{"id":343891,"date":"2021-09-24T21:27:27","date_gmt":"2021-09-24T18:27:27","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-center-framed-cinema-of-pedro-almodovar\/"},"modified":"2021-09-24T21:27:27","modified_gmt":"2021-09-24T18:27:27","slug":"the-center-framed-cinema-of-pedro-almodovar","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-center-framed-cinema-of-pedro-almodovar\/","title":{"rendered":"#The Center-Framed Cinema of Pedro Almod\u00f3var"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a40dadfb8cf6\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a40dadfb8cf6\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-center-framed-cinema-of-pedro-almodovar\/#Watch_%E2%80%9CPedro_Almodovar_Centered%E2%80%9D\" >Watch \u201cPedro Almod\u00f3var Centered\u201d:<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/the-center-framed-cinema-of-pedro-almodovar\/#Who_made_this\" >Who made this?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/the-center-framed-cinema-of-pedro-almodovar\/#More_videos_like_this\" >More videos like this<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#The Center-Framed Cinema of Pedro Almod\u00f3var<\/strong>&#8221;<\/p>\n<pre><code>     &lt;span class=\"mx-1\"&gt;Arguably one of the most visually identifiable directors working today, here\u2019s a quick celebration of the center frames of Spanish auteur Pedro Almod\u00f3var&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;&lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;&lt;img width=\"800\" height=\"600\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/pedro-almodovar-centered-cinematography.jpg\" class=\"articlethumb wp-post-image\" alt=\"Pedro Almodovar Centered Cinematography\" loading=\"lazy\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/pedro-almodovar-centered-cinematography.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/pedro-almodovar-centered-cinematography-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;&lt;\/figure&gt;&lt;!-- START BYLINE --&gt;&lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Meg Shields\u00a0\u00b7 Published on September 24th, 2021 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;p&gt;&lt;em&gt;Welcome to The Queue \u2014 your daily distraction of curated video content sourced from across the web. Today, we\u2019re watching a video essay on the center-frames of Spanish auteur Pedro Almod\u00f3var.&lt;\/em&gt;\n<\/code><\/pre>\n<hr\/>\n<p>What directors spring to mind when you think of center-framed compositions? Wes Anderson is certainly a noteworthy proponent of the \u201cputting things in the middle of the shot\u201d school. The same is true, of course, for Stanley Kubrick, whose notorious perfectionism often manifests in meticulously crafted shots that skirt naturalism in favor of unnervingly symmetrical visuals.<\/p>\n<p>But I\u2019ll admit, when it comes to center-framed cinema, the work of <strong>Pedro Almod\u00f3var<\/strong> never sprung to mind. As a fan of center frames and of Almod\u00f3var\u2019s work, this is a sin on multiple fronts. Perhaps I was dazzled by the tomato-reds and enthusiastic embrace of kitsch and camp. But as the video essay below emphatically proves, the Spanish auteur\u2019s work deserves a plaque on the same wall as many of his symmetry-loving peers. Letting the frames speak louder than words ever could, the essay offers up emphatic evidence that when it comes to center-framing, from 1980\u2019s <em>Other Girls Like Mom<\/em> to 2019\u2019s\u00a0<em>Pain and Glory<\/em>, Almod\u00f3var is toe-to-toe with the best of \u2019em.<\/p>\n<p>Now, a word of caution to those who clicked on this article with little (or no) knowledge of Pedro Almod\u00f3var\u2019s work. First off: Hello, welcome. Always a pleasure to meet a fellow admirer of symmetrical composition. But be warned: Almod\u00f3var has plenty of directorial hallmarks. One of them is aesthetically even composition. Another is a wantonly provocative attitude towards nudity and sex. So, for those in need of a warning: this video is <strong>NSFW<\/strong>. Now that all the prudes are gone, on with the center-framed show:<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Watch_%E2%80%9CPedro_Almodovar_Centered%E2%80%9D\"><\/span>Watch \u201cPedro Almod\u00f3var Centered\u201d:<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><iframe loading=\"lazy\" title=\"Pedro Almod\u00f3var centered\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6VZs0w1Af7Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Who_made_this\"><\/span>Who made this?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p id=\"block-839c096a-2881-4e76-aef1-4e01b79aa34f\">This video essay on why rhetorical questions make for such iconic movie quotes comes courtesy of the fine folks at\u00a0<strong><em>Little White Lies<\/em><\/strong>, a film-obsessed magazine based in the United Kingdom. This video is directed by <strong>Lu\u00eds Azevedo<\/strong> directed and produced by\u00a0<strong>Adam Woodward<\/strong>. You can follow\u00a0<em>Little White Lies\u00a0<\/em>on Twitter\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/lwlies\">here<\/a>. And you can check out their official website\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/lwlies.com\/\">here<\/a>. You can subscribe to their YouTube account\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/c\/lwlies\/featured\">here<\/a>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"More_videos_like_this\"><\/span>More videos like this<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<pre><code>    Related Topics: Cinematography, Pedro Almod\u00f3var, The Queue\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/07\/meg.jpg\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/><\/div>\n<div class=\"col-md\">\n            Meg Shields is the humble farm boy of your dreams and a senior contributor at Film School Rejects. She currently runs three columns at FSR: The Queue, How&#8217;d They Do That?, and Horrorscope. She is also a curator for One Perfect Shot and a freelance writer for hire. Meg can be found screaming about John Boorman&#8217;s &#8216;Excalibur&#8217; on Twitter here: <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/TheWorstNun\">@TheWorstNun<\/a>. (She\/Her).        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;&lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;&lt;!-- END RECOMMENDED READING --&gt;\n\n\n&lt;\/div&gt;&lt;<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a> async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/pedro-almodovar-cinematography\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=pedro-almodovar-cinematography\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#The Center-Framed Cinema of Pedro Almod\u00f3var&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;Arguably one of the most visually identifiable directors working today, here\u2019s a quick celebration of the center frames of Spanish auteur Pedro Almod\u00f3var&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt;&lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt;&lt;img width=&#8221;800&#8243; height=&#8221;600&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/pedro-almodovar-centered-cinematography.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;Pedro Almodovar Centered Cinematography&#8221; loading=&#8221;lazy&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/pedro-almodovar-centered-cinematography.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/pedro-almodovar-centered-cinematography-768&#215;576.jpg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw, 800px&#8221;\/&gt;&lt;\/figure&gt;&lt;!&#8211; START BYLINE &#8211;&gt;&lt;div&#8230;<\/p>\n","protected":false},"author":1,"featured_media":343892,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/pedro-almodovar-centered-cinematography.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-343891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/343891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=343891"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/343891\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/343892"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=343891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=343891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=343891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}