{"id":37824,"date":"2020-07-31T05:42:00","date_gmt":"2020-07-31T02:42:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/its-never-too-early-to-learn-that-everything-is-a-remix\/"},"modified":"2020-07-31T05:42:00","modified_gmt":"2020-07-31T02:42:00","slug":"its-never-too-early-to-learn-that-everything-is-a-remix","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/","title":{"rendered":"#It\u2019s Never Too Early to Learn That Everything is a Remix"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a28851484d53\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a28851484d53\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#The_Gorilla_Mystery_1930\" >The Gorilla Mystery (1930)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Donald_Duck_and_the_Gorilla_1944\" >Donald Duck and the Gorilla (1944)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#The_Chimp_1932\" >The Chimp (1932)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Hop_Look_and_Listen_1948\" >Hop, Look and Listen (1948)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Dont_Lie_1942\" >Don\u2019t Lie (1942)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Mickey_and_the_Seal_1948\" >Mickey and the Seal (1948)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Little_Runaway_1952\" >Little Runaway (1952)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Jerry_and_the_Lion_1950\" >Jerry and the Lion (1950)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Tree_for_Two_1952\" >Tree for Two (1952)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Ducking_the_Devil_1957\" >Ducking the Devil (1957)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/buradabiliyorum.com\/en\/its-never-too-early-to-learn-that-everything-is-a-remix\/#Bringing_Up_Baby_1938\" >Bringing Up Baby (1938)<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#It\u2019s Never Too Early to Learn That Everything is a Remix<\/strong>&#8221;<\/p>\n<div><em>Welcome to\u00a0<strong>Cinephile Summer Camp<\/strong>, a new column dedicated to introducing children to classic <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> as well as learning about film history and other subjects through cinema. This entry spotlights a common trope found in the film Bringing Up Baby as a way to make kids better <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>reciate film stories.<\/em><\/p>\n<hr>\n<\/hr>\n<p>When I set out to teach my kids about classic movies, one that popped out as something seemingly accessible is <em><strong>Bringing Up Baby<\/strong><\/em>. After all, the main character (played by Cary Grant) is a paleontologist. And his romantic foil (Katherine Hepburn) has a pet cheetah. But the film\u2019s length and its focus on a love story, even one with screwball antics and some slapstick, wouldn\u2019t easily pass muster for a five- and a seven-year-old.<\/p>\n<p>Just as I have in past film history and appreciation lessons, I figured one way to warm them up for <em>Bringing Up Baby<\/em> would be to show them other more kid-friendly and easily digestible films with a similar premise. At the time, I had forgotten just how much plot there is in <em>Bringing Up Baby<\/em> and was only recalling a splinter of its story, the one where a wild animal \u2014another cheetah \u2014 escapes from being shipped to a circus and causes problems.<\/p>\n<p>That late development in the plot of <em>Bringing Up Baby<\/em> probably resonated so much because it\u2019s such a common idea, especially for the time and particularly with cartoons. I wound up finding so many examples that I may have overwhelmed my son and daughter. But this also turned out to be a good lesson in tropes and the familiarity or recycling of material in storytelling. The truth of nothing being original, everything being a remake or remix.<\/p>\n<p>Here is the order of our deep dive into the ol\u2019 wild animal on the loose trope:<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Gorilla_Mystery_1930\"><\/span>The Gorilla Mystery (1930)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The earliest example of the trope I could find is in this crude black and white Mickey Mouse cartoon. Disney\u2019s twenty-second animated short starring the iconic character is actually a send-up of a popular 1925 play called <em>The Gorilla<\/em>, which itself was a parody of contemporary stage mysteries. So we\u2019re already dealing with a remix of a remix, but the first two film adaptations of <em>The Gorilla<\/em>, a silent feature in 1927 and a sound feature in 1930, are lost, so we couldn\u2019t look at those.<\/p>\n<p>The short begins with a report in a <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">news<\/a>paper (this will be important) that a \u201cmankiller\u201d gorilla has escaped from the zoo. Mickey is worried about Minnie Mouse, and rightly so since the gorilla does wind up at her home, where he ties her up in rope. Mickey rushes to her rescue and we see one of those common cartoon gags set in a long hallway where characters keep missing each other, entering doors and exiting others. Together, the couple snares the gorilla, and they do a little dance.<\/p>\n<p>Note: if you want to take an im<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a>te detour with the kids, the same gorilla, later named Beppo, also shows up in the 1933 Mickey Mouse shorts <em>Mickey\u2019s Mechanical Man<\/em> and <em>The Pet Store<\/em>.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Donald_Duck_and_the_Gorilla_1944\"><\/span>Donald Duck and the Gorilla (1944)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Sticking with Disney, this color animated short arrived fourteen years after <em>The Gorilla Mystery<\/em> with a similar premise: a gorilla escapes from the zoo. The difference is that this film involves Donald Duck and his nephews, Huey, Dewey, and Louie, and the announcement of the news comes over the radio. Also, this is one of the variations involving cases of mistaken identity, as it better adheres to the plot of <em>The Gorilla<\/em> by involving a gorilla costume.<\/p>\n<p>Donald, the jerk that he is, uses the report as an opportunity to scare the already-concerned boys by putting on a gorilla suit. But then they play the same trick on their uncle. Only for the actual gorilla to show up and at first not frighten Donald because he thinks it\u2019s his nephews again. But that stuff only takes up about a third of the film, after which the ducks are dealing with the real menace. Albeit hilariously with a series of outstanding cartoon gags. The kids definitely enjoyed this one more than the first.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"The_Chimp_1932\"><\/span>The Chimp (1932)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>My children weren\u2019t happy about it, but next, we went back to black and white and switched to live-action for their first Laurel and Hardy film. It didn\u2019t help that this one is also much longer than the other shorts on our viewing list at twenty-five minutes. But it\u2019s also just not a very good film. There were some easy laughs, but the gags are really poorly directed. And I\u2019d think the script was thrown together on the day of shooting if there wasn\u2019t so much involved that must have required some sort of planning.<\/p>\n<p>Stan and Ollie play circus workers who are compensated with a gorilla performer (nope, not even a chimp) when the company goes bankrupt. That leads to some simple slapstick, and my daughter did like the gorilla wearing a tutu. That\u2019d be enough, but then there\u2019s the addition of a lion that\u2019s escaped from the circus, and the convoluted story doesn\u2019t go anywhere interesting. Finally, there\u2019s also a mistaken identity bit with the gorilla\u2019s name. Then the film just ends at a peak moment of nonsense.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Hop_Look_and_Listen_1948\"><\/span>Hop, Look and Listen (1948)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>We went back to color cartoons, to the children\u2019s delight, but this Robert McKimson-helmed <em>Looney Tunes<\/em> short isn\u2019t that much better than <em>The Chimp<\/em>. It marks the first appearance of the escaped baby kangaroo character Hippety Hopper, whom Sylvester the Cat always mistakes for a large mouse. A pretty stupid idea the first time, in my opinion, but they recycled the shtick for a handful of other shorts making for a tired concept. Of course, the kids didn\u2019t think it was bad. They thought Hippety was funny.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Dont_Lie_1942\"><\/span>Don\u2019t Lie (1942)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>And\u2026 we\u2019re back to black and white and live-action. This one should have been shown after <em>The Chimp<\/em> since it\u2019s yet another film involving an escaped ape \u2014 the last one of them \u2014 but the kids really wanted a cartoon between the two non-animated selections. Fortunately, despite their protests, they actually liked this one a lot. It\u2019s not that surprising given that <em>Don\u2019t Lie<\/em> is an <em>Our Gang<\/em> short and so follows children rather than adults. Obviously, that makes it more relatable to young viewers.<\/p>\n<p>Outside of the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a> problems with the <em>Our Gang<\/em> shorts and their stereotypes of the time \u2014 and this one has plenty given that Buckwheat is a central character \u2014 <em>Don\u2019t Lie<\/em> is well-done as far as the core comedy is concerned with more mistaken identity involving a real gorilla that\u2019s escaped from the circus and the kids wearing a gorilla costume (gorilla costumes were just everywhere back then). Admittedly, though, for me, all I can remember is Froggy\u2019s voice. I\u2019m forever fascinated by it.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Mickey_and_the_Seal_1948\"><\/span>Mickey and the Seal (1948)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>One of my favorites from childhood, and I\u2019m glad to say that it did not disappoint my kids. Mickey returns \u2014 and in color this time \u2014 in this Oscar-nominated animated short (now streaming on Disney ) in which a seal escapes the zoo by hiding in the iconic mouse\u2019s picnic basket. Then things get really kooky when the pinniped shares a bath with Mickey without him knowing (warning: you might get some innocent comments about Mikey being naked \u2014 or questions about why he\u2019s still wearing his gloves\u2026),<\/p>\n<p>You can\u2019t go wrong with a short in which Pluto is aware of something that Mickey is not, but because Pluto is a rare animal in the world of Disney who can\u2019t talk, he\u2019s unable to communicate properly and just winds up in a different sort of hot water. But this short works because it\u2019s not just funny, it\u2019s really cute. And its ending scene has given us one of the best looping cartoon GIFs of all time. Hopefully one day my kids will also get to appreciate this film as part of the DTV music video for \u201cSplish Splash,\u201d as well.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Little_Runaway_1952\"><\/span>Little Runaway (1952)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>You\u2019d think that after Disney delivered such a masterpiece with <em>Mickey and the Seal<\/em> that no other animation studio would bother with this same scenario again, let alone with a seal \u2014 and with much uglier character design for a seal at that (it looks like Casper the Friendly Ghost dipped in ink). But four years later, MGM and directors William Hanna and Joseph Barbera gave us this Tom and Jerry cartoon that goes there, and not that well.<\/p>\n<p>They made changes, of course. Their seal escapes from the circus, not the zoo. And the main plot, which eventually kicks in about halfway through, entails an attempt to earn a reward announced over the radio for the seal\u2019s capture. Tom ultimately puts on a seal costume (created from a rubber tire) in order to trick and lure the real seal, but he is mistaken for the real thing himself. It all falls flat, though, because the short only goes the basic gag ideas with no additional spark of its own.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Jerry_and_the_Lion_1950\"><\/span>Jerry and the Lion (1950)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Two years before Tom and Jerry met the escaped circus seal, though, they\u2019d already dealt with an escaped circus lion. At the start of this short, we get the usual radio interruption warning of the wild animal on the loose. However, when we meet the lion, by way of Jerry meeting him, he\u2019s not a ferocious beast at all. He just hates working at the circus and wants to return to Africa. How do we know? Well, oddly enough, he can talk, despite Tom and Jerry being silent characters in typically silent shorts.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Tree_for_Two_1952\"><\/span>Tree for Two (1952)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Even though we\u2019ve already seen Sylvester the Cat involved in the escaped animal trope, four years later, Warner Bros. put him in the situation again. Fortunately, this <em>Merrie Melodies<\/em> film (available to stream on HBO MAX) is one of the best executions of the idea. It helps that Sylvester isn\u2019t the main duped character this time around. Instead, his ignorance is used for comedy in a different way, as part of the downfall of Spike the Bulldog (in his first film if we ignore the similar bulldog in <em>Hop, Look and Listen<\/em>).<\/p>\n<p>The short begins with a newspaper reporting that a black panther escaped from the zoo. Not that any of the film\u2019s characters seem to see the warning. So when Spike means to rough up Sylvester, in part to impress his sidekick, Chester the Terrier, he mistakes the panther\u2019s tail for the cat\u2019s and winds up losing his battle. Only for Chester to face the real Sylvester and succeed. It\u2019s all very basic comedy but the genius Fritz Freleng directs it all so perfectly to get the most bang for the buck.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Ducking_the_Devil_1957\"><\/span>Ducking the Devil (1957)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>We followed up <em>Tree for Two<\/em> with another <em>Merrie Melodies<\/em> cartoon (also available on HBO MAX) to finish out our pre-show shorts. The Robert McKimson-helmed Ducking the Devil is also the last-released film of the whole program and, as it should, perfects some of the things we\u2019ve seen so far. The most notable improvement on another short is the idea of a ransom for the escaped animal. Daffy Duck is famously greedy, so his scheming makes more canonical sense than Tom\u2019s in Little Runaway.<\/p>\n<p>One difference between this and the past efforts is that the escaped creature is an established cartoon character: the Tasmanian Devil. He flees the zoo in his iconic whirlwind way, then Daffy learns about the escape from a newspaper and later learns about the reward and how to soothe the beast from a radio announcement. Turns out, Taz just needs some music to lull him to sleep. I don\u2019t know why Daffy and Taz didn\u2019t do more films together. They\u2019re differently manic and sort of compliment each other.<\/p>\n<hr>\n<\/hr>\n<h2><span class=\"ez-toc-section\" id=\"Bringing_Up_Baby_1938\"><\/span>Bringing Up Baby (1938)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>After all those shorts, through which the kids were hammered with the same setup over and over, we were finally onto the feature presentation. Howard Hawks\u2019 <em>Bringing Up Baby<\/em> (streaming on HBO MAX) is considered not just one of the landmarks of the screwball comedy genre and one of the most popular films of the 1930s, but it\u2019s often championed as one of the greatest comedies of all time. It\u2019s not one of my favorites, but I\u2019m an outlier, so I still figured my kids could appreciate it.<\/p>\n<p>The thing is, there\u2019s not a whole lot of business involving Cary Grant being a paleontologist save for his primary goal of securing a grant for his work, and that part of the job isn\u2019t as interesting to a seven-year-old as the dinosaur digs. There\u2019s also not really a lot of the cheetah pet nor the escaped cheetah, which shows up very late in the movie. And Katherine Hepburn\u2019s character, whom I find downright unlikable in every way, didn\u2019t cater much to my daughter\u2019s preferences for female characters.<\/p>\n<p>But the movie is never dull, so while the kids weren\u2019t paying attention to everything always, they didn\u2019t get so bored that they wanted to leave the room. The one thing that held their interest the most was George the dog (played by the famous pooch performer Skippy) and his interactions with Grant over the disappearance of a dinosaur bone. It seems like a lot to have a scene-stealing dog in a movie with a cheetah as a pet, but <em>Bringing Up Baby<\/em> is a lot of movie in many ways.<\/p>\n<p>What young viewers can hopefully take away from a viewing of <em>Bringing Up Baby<\/em> most is how that overload of plot elements aligns it with cartoons to a degree. Screwball comedies may not seem like kiddie fare because they\u2019re focused on romance and tend to involve a bunch of sexual politics and innuendo. But they\u2019re also filled with a variety of cartoonish shenanigans, that mix of fast-paced farce, slapstick physicality, and mistaken identity and other misunderstandings.<\/p>\n<p>I don\u2019t suppose <em>Bringing Up Baby<\/em> will easily lead to other films of its kind \u2014 although they might want to see Skippy\u2019s work in <em>The Awful Truth<\/em> and the <em>Thin Man<\/em> series. Maybe <em>Arsenic and Old Lace<\/em> would entertain, that is if the death stuff doesn\u2019t bother them. Perhaps they\u2019ll be able to enjoy <em>What\u2019s Up, Doc?<\/em>, which I prefer to <em>Bringing Up Baby<\/em>, in a few years. Otherwise, the next time the kids watch the Christopher Reeve <em>Superman<\/em> movies, they\u2019ll see some of Grant\u2019s influence on Reeve as Clark Kent.<\/p>\n<p>What this lesson should do for young children, though, subconsciously, is to make them aware of similarities and variations between films. It\u2019s one thing for them to see old films that pay off when new movies and shows pay them homage, but it\u2019s another thing for them to accept that there are tropes and genre conventions and cycles of maybe only a handful of stories as well as a small number of dramatic and comedic situations. It\u2019ll help them to like more movies and television in the long run.<\/p>\n<\/p><\/div>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener noreferrer\">Social Media category.<\/a><\/span><\/strong>\n<\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>if you want to watch Movies or Tv Shows go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/dizi.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dizi.BuradaBiliyorum.Com<\/a> <\/span> for forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/kids-appreciate-film-stories\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=kids-appreciate-film-stories\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#It\u2019s Never Too Early to Learn That Everything is a Remix&#8221; Welcome to\u00a0Cinephile Summer Camp, a new column dedicated to introducing children to classic movies as well as learning about film history and other subjects through cinema. This entry spotlights a common trope found in the film Bringing Up Baby as a way to make&#8230;<\/p>\n","protected":false},"author":1,"featured_media":37825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[12879,1354,46757,1361],"class_list":["post-37824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-cinephile-summer-camp","tag-columns","tag-its-never-too-early-to-learn-that-everything-is-a-remix","tag-movies"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/37824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=37824"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/37824\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/37825"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=37824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=37824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=37824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}