{"id":360857,"date":"2021-10-30T15:15:46","date_gmt":"2021-10-30T12:15:46","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/10-most-heartbreaking-horror-films\/"},"modified":"2021-10-30T15:15:46","modified_gmt":"2021-10-30T12:15:46","slug":"10-most-heartbreaking-horror-films","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/10-most-heartbreaking-horror-films\/","title":{"rendered":"#10 Most Heartbreaking Horror Films"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a338607bd2c4\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a338607bd2c4\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/10-most-heartbreaking-horror-films\/#10_Candyman_1992\" >10. Candyman (1992)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/10-most-heartbreaking-horror-films\/#9_Audition_1999\" >9. Audition (1999)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/10-most-heartbreaking-horror-films\/#8_The_Descent_2005\" >8. The Descent (2005)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/10-most-heartbreaking-horror-films\/#7_The_Devils_Backbone_2001\" >7. The Devil\u2019s Backbone (2001)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/10-most-heartbreaking-horror-films\/#6_Let_the_Right_One_In_2004\" >6. Let the Right One In (2004)<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#10 Most Heartbreaking Horror Films<\/strong>&#8221;<\/p>\n<pre><code>     &lt;span class=\"mx-1\"&gt;Most horror <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> want to scare, unsettle, or disturb, but some set their sights even higher. These are the most heartbreaking horror films.&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;&lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;&lt;img width=\"800\" height=\"600\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/heartbreaking-horror-films.jpg\" class=\"articlethumb wp-post-image\" alt=\"Heartbreaking Horror Films\" loading=\"lazy\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/heartbreaking-horror-films.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/heartbreaking-horror-films-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;&lt;\/figure&gt;&lt;!-- START BYLINE --&gt;&lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Rob Hunter\u00a0\u00b7 Published on October 30th, 2021 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;p&gt;&lt;em&gt;October is defined in Webster\u2019s Dictionary as \u201c31 days of horror.\u201d Don\u2019t bother looking it up; it\u2019s true. Most people take that to mean highlighting one horror movie a day, but here at FSR, we\u2019ve taken that up a spooky notch or nine by celebrating each day with a top ten list. This article about the most heartbreaking horror films is part of our ongoing series &lt;strong&gt;31 Days of Horror Lists&lt;\/strong&gt;.&lt;\/em&gt;\n<\/code><\/pre>\n<hr\/>\n<p>While comedies want you to laugh and dramas want you to care, the horror genre isn\u2019t so easily pigeonholed. Horror movies often aim for some combination of intentions \u2014 they want to scare, unsettle, and\/or entertain with shocks and thrills \u2014 and some mix other elements in from the funny to the disgusting. A small handful, though, aim even higher. They want to break your goddamn heart along the way.<\/p>\n<p>It\u2019s a difficult line to walk, delivering genre thrills while also crafting characters whose circumstances grip our hearts, but when it works the result can be magical. A simple film about cannibalistic humanoid underground dwellers can become a heart-wrenching look at loss and grief. A story about twin doctors fueled by addiction and ego turns a corner to explore the painful side of human connection. A descent into comical terror involving undead beavers shifts to become \u2014 okay, sometimes a Zombeaver is just a Zombeaver. But other examples await below!<\/p>\n<p>FSR\u2019s Boo Crew is a squad well known for our oversized hearts and love of jellies, so heartbreaking horror is precisely our jam. Now keep reading to see what tears our hearts in two, as collectively conceived by Chris\u00a0Coffel,\u00a0Brad Gullickson,\u00a0Mary Beth McAndrews,\u00a0Meg Shields,\u00a0Anna Swanson,\u00a0Jacob Trussell, and\u00a0myself.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"10_Candyman_1992\"><\/span>10. Candyman (1992)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"has-credit-line\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-358952\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/10\/Tony-Todd-Candyman.jpg\" alt=\"Candyman\" width=\"800\" height=\"600\"\/><\/p>\n<p>                        <span class=\"sf-entry-flag sf-entry-flag-creditline\">TriStar Pictures<\/span><\/p>\n<\/figure>\n<p><span style=\"font-weight: 400;\">No matter how you slice it, the story of Candyman is a tragic one, grounded in the horrific racial violence faced by Black people both in the past and still today. The film starts with graduate students Helen Lyle (<strong>Virginia Madsen<\/strong>) and Bernadette Walsh (<strong>Kasi Lemmons<\/strong>) doing research for their dissertation about urban legends in Cabrini Green, a Chicago housing project. They think Candyman is just another story used as a coping mechanism for their socioeconomic position in the world. Candyman (<strong>Tony Todd<\/strong>) is the ghost of Daniel Robitaille, the son of a slave who made a living painting wealthy white families in Chicago. But when it\u2019s discovered he and a white woman were in love, a lynch mob cut off his hand, replaced it with a hook and smeared him with honey.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Robitaille was stung to death by bees and his body was unceremoniously burnt. Now his spirit is said to haunt Cabrini Green, and can be summoned by saying his name five times into a mirror. Candyman may be the film\u2019s villain, killing and maiming with reckless abandon, but he is still a tragic figure. He is the victim of a deeply racist system that perpetuates cycles of violence and abuse of power. And that\u2019s what makes this film so damn heartbreaking. (Mary Beth McAndrews)<\/span><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"9_Audition_1999\"><\/span>9. Audition (1999)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"has-credit-line\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-358499\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/10\/audition-1999.jpg\" alt=\"Audition\" width=\"800\" height=\"600\"\/><\/p>\n<p>                        <span class=\"sf-entry-flag sf-entry-flag-creditline\">Basara Pictures<\/span><\/p>\n<\/figure>\n<p><span style=\"font-weight: 400;\">You can\u2019t talk J-horror without <strong>Takashi Miike<\/strong>, and 1999\u2019s <em>Audition<\/em> may very well be the director\u2019s most important piece of work. Seven years after the death of his wife, Shigeharu (<strong>Ryo Ishibashi<\/strong>) is ready to remarry. With the help of a friend, he sets up a casting call for a sham movie to meet the perfect woman. Here he meets the meek Asami (<strong>Eihi Shiina<\/strong>) and immediately becomes infatuated. The two begin to date and seemingly hit it off, but soon, deep, dark secrets from Asami\u2019s past rise to the surface.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Audition<\/em> inspired a generation of imitators, but none could reach the truly terrifying heights achieved by Miike. The last fifteen minutes represent true horror, including an \u201cacupuncture\u201d scene that is nearly impossible to watch without partially covering your eyes. It\u2019s truly heartbreaking horror. (Chris Coffel)<\/span><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"8_The_Descent_2005\"><\/span>8. The Descent (2005)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-358751\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/10\/The-Descent.jpg\" alt=\"The Descent\" width=\"800\" height=\"600\"\/><\/p>\n<p><strong>Neil Marshall<\/strong>\u2018s <em>The Descent<\/em> opens right out of the gate with tragedy as Sarah, her husband, and their daughter are in a horrific car crash. One year later, and still reeling from the loss of her family, Sarah joins her girlfriends for a spelunking adventure. It goes immediately awry, though, as a cave-in, poor preparation, and pale humanoids all bite them on the ass. It\u2019s a thrilling, grueling horror\/thriller with grief at its heart, and the hits keep coming \u2014 especially if you\u2019re watching the UK cut.<\/p>\n<p>Spoilers for those who haven\u2019t seen it yet\u2026 but the film\u2019s US release ends with Sarah escaping the cave, just barely and with blood lost by everyone and everything in her vicinity, driving away, and breaking down at all that\u2019s transpired. A hallucination closes out the movie on a jump scare. The UK release puts that to shame by twisting the knife in a deep, dark, and depressing way. Sarah still escapes, but her freedom is short-lived as it\u2019s revealed that her successful climb out of the monsters\u2019 den was itself a dream. She\u2019s still in the pit, imagining her little girl sitting across from her, and as the child fades we pull back to see (and hear) dozens of crawlers moving towards her. It\u2019s a devastating blow for audiences and Sarah alike, especially after both the fierce fight for physical survival and the past year of grief. (Rob Hunter)<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"7_The_Devils_Backbone_2001\"><\/span>7. The Devil\u2019s Backbone (2001)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-368406\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/The-Devils-Backbone.jpg\" alt=\"The Devil's Backbone\" width=\"800\" height=\"450\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/The-Devils-Backbone.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/The-Devils-Backbone-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p><span style=\"font-weight: 400;\">At the center of everything in <\/span><i><span style=\"font-weight: 400;\">The Devil\u2019s Backbone<\/span><\/i><span style=\"font-weight: 400;\"> is a gargantuan unexploded bomb. As far as dreadful metaphors go, it\u2019s a mighty fine one. You spend most of the film waiting for hell to explode, and when it does, it\u2019s absolutely satisfying in the most utterly painful way. We live in a haunted world, populated by terrors of our own making, and it\u2019s a perfect ingredient for heartbreaking horror. The ghosts that slink through these shadowy corridors are not deadly antagonists but horrible reminders of the hurt we thrust upon each other. <strong>Guillermo del Toro<\/strong>\u2019s phantasms are sorrowful observers, hoping the next generation achieve what they could not: escape from the hate ingrained in our nature. The film\u2019s final image of one such spirit hanging back as the living limp into an unknown future grips your heart. You hope the horizon offers relief, but you worry that more of the same is all that remains. <\/span><i><span style=\"font-weight: 400;\">The Devil\u2019s Backbone<\/span><\/i><span style=\"font-weight: 400;\"> grinds you down, mixing ache and faith into one tangled emotion. It hurts so good. (Brad Gullickson)<\/span><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"6_Let_the_Right_One_In_2004\"><\/span>6. Let the Right One In (2004)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-367987\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/let-the-right-one-in.jpg\" alt=\"Let The Right One In\" width=\"800\" height=\"500\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/let-the-right-one-in.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/09\/let-the-right-one-in-768x480.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p><span style=\"font-weight: 400;\">I should preface this blurb by saying that heartbreaking movies straight up bum me out. They\u2019re not necessarily a subgenre I seek out, and yet when it interlaces with horror, we get disquieting stories that immerse you in bleak moods that, again, bum me the fuck. But I think that\u2019s the point, right? <\/span><i><span style=\"font-weight: 400;\">Let The Right One<\/span><\/i> <i><span style=\"font-weight: 400;\">In<\/span><\/i><span style=\"font-weight: 400;\"> is a film that consistently one-ups itself in how bummed it makes you feel. The rural loneliness of a bullied kid? Oof, I feel that. Compared to the torturous, never-ending life of a listless child vampire, though? Well, shit, that\u2019s pretty bad too.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But what if we make them star-crossed lovers who meet at just the moment their two worlds are set ablaze? God damnit <strong>John Ajvide Lindqvist<\/strong>! People have emotional limits you know! Fortunately, with dual wise-beyond-their-years performances from <strong>K\u00e5re Hedebrant<\/strong> as Oskar and <strong>Lina Leandersson<\/strong> as Eli, as well as a fine blend of shocking violence beneath the layers of sadness, the melancholy at the core of <\/span><i><span style=\"font-weight: 400;\">Let The Right One In<\/span><\/i><span style=\"font-weight: 400;\"> grips you without choking you to death. (Jacob Trussell)<\/span><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-361222\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/next-page.jpg\" alt=\"Next Page\" width=\"364\" height=\"99\"\/><\/p>\n<pre><code>    Related Topics: 31 Days of Horror Lists\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/secure.gravatar.com\/avatar\/dca6f7118e64ea9aa6ef4f60221cfe7e?s=96&amp;d=mm&amp;r=x\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/><\/div>\n<div class=\"col-md\">\n            Rob Hunter has been writing for Film School Rejects since before you were born, which is weird seeing as he&#8217;s so damn young. He&#8217;s our Chief Film Critic and Associate Editor and lists &#8216;Broadcast <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">News<\/a>&#8217; as his favorite film of all time. Feel free to say hi if you see him on Twitter <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/FakeRobHunter\">@FakeRobHunter<\/a>.        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;&lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;&lt;!-- END RECOMMENDED READING --&gt;\n\n\n&lt;\/div&gt;&lt;<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a> async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/most-heartbreaking-horror-films\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=most-heartbreaking-horror-films\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#10 Most Heartbreaking Horror Films&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;Most horror movies want to scare, unsettle, or disturb, but some set their sights even higher. These are the most heartbreaking horror films.&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt;&lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt;&lt;img width=&#8221;800&#8243; height=&#8221;600&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/heartbreaking-horror-films.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;Heartbreaking Horror Films&#8221; loading=&#8221;lazy&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/heartbreaking-horror-films.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/heartbreaking-horror-films-768&#215;576.jpg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw, 800px&#8221;\/&gt;&lt;\/figure&gt;&lt;!&#8211; START BYLINE &#8211;&gt;&lt;div class=&#8221;row align-items-center&#8230;<\/p>\n","protected":false},"author":1,"featured_media":360858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/10\/heartbreaking-horror-films.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-360857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/360857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=360857"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/360857\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/360858"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=360857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=360857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=360857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}