{"id":400587,"date":"2022-01-28T21:16:12","date_gmt":"2022-01-28T18:16:12","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/pam-tommy-is-as-humanizing-as-it-is-entertaining\/"},"modified":"2022-01-28T21:16:12","modified_gmt":"2022-01-28T18:16:12","slug":"pam-tommy-is-as-humanizing-as-it-is-entertaining","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/pam-tommy-is-as-humanizing-as-it-is-entertaining\/","title":{"rendered":"#’Pam & Tommy’ is as Humanizing as It is Entertaining"},"content":{"rendered":"

“#’Pam & Tommy’ is as Humanizing as It is Entertaining<\/strong>”<\/p>\n

     <span class=\"mx-1\">Hulu\u2019s series<\/a> about the celebrity sex tape scandal that rocked the \u201990s mostly forgoes salaciousness in favor of empathy for the couple at its core.<\/span>\n<\/p><div id=\"\">\n\n\n\n                <figure class=\"sf-entry-featured-media<\/a> \">\n            <img width=\"800\" height=\"553\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/pam-and-tommy-sex-tape-series.jpeg\" class=\"articlethumb wp-post-image\" alt=\"Pam and Tommy\" loading=\"lazy\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/pam-and-tommy-sex-tape-series.jpeg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/pam-and-tommy-sex-tape-series-768x531.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/>                                    <p>\n                    <span class=\"sf-entry-flag sf-entry-flag-creditline\">Hulu<\/span>\n\n                        <\/figure>\n\n    <!-- START BYLINE -->\n    <div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\">\n        By\u00a0Valerie Ettenhofer\u00a0\u00b7 Published on January 28th, 2022 \n        <\/div>\n    <!-- END BYLINE -->\n\n    <strong><em>Pam &amp; Tommy<\/em><\/strong> thrives on small, private intimacies. In a scene at the beginning of the series\u2019 fifth episode, rock star Tommy Lee (<strong>Sebastian Stan<\/strong>) and model\/actress Pamela Anderson (<strong>Lily James<\/strong>) lay on the carpeted floor of their home next to a teddy bear. The bear was meant for their baby, but they\u2019ve just suffered a miscarriage. They lay there, locked in a quietly sad embrace, whispering about dinner plans and work events while their sadness looms around the edges of the conversation.\n<\/code><\/pre>\n
It is an extremely personal depiction of a moment from a real-life marriage. It feels so vulnerable that it can\u2019t help but remind us that none of this is really any of our business. That is, of course, the whole point of Pam & Tommy<\/em>. The eight-episode limited series, which is directed mostly by I, Tonya<\/em>\u2019s Craig Gillespie<\/strong>, reframes the true story behind the famous couples\u2019 honeymoon tape, a love-infused home video that ended up at the center of the 1990s\u2019 most lurid public scandal.<\/p>\n
Pam & Tommy<\/em> is humanizing and romantic, even if it doesn\u2019t entirely elide the sensationalism at its story\u2019s core. It\u2019s part biography, part stranger-than-fiction tale, and part early internet cautionary tale. Stan and James, nearly unrecognizable, guide viewers through with committed and generous portrayals of two people whose lives were turned into a punchline. Gillespie\u2019s energetic camera loves them and meets them where they\u2019re at, whether that\u2019s a booze-soaked meet-cute, a tense legal meeting, or in that scene on the living room floor.<\/p>\n
From episode one, Pam & Tommy<\/em> works hard to correct the public record. The series introduces its story through the vindictive eyes of a contractor and former porn actor named Rand Gauthier (Seth Rogen<\/strong>, who developed the series). While working on Tommy Lee\u2019s dream home, Gauthier sees the worst of the rocker, who refuses to pay him and eventually chases him off the property with a gun. This is a difficult point from which to start a series that wants us to fall at least a tiny bit in love with Tommy, but it does the necessary work to establish Gauthier\u2019s motives. He returns weeks later in the middle of the night to pilfer a safe that includes guns, jewelry, Pam\u2019s wedding bikini, and an inconspicuous hi8 tape.<\/p>\n
The rest of the series tracks that tape\u2019s movement from the floor of Gauthier\u2019s apartment to the eyes of millions of Americans. Along the way, he gets involved with an unfocused porn director called Uncle Miltie (Nick Offerman<\/strong>) and a mob financier (Andrew Dice Clay<\/strong>). Gauthier\u2019s interest in karma and various religious theories leads him to believe he\u2019s on a noble quest, but he also wants to impress his ex, Erica (Taylor Schilling<\/strong>). His is a different kind of insecurity than Tommy\u2019s, but both of the men who orbit Pamela\u2019s story are driven by their own sense of insignificance.<\/p>\n
When he\u2019s not waving guns around, Tommy Lee ranges from charmingly lovestruck to annoyingly off-putting. He\u2019s the type of guy whose boundaryless immaturity leads to moments like the one when he hangs a \u201cDo Not Disturb\u201d sign on his erection during the couple\u2019s honeymoon. In a moment that echoes a passage from the real-life musician\u2019s memoir, he talks to his famous member and it talks back \u2014 in Jason Mantzoukas<\/strong>\u2019 voice, no less. This is one of a few key scenes in Pam & Tommy<\/em> that misses the mark. It feels endless and ridiculous, and nothing else in the series is ever as tasteless or surreal.<\/p>\n
Gillespie\u2019s previous collaboration with Stan, I, Tonya<\/em>, received some criticism for its borderline humorous depiction of domestic violence. That trend doesn\u2019t continue here, but the two seem to understand that serious anger can often come from men whose worst fear is getting laughed at. Tommy and Pamela are playing out their own period-specific version of A Star is Born<\/em>: she\u2019s landing starring roles while his albums are relegated to the clearance section.<\/p>\n
Pam & Tommy<\/em> isn\u2019t the most precisely crafted pop-cultural revision in recent memory, but it bears the same satisfying polished-up sheen as prestigious series like American Crime Story<\/em>. Filmmakers make unexpected choices throughout the series, and most of them pay off. When Pamela and Tommy get the news<\/a> about the miscarriage, it\u2019s in a scene we barely see or hear, shot through the small window of a hospital room door. It\u2019s a small but impactful gesture, a bit of privacy they were never afforded in real life.<\/p>\n
Less effective is the presentation of the sex tape itself, which plays so often around the edges of scenes that its giggly exchanges and exclamations may as well be the series\u2019 official score. This is, of course, Stan\u2019s and James\u2019 reproduction of the real tape, and it\u2019s surely meant to signify just how inescapable it was at the height of its proliferation. The tactic backfires and instead makes us feel as if we \u2013and the series itself \u2014 are party to the exploitation of Pamela Anderson all these years later.<\/p>\n
Because, of course, it all comes down to Pamela. Her name is on the web page that rocked the early internet, and on the deposition when the couple\u2019s battle for privacy turns legal. Crucially, Pam & Tommy<\/em> loves and empathizes with the woman at its center without ever diminishing her complexity.<\/p>\n
James disapp<\/a>ears entirely into the role, playing Pamela as a shrewd businesswoman, a lover of romantic comedies, and a small-town girl who longs equally for both motherhood and professional recognition. In one of the series\u2019 best scenes, she does her first shoot for Playboy<\/em>. She clearly feels empowered and is treated respectfully and professionally the entire time. It\u2019s a loving portrayal of beauty and sexuality that lets all the air out of the argument that she somehow deserved the mistreatment that came after.<\/p>\n
Pam & Tommy<\/em> would\u2019ve been an empty exercise if it hadn\u2019t poured its heart into the woman at its center. The series\u2019 very existence threatens to reignite the same tired attitudes as the sex tape itself, but it\u2019s built as a remedy to all that. It\u2019s a compelling retelling of history, one that hinges around an epic, untenable romance and the public\u2019s own amoral appetites. \u201cWe\u2019re so good together, Pamela,\u201d Tommy insists late in the series. \u201cIt\u2019s the world that\u2019s f***ed.\u201d He\u2019s certainly right about that last part.<\/p>\n
Pam & Tommy\u00a0<\/em>premieres on Hulu<\/a> on February 2nd.<\/em><\/p>\n
    Related Topics: Pam &amp; Tommy\n    <!-- AUTHOR BOX -->\n<\/code><\/pre>\n
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\n            Valerie Ettenhofer is a Los Angeles-based freelance writer, TV-lover, and mac and cheese enthusiast. As a Senior Contributor at Film School Rejects, she covers television through regular reviews and her recurring column, Episodes. She is also a voting member of the Critics Choice Association’s television and documentary branches. Twitter: @aandeandval<\/a> (She\/her)        <\/div>\n<\/p><\/div>\n<\/div>\n
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“#’Pam & Tommy’ is as Humanizing as It is Entertaining” <span class=”mx-1″>Hulu\u2019s series about the celebrity sex tape scandal that rocked the \u201990s mostly forgoes salaciousness in favor of empathy for the couple at its core.<\/span> <\/p><div id=””> <figure class=”sf-entry-featured-media “> <img width=”800″ height=”553″ src=”https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/pam-and-tommy-sex-tape-series.jpeg” class=”articlethumb wp-post-image” alt=”Pam and Tommy” loading=”lazy” srcset=”https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/pam-and-tommy-sex-tape-series.jpeg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/pam-and-tommy-sex-tape-series-768×531.jpeg 768w”…<\/p>\n","protected":false},"author":1,"featured_media":400588,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/pam-and-tommy-sex-tape-series.jpeg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-400587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/400587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=400587"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/400587\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/400588"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=400587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=400587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=400587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}