{"id":343379,"date":"2021-09-22T23:31:27","date_gmt":"2021-09-22T20:31:27","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-cinematography-of-natasha-braier\/"},"modified":"2021-09-22T23:31:27","modified_gmt":"2021-09-22T20:31:27","slug":"the-cinematography-of-natasha-braier","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-cinematography-of-natasha-braier\/","title":{"rendered":"#The Cinematography of Natasha Braier"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3ed7912f663\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3ed7912f663\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-cinematography-of-natasha-braier\/#Watch_%E2%80%9CCinematography_Style_Natasha_Braier%E2%80%9D\" >Watch \u201cCinematography Style: Natasha Braier\u201d:<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/the-cinematography-of-natasha-braier\/#Who_made_this\" >Who made this?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/the-cinematography-of-natasha-braier\/#More_videos_like_this\" >More videos like this<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#The Cinematography of Natasha Braier<\/strong>&#8221;<\/p>\n<pre><code>     &lt;span class=\"mx-1\"&gt;A bold, uncompromising voice in cinematography: here\u2019s a quick intro to what defines the work of Natasha Braier.&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;&lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;&lt;img width=\"800\" height=\"418\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/natasha-braier-cinematography.jpg\" class=\"articlethumb wp-post-image\" alt=\"Natasha Braier Cinematography\" loading=\"lazy\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/natasha-braier-cinematography.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/natasha-braier-cinematography-768x401.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;&lt;\/figure&gt;&lt;!-- START BYLINE --&gt;&lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Meg Shields\u00a0\u00b7 Published on September 22nd, 2021 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;p&gt;&lt;em&gt;Welcome to The Queue \u2014 your daily distraction of curated video content sourced from across the web. Today, we\u2019re watching a video essay on the cinematography of Natasha Braier.&lt;\/em&gt;\n<\/code><\/pre>\n<hr\/>\n<p>Even if you haven\u2019t heard <strong>Natasha Braier<\/strong>\u2018s name, there\u2019s a good chance you\u2019ve seen her work. Born in Buenos Aires to two Freudian psychoanalysts (one hell of an origin story), Braier has distinguished herself as one of the most compelling and distinct voices in modern cinematography.<\/p>\n<p>Over the course of her career, Braier has been able to carve out a recognizable and striking style by working with experimental collaborators with strong visual personalities. Braier\u2019s work with directors like Alma Har\u2019el (<em>Honey Boy<\/em>) and Nicolas Winding Refn (<em>The Neon Demon<\/em>) have given her the opportunity to commit to bold, risky, and often experimental photographic decisions from expressive lighting to dark exposure, unconventional framing, and definitive on-set creative decisions that cannot be undone in post-production.<\/p>\n<p>Frequently intent on capturing feelings and thematic heartbeats at the expense of unambiguous narrative explanations, Braier is a cinematographer well-worth knowing. And in that spirit, the video essay below offers an introduction to Brairer\u2019s artistic philosophy, preferred gear, and what sets her apart from her peers.<\/p>\n<p>As with most roles behind the camera, Hollywood has a long history of <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/hyperallergic.com\/540434\/why-have-there-been-no-great-women-cinematographers-according-to-hollywood\/\">diminishing the importance of female artists<\/a>. And being able to recognize and identify remarkable artists like Braier is one way viewers can challenge away the Hollywood gender gap.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Watch_%E2%80%9CCinematography_Style_Natasha_Braier%E2%80%9D\"><\/span>Watch \u201cCinematography Style: Natasha Braier\u201d:<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><iframe loading=\"lazy\" title=\"Cinematography Style: Natasha Braier\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ASOh8H8rjV0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Who_made_this\"><\/span>Who made this?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>This video essay on Natasha Braier\u2019s cinematography is by <strong>In Depth Cine<\/strong>, a YouTube account dedicated to providing its audience with practical rundowns and explainers on some of the more technical aspects of movie-making.\u00a0<strong>Gray Kotz\u00e9<\/strong>, a documentary DP based in South Africa, is the man behind the channel. You can check out Kotz\u00e9\u2019s portfolio on their website\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.graykotze.com\/\">here<\/a>. And you can check out In Depth Cine on YouTube\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/c\/InDepthCine\/featured\">here<\/a>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"More_videos_like_this\"><\/span>More videos like this<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<pre><code>    Related Topics: Cinematography, Natasha Braier, The Queue\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/07\/meg.jpg\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/><\/div>\n<div class=\"col-md\">\n            Meg Shields is the humble farm boy of your dreams and a senior contributor at Film School Rejects. She currently runs three columns at FSR: The Queue, How&#8217;d They Do That?, and Horrorscope. She is also a curator for One Perfect Shot and a freelance writer for hire. Meg can be found screaming about John Boorman&#8217;s &#8216;Excalibur&#8217; on Twitter here: <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/TheWorstNun\">@TheWorstNun<\/a>. (She\/Her).        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;&lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;&lt;!-- END RECOMMENDED READING --&gt;\n\n\n&lt;\/div&gt;&lt;<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a> async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/natasha-braier-cinematography\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=natasha-braier-cinematography\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#The Cinematography of Natasha Braier&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;A bold, uncompromising voice in cinematography: here\u2019s a quick intro to what defines the work of Natasha Braier.&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt;&lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt;&lt;img width=&#8221;800&#8243; height=&#8221;418&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/natasha-braier-cinematography.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;Natasha Braier Cinematography&#8221; loading=&#8221;lazy&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/natasha-braier-cinematography.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/natasha-braier-cinematography-768&#215;401.jpg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw, 800px&#8221;\/&gt;&lt;\/figure&gt;&lt;!&#8211; START BYLINE &#8211;&gt;&lt;div class=&#8221;row align-items-center justify-content-center my-4 text-center medium dark-gray&#8221;&gt;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":343380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/natasha-braier-cinematography.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-343379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/343379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=343379"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/343379\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/343380"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=343379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=343379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=343379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}