{"id":390339,"date":"2022-01-06T14:09:00","date_gmt":"2022-01-06T11:09:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough\/"},"modified":"2022-01-06T14:09:00","modified_gmt":"2022-01-06T11:09:00","slug":"broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough\/","title":{"rendered":"#: Broadway faces a racial reckoning. \u2018Change is happening\u2019 \u2014 but is it enough?"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a38507b4982e\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a38507b4982e\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough\/#%E2%80%98People_are_not_ignoring_what_is_being_demanded_Vanessa_Williams_the_recording_star_and_Broadway_artist_told_MarketWatch\" >\u2018People are not ignoring what is being demanded,\u2019 Vanessa Williams, the recording star and Broadway artist, told MarketWatch<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough\/#Keenan_Scotts_%E2%80%98Thoughts_of_a_Colored_Man_ran_on_Broadway_earlier_this_season\" >Keenan Scott\u2019s \u2018Thoughts of a Colored Man\u2019 ran on Broadway earlier this season.<\/a><ul class='ez-toc-list-level-6' ><li class='ez-toc-heading-level-6'><ul class='ez-toc-list-level-6' ><li class='ez-toc-heading-level-6'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough\/#%E2%80%98This_is_the_time_for_this_play\" >\u2018This is the time for this play\u2019<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-6'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough\/#The_work_Broadway_has_left_to_do\" >The work Broadway has left to do<\/a><\/li><\/ul><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/broadway-faces-a-racial-reckoning-change-is-happening-but-is-it-enough\/#Charles_Passy\" >Charles Passy<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<p>&#8220;<strong>#: Broadway faces a racial reckoning. \u2018Change is h<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ening\u2019 \u2014 but is it enough?<\/strong>&#8221;<\/p>\n<h2 class=\"article__subhead\" itemprop=\"alternativeHeadline\"><span class=\"ez-toc-section\" id=\"%E2%80%98People_are_not_ignoring_what_is_being_demanded_Vanessa_Williams_the_recording_star_and_Broadway_artist_told_MarketWatch\"><\/span>\n  \u2018People are not ignoring what is being demanded,\u2019 Vanessa Williams, the recording star and Broadway artist, told MarketWatch<br \/>\n<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"column column--full article__content\" role=\"region\" aria-label=\"article body\">\n<div class=\"article__side\">\n<div class=\"container--sticky not-active\">\n<div id=\"cx-next\" data-nosnippet>\n              <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div id=\"js-article__body\" class=\"article__body article-wrap at16-col16 barrons-article-wrap\" itemprop=\"articleBody\" data-sbid=\"WP-MKTW-0000538370\" role=\"document\">\n<div class=\"barrons-article-ad-wrapper\">\n<div data-track=\"barrons-article-ad-wrap\" class=\"barrons-article-ad sticky_item\">\n<div class=\"barrons-main-article-ad-target sticky_target body_ad\" aria-hidden=\"true\"><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div data-layout=\"\n                inline\" data-layout-mobile=\"\" class=\"\n          media-object\n          type-InsetArticleReader\n              \n              inline\n  article__inset\n          article__inset--type-InsetArticleReader\n              article__inset--inline\n  \"><\/p>\n<div class=\"media-object-article-reader\">\n<div class=\"audioplayer\" data-sbid=\"WP-MKTW-0000538370\" role=\"region\" aria-label=\"Listen to Article\" tabindex=\"-1\" id=\"articlereader\" data-show-title=\"false\" data-theme=\"wsj-article-reader\" data-show-header=\"false\" data-show-subscribe=\"false\" data-ads-enabled=\"true\" data-save-publication=\"false\">\n        <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>       Ever since the pandemic forced Broadway to shutter theaters in March 2020, the industry has faced a never-ending <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> of challenges.<\/p>\n<p> The virus has been the primary one, of course. The health crisis brought Broadway, whose box-office tally reached a record $1.83 billion in the 2018-19 season, to a complete standstill until the middle of 2021. And while shows have started opening again, schedules have also become wildly unpredictable, with cancellations aplenty due to cast members suddenly infected with COVID-19.<\/p>\n<div class=\"paywall\">\n       But the other key issue is one that arguably cuts much deeper and has longer-term implications: a racial reckoning that emerged in the wake of George Floyd\u2019s murder by former Minneapolis police officer Derek Chauvin, and the broader resurgence of the Black Lives Matter movement.<\/p>\n<p>The theater community has often prided itself on being forward-thinking and presenting work that tackles tough issues, including those involving race. But critics have charged that Broadway has failed the diversity test on many levels \u2014 both in representation among playwrights and other creative talent behind the shows and in the makeup of cast and crew.<\/p>\n<p>Now some industry veterans say there\u2019s finally reason to be hopeful, pointing to a wave of recent developments.<\/p>\n<p>\u201cChange is happening. People are not ignoring what is being demanded,\u201d Vanessa Williams, the recording star and Broadway artist who is one of the founding members of Black Theatre United, an organization created in 2020 to advocate for artists of color, told MarketWatch.<\/p>\n<div data-layout=\"inline\n                \" data-layout-mobile=\"\" class=\"\n          media-object\n          type-InsetPullQuote\n            inline\n    scope-web|mobileapps\n  article__inset\n          article__inset--type-InsetPullQuote\n            article__inset--inline\n  \"><\/p>\n<div class=\"wsj-article-pullquote article__inset__pullquote \">\n<p class=\"pullquote-content article__inset__pullquote__quote\">\n        <span class=\"l-qt article__inset__pullquote__mark--left\">\u201c<\/span>\u2018There\u2019s never been a dearth of playwrights of color. What\u2019s new is people are looking for them and realizing they\u2019re right there in their backyard.\u2019<span class=\"r-qt article__inset__pullquote__mark--right\">\u201d<\/span><\/p>\n<p>        <small><br \/>\n          <span class=\"inset-author article__inset__pullquote__author\">\u2014 Brian Moreland, producer of \u2018Thoughts of a Colored Man\u2019<\/span><br \/>\n        <\/small><\/p><\/div>\n<\/p><\/div>\n<p>       One major development is <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2021\/08\/23\/theater\/broadway-diversity-pledge-reopening.html\" class=\"icon none\">the adoption of Black Theatre United\u2019s \u201cA New Deal for Broadway\u201d<\/a> platform. The <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.blacktheatreunited.com\/wp-content\/uploads\/2021\/08\/BTU-New-Deal-For-Broadway.pdf\" class=\"icon none\">document<\/a> calls for a commitment among Broadway productions to never \u201cassemble an all-white creative team\u201d and to adequately discuss issues of racial sensitivity raised by shows. It also calls for each of the major theater owners to name at least one of their venues after a Black artist.<\/p>\n<p> While the document looks largely to the future, Broadway audiences can already see change in terms of the current season\u2019s offerings.<\/p>\n<p>So far, at least a half-dozen works by Black artists have been presented \u2014 a far cry from the days <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2021\/09\/16\/theater\/broadway-black-playwrights.html\" class=\"icon none\">when only one or two Black playwrights might be represented<\/a> in the course of an entire year.<\/p>\n<div data-layout=\"inline\n                \" data-layout-mobile=\"\" class=\"\n          media-object\n          type-InsetMediaIllustration\n            inline\n  article__inset\n          article__inset--type-InsetMediaIllustration\n            article__inset--inline\n  \"><\/p>\n<figure class=\"\n        media-object-image\n        enlarge-image\n        img-inline\n        article__inset__image\n      \" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"><\/p>\n<div style=\"padding-bottom:56.14285714285714%;\" data-subtype=\"photo\" class=\"image-container  responsive-media article__inset__image__image\">\n        <img decoding=\"async\" srcset=\"https:\/\/images.mktw.net\/im-461858\/horizontal?width=540&amp;size=1.778975741239892 540w, https:\/\/images.mktw.net\/im-461858\/horizontal?width=620&amp;size=1.778975741239892 620w, https:\/\/images.mktw.net\/im-461858\/horizontal?width=639&amp;size=1.778975741239892 639w, https:\/\/images.mktw.net\/im-461858\/horizontal?width=700&amp;size=1.778975741239892 700w, https:\/\/images.mktw.net\/im-461858\/horizontal?width=700&amp;size=1.778975741239892&amp;pixel_ratio=1.5 1050w, https:\/\/images.mktw.net\/im-461858\/horizontal?width=700&amp;size=1.778975741239892&amp;pixel_ratio=2 1400w, https:\/\/images.mktw.net\/im-461858\/horizontal?width=700&amp;size=1.778975741239892&amp;pixel_ratio=3 2100w\" sizes=\"(max-width: 639px) 100vw, (max-width: 979px) 620px, (max-width: 1299px) 540px, 700px\" src=\"https:\/\/images.mktw.net\/im-461858\/horizontal?width=700&amp;height=393\" alt=\"\" title=\"\">\n      <\/div><figcaption class=\"wsj-article-caption article__inset__image__caption\" itemprop=\"caption\">\n<h4 class=\"wsj-article-caption-content\"><span class=\"ez-toc-section\" id=\"Keenan_Scotts_%E2%80%98Thoughts_of_a_Colored_Man_ran_on_Broadway_earlier_this_season\"><\/span>Keenan Scott\u2019s \u2018Thoughts of a Colored Man\u2019 ran on Broadway earlier this season.<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>      <span class=\"wsj-article-credit article__inset__image__caption__credit\" itemprop=\"creator\"><br \/>\n            Courtesy DKC\/O&amp;M<br \/>\n          <\/span><br \/>\n  <\/figcaption><\/figure>\n<\/p><\/div>\n<p>       The offerings range from heady dramas that tackle the issue of racial inequity (Antoinette Nwandu\u2019s \u201cPass Over\u201d and Keenan Scott\u2019s \u201cThoughts of a Colored Man\u201d) to a comedy that centers on a Black family reuniting for a funeral (Douglas Lyons\u2019 \u201cChicken &amp; Biscuits\u201d). Pulitzer Prize-winning playwright Lynn Nottage is also in the mix with \u201cClyde\u2019s,\u201d a new, lively work set in a sandwich shop. <\/p>\n<div id=\"cx-membership-tile\"><\/div>\n<h6><span class=\"ez-toc-section\" id=\"%E2%80%98This_is_the_time_for_this_play\"><\/span>\u2018This is the time for this play\u2019<span class=\"ez-toc-section-end\"><\/span><\/h6>\n<p>Perhaps most notable of all is the Roundabout Theatre Company\u2019s presentation of Alice Childress\u2019 \u201cTrouble in Mind,\u201d a 1955 comedy-drama that offers a behind-the-scenes peek at the theater world. The plot revolves around a show in development that itself addresses the subject of racism. <\/p>\n<p>Childress\u2019 play was slated to make it to Broadway in 1957 \u2014 she would have been the first Black female playwright to have her work presented there \u2014 but Childress insisted on a less-than-happy ending, and producers balked at the thought.<\/p>\n<p>Now, the Roundabout presentation, starring the Tony Award-winning actress LaChanze and running through Jan. 9, is the talk of Broadway, with <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.wsj.com\/articles\/trouble-in-mind-alice-childress-roundabout-theater-company-lachanze-chuck-cooper-diana-princess-of-wales-david-bryan-joe-di-pietr-jeanne-de-waal-11637272134?mod=article_inline\" class=\"icon none\">glowing reviews aplenty<\/a>. The production is both fiercely funny and determinedly harsh in its depiction of a theater community whose seemingly good intentions are rivaled only by its inherent prejudices. <\/p>\n<p>And though the play is nearly 70 years old, it feels very much like a work that could have been written today \u2014 which is precisely the point, said Charles Randolph-Wright, the prominent Black director behind the production.<\/p>\n<p>\u201cThis is the time for this play,\u201d he said.<\/p>\n<p>Brian Moreland, producer of \u201cThoughts of a Colored Man,\u201d which recently closed, said it shouldn\u2019t come as a surprise that the works of so many Black playwrights are making their way to Broadway of late.<\/p>\n<p>\u201cThere\u2019s never been a dearth of playwrights of color,\u201d he told MarketWatch. \u201cWhat\u2019s new is people are looking for them and realizing they\u2019re right there in their backyard.\u201d<\/p>\n<p>Moreland, one of the industry\u2019s leading Black producers, added that a way to ensure Broadway maintains its commitment to artists of color is to have more producers of color working in the field and serving as advocates for change. He sits on the board of governors of the Broadway League, the industry\u2019s trade group, and pointed to a recent shift in the organization\u2019s bylaws that will make it easier for emerging producers \u2014 many of whom are non-white \u2014 to join. Specifically, the league is opening up the board to associate members, who pay a lower fee than full members.<\/p>\n<p>Charlotte St. Martin, the Broadway League\u2019s president, said the organization\u2019s efforts go beyond welcoming producers of color. She points to the fact the league has had a diversity committee in place since 2013 and has launched diversity initiatives involving education and careers. She also noted the league has worked with the industry\u2019s unions to increase hiring of people of color in their ranks.<\/p>\n<p>\u201cThe efforts are spreading like wildfire,\u201d she said of Broadway\u2019s willingness to diversify.<\/p>\n<h6><span class=\"ez-toc-section\" id=\"The_work_Broadway_has_left_to_do\"><\/span>The work Broadway has left to do<span class=\"ez-toc-section-end\"><\/span><\/h6>\n<p>Still, challenges remain. Most notably, Broadway\u2019s audience remains heavily white, as the <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/blogs.baruch.cuny.edu\/dollarsandsense\/2020\/01\/06\/broadway-struggles-to-draw-diverse-audiences\/\" class=\"icon none\">Broadway League\u2019s own research shows<\/a>. Some industry critics say part of the problem is that Broadway\u2019s ticket prices are so high \u2014 above $120 on average in the 2018-19 season, the last full one before the pandemic. In turn, they say that discourages a broader audience from attending.<\/p>\n<p>The audience issue is being addressed head-on by the producers of \u201cSlave Play,\u201d a searing drama about race and sex by the Black playwright Jeremy O. Harris that premiered on Broadway in the curtailed 2019-20 season and is now being revived. The \u201cSlave Play\u201d team has presented a number of what it calls \u201cBlack Out\u201d events \u2014 essentially, performances for a Black audience. It has also made an effort to keep ticket prices low, with more than 10,000 seats for its current run, which goes through Jan. 23, being offered at $39.<\/p>\n<p>But \u201cSlave Play\u201d itself has become something of a lightning rod in the question of how far Broadway will go to diversify. The show was nominated for 12 Tonys, the most for any play in the history of the prestigious theater-award platform. Yet it failed to pick up a single win, which many in the Broadway community <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.thedailybeast.com\/the-tony-awards-was-a-night-of-extremely-mixed-messages-about-broadway-theater\" class=\"icon none\">considered a significant \u2014 and telling \u2014 snub<\/a>.<\/p>\n<p>Representatives for \u201cSlave Play\u201d declined to comment for this story.<\/p>\n<p>Such issues notwithstanding, many in the Broadway community, including Black artists, feel encouraged about what has taken place in the past year or so to promote diversity. But they also say the real test will come in future seasons, especially as it relates to presenting work by playwrights of color.<\/p>\n<p>Randolph-Wright notes that he doesn\u2019t see much ahead on the calendar. At the same time, Moreland is convinced the change is for real.<\/p>\n<p>\u201cThis moment was an explosion,\u201d he said of the array of Black playwrights represented on Broadway this season. \u201cBut I don\u2019t think it will be the last time at all.\u201d<\/p><\/div>\n<\/div><\/div>\n<p><\/p>\n<div class=\"byline article__byline\">\n<p>    <span>By<\/span><\/p>\n<div class=\"author mobile-scrim hasMenu\" data-scrim='{\"type\":\"author\",\"header\":\"Charles Passy\",\"subhead\":\"The Wall Street Journal\",\"list\":[{\"type\":\"link\",\"icon\":\"bio\",\"url\":\"https:\/\/www.marketwatch.com\/topics\/journalists\/charles-passy\",\"text\":\"Biography\"},{\"type\":\"link\",\"icon\":\"twitter\",\"url\":\"https:\/\/twitter.com\/CharlesPassy\",\"text\":\"@CharlesPassy\"},{\"type\":\"link\",\"icon\":\"email\",\"url\":\"http:\/\/www.marketwatch.com\/news\/mailto:cpassy@wsj.com\",\"text\":\"cpassy@wsj.com\"}]}' itemscope itemprop=\"author\" itemtype=\"http:\/\/schema.org\/Person\">\n<h4 itemprop=\"name\"><span class=\"ez-toc-section\" id=\"Charles_Passy\"><\/span>Charles Passy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<\/p><\/div>\n<\/div>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">News<\/a> articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/news\/\" target=\"_blank\" rel=\"noopener\">News category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"http:\/\/www.marketwatch.com\/news\/story.asp?guid=%7B20C05575-04D4-B545-7837-02A65EA8599B%7D&#038;siteid=rss&#038;rss=1\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#: Broadway faces a racial reckoning. \u2018Change is happening\u2019 \u2014 but is it enough?&#8221; \u2018People are not ignoring what is being demanded,\u2019 Vanessa Williams, the recording star and Broadway artist, told MarketWatch Ever since the pandemic forced Broadway to shutter theaters in March 2020, the industry has faced a never-ending series of challenges. The virus&#8230;<\/p>\n","protected":false},"author":1,"featured_media":390340,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/images.mktw.net\/im-461857\/horizontal","fifu_image_alt":"","footnotes":""},"categories":[70897],"tags":[],"class_list":["post-390339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/390339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=390339"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/390339\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/390340"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=390339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=390339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=390339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}