{"id":284186,"date":"2021-06-25T22:30:52","date_gmt":"2021-06-25T19:30:52","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/cover-story-santigold\/"},"modified":"2021-06-25T22:30:52","modified_gmt":"2021-06-25T19:30:52","slug":"cover-story-santigold","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/cover-story-santigold\/","title":{"rendered":"#Cover Story: Santigold"},"content":{"rendered":"<p>&#8220;<strong>#Cover Story: Santigold<\/strong>&#8221;<\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<style>\n<p> article.custom .custom-title, article.custom .custom-media .caption {\n   color: ;\n }<\/p>\n<p> article.custom .custom-attribution, article.custom .custom-attribution a {\n   color: ;\n }<\/p>\n<\/style>\n<div id=\"content_block-222965\" class=\"content_block flush title center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"custom-title\">\n      Cover Story: Santigold\n    <\/div>\n<div class=\"custom-description\">\n      Revisit The FADER\u2019s 2008 interview with Santigold ahead of this week\u2019s episode of The FADER Uncovered with Mark Ronson.\n    <\/div>\n<div class=\"custom-attribution\">\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Eric Ducker<\/span><br \/>\n  <\/span><\/div>\n<div class=\"photographer\">Photographer <span class=\"credit_name\">Jason Nocito<\/span><\/div>\n<\/p><\/div>\n<div class=\"custom-media\">\n<div class=\"triple_gutter_left triple_gutter_right image center_align\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/fader51_santogold_hrevwe\/cover-story-santigold.jpg 2400w,\" sizes=\"100vw\" alt=\"Cover Story: Santigold\"><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"custom_share_buttons_top \" style=\"\">\n<div id=\"new_socials_bottom\" class=\"new_socials_footer  \">\n<p>      <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Facebook-747312c39722d47504a80f02500b8d4ad2e36acf922bad1c83799db1bc77f605.png\" alt=\"Fdr socialsharing facebook\"><!-- <span>Share<\/span> --><\/p>\n<p>  <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?url=https%3A%2F%2Fwww.thefader.com%2F2021%2F06%2F25%2Fcover-story-santigold%3Futm_source%3Df%26utm_medium%3Dtw%26utm_campaign%3Dshare&amp;text=Cover%20Story:%20Santigold&amp;via=thefader\" class=\"new_social_footer_button twitter new_social_share_button\" data-ga-event-category=\"Social Share\" data-ga-event-label=\"Twitter\" data-ga-on=\"click\" data-ga-event-action=\"cilck\"><\/p>\n<p>    <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Twitter-8d78f695280aa3f8a4461702c68e9fcbfd6042af1600c62d49fdec4b735fb57a.png\" alt=\"Fdr socialsharing twitter\"><!-- <span>Tweet<\/span> --><\/a><\/p>\n<p>        <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"20\" height=\"20\" src=\"https:\/\/www.thefader.com\/assets\/logo-snapchat-5f1563935ac089d0cf1773f642ddbfb6cdb16e8c4ac14fec95a3c11b6f963389.svg\" alt=\"Logo snapchat\"><!-- <span>Snap<\/span> --><\/p>\n<\/div><\/div>\n<style>\n<\/style>\n<div id=\"content_block-222966\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            It\u2019s mid-October in New York and hoodie season has turned into light jacket season. A bundled up Santi White enters Chung King Studios carrying bags filled with miracle potions, nuts and a plastic cylinder of green seedless grapes. She is on day six of Dr Richard Schulze\u2019s 20-day cleanse and detoxification program, though she only plans to finish the first ten. All afternoon White\u2019s been at her place in Bed-Stuy making black anise-flavored tea, concoctions of OJ and garlic and olive oil, and mixes of spirulina and fresh squeezed whatever. Having completed the colon stage, she\u2019s now focusing on her liver, which considering that she doesn\u2019t really drink, is endlessly amusing to John Hill and Switch, her two frequent collaborators who\u2019ve both been waiting to work some more on the Santogold record.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            The full 20-day cleanse is a yearly ritual for White, usually done in January in the Canadian mountain home of her boyfriend, professional snowboarder Trevor Andrew. There she has nothing to do except drink juice. But in 2007 the demands of putting together the debut Santogold album, touring as part of Spank Rock\u2019s never ending party and occasionally <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>earing with the Mark Ronson revue have caught up with her. She\u2019s already been sick three times this year, while she usually makes it through the calendar flu-free. \u201cI\u2019ve been <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">travel<\/a>ing non-stop for months,\u201d says White. \u201cI should bring you to my house. It\u2019s insane. Disgusting. Thrown across the entire floor is a sea of bags full of clothes spilling out. I don\u2019t have any clean anything. I have on my last pair of the corniest underwear you\u2019ve ever seen.\u201d<\/p>\n<p>            White is cutting the cleanse short because in a couple of days she leaves for London for more Ronson engagements, and meanwhile the CMJ Festival has also just started bothering New York City. There is a Fool\u2019s Gold showcase later that everyone at the studio knows about, but realizes they probably won\u2019t make it to. MIA is in town for a show and is hoping to scam some of her own time with Switch to record Afrikan Boy over the \u201cPaper Planes\u201d beat. On Friday night Santogold is playing a showcase with Spank Rock, the Noisettes and Earl Greyhound, but that\u2019s a sore subject for White. Right now she\u2019s scheduled at the bottom of the lineup, which means she\u2019ll have to wait around for three hours so she can do her tracks with Spank Rock when he goes on for his post-midnight slot, and the organizers won\u2019t budge about moving things around. It\u2019s enough to make you want to curl up in the bottom of a superfood smoothie.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-222969\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Santi_4_p53eof\/cover-story-santigold.jpg 2400w,\" sizes=\"100vw\" alt=\"Cover Story: Santigold\"><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-222967\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            Santi White is Santogold just as Chan Marshall is Cat Power\u2014a solo project with a band\u2019s name. The collaborators and player may change, the sounds may shift, but at the center is one woman\u2019s indelible vision. Although with Santogold, part of that indelible vision is that it doesn\u2019t always cohere into one direction. And that\u2019s where things get tricky. \u201cWhen I started Santogold I didn\u2019t really know what it is was,\u201d says White. \u201cI just knew that I wanted to do whatever I wanted, because I hadn\u2019t.\u201d As she made the self-titled Santogold album, two sonic poles emerged. On one end of the spectrum were pure pop rock testaments like \u201cLights Out,\u201d which sashayed with new wave tones and Joe Strummer swagger. On the other was \u201cCreator,\u201d a marching apocalypse sound where White took on the role of a digital doomsday preacher, delivering a pirate radio sermon from rebel base.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            The more traditional songs took form first, as White recorded with writing and producing partner John Hill. The two had played together in Stiffed, a pop punk outfit that White fronted and that had been lumped into the broadly defined black rock movement from the beginning of this decade. Then one night DJ and producer Diplo was in New York at a Turntable Lab party and introduced White to his English cohort Switch, suggesting they work together. A few days later she was in the studio with him and breakbeat mainstay Freq Nasty, neither side knowing what the other did. The producers had a Baltimore club-type thing in mind and asked White if she could rap, something she hadn\u2019t done since she was in her teens. \u201cWe chatted about stuff we wanted to do rather than stuff we had done before,\u201d says Switch. As a result, the three created the ready-to-detonate \u201cCreator\u201d and White found a new teammate. \u201c[Switch] comes from a house music background and I hate house music,\u201d says White. \u201cBut I respect what he does so much because what I hear is experimental music.\u201d Switch and White then took \u201cShove It,\u201d a collaboration of theirs that came off like a dubbed out cheerleader chant, to the late producer Disco D, who chopped and dropped it. \u201cThen \u2018Creator\u2019 didn\u2019t seem that crazy anymore,\u201d says White. Filling out the sides, she got beats from Diplo and Radioclit to toast over while she and Hill recorded more band-based tracks.<\/p>\n<p>            Before the album was finished, songs were posted to MySpace pages and others began to leak. White says most of the messages she gets from fans are about her rock tracks, but the critic community responded more to the programmed approach of \u201cCreator.\u201d Some believed she\u2019d be better off if she abandoned live instrumentation altogether, hoping to transform her into the US response to MIA. Though the two women are friends, it\u2019s a comparison that White bristles at. \u201cI don\u2019t understand when people compare her to MIA,\u201d says Mark Ronson, a longtime friend of White who had her do a bus stop take on The Jam\u2019s \u201cPretty Green\u201d for his <i>Version<\/i> album. \u201cI enjoy MIA, but MIA is a rapper\/sort of performance artist that has catchy, sing-songy hooks and a really strong message. Santi can do her raps and whatever she does, but she came to London with us and sang \u2018Our Lips Are Sealed\u2019 with Terry Hall from the Specials. They did a duet with a 52-piece BBC orchestra. She can sing a song properly.\u201d<\/p>\n<p>            Switch is only in town for a couple of days, so White and Hill are using this window to have him develop mixing ideas for songs he didn\u2019t have a hand in. The Santogold record was originally supposed to be released on Lizard King, a label best known for breaking The Killers in the UK, but now it\u2019s looking like it will be Downtown Records, which has lately signed Justice and much of the Spank Rock circle. The folks at Downtown are looking for a little more unity to the project than the overarching influence of vintage Jamaican music, but White is mostly satisfied with it as it is. \u201cI\u2019m a girl and people assume sometimes when you listen to what they\u2019re saying, they\u2019ve got you in this position,\u201d she says. \u201cThen they try to do what they want and you have to calmly be like, \u2018No, this is what we\u2019re going to do.\u2019\u201d Having Switch, who\u2019s been getting notice for his work on MIA\u2019s <i>Kala<\/i>, become more involved was a welcome option for everybody.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-222970\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Santi_2_s2p433\/cover-story-santigold.jpg 2400w,\" sizes=\"100vw\" alt=\"Cover Story: Santigold\"><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-222968\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>             In a Mexican restaurant a few blocks from the studio at table covered with plates of enchiladas and burritos that White can barely look at, Switch and engineer Vaughan Merrick pitch ideas about tracks they\u2019d like to work on. White burned a CD of selections from the Cocteau Twins, the first Smiths album and the Pixies as a reference of how far she\u2019s willing to push the songs away from their rock foundations. The answer is not very far. \u201cMy job right now is to say what I feel strongly about,\u201d she says when the list of proposed alternations starts getting too long. <\/p>\n<p>            White has taken her lumps during her wind through the music industry. When she was growing up in Philadelphia, she wanted to be a rapper, but in high school she put her interests in performing aside and instead focused on starting a record label. After a summer internship at Sony in the mid-\u201990s following her freshman year at Wesleyan University, White began working for the label and graduated early to be an assistant A&amp;R at Epic. She found the experience defeating. \u201cThe black music department was the ghetto of Epic. Not in a rough way, but in the way that you never get tickets to any of the good shows,\u201d says White. \u201cThe whole thing was about whoever was the hot name right then, and they just threw money at people. I tried to bring Mos Def in there. I tried to bring good shit in there early. And they were like, \u2018This is weird. You\u2019re weird.\u2019\u201d<\/p>\n<p>            One day she got a call from the singer Res (pronounced \u201cReese\u201d), asking if she knew any producers in Philadelphia. \u201cOur families were friends, and she said, \u2018Hi, my name\u2019s Res, I don\u2019t know if you remember me,\u2019 which was weird because we\u2019d just had Thanksgiving together,\u201d White recalls. She got permission from her boss to do a demo deal with Res, but while looking for collaborators she couldn\u2019t find anyone who could match what she had in her mind for the project, so she decided to write it herself. White calls the making of what became <i>How I Do<\/i> \u201can awful, awful process\u201d where everyone had strong opinions about what the album should be and no one had much experience. \u201cI didn\u2019t know how to be removed from it and handle my shit like a businesslady,\u201d says White. \u201cI was all young and emotional and artistic in there.\u201d<\/p>\n<p>            She came away from <i>How I Do<\/i> as an executive producer with song-writing credits on ten of its 11 tracks. She also promised to not write for anyone else again, something she stuck to until recently, when she co-authored Lily Allen\u2019s \u201cLittlest Things\u201d and contributed to the next Ashlee Simpson album. Despite her mixed feeling about <i>How I Do<\/i>, it was her work on it that eventually led to her friendships and projects with Mark Ronson and Naeem Juwan of Spank Rock, both of whom are fans of the album\u2019s woozy soul sung by a woman who sounds like life has just given her a firm kick in the ass. \u201cIt was like my journal,\u201d says White. \u201cI think that was the exciting part for the people that like the record.\u201d<\/p>\n<p>            With Stiffed, White went through more bullshit\u2014getting screwed over by collaborators and watching her label fold just as it was finally going to put out the band\u2019s debut\u2014all of it making her more resolute about what she was doing. \u201cI remember when we were in the car listening to the Stiffed record,\u201d says Ronson. \u201cI was thinking more with my A&amp;R hat on, which doesn\u2019t really suit me that well anyway, and I said, \u2018If a major label came along and offered you a deal but said you might have to rewrite two songs and maybe add one more, would you do it?\u2019 And she said, \u2018No. These are the songs. This is what came out of me. This is what it is.\u2019\u201d<\/p>\n<p>            These decisions aren\u2019t necessarily stubborn; they can also be savvy. Throughout her career White has shown a talent for knowing what people are going to want to hear long before they have heard it. \u201cShe\u2019s really aware of what\u2019s going on with music at the moment and how she wants to fit into that,\u201d says Switch. \u201cI think she\u2019s really got the ability to reach a lot of different musical pockets in a genuine way, which is super fucking rare.\u201d <\/p>\n<p>            Weeks later, Switch has gone back England with audio files and a direction that both he and White agree upon. \u201cThe material\u2019s so strong that we don\u2019t really need to drown it in stupid beats and fancy tricks,\u201d he says. Downtown has been appeased and the cleanse has ended. CMJ has been forgotten until next fall and White explains what eventually went down with her show. \u201cI ended up pulling some gangster shit and being like, I\u2019m not playing that slot. Then I bumrushed Naeem\u2019s slot and played when I wanted to play,\u201d she says. \u201cThey didn\u2019t pay me, but it was awesome.\u201d<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Eric Ducker<\/span><br \/>\n  <\/span><\/div>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2021\/06\/25\/cover-story-santigold\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#Cover Story: Santigold&#8221; Cover Story: Santigold Revisit The FADER\u2019s 2008 interview with Santigold ahead of this week\u2019s episode of The FADER Uncovered with Mark Ronson. By Eric Ducker Photographer Jason Nocito It\u2019s mid-October in New York and hoodie season has turned into light jacket season. A bundled up Santi White enters Chung King Studios carrying&#8230;<\/p>\n","protected":false},"author":1,"featured_media":284187,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_533,w_1024,x_0,y_149,f_auto,q_auto:eco\/Santi_2_b1qohv\/Santi_2_b1qohv.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[28101,92647],"class_list":["post-284186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-pop","tag-santigold"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/284186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=284186"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/284186\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/284187"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=284186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=284186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=284186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}