{"id":372255,"date":"2021-11-25T11:01:06","date_gmt":"2021-11-25T08:01:06","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/watch-the-beatles-get-back-review-addictive-and-essential\/"},"modified":"2021-11-25T11:01:06","modified_gmt":"2021-11-25T08:01:06","slug":"watch-the-beatles-get-back-review-addictive-and-essential","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/watch-the-beatles-get-back-review-addictive-and-essential\/","title":{"rendered":"Watch &#8216;The Beatles: Get Back&#8217; Review: Addictive and Essential"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a291bded8ae9\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a291bded8ae9\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-the-beatles-get-back-review-addictive-and-essential\/#%E2%80%9CWatch_Online_%E2%80%98The_Beatles_Get_Back_Review_Addictive_and_Essential%E2%80%9D\" >&#8220;Watch Online &#8216;The Beatles: Get Back&#8217; Review: Addictive and Essential&#8221;<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-the-beatles-get-back-review-addictive-and-essential\/#%E2%80%9C%E2%80%98The_Beatles_Get_Back_Review_Addictive_and_Essential%E2%80%9D\" >&#8220;&#8216;The Beatles: Get Back&#8217; Review: Addictive and Essential&#8221;<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-the-beatles-get-back-review-addictive-and-essential\/#optional_screen_reader\" >optional screen reader<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-the-beatles-get-back-review-addictive-and-essential\/#Read_More_About\" >Read More About:<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9CWatch_Online_%E2%80%98The_Beatles_Get_Back_Review_Addictive_and_Essential%E2%80%9D\"><\/span>&#8220;Watch Online &#8216;The Beatles: Get Back&#8217; Review: Addictive and Essential&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9C%E2%80%98The_Beatles_Get_Back_Review_Addictive_and_Essential%E2%80%9D\"><\/span>&#8220;&#8216;The Beatles: Get Back&#8217; Review: Addictive and Essential&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div>\n                        How does anyone, especially a Beatle, write a melody? The answer may be as simple as it is mysterious. In \u201cThe Beatles: Get Back,\u201d Peter Jackson\u2019s sprawling and revelatory fly-on-the-studio-wall documentary, there\u2019s a great moment when we get to see it h<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>en. It\u2019s January 1969, and the Beatles \u2014 long-haired, scruffy, bearded, looking less like the \u201clads\u201d they still call themselves than the grown men they\u2019ve become \u2014 have taken over the colorfully dank, cavernous Twickenham Studios. There, they have just three weeks to create and rehearse 14 songs, at which point they\u2019re supposed to play them in front of a live audience for a TV special. (They\u2019re locked into the timing because Ringo has been cast to star opposite Peter Sellers in \u201cThe Magic Christian,\u201d a movie set to begin shooting on Jan. 24.)<\/p>\n<p>So far, the Beatles aren\u2019t making much headway. But on the morning of day four, a spark ignites. John Lennon hasn\u2019t come into the studio yet, and Paul McCartney, sitting around in one of his natty sweaters (this one is yellow), starts playing his bass guitar as if it were a regular guitar, strumming out a familiar propulsive rhythm. Over the guitar, he improvises in a high voice, but he\u2019s only singing one note \u2014 the note that will become <em>\u201cJojo was a man\u2026\u201d<\/em>\u00a0For a minute or two, he noodles around on that note; he\u2019s got a groove, a <em>feeling<\/em>, but not a song. Then, just like that, with the guitar beat driving from below, his voice inches up two notes, to the sixth and seventh. He\u2019s pushing out the melody as if it were being born. The song hasn\u2019t been named yet, but \u201cGet Back\u201d suddenly exists in the universe.<\/p>\n<p>In the world of <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, and the world of documentaries in particular, there\u2019s a place known as the cutting-room floor. What\u2019s on it is all the stuff that wasn\u2019t lively or punchy or resonant or dramatic enough to make it into the finished film. \u201cThe Beatles: Get Back\u201d is an eight-hour documentary, shown in three parts (starting Thanksgiving Day) on Disney Plus, that consists, to a large degree, of 1,000 moments you might have expected to be left on the cutting-room floor.<\/p>\n<p>We\u2019ve seen the Beatles with their hair down before, of course \u2014 in \u201cLet It Be,\u201d the original 80-minute documentary that was put together, in 1970, out of these same sessions. In that film, we saw bits of their process, their camaraderie, their acrimony, their exultation. \u201cGet Back,\u201d however, invites us to eavesdrop on the Beatles with a whole new micro level of voyeuristic engagement. We see them horsing around and smoking like chimneys, singing the numbers they\u2019re working on in mock accents worthy of Monty Python, chortling over gossip columns about themselves that they read out like reports from Mars, trading bits and pieces of their history with the driest of winks, not to mention their constant playing of old rock \u2018n\u2019 roll songs, including some of the ones they wrote when they were 15, as they try to work their way of the creative rut they seem to be stuck in.<\/p>\n<p>What\u2019s startling about \u201cGet Back\u201d is that as you watch it, drinking in the moment-to-moment reality of what it was like for the Beatles as they toiled away on their second-to-last studio album, the film\u2019s accumulation of quirks and delights and boredom and exhilaration becomes more than fascinating; it becomes addictive. We\u2019re there in the studio, right alongside the Beatles, seeing \u2014 living \u2014 what they do. There are moments when \u201cGet Back\u201d meanders (at a certain point in Part 3, you may feel like you never want to hear \u201cDon\u2019t Let Me Down\u201d or \u201cLet It Be\u201d again). Yet even the repetition is part of the documentary\u2019s experiential quality. As you soak up the film in its totality, it become moving and momentous. \u201cGet Back\u201d is a long-form portrait of the dissolution of the Beatles <em>and<\/em> the togetherness of the Beatles. It\u2019s really about all of us.<\/p>\n<p>There are hangout movies. \u201cGet Back\u201d is an epic hangout documentary, assembled by Jackson out of 60 hours of film footage, and 150 hours of audio recordings, shot over the course of that fateful January. The publicity for the documentary has been dominated by the idea that it\u2019s going to present a more upbeat vision of the Beatles than the gloomy, end-of-an-era, swan-song-of-a-group one that was showcased \u2014 and mythologized \u2014 in \u201cLet It Be.\u201d At the same time, that publicity has given rise to the fear and trepidation, on the part of any number of Beatles fans, that \u201cGet Back\u201d might turn out to be a kind of Paul-and-Ringo-approved whitewash: a movie that would replace the desultory myth of \u201cLet It Be\u201d with a reductive smiley-face version of the late-period Beatles as happy campers.<\/p>\n<p>As it turns out, the finished film transcends both the hype and the fan anxiety. \u201cGet Back\u201d does indeed present the Beatles as a close-knit group of showman-gods who never stopped clowning around or loving each other. The vibe that links them is boisterous and unmistakable. In a funny way, it\u2019s still a version of the bond they radiated in the fantasy kingdoms of \u201cA Hard Day\u2019s Night,\u201d \u201cHelp!\u201d and \u201cYellow Submarine\u201d \u2014 the sense they had of being spiritually joined, of floating above the world, beyond the reach of others. They still speak their own language and revel in their power and magic. They aren\u2019t pretentious about it. It\u2019s just the reality they live in.<\/p>\n<p>The period covered by \u201cGet Back\u201d is just 21 days (not counting the weekends off), which Jackson documents in strict chronological order, day by day, so that we feel we\u2019re leafing through the Beatles\u2019 diary, with arresting details on every page. But what makes \u201cGet Back\u201d more than a diary is the grand story it tells, which is richer and fuller than the one told by \u201cLet It Be.\u201d It\u2019s not that \u201cLet It Be\u201d got it <em>wrong<\/em>, exactly. And \u201cGet Back\u201d isn\u2019t all sweetness and light. Its first episode is actually much darker than \u201cLet It Be.\u201d In this more complete version, the Beatles know in some part of their collective heart and gut that they\u2019re headed for a breakup (if not now, then soon enough). They make casual reference to it, and the prospect causes them visible distress.<\/p>\n<p>But then they walk themselves back from the ledge, and it re-animates them. The threat is still there, beneath it all, but it\u2019s the very possibility that they\u2019re growing inexorably apart, as individuals and as a group, that turns the highly unusual album they\u2019re working on \u2014 no overdubs or studio fiddling, the songs created to be performed live \u2014 into a rediscovery of what it means for them to play together. They become a <em>band<\/em> all over again, and a transcendent one. They remind each other, and the audience, of why they\u2019re the Beatles. The undercurrents of \u201cLet It Be\u201d are still there (as are a number of moments from that film), but now they\u2019re part of something richer and sweeter, like the dark streaks in a marble cake.<\/p>\n<p>Jackson, in the 2019 documentary \u201cThey Shall Not Grow Old,\u201d did an extraordinary job of heightening scratchy World War I footage into something more contemporary and accessible without violating its authenticity. Here, he uses <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/technology\/\" data-internallinksmanager029f6b8e52c=\"4\" title=\"Technology\" target=\"_blank\" rel=\"noopener\">technology<\/a> to enhance the Beatles footage in a way that\u2019s singular and amazing. In \u201cGet Back,\u201d we\u2019re not seeing grainy old footage with a fake contempo gloss. We\u2019re seeing the footage de-aged, so that it looks like it was shot yesterday, and so we feel like we\u2019re right there in the room with the Beatles, who look and sound just like themselves. As an act of restoration, \u201cGet Back\u201d is a marvel.<\/p>\n<p>\u201cThey had <em>faces<\/em> then,\u201d said Gloria Swanson in \u201cSunset Boulevard.\u201d She meant the old Hollywood stars, but even the movie stars of the 20th century didn\u2019t have faces like the Beatles. And the glory of Jackson\u2019s technological coup is the way it allows us to interface with the faces of John, Paul, George, and Ringo, and how those faces still speak to us. It has something to do with their brotherly beauty, and how sublimely comfortable they are in their own skin: Paul, always handsome, now with the look of a dashing coiffed black-Irish lumberjack. John, stringy long hair parted down the middle, his bespectacled face an acerbic mask \u2014 until his grin cracks it into an open book. George, his sexy elegant severity set on a slow simmer, for it\u2019s his dissatisfaction that is setting off the rumbles of disunity. And Ringo, with those tilted eyes of innocence, now as shaggy and huggable as a sheepdog. \u201cGet Back,\u201d in a way, is all about the music: how the songs on what became \u201cLet It Be\u201d got built, changed, massaged, infused. But what we read in the Beatles\u2019 faces is the drama between the lines. Here\u2019s how the movie goes:<\/p>\n<p><strong>Part 1.<\/strong> Most of the \u201cLet It Be\u201d film was culled from the early sessions that the Beatles did at Twickenham, a film studio they didn\u2019t care for (it was too big, with mediocre acoustics). The first part of \u201cGet Back,\u201d which covers that week, plays like a more foreboding two-and-a-half-hour expansion of \u201cLet It Be.\u201d There are many familiar moments, like John and Yoko waltzing to \u201cI Me Mine\u201d or the famous tiff between Paul and George (\u201cI always hear myself annoying you.\u201d \u201cYou don\u2019t annoy me anymore\u201d). But the cynicism is now on open display. \u201cMaybe we should have a divorce,\u201d says George. \u201cWell, I said that at the last meeting,\u201d says Paul. \u201cBut it\u2019s getting nearer, you know.\u201d<\/p>\n<p>The whole notion that the Beatles were going to come up with 14 songs in three weeks, and perform them live, put them under insane pressure. The chats we see between the group and Michael Lindsay-Hogg, the noodgy, persnickety, exacting director of \u201cLet It Be,\u201d whose dream is to stage the TV special in an ancient amphitheater in <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">Trip<\/a>oli, are grimly comical in their unreality. Yet the slightly depressed mood, with the songs at formative stages, none of them quite catching fire, is really about what\u2019s nagging at the group \u2014 the fact that even making great albums has become rote for them, not to mention the power struggle that is George vs. John and Paul.<\/p>\n<p>It was Paul, in a way, who became the \u201cbad guy,\u201d but in \u201cGet Back\u201d we see how both the lead Beatles collaborate, with a kind of invisible communion, in the brushing off of George. They are not going to give up their dominance of the group. The Beatles consider dipping into their ancient unused songs just to fill the 14-song quota (they finally do use \u201cOne After 909,\u201d which is the \u201cCitizen Kane\u201d of rousing clich\u00e9 genre Beatle oldies), and it\u2019s striking to register how close they still feel to this material. Throughout \u201cGet Back,\u201d the Beatles seem emotionally closer to their early days than they do to the extraordinary studio era that began with \u201cRubber Soul.\u201d It makes you wonder if they felt distant from the wizardry of their producer, George Martin, the \u201cfifth Beatle,\u201d who in \u201cGet Back\u201d is a constant but mostly silent presence, with the look of a tall stoic \u201940s movie star. He\u2019s holding his power in reserve, and knows it. (It will come pouring out on \u201cAbbey Road.\u201d)<\/p>\n<p>There\u2019s a lot of clowning around \u2014 the Beatles play \u201cMidnight Special,\u201d \u201cOb-La-Di, Ob-La-Da,\u201d and the zither theme from \u201cThe Third Man.\u201d But they\u2019re vamping. Paul smokes cigars, and they have drinks: white wine for George, a beer for John and Paul. Yoko Ono and Linda Eastman enjoy an animated conversation, completely oblivious to Paul\u2019s playing of \u201cLet It Be.\u201d As Paul reveals, the loss of Brian Epstein, their late manager and organizing daddy figure, has never stopped haunting them. Near the end, as they\u2019re getting ready for their lunch break, George announces, as casually as if he were going to the kitchen for a cup of tea, that he\u2019s leaving the group. The other three Beatles return and try to carry on, but it\u2019s clear that they\u2019re stunned. Paul, in a way that we\u2019ve never seen him, is visibly anxious. Maybe this really is the end. And there\u2019s suspense! John and Paul go to the cafeteria for a private lunch, and the filmmakers have planted a bug in a flower pot. We get to spy on John and Paul\u2019s intimate conversation, and it\u2019s the two of them talking about how George feels shut out, how Paul dominates everything, and it\u2019s all the more painful because John is so gentlemanly about it.<\/p>\n<p><strong>Part 2.<\/strong> The Beatles, after two meetings with George, talk him into rejoining the group, and they\u2019re now leaving the tomb of Twickenham behind. The rest of the sessions will be at the basement studio of Apple, their chic company office on Savile Row, and the moment they get into the compact white-walled studio, the mood lifts. There\u2019s a new giddiness to them. It\u2019s really about how close they came to crashing, and the exhilaration they feel at still being together. The concept of the TV special has been dropped, and wisely. The sessions will now culminate in an outdoor concert somewhere (it\u2019s Paul who has the idea that maybe they should get shut down by the police), which at first is going to be Primrose Park. Then Michael Lindsay-Hogg gets an idea that\u2019s closer to home.<\/p>\n<p>The second episode is nearly three hours long, and it has the feel of an extended Beatles party. The joking around really takes off, and it\u2019s not just about being funny. To understand the Beatles is to realize that they were, at heart, co<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a>ns. Rock \u2018n\u2019 roll is in their blood, and has been since they were teenagers, but on some primal level they were British boys imitating American rock \u2018n\u2019 rollers, and that sense of performance is layered into them. Paul will be singing \u201cLet It Be,\u201d as serious a song as the Beatles ever wrote, and without missing a beat his voice will lapse into lounge-lizard parody. Everything the Beatles do is incandescent in its sincerity, and also a sublimely layered conceit. That\u2019s part of their greatness.<\/p>\n<p>Songs like \u201cI\u2019ve Got a Feeling\u201d and \u201cDig a Pony\u201d now come into focus; it\u2019s as if the blood is finally coursing through them. And we start to connect with what was so unique in the Beatles sound \u2014 their sweetness touched with grit \u2014 and how the four of them, together, are like one instrument. Except for Paul on bass, none of them is a technical virtuoso, but the fusion, the <em>blend<\/em> \u2014 it\u2019s there in sound and spirit. It\u2019s thrilling to see and hear how they work together, even as their songcraft patter is unintentionally hilarious, because they know each other so well that the communication is like a form of hieroglyphics. A sample exchange: \u201cSo then it becomes\u2026\u201d \u201cIt\u2019s just like the bit before that bit.\u201d \u201cYeah, but then it stays too long on the other one.\u201d This is how the work gets done.<\/p>\n<p><strong>Part 3.<\/strong> As they begin to approach the outdoor concert, which is now set to take place on the rooftop of Apple, the songs have jelled, but practice makes perfect. That said, it\u2019s striking, throughout the eight-hour film, how many numbers the Beatles rehearse that wind up being on \u201cAbbey Road\u201d (\u201cI Want You,\u201d \u201cOh! Darling,\u201d \u201cSomething\u201d), or on one of their solo albums (\u201cAll Things Must Pass,\u201d \u201cTeddy Boy,\u201d \u201cGimme Some Truth\u201d). The Beatles are straddling eras even as they\u2019re struggling, more than ever, to define the present moment. You get the feeling that they could honestly play old rock \u2018n\u2019 roll songs for 10 hours a day (we hear \u201cBlue Suede Shoes,\u201d \u201cShake, Rattle and Roll,\u201d \u201cKansas City,\u201d and \u201cMiss Ann\u201d) and be utterly happy. For them, it\u2019s breathing \u2014 it\u2019s heaven. It\u2019s the rock \u2018n\u2019 roll paradise they never left.<\/p>\n<p>But the future beckons. There\u2019s a moment that\u2019s like something out of a thriller, when John is talking about how much he\u2019s looking forward to his meeting, later in the week, with Allen Klein, the Rolling Stones manager who is desperate to manage the Beatles. This, far more than the issue of how many songs George gets on an album, really is the beginning of the end. (Though if Paul had gone along with Klein and not insisted, unreasonably, that the Eastmans, who were his in-laws, manage the band\u2026who knows?) Part 3 builds to the rooftop concert, and though at two hours and 18 minutes it\u2019s the shortest episode, it\u2019s the one that felt, to me, a bit bloated. At one point, the Beatles start chewing over the fact that they\u2019ve been chewing over these songs too doggedly, and that leaves us, for a bit, watching a movie that\u2019s chewing over the Beatles chewing over how much they\u2019re chewing over.<\/p>\n<p>But the rooftop concert provides the emotional catharsis that \u201cGet Back\u201d deserves. And that\u2019s because even though so many of us know it so well, in \u201cGet Back,\u201d which nimbly intercuts the footage from 10 cameras (and we finally get to hear what those bobbies are saying!), we connect to the Beatles going up there and playing in a richer human way than we did in \u201cLet It Be.\u201d For the Beatles have now been through the ringer, and we\u2019ve been through it along with them. We savor the music: the astounding cool propulsion of \u201cGet Back,\u201d the succulent vulnerability of \u201cDon\u2019t Let Me Down,\u201d the raucous roaring faith of \u201cI\u2019ve Got a Feeling.\u201d The rooftop performance, which in \u201cLet It Be\u201d seemed a cheeky lark, is now about perseverance, and it\u2019s about grace \u2014 the beauty of these \u201clads\u201d finding a way, after all the obstacles, to do what they do. In the end, \u201cGet Back\u201d is better than good. It\u2019s essential, an extended love letter to everything that made the Beatles real.<\/p>\n<div class=\"article-tags \/\/ a-children-icon-bullet lrv-u-font-family-primary u-letter-spacing-012 lrv-u-line-height-large lrv-u-color-brand-primary\">\n<h2 id=\"optional-screen-reader\" class=\"lrv-a-screen-reader-only\"><span class=\"ez-toc-section\" id=\"optional_screen_reader\"><\/span>\n        optional screen reader  <span class=\"ez-toc-section-end\"><\/span><\/h2>\n<nav class=\"o-nav  o-nav lrv-u-border-b-1 u-border-color-brand-secondary-40 lrv-u-border-t-1 lrv-u-text-align-center lrv-u-padding-b-025 u-padding-t-050@desktop u-padding-t-050@tablet u-padding-t-050@mobile-max lrv-u-margin-t-2 lrv-u-margin-b-2\" data-dropdown=\"\">\n<h4 id=\"\" class=\"o-nav__title lrv-u-color-black lrv-u-font-family-secondary o-nav__title a-content-ignore u-line-height-140 u-letter-spacing-0002\"><span class=\"ez-toc-section\" id=\"Read_More_About\"><\/span>Read More About:<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<\/nav>\n<\/div><\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n  !function(f, b, e, v, n, t, s) {\n    if (f.fbq) return;\n    n = f.fbq = function() {\n      n.callMethod ?\n          n.callMethod.apply(n, arguments) : n.queue.push(arguments);\n    };\n    if (!f._fbq) f._fbq = n;\n    n.push = n;\n    n.loaded = !0;\n    n.version = '2.0';\n    n.queue = [];\n    t = b.createElement(e);\n    t.async = !0;\n    t.src = v;\n    s = b.getElementsByTagName(e)[0];\n    s.parentNode.insertBefore(t, s);\n  }(window, document, 'script',\n      'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n  fbq('init', '586935388485447');\n  fbq('init', '315552255725686');\n  fbq('track', 'PageView');\n<\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &#038; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/variety.com\/2021\/film\/reviews\/the-beatles-get-back-review-peter-jackson-1235118878\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Watch Online &#8216;The Beatles: Get Back&#8217; Review: Addictive and Essential&#8221; &#8220;&#8216;The Beatles: Get Back&#8217; Review: Addictive and Essential&#8221; How does anyone, especially a Beatle, write a melody? The answer may be as simple as it is mysterious. In \u201cThe Beatles: Get Back,\u201d Peter Jackson\u2019s sprawling and revelatory fly-on-the-studio-wall documentary, there\u2019s a great moment when we&#8230;<\/p>\n","protected":false},"author":1,"featured_media":372256,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/variety.com\/wp-content\/uploads\/2021\/10\/The-Beatles-Twickenham-Film-Studios-Jan-7-1969_Ethan-A.-Russell-Apple-Corps-Ltd.jpg?w=1024","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-372255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch-movies-tv-seriess"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/372255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=372255"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/372255\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/372256"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=372255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=372255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=372255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}