lighting in several scenes to ensure the monsters were plenty visible, most notably the rainy sequence on the carrier. Pre-production originally had \u201ca lot more dark and rainy stuff\u201d planned as it always looks cool, but they trimmed it back to just this one sequence.<\/p>\n<p><strong>21.<\/strong> He\u2019s long been on the fence about the shot of Kong smiling at 35:12 because he worried \u201cis this cheap?\u201d The idea was that he wanted a moment where they weren\u2019t \u201cjust beating Kong up\u201d and that \u201cthis is a movie for kids at the end of the day.\u201d<\/p>\n<p><strong>22.<\/strong> The shot at 36:04 of Lind looking at the photo of his brother was originally him looking at a rubber band on his finger. A scene in the original opening showed him proposing to his fiance and offering a rubber band as he didn\u2019t have a ring. Wingard recalls telling Skarsg\u00e5rd during reshoots \u201cyour character is still the same except for all the things why your character is the way he is.\u201d<\/p>\n<p><strong>23.<\/strong> The shot of Godzilla\u2019s tail causing havoc at 39:22 is among Wingard\u2019s favorites, \u201cthat kind of Cthulhu-looking tail shot.\u201d It\u2019s followed in quick succession by visual nods to <em>The Empire Strikes Back<\/em> (1980), <em>Jaws<\/em> (1975), and <em>Die Hard<\/em> (1988).<\/p>\n<p><strong>24.<\/strong> Kong puking up some water originally featured some fish flopping about, but they s<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>ped them out as it\u2019s meant to be a dramatic beat. \u201cIt\u2019s already kind of funny seeing him vomit anyway.\u201d<\/p>\n<p><strong>25.<\/strong> Wingard suggests that Godzilla is not for a second worried about losing against Kong and is instead merely playing with the big ape. \u201cLook at him, he\u2019s smiling right here. He\u2019s having fun! Kong is not having fun.\u201d<\/p>\n<p><strong>26.<\/strong> He showed Michael Dougherty some early Antarctica art and worries that he upset the <em>King of the Monsters<\/em> director as Dougherty believes that each installment should go someplace new with the monsters, but \u201cat the end of the day I can\u2019t imagine the opening to Hollow Earth being anywhere but Antarctica.\u201d<\/p>\n<p><strong>27.<\/strong> One of Wingard\u2019s early thoughts after taking the gig was \u201cI just hope we don\u2019t have a silly scene where Kong is being lifted by balloons like in the original movie.\u201d But then he suggested Kong get lifted by helicopters\u2026 but he was okay with it once he saw the initial artwork.<\/p>\n<p><strong>28.<\/strong> Kong\u2019s big ax was an idea of Wingard\u2019s that started as just a visual concept meant to look cool, but it grew to become a major thread in the narrative.<\/p>\n<p><strong>29.<\/strong> Guillerman (<strong>Lance Reddick<\/strong>) was initially in far more of the film before story shifts left his character appearing in just two brief scenes.<\/p>\n<p><strong>30.<\/strong> One of his early thoughts upon taking the film was \u201cI just want to see Godzilla and King Kong fighting in a synth-wave neon city, and that is 100% my main drive.\u201d He credits the film\u2019s visual effects artists for delivering on that dream.<\/p>\n<p><strong>31.<\/strong> Mecha-Godzilla was originally going to remain piloted, but they changed that in the exploration of the dangers of AI by having him become sentient.<\/p>\n<p><strong>32.<\/strong> Wingard has always known that Godzilla would win in a fight against Kong. (Sorry Brad.) He recalls a good friend suggesting in grade school that Kong would win, and \u201cI was so offended by that.\u201d He was excited to put that argument to rest by making this movie. \u201cI knew that Kong\u2019s victory was going to be the Rocky victory, you know you don\u2019t actually have to win to be a winner, and Godzilla respects that.\u201d<\/p>\n<p><strong>33.<\/strong> The original plan was to have Kong kill Mecha-Godzilla by clamping his mouth shut so his nuclear breath cooks his own head.<\/p>\n<p><strong>34.<\/strong> He\u2019d inexplicably never heard \u201cThe Air That I Breathe\u201d by The Hollies before catching it on an Elvis Presley Spotify station during production on this movie.<\/p>\n<p><strong>35.<\/strong> Wingard initially got into filmmaking with a desire to make big, epic action\/sci-fi movies, but \u201cyou can\u2019t just start here.\u201d He recounts dropping out of high school to attend Full Sail film school in Florida, working on small productions, and working his way up through the ranks. \u201cI made a really bad slasher movie which no one\u2019s ever seen,\u201d he says before rightly correcting himself and highlighting the positives of <em>Home Sick<\/em> (2007) including the plentiful gore and fun actors. His first \u201cbig budget\u201d movie was 2010\u2019s <em>A Horrible Way to Die<\/em> which cost $70,000.<\/p>\n<p><strong>36.<\/strong> For those of you curious about such things (and upset that the data isn\u2019t on IMDB), his Netflix movie <em>Death Note<\/em> (2017) cost roughly $28 million.<\/p>\n<p><strong>37.<\/strong> Wingard gives a shout out to the hundreds of visual fx artists, saying \u201cI\u2019ll never meet most of you, but I\u2019m forever indebted to you for bringing all your talent.\u201d<\/p>\n<p><strong>38.<\/strong> Other visual influences that Wingard mentions include <em>Return of the Jedi<\/em> (1983), <em>Akira<\/em> (1988), <em>Robotech<\/em> (1985), <em>Demon Seed<\/em> (1977), <em>Pop Skull<\/em> (2007), <em>King Kong vs Godzilla<\/em> (1963), the <em>Back to the Future Ride<\/em> at Universal Studios, <em>Big Trouble in Little China<\/em> (1986), <em>Lethal Weapon 2<\/em> (1989), <em>Sanjuro<\/em> (1962), <em>Mortal Kombat<\/em> (1992), <em>Ghostbusters<\/em> (1984), some horror movie from the 90s featuring a villain pressing whirling fan blades towards someone\u2019s face, and without being aware of it\u2026 Disney\u2019s <em>Atlantis: The Lost Empire<\/em> (2001).<\/p>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Best_in_Context-Free_Commentary\"><\/span>Best in Context-Free Commentary<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p graf--startsWithDoubleQuote\">\u201cMusic in my films has always been the most important thing to me in a lot of ways.\u201d<\/p>\n<p>\u201cThis is the Legendary Godzilla, and he\u2019s got swagger. He\u2019s a badass.\u201d<\/p>\n<p>\u201cThe secret of these sci-fi movies like this is that you always end up shooting in a sewage treatment plant.\u201d<\/p>\n<p>\u201cIt doesn\u2019t matter what budget level you\u2019re at, you\u2019re always going to have to cut corners and get clever.\u201d<\/p>\n<p>\u201cThere\u2019s never enough money. Movies are always budgeted completely wrong.\u201d<\/p>\n<p>\u201cI love holograms.\u201d<\/p>\n<p>\u201cI won\u2019t talk about <em>Ghostbusters<\/em> anymore even though I would love to.\u201d<\/p>\n<p>\u201cThis is part two of my \u2018neon cafe\u2019 series.\u201d<\/p>\n<p>\u201cFinally here we are, the exposition is over, we\u2019re at the monster fight.\u201d<\/p>\n<p>\u201cThere\u2019s the bitch-slap.\u201d<\/p>\n<p>\u201cI love seeing Kong puke.\u201d<\/p>\n<p>\u201cRacoons are evil.\u201d<\/p>\n<p>\u201cIt\u2019s basically Mecha-Godzilla porn.\u201d<\/p>\n<p>\u201cNone of this makes any sense, it doesn\u2019t matter.\u201d<\/p>\n<p>\u201cGodzilla knows he\u2019s gonna win.\u201d<\/p>\n<p>\u201cI get teary-eyed when I watch that part sometimes.\u201d<\/p>\n<p>\u201cAnd now we have Mecha-Godzilla who\u2019s the biggest jerk ever.\u201d<\/p>\n<p>\u201cMovies are very simple when you boil it down, you\u2019ve got a camera and you\u2019ve got to put things in front of it.\u201d<\/p>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Final_Thoughts\"><\/span>Final Thoughts<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p\">Wingard gives good commentary on <em>Godzilla vs Kong<\/em>, and while he allows a handful of silent gaps he spends the bulk of the film sharing details, stories, and a very clear enthusiasm for the film. The guy loves movies \u2014 both watching them and making them \u2014 and like Robert Rodriguez before him is keen to share tips and tricks along the way. It\u2019s an entertaining listen and highly recommended for fans on their second or third rewatch.<\/p>\n<p class=\"graf graf--p\">Read more Commentary Commentary from the archives.<\/p>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/godzilla-vs-kong-commentary\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=godzilla-vs-kong-commentary\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#38 Things We Learned from the &#8216;Godzilla vs Kong&#8217; Commentary&#8221; Welcome to\u00a0Commentary Commentary, where we sit and listen to filmmakers talk about their work, then share the most interesting parts. In this edition, Rob Hunter revisits the best and most recent entry in the MonsterVerse, Godzilla vs Kong. We\u2019re four films deep now in Warner&#8230;<\/p>\n","protected":false},"author":1,"featured_media":275646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/03\/Godzilla-vs.-Kong-Adam-Wingard.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[14988,89810,22447],"class_list":["post-275645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-godzilla-vs-kong","tag-adam-wingard","tag-commentary-commentary"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/275645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=275645"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/275645\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/275646"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=275645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=275645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=275645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}