{"id":287538,"date":"2021-06-30T17:07:47","date_gmt":"2021-06-30T14:07:47","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/steven-soderberghs-slick-breezy-crime-caper-film\/"},"modified":"2021-06-30T17:07:47","modified_gmt":"2021-06-30T14:07:47","slug":"steven-soderberghs-slick-breezy-crime-caper-film","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/steven-soderberghs-slick-breezy-crime-caper-film\/","title":{"rendered":"#Steven Soderbergh’s Slick, Breezy Crime Caper \u2013 \/Film"},"content":{"rendered":"

“#Steven Soderbergh’s Slick, Breezy Crime Caper \u2013 \/Film<\/strong>”<\/p>\n

\n

\"no<\/a><\/p>\n

You can\u2019t trust anybody these days in\u00a0No Sudden Move<\/em><\/strong>, Steven Soderbergh<\/strong>\u2018s slick, breezy crime saga about a group of nefarious crooks from all walks of life chasing after the same\u00a0MacGuffin. The prolific Soderbergh shot this star-studded caper during the pandemic, but this isn\u2019t another of the filmmaker\u2019s shot-on-the-fly iPhone movies<\/a>. Working with his trusty cinematographer\u00a0Peter Andrews (who is really just Soderbergh himself using a pseudonym), the filmmaker has put together something shadowy and stylish, frequently employing unexpected fish-eye lenses that warp the edges of the frame and keep our eyes glued to the center, where all the characters congregate to double-cross each other.<\/p>\n

Detroit, 1955. Small-time crook\u00a0Curt Goynes (Don Cheadle<\/strong>, thankfully not using the terrible cockney accent he employs in Soderbergh\u2019s\u00a0Ocean\u2019s<\/em> films) is fresh out of prison and he\u2019s already lined up a shady job. A somewhat sinister man named Jones (a hefty, scene-stealing\u00a0Brendan Fraser<\/strong>) wants him to get together with two other crooks for what sounds like a simple job. The three hoodlums are tasked with busting into the suburban home of Matt Wertz (David Harbour<\/strong>). Once inside, two of the guys will \u201cbabysit\u201d Wertz\u2019s wife (Amy Seimetz<\/strong>, chain-smoking and funny, if a bit underutilized) and kids while another takes Wertz to his office building. There, Wertz must retrieve a mysterious document from the safe of his boss.
\nSounds simple, right? Well, not so fast. The two guys Curt joins up with \u2013 the constantly-drinking Ronald (Benicio del Toro<\/strong>) and the slick Charley (Kieran Culkin<\/strong>) \u2013 don\u2019t seem to trust their new partner. Ronald in particular is standoffish to Curt at first glance, perhaps because Curt\u2019s Black, or perhaps because Ronald doesn\u2019t trust anyone. It\u2019s hard to say.<\/p>\n

Everything that could go wrong does. The document isn\u2019t in the safe. Matt is having an affair with his boss\u2019s secretary. And back at the house, someone ends up dead. Meanwhile, Soderbergh meticulously sets a series of characters in motion as if he were setting up a chessboard. There\u2019s a lawman investigating organized crime (Jon Hamm<\/strong>). There\u2019s shouty criminal\u00a0Frank Capelli (Ray Liotta<\/strong>) and his wife (Uncut Gems<\/em> breakout\u00a0Julia Fox<\/strong>, who seems very out of place in this film), with whom Ronald is having an affair. There\u2019s an all-powerful gangster (Bill Duke<\/strong>) who has bad blood with Curt. All of these characters eventually come together in some way, with\u00a0Ed Solomon<\/strong>\u2018s crackling script<\/a> subtly weaving threads together until they form a bigger picture.<\/p>\n

Despite occasional bursts of violence and threats of death,\u00a0No Sudden Move<\/em> is surprisingly carefree. The characters may be in danger, but we\u2019re not, and like Soderbergh\u2019s\u00a0Ocean\u2019s<\/em> films, the real fun of this film is just watching great actors hang out and bounce off each other. Cheadle and del Toro are particularly delightful as two characters who don\u2019t trust each other but have to work together anyway. And Harbour gets big laughs with his nervous, cheating family man (the biggest laugh in the film comes when Harbour straddles his boss, raises his fist, and shakily says, \u201cI\u2019m going to punch you now, sir!\u201d).<\/p>\n

Solomon\u2019s script also works in some heavy real-world issues (to tell you what they are would spoil part of the film\u2019s big mystery), reminding me of Steve McQueen\u2019s criminally underrated\u00a0Widows<\/em>, which\u00a0ingrained issues of class, race, and sexism into a slick heist flick. But\u00a0No Sudden Move<\/em> isn\u2019t as serious as\u00a0Widows<\/em>, and that\u2019s both a blessing and a curse. It\u2019s easy to enjoy the film\u2019s light, airy charms, but once it\u2019s over, you\u2019re left feeling a little empty. In a way, it\u2019s actually impressive that Soderbergh has made a movie full of beatings, headshots, and public shootouts and somehow made it all comfortably low-stakes. This may not be one of Soderbergh\u2019s best, but as always, the filmmaker\u2019s unique work is worth watching.<\/p>\n

\/Film Rating: 7 out of 10<\/strong>
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“#Steven Soderbergh’s Slick, Breezy Crime Caper \u2013 \/Film” You can\u2019t trust anybody these days in\u00a0No Sudden Move, Steven Soderbergh\u2018s slick, breezy crime saga about a group of nefarious crooks from all walks of life chasing after the same\u00a0MacGuffin. The prolific Soderbergh shot this star-studded caper during the pandemic, but this isn\u2019t another of the filmmaker\u2019s…<\/p>\n","protected":false},"author":1,"featured_media":287539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/d13ezvd6yrslxm.cloudfront.net\/wp\/wp-content\/images\/no-sudden-move-review.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[1568,1523,1570,640,7598,73373,59854],"class_list":["post-287538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-featured-stories-sidebar","tag-drama","tag-features","tag-hbo-max","tag-movie-reviews","tag-no-sudden-move","tag-steven-soderbergh"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/287538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=287538"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/287538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/287539"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=287538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=287538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=287538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}