{"id":389059,"date":"2022-01-03T18:30:02","date_gmt":"2022-01-03T15:30:02","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-15-best-breakout-performances-of-2021\/"},"modified":"2022-01-03T18:30:02","modified_gmt":"2022-01-03T15:30:02","slug":"the-15-best-breakout-performances-of-2021","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-15-best-breakout-performances-of-2021\/","title":{"rendered":"#The 15 Best Breakout Performances of 2021"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a27c124c001e\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a27c124c001e\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-15-best-breakout-performances-of-2021\/#Adarsh_Gourav_in_The_White_Tiger\" >Adarsh Gourav in The White Tiger<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/the-15-best-breakout-performances-of-2021\/#Agathe_Rousselle_in_Titane\" >Agathe Rousselle in Titane<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/the-15-best-breakout-performances-of-2021\/#Alana_Haim_and_Cooper_Hoffman_in_Licorice_Pizza\" >Alana Haim and Cooper Hoffman in Licorice Pizza<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/the-15-best-breakout-performances-of-2021\/#Amir_El-Masry_in_Limbo\" >Amir El-Masry in Limbo<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/the-15-best-breakout-performances-of-2021\/#Dominique_Fishback_in_Judas_and_the_Black_Messiah\" >Dominique Fishback in Judas and the Black Messiah<\/a><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#The 15 Best Breakout Performances of 2021<\/strong>&#8221;<\/p>\n<pre><code>     &lt;span class=\"mx-1\"&gt;From seasoned professionals getting their long-overdue recognition to newcomers who were plucked from obscurity through pure chance, here are 15 performers who signaled a bright horizon for cinema this year.&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;\n\n\n\n                &lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;\n            &lt;img width=\"800\" height=\"600\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/Best_Breakout_Performances_2021.jpg\" class=\"articlethumb wp-post-image\" alt=\"Best Breakout Performances\" loading=\"lazy\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/Best_Breakout_Performances_2021.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/Best_Breakout_Performances_2021-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;                            &lt;\/figure&gt;\n\n    &lt;!-- START BYLINE --&gt;\n    &lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Farah Cheded\u00a0\u00b7 Published on January 3rd, 2022 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;p&gt;&lt;em&gt;This article is part of our 2021 Rewind. Follow along as we explore the best and most interesting <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, shows, performances, and more from this very strange year. In this entry, we explore the best breakout performances of 2021.&lt;\/em&gt;\n<\/code><\/pre>\n<hr\/>\n<p>This year marked a partial return to form for cinema: while the backlog of delayed 2020 releases began to clear and (some) movies made their much-anticipated homecoming to newly reopened theaters, the ongoing pandemic meant much of our movie-watching continued to be done from home.<\/p>\n<p>Whether we witnessed their ascendancy by returning to theaters or via streaming, though, nothing could dampen the glow of the year\u2019s rising stars. Some were seasoned professionals getting their long-overdue recognition, while others were plucked from obscurity through pure chance. And while some dazzled under the full beam of the spotlight, others made quietly stirring impressions in smaller supporting roles.<\/p>\n<p>However they made their way to our screens, each gave us the thrill of discovery and cheered us up by demonstrating the diversity of talent coming up on cinema\u2019s horizon. Below, we celebrate 15 of the most exciting rising stars that 2021 introduced us to.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Adarsh_Gourav_in_The_White_Tiger\"><\/span>Adarsh Gourav in The White Tiger<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-369648\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/adarsh-gourav-the-white-tiger-1.jpg\" alt=\"Adarsh Gourav The White Tiger\" width=\"800\" height=\"464\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/adarsh-gourav-the-white-tiger-1.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/adarsh-gourav-the-white-tiger-1-768x445.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p>Already an established talent in India, <strong>Adarsh Gourav<\/strong> made his international breakout with a starring role \u2014 his first lead \u2014 in Ramin Bahrani\u2019s <strong><em>The White Tiger<\/em><\/strong>. He plays Balram, an ambitious young man who finds cunning ways to circumvent the glass ceiling of India\u2019s caste system.<\/p>\n<p>Gourav gives a cleverly acrobatic performance. When Balram is around his condescending employers, he adopts the dutiful mask of fawning help, but Gourav ironizes this fa\u00e7ade as the injustice of their pre-destined power dynamic gradually dawns on Balram. He makes this a fully organic transformation, entwining fine threads into his performance \u2014 among them desire and self-disgust \u2014 without which <em>The White Tiger<\/em> would have been a considerably flatter portrait.\u00a0 Rather than the rich character study that it is.<\/p>\n<p>This barnstorming performance earned Gourav nominations from BAFTA and the Independent Spirit Awards this year, as well as a second major international role, in <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">App<\/a>le\u2019s upcoming climate change anthology series <em>Extrapolations<\/em>.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Agathe_Rousselle_in_Titane\"><\/span>Agathe Rousselle in Titane<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-369646\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/agathe-rousselle-titane-1.jpg\" alt=\"Agathe Rousselle Titane\" width=\"800\" height=\"385\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/agathe-rousselle-titane-1.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/agathe-rousselle-titane-1-768x370.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p>There is surely no more unique role this year than the one <strong>Agathe Rousselle<\/strong> plays in <strong><em>Titane<\/em><\/strong>. Director Julia Ducournau\u2019s sophomore feature ups the grisly stakes set by her debut, <em>Raw<\/em>, with the story of an erotic dancer who, after suffering a traumatic accident in childhood, becomes sexually magnetized by cars and equally drawn to serial murder. Forced on the run, she breaks her own nose and binds down her mysteriously motor oil-leaking breasts so she can pass as a young man who went missing 10 years ago.<\/p>\n<p>Such a potted summary belies Rousselle\u2019s visceral performance as Alexia, which unearths unexpected sensitivity and humor out of the plot\u2019s extreme eccentricity. In a film full of brazenly transgressive elements, it\u2019s the intimations Rousselle draws out about gender, performance, and sacrifice that leave the deeper impression.<\/p>\n<p>In particular, it\u2019s enormously affecting to watch Alexia fight to control impulses she doesn\u2019t seem to ever have denied before on account of a reason she\u2019s never had before: love. That she pulls off such a transformation largely through body language \u2014 owing to her character\u2019s reticence and the movement-centric nature of the role \u2014 marks her as an extraordinary one-to-watch.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Alana_Haim_and_Cooper_Hoffman_in_Licorice_Pizza\"><\/span>Alana Haim and Cooper Hoffman in Licorice Pizza<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-369634\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/alana-haim-cooper-hoffman-licorice-pizza-1.jpg\" alt=\"Alana Haim Cooper Hoffman Licorice Pizza\" width=\"800\" height=\"362\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/alana-haim-cooper-hoffman-licorice-pizza-1.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/alana-haim-cooper-hoffman-licorice-pizza-1-768x348.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p>Vibrant. That\u2019s the first word that comes to mind when reflecting on <strong>Cooper Hoffman<\/strong> and <strong>Alana Haim<\/strong>\u2019s breakout performances in Paul Thomas Anderson\u2019s <strong><em>Licorice Pizza<\/em><\/strong>. Though working through characters with their fair share of differences, Hoffman and Haim are gloriously vibrant.<\/p>\n<p>As a teen actor with an entrepreneurial spirit, Hoffman\u2019s Gary is all adolescent charm and unparalleled energy. He\u2019s a jokester, a swindler, and a smooth-talker, but there\u2019s a lurking frequency of doubt that hums through him. As we see him facing down the barrel of adulthood and so eager to arrive there, it\u2019s hard to not feel protective of this precocious, feverishly alive, and bountifully flawed young man.<\/p>\n<p>Opposite Gary is Haim\u2019s Alana, a 20-something careening from job to job and romantic interest to romantic interest. She fights with her family and gets lost in conversations with the \u201creal\u201d adults around her. Haim is at once ferocious and insecure, caught in a space of maturity and possessing a desire to rescind from it.<\/p>\n<p>Hoffman and Haim also play off each other incredibly well, and it\u2019s a credit to their performances and Anderson\u2019s writing that when Gary and Alana are locked in an argument, we can\u2019t help but feel for both sides. These are characters who, in all their troubles and triumphs, seem as real as if they were standing right before us instead of onscreen in the world of 1973. That we\u2019ll get to watch these two young actors perform for (hopefully) many years to come feels like nothing short of a miraculous gift. (Anna Swanson)<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Amir_El-Masry_in_Limbo\"><\/span>Amir El-Masry in Limbo<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-369647\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/amir-el-masry-limbo-2.jpg\" alt=\"Amir El Masry Limbo\" width=\"800\" height=\"576\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/amir-el-masry-limbo-2.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/amir-el-masry-limbo-2-768x553.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p>In <em>Transit<\/em>, Anna Seghers\u2019 1944 novel about a refugee\u2019s long wait to secure the visa that would allow him to flee the Nazis, a character tells a joke about a dead man waiting to hear where God will send him. After a century of sitting tight, he begs for a decision, to which he\u2019s told, \u201c<em>What do you think you\u2019re waiting for? You\u2019ve been in hell for a long time already.<\/em>\u201d<\/p>\n<p>With the aptly titled <strong><em>Limbo<\/em><\/strong>, writer-director Ben Sharrock evokes the same sense of absurdist humor and crushing despondency out of the Kafka-esque bureaucratic situation currently facing refugees in the UK and much of the West. That complex tone is wrought in part by Sharrock\u2019s sensitive screenplay and direction. But its other chief author is <strong>Amir El-Masry<\/strong>, who plays the film\u2019s lead, a Syrian musician waiting out endless days in the chilly purgatory of a refugee processing center on a remote Scottish island.<\/p>\n<p>Whether deadpanning a farcical cultural awareness class or quietly yearning to be at home in the past, his performance is a gentle one, never over-stated or straining. The result is that Omar is never flattened into a binary figure or played as a one-note socio-political shorthand. He is a person with depths like any other, something that years of cinematic portrayals \u2014 both well-meaning and otherwise \u2014 of refugees, Arabs, and Muslims have fallen short of conveying.<\/p>\n<p>Add to this the authentic linguistic details that El-Masry adds in solely for the benefit of Arabic-speaking viewers \u2014 frequently neglected as audiences, despite being depicted so often \u2014 and his performance becomes more than just a display of talent. It also announces the arrival of a genuinely enriching presence to the screen.<\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Dominique_Fishback_in_Judas_and_the_Black_Messiah\"><\/span>Dominique Fishback in Judas and the Black Messiah<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-369643\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/dominique-fishback-judas-black-messiah-1.jpg\" alt=\"Dominique Fishback Judas Black Messiah\" width=\"800\" height=\"379\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/dominique-fishback-judas-black-messiah-1.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/dominique-fishback-judas-black-messiah-1-768x364.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/p>\n<p><strong>Dominique Fishback<\/strong> wasn\u2019t exactly unknown before this year. Her pre-2021 credits included starring roles in <em>The Deuce<\/em>, <em>Project Power<\/em>, and <em>The Hate U Give<\/em>. But arguably her biggest breakthrough came by way of her work in <strong><em>Judas and the Black Messiah<\/em><\/strong>, for which she earned a BAFTA nomination.<\/p>\n<p>Playing Fred Hampton\u2019s partner and fellow activist Deborah Johnson (now known as Akua Njeri), Fishback is enormously moving in quietly devastating ways. Through a balance of sensitivity and conviction, her performance enriches the film by drawing out the softer, less assured side of Daniel Kaluuya\u2019s Fred Hampton and impressing upon us the agonizing personal stakes of his work.<\/p>\n<p>In one standout scene of great intimacy, Fishback recites a poem about their unborn child. A poem that Fishback, a spoken word artist, actually penned herself. Another piece of Fishback\u2019s writing \u2014 the one-woman play she wrote as her degree thesis \u2014 is already being adapted into a special (to be executive produced by her <em>Project Power<\/em> co-star Jamie Foxx), suggesting that she has a bright future both in front of and behind the camera.<\/p>\n<hr\/>\n<p><em>Continue reading this list of the best breakout performances of 2021 on the next page\u2026<\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-361222\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/01\/next-page.jpg\" alt=\"Next Page\" width=\"364\" height=\"99\"\/><\/p>\n<pre><code>    Related Topics: 2021 Rewind\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2020\/10\/me-fsr.jpeg\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Farah Cheded is a Senior Contributor at Film School Rejects. Outside of FSR, she can be found having epiphanies about Martin Scorsese movies here <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/AttractionF\">@AttractionF<\/a> and reviewing <em>Columbo<\/em> episodes <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/boxd.it\/FH3l\">here<\/a>.        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;\n            &lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;\n            &lt;!-- END RECOMMENDED READING --&gt;\n\n\n\n\n&lt;\/div&gt;&lt;script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/breakout-performances-2021\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=breakout-performances-2021\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#The 15 Best Breakout Performances of 2021&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;From seasoned professionals getting their long-overdue recognition to newcomers who were plucked from obscurity through pure chance, here are 15 performers who signaled a bright horizon for cinema this year.&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt; &lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt; &lt;img width=&#8221;800&#8243; height=&#8221;600&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/Best_Breakout_Performances_2021.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;Best Breakout Performances&#8221; loading=&#8221;lazy&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/Best_Breakout_Performances_2021.jpg 800w,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":389060,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2021\/12\/Best_Breakout_Performances_2021.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-389059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/389059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=389059"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/389059\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/389060"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=389059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=389059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=389059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}