{"id":371543,"date":"2021-11-24T04:02:56","date_gmt":"2021-11-24T01:02:56","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/42-things-we-learned-from-scott-adkins-avengement-commentary\/"},"modified":"2021-11-24T04:02:56","modified_gmt":"2021-11-24T01:02:56","slug":"42-things-we-learned-from-scott-adkins-avengement-commentary","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/42-things-we-learned-from-scott-adkins-avengement-commentary\/","title":{"rendered":"#42 Things We Learned from Scott Adkins&#8217; &#8216;Avengement&#8217; Commentary"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6af0050fa8d8c\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6af0050fa8d8c\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/42-things-we-learned-from-scott-adkins-avengement-commentary\/#Avengement_2019\" >Avengement (2019)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/42-things-we-learned-from-scott-adkins-avengement-commentary\/#Best_in_Context-Free_Commentary\" >Best in Context-Free Commentary<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/42-things-we-learned-from-scott-adkins-avengement-commentary\/#Final_Thoughts\" >Final Thoughts<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#42 Things We Learned from Scott Adkins&#8217; &#8216;Avengement&#8217; Commentary<\/strong>&#8221;<\/p>\n<pre><code>     &lt;span class=\"mx-1\"&gt;\u201cIf I don\u2019t have loads of fake blood on my face, something doesn\u2019t feel right.\u201d&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;\n\n\n\n                &lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;\n            &lt;img width=\"800\" height=\"451\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/avengement.jpg\" class=\"articlethumb wp-post-image\" alt=\"Scott Adkins in Avengement\" loading=\"lazy\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/avengement.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/avengement-768x433.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;                                    &lt;p&gt;\n                    &lt;span class=\"sf-entry-flag sf-entry-flag-creditline\"&gt;Samuel Goldwyn&lt;\/span&gt;\n\n                        &lt;\/figure&gt;\n\n    &lt;!-- START BYLINE --&gt;\n    &lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Rob Hunter\u00a0\u00b7 Published on November 23rd, 2021 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;i data-stringify-type=\"italic\"&gt;Welcome to\u00a0&lt;\/i&gt;&lt;b data-stringify-type=\"bold\"&gt;&lt;i data-stringify-type=\"italic\"&gt;Commentary Commentary,&lt;\/i&gt;&lt;\/b&gt;&lt;i data-stringify-type=\"italic\"&gt; where we sit and listen to filmmakers talk about their work, then share the most interesting parts. In this edition, Rob Hunter revisits his favorite Scott Adkins film, Avengement&lt;\/i&gt;.\n<\/code><\/pre>\n<hr\/>\n<p><strong>Scott Adkins<\/strong> is something of an international treasure for action fans. He\u2019s been kicking around the action movie scene since 2001, and two decades later he\u2019s showing no sign of slowing down. Everyone has a favorite among his filmography with highlights including <em>Undisputed 3: Redemption<\/em> (2010), <em>Universal Soldier: Day of Reckoning<\/em> (2012), <em>Ninja: Shadow of a Tear<\/em> (2013), and <em>Accident Man<\/em> (2018), to name a few. He\u2019s also stood out with <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>earances in a handful of big budget films like <em>Doctor Strange<\/em> (2016) and <em>Ip Man 4: The Finale<\/em> (2019).<\/p>\n<p>For my money, though, his best feature so far is 2019\u2019s <strong><em>Avengement<\/em><\/strong>. It\u2019s his sixth collaboration with director Jesse V. Johnson \u2014 who got his start as third assistant director on Clive Barker\u2019s <em>Nightbreed<\/em> (1990)! \u2014 and is a mean, action-heavy blast of anger, pain, and revenge. Adkins is phenomenal here, like an uncaged animal hungry for blood, but in addition to stellar action chops the film also manages some surprising emotion. It\u2019s fantastic stuff, and after recently picking up and rewatching the new 4K UHD release (from Germany!), I decided to give it yet another rewatch with the commentary track.<\/p>\n<p>Keep reading to see what I heard on the commentary for <em>Avengement<\/em>!<\/p>\n<hr\/>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Avengement_2019\"><\/span>Avengement (2019)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p\">Commentators: Scott Adkins (actor\/ass-kicker), Stu Small (co-writer)<\/p>\n<p class=\"graf graf--p\"><strong>1.<\/strong> Adkins may not be credited as a co-writer, but they both agree he played a large role in crafting the story that would become Avengement.<\/p>\n<p><strong>2.<\/strong> The film was originally titled <em>Runt<\/em> which works in a similar way to Jet Li\u2019s <em>Danny the Dog<\/em> (2005) in setting up a passive character to become a furious beast. \u201cAnd it sounds like the c-word,\u201d says Adkins, \u201cwhich is even more apt for me.\u201d<\/p>\n<p><strong>3.<\/strong> Small thinks the core of the film is that Cain (Adkins) \u201closes his mum,\u201d which is enough to turn even the toughest prick soft\u2026 while also serving as an understandable motivator for his bloody vengeance.<\/p>\n<p><strong>4.<\/strong> The pub where most of the action unfolds is called Horse &amp; Jockey which is the name of Small\u2019s favorite boozer back home.<\/p>\n<p><strong>5.<\/strong> \u201cWe knew we didn\u2019t have a big budget,\u201d which is the main reason the bulk of <em>Avengement<\/em> is set in the pub.<\/p>\n<p><strong>6.<\/strong> Adkins is a patron of <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.fightingspiritfilmfestival.com\/\">The Fighting Spirit Film Festival<\/a>, an annual celebration of action films with a focus on shorts. He first met <strong>Beau Fowler<\/strong> there a few years back, and when they began casting for this film Adkins reached out to bring him on board. Fowler plays Vern, the long-haired tough guy who\u2019s sitting down when Cain enters the pub.<\/p>\n<p><strong>7.<\/strong> The cast of baddies are essentially doing double duty as fighters\/stunt men. That goes for the group already in the pub and the guys who arrive later with <strong>Craig Fairbrass<\/strong>\u2018 character. \u201cWe didn\u2019t want them in there for the whole movie because you gotta pay them everyday and they\u2019d be standing around saying nothing.\u201d<\/p>\n<p><strong>8.<\/strong> Easter egg alert! There\u2019s a poster in the pub for the Satanic Mechanix, the thrash metal band that Adkins takes on in <em>Accident Man<\/em>.<\/p>\n<p><strong>9.<\/strong> Tune (<strong>Thomas Turgoose<\/strong>) is Small\u2019s favorite character as he offers the film some lighthearted humor and laughs.<\/p>\n<p><strong>10.<\/strong> Adkins wasn\u2019t so sure about the coat he\u2019s stuck with for most of the film, but once he put it on he changed his tune.<\/p>\n<p><strong>11.<\/strong> The leg wound at 12:56 \u2014 courtesy of a blast from Cain\u2019s sawed off shotgun \u2014 wasn\u2019t coming together visually, so Johnson sent someone to a local butcher shop for fresh meat. They stabbed it with a pen knife and dressed it with fake blood.<\/p>\n<p><strong>12.<\/strong> Adkins\u2019 father was a butcher so he\u2019s seen some sick stuff. \u201cI\u2019ve done some sick stuff.\u201d<\/p>\n<p><strong>13.<\/strong> Bez (<strong>Kierston Wareing<\/strong>) is named after Small himself as that was his nickname back in school.<\/p>\n<p><strong>14.<\/strong> Early drafts of the script let Cain reach the hospital in time to spend a few moments with his mum, but they wisely changed it for dramatic effect.<\/p>\n<p><strong>15.<\/strong> Adkins knew he wanted Fairbrass for the role of Cain\u2019s older brother, Lincoln, because he wanted someone who was going to be \u201cinstantly intimidating, and that\u2019s Craig Fairbrass. He comes from this world, he is like one of these guys, and the size of him, the muscle he\u2019s got on him, the attitude.\u201d He does add, though, that he has more chest hair than Fairbrass, \u201cmore testosterone.\u201d Small isn\u2019t so sure about that.<\/p>\n<p><strong>16.<\/strong> Cain\u2019s journey, once revealed, shows a man making a seriously jarring transition, and they initially considered having Adkins play Cain and his twin brother \u2014 one who Cain would be avenging. They wisely merged the two into one, though, and Adkins does terrific work showing how a nice guy can be transformed through violence and pain.<\/p>\n<p><strong>17.<\/strong> Lincoln was never named Abel, not even in the earliest drafts. \u201cIt was a bit too on the nose, obviously,\u201d but Small did touch on the idea by naming the woman who Cain robs and \u201ckills\u201d Mabel.<\/p>\n<p><strong>18.<\/strong> They filmed at the real, albeit currently unoccupied, Canterbury Prison in Kent. \u201cPretty depressing stuff.\u201d<\/p>\n<p><strong>19.<\/strong> Joe Egan plays Lump, the first guy Cain fights in prison. He used to be a sparring partner for Mike Tyson and has \u201ca mean left hook.\u201d Adkins had to stay on his toes as Egan is \u201ca great guy who likes to improvise and come up with his own choreography in the middle of it which can be a bit disconcerting.\u201d<\/p>\n<p><strong>20.<\/strong> \u201cLots of violence,\u201d says Adkins, adding that they were inspired by the likes of <em>Scum<\/em> (1979), <em>Bronson<\/em> (2008), and <em>Chopper<\/em> (2000).<\/p>\n<p><strong>21.<\/strong> The goal was to make the fights more gritty and realistic and less about martial arts. \u201cI\u2019m a kickboxer, so I do throw some kicks sometimes.\u201d Adkins works with Luke LaFontaine and Dan Styles to choreograph and plan out the fights, and then Johnson \u201cpunctuates it with hyper violence.\u201d<\/p>\n<p><strong>22.<\/strong> Adkins likes to shoot fight scenes with two cameras rolling simultaneously. The idea is they\u2019ll be playing to one camera with the knowledge that the second can be cut to in case they need to dodge \u201cany eggy\u201d moments if they need to. \u201cI\u2019ve been doing this for so long I can work between two cameras knowing I\u2019ll make that hit work for that camera and I\u2019ll make this hit work for this camera.\u201d<\/p>\n<p><strong>23.<\/strong> The knife pull at 36:05 was accomplished by attaching a handle to him vie a magnet, and then they added a CG blade when he pulls it away.<\/p>\n<p><strong>24.<\/strong> They intended to shoot the elevator fight in one-take, but one of the cops was an actor, not a stunt man, and it wasn\u2019t quite working for anyone.<\/p>\n<p><strong>25.<\/strong> Adkins credits Johnson with elevating him as a performer. \u201cHe trusts me first and foremost, that I can do the things. He trusts me as an actor and gives me the space to really go for it and show a side of me that in other <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> I don\u2019t really get the opportunity.\u201d<\/p>\n<p><strong>26.<\/strong> Small originally had Cain involved in an elaborate racetrack heist, but Johnson helped shift that to a smaller, but far more insidious crime involving innocent, desperate people.<\/p>\n<p><strong>27.<\/strong> The shot at 46:09 of the body hitting and breaking the windshield is actually Johnson doing the stunt.<\/p>\n<p><strong>28.<\/strong> \u201cWe can get away with it in England,\u201d says Adkins regarding why none of the gangsters are carrying a gun with them. In America? No one would have bought it.<\/p>\n<p><strong>29.<\/strong> Small actually pissed on his brother\u2019s head from up in a tree when he was younger, but he\u2019s embarrassed to admit it now. \u201cDon\u2019t be embarrassed about that, mate,\u201d says Adkins.<\/p>\n<p><strong>30.<\/strong> Adkins acknowledges the makeup looks great, but he despised the experience. \u201cI had to go and sit in this crappy makeup trailer, to be honest, it was a cheap one with a chair that was terrible for my back.\u201d<\/p>\n<p><strong>31.<\/strong> \u201cEveryone rips off John Wick these days,\u201d says Adkins, \u201cwe\u2019re not the only one.\u201d And now two years later he\u2019s starring in <em>John Wick 4<\/em>!<\/p>\n<p><strong>32.<\/strong> Adkins kicks Evans (<strong>Ross O\u2019Hennessy<\/strong>) at 59:47, and \u201ca few months later Ross informed me that I\u2019d broken his rib.\u201d<\/p>\n<p><strong>33.<\/strong> The fight between Cain and Evans ends with a hammer to Evans\u2019 head, but they shot it with Cain landing five more blows to the man\u2019s immobile corpse, \u201cwhich I preferred.\u201d<\/p>\n<p><strong>34.<\/strong> Do not, under any circumstance, offer Adkins a bite of Marmite.<\/p>\n<p><strong>35.<\/strong> Producers wanted to cut a day or so from the shooting of the big end fight sequence, \u201cand I don\u2019t mind saying that I flipped my lid and had a bit of a screaming match, because I didn\u2019t want to shortchange the audience.\u201d So they got to keep the full two days.<\/p>\n<p><strong>36.<\/strong> Adkins <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>s over a dummy at 1:14:36.<\/p>\n<p><strong>37.<\/strong> His metal grill accidentally come out at 15:05, and they kept it in as it looks cool.<\/p>\n<p><strong>38.<\/strong> Adkins and <strong>Mark Strange<\/strong> \u2014 he plays a thug named Clif \u2014 came back to the set for half a day to film their one-on-one part of the big final fight.<\/p>\n<p><strong>39.<\/strong> Cain slams a guy\u2019s head with a crowbar at 1:16:52, and they took a frame out to make the head snap appear even more brutally fast.<\/p>\n<p><strong>40.<\/strong> <strong>Louis Mandylor<\/strong> \u2014 he plays Det. O\u2019Hara \u2014 saw the film and don\u2019t Adkins he loves it but had just one question. \u201cWhy didn\u2019t you kill that bitch behind the bar?\u201d It\u2019s a legit question as she\u2019s a baddie too, and they actually deliberated that before deciding it wasn\u2019t necessary. \u201cI think it would have been a step too far,\u201d says Adkins. \u201cBut it would have been interesting.\u201d<\/p>\n<p><strong>41.<\/strong> <em>Avengement<\/em> did well in England which makes Adkins happy as that isn\u2019t always the case.<\/p>\n<p><strong>42.<\/strong> They mention that we don\u2019t know if Cain dies in the end, so yes, I\u2019m looking forward to Adkins, Johnson, and Small returning for <em>Avengement 2: Return of the Runt<\/em>.<\/p>\n<hr\/>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Best_in_Context-Free_Commentary\"><\/span>Best in Context-Free Commentary<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p graf--startsWithDoubleQuote\">\u201cHow do you create a monster and have the audience get behind him?\u201d<\/p>\n<p>\u201cHe\u2019s a bit of a gobshite.\u201d<\/p>\n<p>\u201cIt felt like doing theatre to me.\u201d<\/p>\n<p>\u201cI was fighting everyday it seemed.\u201d<\/p>\n<p>\u201cIt puts you off going to prison.\u201d<\/p>\n<p>\u201cHe\u2019s like a football hooligan in many ways.\u201d<\/p>\n<p>\u201cSometimes the stuntmen have to keep up with me.\u201d<\/p>\n<p>\u201cI threw a spin kick in because he had a helmet on. Couldn\u2019t help myself.\u201d<\/p>\n<p>\u201cThese are just two innocent coppers, but they did stop off for a vanilla latte.\u201d<\/p>\n<p>\u201cI didn\u2019t want to get too shouty.\u201d<\/p>\n<p>\u201cIf I don\u2019t have loads of fake blood on my face, something doesn\u2019t feel right.\u201d<\/p>\n<hr\/>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Final_Thoughts\"><\/span>Final Thoughts<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p\">Real talk, <em>Avengement<\/em> is just an absolute blast of bone-crunching action and snarling sass. The action beats are fantastic, and even with the commentary track playing the film pulls you in through the fights, the performers, and the very clear rage building throughout. Adkins and Johnson are lowkey one of our best actor\/director filmmaking duos going right now, and here\u2019s hoping we get a dozen more collaborations from them. The commentary is also a treat as both Adkins and Small show a real engagement with the material and an appreciation for everyone who helped make the film happen. More please!<\/p>\n<p class=\"graf graf--p\">Read more Commentary Commentary from the archives.<\/p>\n<pre><code>    Related Topics: Avengement, Commentary Commentary, Scott Adkins\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/secure.gravatar.com\/avatar\/dca6f7118e64ea9aa6ef4f60221cfe7e?s=96&amp;d=mm&amp;r=x\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Rob Hunter has been writing for Film School Rejects since before you were born, which is weird seeing as he&#8217;s so damn young. He&#8217;s our Chief Film Critic and Associate Editor and lists &#8216;Broadcast <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">News<\/a>&#8217; as his favorite film of all time. Feel free to say hi if you see him on Twitter <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/FakeRobHunter\">@FakeRobHunter<\/a>.        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;\n            &lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;\n            &lt;!-- END RECOMMENDED READING --&gt;\n\n\n\n\n&lt;\/div&gt;&lt;script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/scott-adkins-avengement-commentary\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=scott-adkins-avengement-commentary\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#42 Things We Learned from Scott Adkins&#8217; &#8216;Avengement&#8217; Commentary&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;\u201cIf I don\u2019t have loads of fake blood on my face, something doesn\u2019t feel right.\u201d&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt; &lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt; &lt;img width=&#8221;800&#8243; height=&#8221;451&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/avengement.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;Scott Adkins in Avengement&#8221; loading=&#8221;lazy&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/avengement.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/avengement-768&#215;433.jpg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw, 800px&#8221;\/&gt; &lt;p&gt; &lt;span class=&#8221;sf-entry-flag sf-entry-flag-creditline&#8221;&gt;Samuel Goldwyn&lt;\/span&gt; &lt;\/figure&gt;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":371544,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/avengement.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-371543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/371543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=371543"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/371543\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/371544"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=371543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=371543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=371543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}