{"id":372602,"date":"2021-11-23T22:16:05","date_gmt":"2021-11-23T19:16:05","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/afterlife-box-office-is-nostalgic-for-the-original\/"},"modified":"2021-11-23T22:16:05","modified_gmt":"2021-11-23T19:16:05","slug":"afterlife-box-office-is-nostalgic-for-the-original","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/afterlife-box-office-is-nostalgic-for-the-original\/","title":{"rendered":"#Afterlife Box Office is Nostalgic for the Original"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a33e4659929a\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a33e4659929a\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/afterlife-box-office-is-nostalgic-for-the-original\/#Ghostbusters_Franchise_Box_Office\" >Ghostbusters Franchise Box Office<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/afterlife-box-office-is-nostalgic-for-the-original\/#Ghostbusters_Afterlife_Box_Office_vs_Expectations\" >Ghostbusters: Afterlife Box Office vs. Expectations<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/afterlife-box-office-is-nostalgic-for-the-original\/#For_the_Fans_Not_the_Critics\" >For the Fans, Not the Critics<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/afterlife-box-office-is-nostalgic-for-the-original\/#After_Ghostbusters_Afterlife\" >After Ghostbusters: Afterlife<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/afterlife-box-office-is-nostalgic-for-the-original\/#King_Richard_Cmon_Cmon_and_More\" >King Richard, C\u2019mon C\u2019mon, and More<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/buradabiliyorum.com\/en\/afterlife-box-office-is-nostalgic-for-the-original\/#Box_Office_Attendance_for_November_19_%E2%80%93_November_21_2021\" >Box Office Attendance for November 19 &#8211; November 21, 2021<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#Afterlife Box Office is Nostalgic for the Original<\/strong>&#8221;<\/p>\n<pre><code>     &lt;span class=\"mx-1\"&gt;We compare the debut of the new \u2018Ghostbusters\u2019 movie to others in the franchise and consider the potential for a sequel. &lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;\n\n\n\n                &lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;\n            &lt;img width=\"700\" height=\"500\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/12\/gb-header-1.jpg\" class=\"articlethumb wp-post-image\" alt=\"ghostbusters: afterlife\" loading=\"lazy\"\/&gt;                                    &lt;p&gt;\n                    &lt;span class=\"sf-entry-flag sf-entry-flag-creditline\"&gt;Sony Pictures&lt;\/span&gt;\n\n                        &lt;\/figure&gt;\n\n    &lt;!-- START BYLINE --&gt;\n    &lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Christopher Campbell\u00a0\u00b7 Published on November 23rd, 2021 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;em&gt;Welcome to our\u00a0weekly box office report, which we do a little differently. Rather than focusing on the money, FSR senior editor\u00a0Christopher Campbell is more interested in the estimated attendance \u2014 or number of tickets sold. Because the value of money changes over the years, but the value of actual moviegoers remains the same. This week, we focus on the opening box office attendance numbers for Ghostbusters: Afterlife, King Richard, C\u2019mon C\u2019mon, and more.&lt;\/em&gt;\n<\/code><\/pre>\n<hr\/>\n<p>Whether you love or hate <em><strong>Ghostbusters: Afterlife<\/strong><\/em>, the reason might be due to fan service. Maybe you love the new movie for all the ways it references the original 1984 <em><strong>Ghostbusters<\/strong><\/em>. Maybe you find that the sequel\u2019s nostalgic pandering keeps it from being its own thing. Regardless, the funny revelation after the actual figures came in Monday is that coincidentally, <em>Ghostbusters: Afterlife<\/em> is even mimicking the first movie\u2019s box office in various measures.<\/p>\n<p><em>Ghostbusters: Afterlife<\/em> wound up grossing $44 million in its opening weekend, which is a so-so amount for a theatrically exclusive franchise installment in the midst of a continuing pandemic. The more notable figure at play, however, is the per-screen average. <em>Ghostbusters: Afterlife<\/em> grossed $10,198 at each of its 4,315 locations. Looking back at the debut weekend of <em>Ghostbusters<\/em> 37 years ago, that movie had a near-identical per-screen gross of $10,140.<\/p>\n<p>Of course, the original\u00a0<em>Ghostbusters\u00a0<\/em>opened on only 1,339 screens, which makes the two <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> actually a lot different in terms of their spread. The per-screen attendance for <em>Ghostbusters: Afterlife<\/em>, based on a current average price of $9.16, comes out to an estimated 1,113 people. As for the first movie, the number of moviegoers per screen back then was roughly 3,018. Nearly three times as many. That\u2019s based on an average ticket price in 1984 of $3.36.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Ghostbusters_Franchise_Box_Office\"><\/span>Ghostbusters Franchise Box Office<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Now let\u2019s look at the overall box office attendance. While\u00a0<em>Ghostbusters: Afterlife<\/em>\u2018s gross of $44 million seems much greater than the original\u2019s opening gross of $14 million, they both did similar business when you look at ticket sales. At the going rate in 1984, the first movie sold an estimated 4 million tickets. Comparatively, the new sequel sold around 4.8 million tickets. How many more seats would have been filled for <em>Ghostbusters <\/em>with four times as many screens? We\u2019ll never know.<\/p>\n<p>Here\u2019s how the other <em>Ghostbusters<\/em> movies did in their opening weekends: <em>Ghostbusters II<\/em> landed on 2,410 screens in 1989 and grossed $29.5 million while the 2016 <em>Ghostbusters <\/em>reboot (a.k.a. <em>Ghostbusters: Answer the Call<\/em>) did $46 million over 3,963 screens. The attendance based on the year\u2019s ticket average comes out to 7.4 million people for the first follow-up. And 5.3 million for the 2016 movie. Their per-screen averages were roughly 3,080 people and 1,342 people, respectively.<\/p>\n<table id=\"tablepress-137\" class=\"tablepress tablepress-id-137\">\n<thead>\n<tr class=\"row-1 odd\">\n<th class=\"column-1\">Rank<\/th>\n<th class=\"column-2\">Movie Title<\/th>\n<th class=\"column-3\">Opening Weekend Box Office Attendance<\/th>\n<th class=\"column-4\">Per-Screen Opening Weekend Attendance<\/th>\n<th class=\"column-5\">Domestic Total Box Office Attendance<\/th>\n<th class=\"column-6\">Rotten Tomatoes Score<\/th>\n<th class=\"column-7\">Metacritic Score<\/th>\n<th class=\"column-8\">CinemaScore Grade<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-hover\">\n<tr class=\"row-2 even\">\n<td class=\"column-1\">1<\/td>\n<td class=\"column-2\">Ghostbusters II (1989)<\/td>\n<td class=\"column-3\">7.4 million<\/td>\n<td class=\"column-4\">3,080<\/td>\n<td class=\"column-5\">28.3 million<\/td>\n<td class=\"column-6\">53%<\/td>\n<td class=\"column-7\">56<\/td>\n<td class=\"column-8\">A-<\/td>\n<\/tr>\n<tr class=\"row-3 odd\">\n<td class=\"column-1\">2<\/td>\n<td class=\"column-2\">Ghostbusters (2016)<\/td>\n<td class=\"column-3\">5.3 million<\/td>\n<td class=\"column-4\">1,342<\/td>\n<td class=\"column-5\">14.8 million<\/td>\n<td class=\"column-6\">74%<\/td>\n<td class=\"column-7\">60<\/td>\n<td class=\"column-8\">B+<\/td>\n<\/tr>\n<tr class=\"row-4 even\">\n<td class=\"column-1\">3<\/td>\n<td class=\"column-2\">Ghostbusters: Afterlife (2021)<\/td>\n<td class=\"column-3\">4.8 million<\/td>\n<td class=\"column-4\">1,113<\/td>\n<td class=\"column-5\">4.8 million<\/td>\n<td class=\"column-6\">63%<\/td>\n<td class=\"column-7\">45<\/td>\n<td class=\"column-8\">A-<\/td>\n<\/tr>\n<tr class=\"row-5 odd\">\n<td class=\"column-1\">4<\/td>\n<td class=\"column-2\">Ghostbusters (1984)<\/td>\n<td class=\"column-3\">4.04 million<\/td>\n<td class=\"column-4\">3,018<\/td>\n<td class=\"column-5\">68.2 million<\/td>\n<td class=\"column-6\">97% <\/td>\n<td class=\"column-7\">71<\/td>\n<td class=\"column-8\">N\/A<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!-- #tablepress-137 from cache --><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Ghostbusters_Afterlife_Box_Office_vs_Expectations\"><\/span>Ghostbusters: Afterlife Box Office vs. Expectations<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Another number that <em>Ghostbusters: Afterlife<\/em> matched is the forecast box office figure from last week. <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.boxofficepro.com\/weekend-box-office-forecast-ghostbusters-afterlife-and-king-richard\/\">According to Box Office Pro<\/a>, the sequel was set to gross $44 million, and that\u2019s exactly what the movie did. The site focused on the near-center of a range of $35 million to $55 million. Late last month, however, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.boxofficepro.com\/long-range-box-office-forecast-ghostbusters-afterlife-outlook-eternals-tracking-softens-and-more-updates\/\">Box Office Pro predicted<\/a> <em>Ghostbusters: Afterlife<\/em> would gross\u00a0<em>at least\u00a0<\/em>$45 million and as much as $65 million. And <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.boxofficepro.com\/long-range-box-office-forecast-encanto-house-of-gucci-and-resident-evil-welcome-to-raccoon-city\/\">in mid-November<\/a>, that was lowered only to a range of $40 million to $60 million.<\/p>\n<p>What caused the lowering expectations for the movie? Well, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/editorial.rottentomatoes.com\/article\/ghostbusters-afterlife-first-reviews-mckenna-grace-shines-in-a-worthy-sequel-fans-will-love\/\">early reviews posted to Rotten Tomatoes<\/a> in early October were mostly positive, and as more and more critics have seen the sequel, the reception has fallen. As seen in the chart above, <em>Ghostbusters: Afterlife<\/em> is barely in the red \u2014 as in a fresh Tomatometer rating, that is. And on Metacritic, the new movie is actually shown as being the worst-reviewed of the franchise with a 45 score.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"For_the_Fans_Not_the_Critics\"><\/span>For the Fans, Not the Critics<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The good thing is that <em>Ghostbusters: Afterlife<\/em> is a hit with fans for the most part. The critics may like the 2016 <em>Ghostbusters<\/em> better, but opening-night moviegoers polled by CinemaScore graded <em>Ghostbusters: Afterlife<\/em> higher (A-) than the reboot (B+). Those faithful fans who also have a soft spot for <em>Ghostbusters I<\/em>I will <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>reciate the fact that that first sequel also received an A- grade via CinemaScore back in 1989. Even with its ending as cheesy as it is.<\/p>\n<p>And if we discount the audience scores for the 2016 <em>Ghostbusters<\/em>, which are definitely manipulated by angry masochists, <em>Ghostbusters: Afterlife<\/em> has the greatest divide between the professionals and the fanbase. At the moment, the audience ranks the new movie highest of the four installments. That\u2019s the case on Rotten Tomatoes and Metacritic, anyway. Current IMDb rankings have the latest and the original tied, while Letterboxd reviews give the first movie the lead.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"After_Ghostbusters_Afterlife\"><\/span>After Ghostbusters: Afterlife<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Is the box office and\/or the fan reception enough for Sony to continue the franchise right away? <em>Ghostbusters: Afterlife<\/em> certainly ends with a follow-up in mind. Some have even said the new movie is nothing more than a setup for what would come next. \u201cWe have ideas moving forward,\u201d director Jason Reitman <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/uproxx.com\/movies\/jason-reitman-ghostbusters-afterlife-interview\/\">told Mike Ryan at Uproxx<\/a>, teasing another sequel. Apparently, Reitman has a lot to explain about matters that relate to <em>Ghostbusters II<\/em> \u2014 which is \u201cdefinitely canon,\u201d he says.<\/p>\n<p>Would\u00a0<em>Ghostbusters: Afterlife II\u00a0<\/em>just be a nostalgic rehash of elements from the 1989 movie, though, similar to the issue critics have with the new movie and its relationship to the original? So far as we know, the villain from\u00a0<em>Ghostbusters II\u00a0<\/em>isn\u2019t a part of Reitman\u2019s plans for the next movie. After <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.polygon.com\/interviews\/22792218\/ghostbusters-afterlife-casting-story-interview-jason-reitman\">professing to Polygon<\/a> his fondness for the Vigo the Carpathian character he admitted, \u201cI have no idea when or if he will be resurfacing.\u201d<\/p>\n<p><em>Ghostbusters: Afterlife\u00a0<\/em>co-writer Gil Kenan is also excited about moving forward with the new characters, though he also acknowledges the continued interest in what we\u2019ve seen before. In <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.gamespot.com\/articles\/there-are-already-plans-for-a-ghostbusters-afterlife-sequel-heres-what-we-know\/1100-6498234\/\">an interview with GameSpot<\/a>, he said of sequel plans:<\/p>\n<blockquote><p>\u201cWe have lots of ideas about how this story can develop. We are so excited by Trevor, Phoebe, Lucky, and Podcast. We feel like we really know their characters, and we\u2019ve seen audiences start to fall in love with them. There are lots of surprising ways that the future and the past can grow together, side-by-side and separately. And we\u2019ve had long conversations about how that can happen. But we\u2019re totally excited by the fact that by the end of Ghostbusters: Afterlife, audiences are invested in a new set of characters as worthy companions to the pantheon of ghostbusting.\u201d<\/p>\n<\/blockquote>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"King_Richard_Cmon_Cmon_and_More\"><\/span>King Richard, C\u2019mon C\u2019mon, and More<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>In other box office <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">news<\/a>, <em><strong>King Richard<\/strong><\/em> underperformed with an audience of 590,000. The biopic about the father of tennis greats Venus and Serena Williams was also available same-day on HBO Max. And adults interested in such dramas are still more likely to stay home if they can. They were satisfied with the choice, too. Reportedly, most subscribers tuning in watched the movie all the way through without pausing or bailing. Those seeing it in theaters liked it, too, giving it an A grade via CinemaScore.<\/p>\n<p>Meanwhile, Mike Mills\u2019 <em><strong>C\u2019mon C\u2019mon<\/strong><\/em>, Joaquin Phoenix\u2019s first movie since winning the Oscar for Best Actor, posted the best per-screen numbers, by a lot. Debuting on just five screens over the weekend, the black-and-white road movie sold around 15,000 tickets. This comes out to 3,000 people at each location. That\u2019s the best per-screen average of 2021 so far, toppling <em><strong>The French Dispatch<\/strong><\/em>\u2018s record, and the best since <em>Portrait of a Lady on Fire<\/em>\u2018s debut last December.<\/p>\n<p>Other per-screen successes this week, indicating that crowds are growing in places like NYC and LA, include the documentary <em><strong>The First Wave<\/strong><\/em>, a tough but essential watch chronicling hospitalizations of COVID-19 patients in Spring 2020. Also, the Romanian comedy <em><strong>Bad Luck Banging or Loony Porn<\/strong><\/em>, which didn\u2019t just appeal because of its title. The film also won the top prize at the Berlin Film Festival this year. And it\u2019s a submitted contender for the Best International Feature category at the Academy Awards.<\/p>\n<hr\/>\n<h2 id=\"tablepress-136-name\" class=\"tablepress-table-name tablepress-table-name-id-136\"><span class=\"ez-toc-section\" id=\"Box_Office_Attendance_for_November_19_%E2%80%93_November_21_2021\"><\/span>Box Office Attendance for November 19 &#8211; November 21, 2021<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<table id=\"tablepress-136\" class=\"tablepress tablepress-id-136\" aria-labelledby=\"tablepress-136-name\">\n<thead>\n<tr class=\"row-1 odd\">\n<th class=\"column-1\">Rank<\/th>\n<th class=\"column-2\">Movie Title<\/th>\n<th class=\"column-3\">Weekend Attendance<\/th>\n<th class=\"column-4\">Per-Screen Attendance<\/th>\n<th class=\"column-5\">Total Domestic Attendance<\/th>\n<th class=\"column-6\">Studio<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-hover\">\n<tr class=\"row-2 even\">\n<td class=\"column-1\">1<\/td>\n<td class=\"column-2\">Ghostbusters: Afterlife<\/td>\n<td class=\"column-3\">4.8 million<\/td>\n<td class=\"column-4\">1,113<\/td>\n<td class=\"column-5\">4.8 million<\/td>\n<td class=\"column-6\">Sony Pictures Entertainment<\/td>\n<\/tr>\n<tr class=\"row-3 odd\">\n<td class=\"column-1\">2<\/td>\n<td class=\"column-2\">Eternals<\/td>\n<td class=\"column-3\">1.2 million<\/td>\n<td class=\"column-4\">298<\/td>\n<td class=\"column-5\">14.9 million<\/td>\n<td class=\"column-6\">Walt Disney Studios Motion Pictures<\/td>\n<\/tr>\n<tr class=\"row-4 even\">\n<td class=\"column-1\">3<\/td>\n<td class=\"column-2\">Clifford the Big Red Dog<\/td>\n<td class=\"column-3\">0.9 million<\/td>\n<td class=\"column-4\">244<\/td>\n<td class=\"column-5\">3.7 million<\/td>\n<td class=\"column-6\">Paramount Pictures<\/td>\n<\/tr>\n<tr class=\"row-5 odd\">\n<td class=\"column-1\">4<\/td>\n<td class=\"column-2\">King Richard<\/td>\n<td class=\"column-3\">0.6 million<\/td>\n<td class=\"column-4\">179<\/td>\n<td class=\"column-5\">0.6 million<\/td>\n<td class=\"column-6\">Warner Bros.<\/td>\n<\/tr>\n<tr class=\"row-6 even\">\n<td class=\"column-1\">5<\/td>\n<td class=\"column-2\">Dune<\/td>\n<td class=\"column-3\">0.35 million<\/td>\n<td class=\"column-4\">140<\/td>\n<td class=\"column-5\">10.7 million<\/td>\n<td class=\"column-6\">Warner Bros.<\/td>\n<\/tr>\n<tr class=\"row-7 odd\">\n<td class=\"column-1\">6<\/td>\n<td class=\"column-2\">Venom: Let There Be Carnage<\/td>\n<td class=\"column-3\">0.32 million<\/td>\n<td class=\"column-4\">125<\/td>\n<td class=\"column-5\">22.6 million<\/td>\n<td class=\"column-6\">Sony Pictures Entertainment (SPE)<\/td>\n<\/tr>\n<tr class=\"row-8 even\">\n<td class=\"column-1\">7<\/td>\n<td class=\"column-2\">No Time to Die<\/td>\n<td class=\"column-3\">0.302 million<\/td>\n<td class=\"column-4\">125<\/td>\n<td class=\"column-5\">16.9 million<\/td>\n<td class=\"column-6\">Metro-Goldwyn-Mayer (MGM)<\/td>\n<\/tr>\n<tr class=\"row-9 odd\">\n<td class=\"column-1\">8<\/td>\n<td class=\"column-2\">The French Dispatch<\/td>\n<td class=\"column-3\">0.109 million<\/td>\n<td class=\"column-4\">136<\/td>\n<td class=\"column-5\">1.5 million<\/td>\n<td class=\"column-6\">Searchlight Pictures<\/td>\n<\/tr>\n<tr class=\"row-10 even\">\n<td class=\"column-1\">9<\/td>\n<td class=\"column-2\">Belfast<\/td>\n<td class=\"column-3\">0.1032 million<\/td>\n<td class=\"column-4\">177<\/td>\n<td class=\"column-5\">0.4 million<\/td>\n<td class=\"column-6\">Focus Features<\/td>\n<\/tr>\n<tr class=\"row-11 odd\">\n<td class=\"column-1\">10<\/td>\n<td class=\"column-2\">Ron&#8217;s Gone Wrong<\/td>\n<td class=\"column-3\">0.1028 million<\/td>\n<td class=\"column-4\">68<\/td>\n<td class=\"column-5\">2.4 million<\/td>\n<td class=\"column-6\">20th Century Studios<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!-- #tablepress-136 from cache --><\/p>\n<pre><code>    Related Topics: Box Office\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/secure.gravatar.com\/avatar\/9548579701b30a10e6e3c4528bdae65d?s=96&amp;d=mm&amp;r=x\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Christopher Campbell began writing film criticism and covering film festivals for a zine called <em>Read<\/em>, back when a zine could actually get you Sundance press credentials. He&#8217;s now a Senior Editor at FSR and the founding editor of our sister site <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/nonfics.com\">Nonfics<\/a>. He also regularly contributes to Fandango and Rotten Tomatoes and is the President of the Critics Choice Association&#8217;s Documentary Branch.        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;\n            &lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;\n            &lt;!-- END RECOMMENDED READING --&gt;\n\n\n\n\n&lt;\/div&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/ghostbusters-afterlife-box-office\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ghostbusters-afterlife-box-office\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#Afterlife Box Office is Nostalgic for the Original&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;We compare the debut of the new \u2018Ghostbusters\u2019 movie to others in the franchise and consider the potential for a sequel. &lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt; &lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt; &lt;img width=&#8221;700&#8243; height=&#8221;500&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/12\/gb-header-1.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;ghostbusters: afterlife&#8221; loading=&#8221;lazy&#8221;\/&gt; &lt;p&gt; &lt;span class=&#8221;sf-entry-flag sf-entry-flag-creditline&#8221;&gt;Sony Pictures&lt;\/span&gt; &lt;\/figure&gt; &lt;!&#8211; START BYLINE &#8211;&gt;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":372603,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/12\/gb-header-1.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-372602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/372602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=372602"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/372602\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/372603"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=372602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=372602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=372602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}