{"id":324933,"date":"2021-08-15T18:16:00","date_gmt":"2021-08-15T15:16:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/only-jeff-goldblum-could-make-us-fall-in-love-with-the-fly\/"},"modified":"2021-08-15T18:16:00","modified_gmt":"2021-08-15T15:16:00","slug":"only-jeff-goldblum-could-make-us-fall-in-love-with-the-fly","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/only-jeff-goldblum-could-make-us-fall-in-love-with-the-fly\/","title":{"rendered":"#Only Jeff Goldblum Could Make Us Fall In Love with The Fly"},"content":{"rendered":"

“#Only Jeff Goldblum Could Make Us Fall In Love with The Fly<\/strong>”<\/p>\n

     <span class=\"mx-1\">Even as his body slowly mutates into a giant insect, we can\u2019t help but be enamored by Goldblum in David Cronenberg\u2019s reimagining.<\/span>\n<\/p><div id=\"\"><figure class=\"sf-entry-featured-media<\/a> \"><img width=\"800\" height=\"400\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2017\/10\/the-fly.jpg\" class=\"articlethumb wp-post-image\" alt=\"Jeff Goldblum in The Fly\" loading=\"lazy\"\/><p>\n                    <span class=\"sf-entry-flag sf-entry-flag-creditline\">Twentieth Century Fox<\/span>\n\n                        <\/figure><!-- START BYLINE --><div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\">\n        By\u00a0Jacob Trussell\u00a0\u00b7 Published on August 15th, 2021 \n        <\/div>\n    <!-- END BYLINE -->\n<\/code><\/pre>\n
Acting is an art form, and behind every iconic character is an artist expressing themselves. Welcome to\u00a0The Great Performances, a bi-weekly column exploring the art behind some of cinema\u2019s best roles. In this entry, we examine Jeff Goldblum\u2019s performance as Seth Brundle in The Fly.<\/em><\/p>\n
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It\u2019s hard to pinpoint exactly when Jeff Goldblum<\/strong> began his metamorphosis from actor to pop culture icon. Was it when he tapp<\/a>ed into the acerbic comedy of Tim Heidecker and Eric Wareheim, appearing on their Adult Swim show before playing a version of himself in their feature film Tim and Eric\u2019s Billion Dollar Movie<\/em>?<\/p>\n
Maybe it was his work in Portlandia<\/em> or Thor: Ragnarok<\/em>, capturing newfound attention from younger audiences not familiar with his enigmatic style of performance? Or was his ascendence to icon status an inevitability, the generation that grew up with his roles in Jurassic Park<\/em> and Independence Day<\/em> developing a deeper appreciation over the years for his neurotic approach to embodying a character?\u00a0<\/p>\n
As with Bill Murray, his co-star in The Life Aquatic with Steve Zissou<\/em>, our fascination with Jeff Goldblum has effectively deified the man behind the movies<\/a>. But his elevation to the pinnacle of pop culture threatens to obscure the remarkable acting talents that Goldblum possesses. He has an animal magnetism that\u2019s spawned numerous memes and toys, yes. But even when he is underneath layers of prosthetics, Goldblum can effortlessly convey real emotion with all the quirks that come with the human condition.\u00a0<\/p>\n
If there was one moment in Jeff Goldblum\u2019s career that set him down the path to pop culture sex symbol beloved the world over, it would be his performance in David Cronenberg<\/strong>\u2019s 1986 reimagining of The Fly<\/strong><\/em>.<\/p>\n
In the film, Goldblum plays Seth Brundle, a scientist who develops a device that allows objects to break down to their molecular level and transmitted through a computer to another location. He hopes his \u201ctelepods\u201d will completely reinvent travel<\/a> and infrastructure. And cement his name in history for discovering the scientific breakthrough of the century.<\/p>\n
Brundle is the physical embodiment of passion and drive that Goldblum conveys through an infectious excitability. Which finds a new point of focus when he meets journalist Veronica (Geena Davis). Brundle is instantly attracted and sweeps her back to his lab, hoping to woo her by bragging about his invention.<\/p>\n
This blossoms into an effective romance that propels the film forward as we watch Goldblum\u2019s Brundle fall in love. After Veronica says she plans to write an article revealing his discovery, Brundle storms into her editor\u2019s office to stop the publication. When he learns the story won\u2019t run, his spirits rise in relief. Then his flighty focus stops in its tracks once he catches himself staring longingly at Veronica.<\/p>\n
As their eyes lock, we see his face light up with an unexpected rush of adoration. He drops his gaze and smirks, as if in disbelief at how smitten he already feels. It\u2019s a moment that connects us with Brundle because it\u2019s a genuine human reaction. It allows the audience to reflect on their own memories of feeling the first sparks of romantic chemistry. (It helped that Goldblum and Davis were a couple in real life at the time.) All Goldblum needed to express that was a single, smoldering glance.<\/p>\n
The love we feel between Goldblum and Davis is so lived-in and realistic that when Brundle begins to slowly transform into a fly in front of Veronica\u2019s eyes, it shatters us. However, beneath the slowly mutating flesh, Goldblum never fully disconnects from the fun, bouncy Brundle that Veronica and the audience fell in love with. His carefree attitude makes his mutation bearable to watch and tells us something unique about his character. Goldblum\u2019s Brundle isn\u2019t someone fighting to survive. His life finds new meaning in death.<\/p>\n
As his transformation progresses, he becomes gleefully inquisitive about what\u2019s happening with his body. He documents each evolutionary stage on video and preserving the last vestiges of his human self in his bathroom. \u201cThe medicine cabinet is now the Brundle Museum of Natural History,\u201d he mewls as he places his disembodied parts next to each other. A makeshift shrine in rueful tribute to the man he once was.\u00a0<\/p>\n
Brundle\u2019s humor makes his downward spiral disarmingly entertaining. So, when he loses all sense of self, the impact is even more devastating. One moment he\u2019s cracking jokes about his grotesqueness, giving himself the nickname \u201cBrundlefly,\u201d the next he is puking up corrosive vomit, sheepishly telling Veronica \u201cOh, that\u2019s disgusting\u201d before breaking down in a fit of fearful tears.\u00a0<\/p>\n
Goldblum uses Seth\u2019s joie-de-vivre to build an emotional connection with the audience. So that when he fully becomes Brundlefly, it\u2019s as if we are losing a loved one of our own. Goldblum is able to find a deeper resonance with his character. Through Brundle\u2019s conflicting emotions, he\u2019s able to trick his body into thinking what\u2019s happening is real. As he told Gene Siskel in 1987<\/a>:<\/p>\n
\u201cMy favorite scene in the film is when I have to tell her [Geena Davis] that I\u2019m really becoming a fly, that I\u2019m not going to be able to control myself anymore, that she had better stay away from me, and yet this is the very moment when she\u2019s come to tell me that she\u2019s pregnant. To be able to truly experience those conflicting emotions as an actor is a special gift. Because to your nervous system, if you really are acting well, your nervous system doesn\u2019t know it\u2019s not real.\u201d<\/p>\n<\/blockquote>\n
David Cronenberg always intended the movie to be a metaphor for aging and death. I find The Fly <\/em>is more universal in that we can project our own lived experiences on Jeff Goldblum\u2019s Brundle. If you have an auto-immune disorder or cancer, you can see Brundle as a man suffering from a debilitating disease. As a survivor of alcoholism, I see in his transformation a representation of an addict\u2019s self-destructive journey to becoming the monster they feel they are inside.\u00a0<\/p>\n
That Cronenberg can surface these universal emotions in a visual effects-heavy horror movie is a testament to his unflinching eye. As well as to Jeff Goldblum\u2019s beguiling portrayal of Seth Brundle. The childlike sense of wonder he gives his character as he falls apart is at once heart-wrenching and exhilarating. Goldblum uses his naturally frenzied demeanor to build a multilayered monster that feels truly alive. Which is integral to Goldblum\u2019s overall acting process. As he said in an interview during The Fly<\/em>\u2019s release<\/a>:<\/p>\n
\u201cOne of the reasons I wanted to be an actor, and one of the things I knew about me being an actor, is that it was going to include being alive, being lively. That\u2019s what acting is for, and about, it enhances life. It\u2019s a lively experience. It intensifies life, and that\u2019s good. I wanted that.\u201d<\/p>\n<\/blockquote>\n
Goldblum is best known today as a pop culture icon. Elevated through hyperbolically titled television shows like The World According to Jeff Goldblum<\/em>. But we shouldn\u2019t overlook his strengths as an actor. The Fly<\/em> is a goopy departure from the Jeff Goldblum the internet adores. Yet as Seth Brundle, he proved he has a propensity for making our hearts soar, and bleed, through strange, nuanced, and brilliantly realized characters.<\/p>\n
    Related Topics: The Great Performances\n    <!-- AUTHOR BOX -->\n<\/code><\/pre>\n
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\n            Jacob Trussell is a writer based in New York City. His editorial work has been featured on the BBC, Rue Morgue Magazine, Film School Rejects, and One Perfect Shot. He’s also the author of ‘The Binge Watcher’s Guide to The Twilight Zone’ (Riverdale Avenue Books). He is available to host your next spooky public access show. Find him on Twitter here: @JE_TRUSSELL<\/a> (He\/Him)        <\/div>\n<\/p><\/div>\n<\/div>\n
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Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"
“#Only Jeff Goldblum Could Make Us Fall In Love with The Fly” <span class=”mx-1″>Even as his body slowly mutates into a giant insect, we can\u2019t help but be enamored by Goldblum in David Cronenberg\u2019s reimagining.<\/span> <\/p><div id=””><figure class=”sf-entry-featured-media “><img width=”800″ height=”400″ src=”https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2017\/10\/the-fly.jpg” class=”articlethumb wp-post-image” alt=”Jeff Goldblum in The Fly” loading=”lazy”\/><p> <span class=”sf-entry-flag sf-entry-flag-creditline”>Twentieth Century Fox<\/span>…<\/p>\n","protected":false},"author":1,"featured_media":324934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2017\/10\/the-fly.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-324933","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/324933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=324933"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/324933\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/324934"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=324933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=324933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=324933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}