{"id":375219,"date":"2021-12-01T17:16:38","date_gmt":"2021-12-01T14:16:38","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/why-wes-anderson-represses-emotion\/"},"modified":"2021-12-01T17:16:38","modified_gmt":"2021-12-01T14:16:38","slug":"why-wes-anderson-represses-emotion","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/why-wes-anderson-represses-emotion\/","title":{"rendered":"#Why Wes Anderson Represses Emotion"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a291c3be85b2\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a291c3be85b2\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/why-wes-anderson-represses-emotion\/#Watch_%E2%80%9CHow_Wes_Anderson_Masks_Emotion%E2%80%9D\" >Watch \u201cHow Wes Anderson Masks Emotion\u201d:<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/why-wes-anderson-represses-emotion\/#Who_made_this\" >Who made this?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/why-wes-anderson-represses-emotion\/#More_videos_like_this\" >More videos like this<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#Why Wes Anderson Represses Emotion<\/strong>&#8221;<\/p>\n<pre><code>     &lt;span class=\"mx-1\"&gt;Ever wondered why the director of \u2018The Royal Tenenbaums,\u2019 \u2018The Darjeeling Limited,\u2019 and \u2018The French Dispatch\u2019 flattens emotion? We\u2019ve got a video essay for that.&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;\n\n\n\n                &lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;\n            &lt;img width=\"800\" height=\"329\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/The_Darjeeling_Limited.jpeg\" class=\"articlethumb wp-post-image\" alt=\"The Darjeeling Limited Wes Anderson\" loading=\"lazy\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/The_Darjeeling_Limited.jpeg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/The_Darjeeling_Limited-768x316.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;                                    &lt;p&gt;\n                    &lt;span class=\"sf-entry-flag sf-entry-flag-creditline\"&gt;Fox Searchlight Pictures&lt;\/span&gt;\n\n                        &lt;\/figure&gt;\n\n    &lt;!-- START BYLINE --&gt;\n    &lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Meg Shields\u00a0\u00b7 Published on December 1st, 2021 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;em&gt;Welcome to The Queue \u2014 your daily distraction of curated video content sourced from across the web. Today, we\u2019re watching a video essay about how director Wes Anderson masks emotion.&lt;\/em&gt;\n<\/code><\/pre>\n<hr\/>\n<p>Let\u2019s get one thing straight, right off the bat: <strong>Wes Anderson <\/strong><a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>\u00a0are <em>filled<\/em> with emotion. The young, independence-seeking pre-teens of\u00a0<em><strong>Moonrise Kingdom<\/strong><\/em> experience their first real, adult, love. The three estranged brothers of <strong><em>The Darjeeling Limited\u00a0<\/em><\/strong>are wracked with a sense of hurt and abandonment that drives them towards romance, drugs, and nostalgia. And <em><strong>The Life Aquatic with Steve Zissou\u00a0<\/strong><\/em>sees its titular oceanographer gr<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ling with adoptive fatherhood, loss, and forgiveness.<\/p>\n<p>While you\u2019d be hard-pressed to argue that Anderson\u2019s movies <em>lack\u00a0<\/em>any sense of emotion, there is, nevertheless, something distinct and restrained about the way the director navigates big feelings. His dialogue is often flattened \u2014 Jared Gilman\u2019s delivery of \u201cI love you, but you don\u2019t know what you\u2019re talking about\u201d in <em>Moonrise Kingdom <\/em>is heartbreaking precisely <em>because\u00a0<\/em>of his dry delivery.<\/p>\n<p>Characters communicate in very affected and direct ways, saying what they mean without turning every confession into an opportunity for melodrama. It\u2019s an affectation that resonates with the stylistic distance Anderson evokes in his sets and mise-en-scene, an orderliness and precision that often clashes with the comical or absurdist things that take place on-screen.<\/p>\n<p>As the video essay below underlines, Wes Anderson is keenly tuned in to one of life\u2019s great truths: that we all have repressed emotions that we bury deep inside of us. And, as the essay argues, there\u2019s something charming and utterly relatable about showing those barriers for what they are.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Watch_%E2%80%9CHow_Wes_Anderson_Masks_Emotion%E2%80%9D\"><\/span>Watch \u201cHow Wes Anderson Masks Emotion\u201d:<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><iframe loading=\"lazy\" title=\"How Wes Anderson Masks Emotion\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Z72lj3NTnd8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Who_made_this\"><\/span>Who made this?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p id=\"block-179f886d-6774-4450-838c-e8ce21d0a808\">This video on how Wes Anderson directs emotion is by <strong>The Discarded Image<\/strong>, a video essay channel created by\u00a0<strong>Julian Palmer<\/strong>. It began with\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Z_Tq91Sq-94\">a deconstruction<\/a>\u00a0of how\u00a0Steven Spielberg\u00a0creates suspense with the beach scene in\u00a0<strong><em>Jaws<\/em><\/strong>. It has steadily grown from there.\u00a0You can check out The Discarded Image\u2019s video essays\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCJKLIcSts_4XpVbORwzLZVw\/videos\">here<\/a>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"More_videos_like_this\"><\/span>More videos like this<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<pre><code>    Related Topics: The Queue\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/07\/meg.jpg\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Meg Shields is the humble farm boy of your dreams and a senior contributor at Film School Rejects. She currently runs three columns at FSR: The Queue, How&#8217;d They Do That?, and Horrorscope. She is also a curator for One Perfect Shot and a freelance writer for hire. Meg can be found screaming about John Boorman&#8217;s &#8216;Excalibur&#8217; on Twitter here: <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/TheWorstNun\">@TheWorstNun<\/a>. (She\/Her).        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;\n            &lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;\n            &lt;!-- END RECOMMENDED READING --&gt;\n\n\n\n\n&lt;\/div&gt;&lt;script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/wes-anderson-emotion\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wes-anderson-emotion\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#Why Wes Anderson Represses Emotion&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;Ever wondered why the director of \u2018The Royal Tenenbaums,\u2019 \u2018The Darjeeling Limited,\u2019 and \u2018The French Dispatch\u2019 flattens emotion? We\u2019ve got a video essay for that.&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt; &lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt; &lt;img width=&#8221;800&#8243; height=&#8221;329&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/The_Darjeeling_Limited.jpeg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;The Darjeeling Limited Wes Anderson&#8221; loading=&#8221;lazy&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/The_Darjeeling_Limited.jpeg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/The_Darjeeling_Limited-768&#215;316.jpeg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":375220,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/11\/The_Darjeeling_Limited.jpeg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-375219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/375219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=375219"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/375219\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/375220"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=375219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=375219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=375219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}