{"id":403994,"date":"2022-02-07T14:21:22","date_gmt":"2022-02-07T11:21:22","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/dilla-time-author-corrects-one-major-misconception-about-the-legendary-producer\/"},"modified":"2022-02-07T14:21:22","modified_gmt":"2022-02-07T11:21:22","slug":"dilla-time-author-corrects-one-major-misconception-about-the-legendary-producer","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/dilla-time-author-corrects-one-major-misconception-about-the-legendary-producer\/","title":{"rendered":"#\u2018Dilla Time\u2019 Author Corrects One Major Misconception About The Legendary Producer"},"content":{"rendered":"<p>&#8220;<strong>#\u2018Dilla Time\u2019 Author Corrects One Major Misconception About The Legendary Producer<\/strong>&#8221;<\/p>\n<div class=\"image large\">\n<img decoding=\"async\" src=\"https:\/\/static.hiphopdx.com\/2022\/02\/DillaTimeThumbnail-2-1200x675.jpeg\" alt=\"\u2018Dilla Time\u2019 Author Corrects One Major Misconception About The Legendary Producer\" class=\"large\"><\/p>\n<div class=\"news-caption\">\n<span>Dilla Photo by Gregory Bojorquez\/Getty Images\/ Charnas\/ Noah Stephens<\/span>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"body-copy  js-entry-text\" itemprop=\"articleBody\">\n<span style=\"font-weight: 400;\">On Sunday February 16, 2020, Brooklyn Bowl in New York\u2019s Williamsburg played host to \u201cDonuts Are Forever,\u201d an annual gathering of fans, friends and family of the late, great James \u201cJ Dilla\u201d Dewitt Yancey. This was the 14th such celebration and fundraiser held since the untimely death of the Detroit producer and MC in 2006. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Before succumbing to complications from a rare blood disease and lupus, Dilla \u2014 <\/span><span style=\"font-weight: 400;\">as a member of Slum Village, collaborator with peers like Madlib, and as a solo artist \u2014 changed the sound of Hip Hop, R&amp;B and even jazz with lush and future forward productions like Slum Village\u2019s \u201cPlayers,\u201d The Pharcyde\u2019s \u201cRunnin,\u201d De La Soul\u2019s \u201cStakes Is High\u201d and so many more.<\/span><\/p>\n<p>So, on this almost balmy (by New York Winter standards), 43-degree night, author Dan Charnas stood elbow-to-elbow with those attending a sonic sermon for one of the greatest producers to have ever lived.<\/p>\n<p><span style=\"font-weight: 400;\">Headlining that night was Dilla influence turned peer and friend, Pete Rock, one of the 200 subjects Charnas interviewed for his exhaustive tome on the life and afterlife of Yancey, <\/span><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/dillati.me\/\"><i><span style=\"font-weight: 400;\">Dilla Time<\/span><\/i><\/a><span style=\"font-weight: 400;\">, which he was still working on at the time. Charnas was not a regular attendee of the annual tribute, despite having worked with Yancey many years ago during his previous life as a record executive. His first time attending was the year prior when he was teaching a course on Dilla at NYU, the catalyst for his book.<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/tv\/CZcEEuflQem\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\">\n<div style=\"padding: 16px;\">\n\u00a0<\/p>\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p>\u00a0<\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a rel=\"nofollow noopener\" target=\"_blank\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/tv\/CZcEEuflQem\/?utm_source=ig_embed&amp;utm_campaign=loading\">A post shared by Dan Charnas (@dcharnas)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"https:\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI wanted them to see this festive, longest-running Dilla tribute,\u201d Charnas tells <em>HipHopDX<\/em>. \u201cAs it turns out, most of my students were under 21, so they couldn\u2019t go.\u201d Nevertheless, Charnas did get to catch up with Dilla\u2019s uncle, Herman Hayes, proprietor of \u2018Dilla\u2019s Donuts\u2019 in Detroit, salvaging the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>. The following year he made a point of going again to immerse himself in Dilla\u2019s energy. \u201cIt was a comfort for me. Of course, none of us knew that it was going to be our last party for a long, long time.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dan first met J Dilla, then going by Jay Dee, in August of 1999 when he was executive producing for r<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>er Chino XL. They were transitioning from Rick Rubin\u2019s label, American Records, to Warner Brothers and had a budget to get some great producers. Having become a fan of Dilla after hearing his work for The Pharcyde, Dan arranged a trip to Detroit to record two songs for Chino\u2019s 2001 album,\u00a0 <\/span><i><span style=\"font-weight: 400;\">I Told You So.<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI still have the directions in my phone,\u201d he recalls. \u201cI took a picture of the directions that Maureen [Maureen Yancey is Dilla\u2019s mother, affectionately known as Ma Dukes] sent me. We parked the car on McDougall. We knocked on that little white side door. I think Maureen may have opened it for us. Look up, there\u2019s the kitchen. Look down, there\u2019s the basement. We go down there. What\u2019s Common Sense doing down here? I had no idea that what was going on was this sort of landmark album [2000\u2019s <\/span><i><span style=\"font-weight: 400;\">Like Water For Chocolate<\/span><\/i><span style=\"font-weight: 400;\">].\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dan remembers that he did bring a camera with him to Detroit, but left it as his hotel. He wasn\u2019t in journalist mode, so documenting the moment was the last thing on his mind. However, he and Chino did leave with two songs, <\/span><span style=\"font-weight: 400;\">\u201cDon\u2019t Say A Word\u201d and \u201cHow It Goes.\u201d Both beats are featured on one of Dilla\u2019s famous <\/span><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=YFQofYyFOSE\"><span style=\"font-weight: 400;\">\u201cbatch\u201d beat tapes from 1998 proliferating on YouTube<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThey\u2019re two of the best beats that Jay Dee ever made,\u201d he recalls with pride. \u201cThey\u2019re amazing. Just amazing. It wasn\u2019t until I got back from Detroit about six months later that I began to really understand the rhythmic subversion of them. He was just a fun producer who had very loose beats. We like Rhodes. The Fender Rhodes. The deep bass lines. The cracking snares. But then, six months later, I\u2019m mixing the album down. I\u2019m like, \u2018What\u2019s going on with those hi-hats? They sound off.\u2019 That\u2019s when I took it into my digital audio workstation and lined up the waveforms with the grid, and I realized there\u2019s nothing wrong with those hi-hats. The snare is coming early and it\u2019s making the hi-hats seem off. But why is he doing that? How is he doing that? And why do we like it?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After publishing his critically acclaimed history of the Hip Hop music business, <\/span><i><span style=\"font-weight: 400;\">The Big Payback<\/span><\/i><span style=\"font-weight: 400;\">, Charnas began teaching music history at NYU\u2019s Clive Davis School of Music. The broad pop music class challenged his students to defend why certain luminaries like Billie Holiday and James Brown were vital to the pantheon of American music. The course covered 150 years and 150 musicians. In 2014, inspired by his undergrad\u2019s fondness for J Dilla, Charnas added him to the list of subjects to be studied.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThat is when I first made the argument, and I made a little slide of what \u2018Dilla Time\u2019 was. I didn\u2019t even have a name. I just felt I needed to name it\u00a0 because the students loved him, and I wanted to get behind that.\u201d Afterward, his department chair at NYU, Jason King, suggested that he teach an entire class on Dilla and take the students to Detroit. As a man of learning who is <\/span><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/walterspot.com\/\"><span style=\"font-weight: 400;\">married to a Detroit<\/span><\/a><span style=\"font-weight: 400;\"> native, this was an easy sell for Charnas.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In summer of 2017 Charnas and 20 of his students flew to the Motor City to immerse themselves in the community that nurtured their musical hero.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt was difficult because it was expensive for the students, so it was a bit of a burden on them,\u201d Charnas begins. \u201cThere was a blizzard. Ma Dukes was supposed to fly in but she couldn\u2019t. All the flights were canceled. Students\u2019 planes were late getting in, but we managed to do it. We had three really good days there. We met with family members and got them a tour of the donut shop. We took students to the house on McDougall and Nevada in Conant Gardens. We had lunch at Buddy\u2019s Pizza, where Waajeed joined us and said he had many business meetings with Slum Village. Then we came back to New York and for seven weeks we had the class. And then in the course we were joined by Tre from The Pharcyde, Brian Cross, Bob Power, Questlove and Ma Dukes, who did Skype in as well. It was fun. It was really, really, real.\u201d<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CZZzmv7L1_R\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\">\n<div style=\"padding: 16px;\">\n\u00a0<\/p>\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p>\u00a0<\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a rel=\"nofollow noopener\" target=\"_blank\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/CZZzmv7L1_R\/?utm_source=ig_embed&amp;utm_campaign=loading\">A post shared by Common (@common)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"https:\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p><span style=\"font-weight: 400;\">However, in teaching the course, Charnas realized there was a dearth of material for his syllabus. And seven years after his passing, the growing legend of J Dilla was missing what made him truly special.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhen you\u2019re a professor and you\u2019re putting together a syllabus, you\u2019re really looking for good things to read. Everywhere I was reading was like, \u2018Well, Dilla didn\u2019t quantize, and that\u2019s what he did.\u2019 Come on, man,\u201d Charnas says. Quantization is the ability to <\/span><span style=\"font-weight: 400;\">move recorded audio and place it on the nearest grid position that is musically relevant, keeping a strict time.<\/span><span style=\"font-weight: 400;\"> It\u2019s a function on many digital audio workstations like the AKAI MPC 3000 that Dilla used to make many of his beats. \u201cThese are beat makers saying this thing. Haven\u2019t you ever used an MPC? Don\u2019t you know what it does? Don\u2019t you know that the very special thing about that drum machine is that he actually did use the timing functions on it? Can\u2019t you hear that? Why don\u2019t you write about it?\u201d So, what began as a \u201cquick little <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/sciencee\/\" data-internallinksmanager029f6b8e52c=\"5\" title=\"Science\" target=\"_blank\" rel=\"noopener\">science<\/a> book\u201d about music turned into a four-year quest for truth.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One of the more pervasive parables about J Dilla was that he had a mathematical formula for making beats. The legend was started by Q-Tip of A Tribe Called Quest, Dilla\u2019s friend, mentor and production partner in The Ummah, and corroborated by Ma Dukes. But did he really have a formula?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI think the most right answer, before this book, was given to you by [Slum Village members] Young RJ and T3 when they told you, \u2018He\u2019ll give me a piece of it. He\u2019ll give Young RJ a piece of it. He\u2019ll give somebody else a piece of it. But he gave nobody it all together,\u2019\u201d he says <\/span><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=3DfOwKb7Ih4\"><span style=\"font-weight: 400;\">referring to an interview conducted by this writer in 2010<\/span><\/a><span style=\"font-weight: 400;\">. \u201cBut I do not believe that Q-Tip was saying he has a formula for his beats. I think what Q-Tip was saying is \u2018He showed me a physics equation from when he was at Davis, when he was taking math at Benjamin O. Davis Technical High School.\u2019 That\u2019s what I think Q-Tip was saying, at least the way I read that. \u2018He wrote out this equation for me.\u2019 It\u2019s crazy. And then somehow it became, \u2018Oh, it\u2019s his mathematical formula for beats.\u2019\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, Charnas did channel his experience as a record producer, A&amp;R and journalist into decoding exactly what made Dilla\u2019s technique, an intentional conflict of straight time (an even pulse) and swing time (an uneven pulse), so unique and influential. Music theory can be heady for some, but like Dilla, Charnas wanted to make the extraordinary palatable while excavating the beauty in the seemingly mundane. In collaboration with his NYU colleague Jeff Peretz, Charnas created a pedagogy to explain the complexity of Dilla\u2019s techniques.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cOne thing I knew that I couldn\u2019t do is do any musical notation in this book,\u201d Charnas says matter-of-factly. \u201cThere could not be any notes and staves. People would run. So, expressing \u2018straight\u2019 verse \u2018swung\u2019 with grids, that\u2019s a language that Jeff gave to me to use. He helped me do a lot of the analysis for all this. [Readers] understand time as a linear thing, and they understand bars that line up with each other and bars that don\u2019t line up with each other. You can see the conflict in front of you with two tracks of bars, where they don\u2019t align. The hope was that it would make it click for people.\u201d<\/span><\/p>\n<blockquote class=\"instagram-media\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/BQ1JB_Thhwb\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\">\n<div style=\"padding:16px;\"> <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/p\/BQ1JB_Thhwb\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\"> <\/p>\n<div style=\" display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewbox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/p\/BQ1JB_Thhwb\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\">A post shared by Official J Dilla (@officialjdilla)<\/a>\n<\/div>\n<\/blockquote>\n<p> <script async src=\"https:\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p><span style=\"font-weight: 400;\">Dilla\u2019s musical innovations would first confound and then inspire his peers like Questlove of The Roots and DJ Jazzy Jeff.\u00a0But for Yancey, it was bittersweet. Dilla\u2019s reaction to first hearing Talib Kweli and Hi-Tek\u2019s \u201cThe Blast,\u201d with its rushed snare and lilting bassline, exclaiming \u201cThat\u2019s MY shit,\u201d is just one of the many enlightening moments in the book.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But of equal interest, Charnas speaks to the women in Dilla\u2019s life \u2014 his mother and the mothers of his children, Monica and Joy \u2014 to unpack the non-music conflicts that impacted his personal life and caused the timeline of his story post 2006 to splinter off into separate but equally valid variants that would make Marvel writers dizzy. It was this challenge that hung over Charnas\u2019 head like the Sword Damocles as he nodded along to the beats echoing the walls that night at Brooklyn Bowl; how does someone reconcile the post mortem deification of Dilla with the history of James and his undeniable impact on music?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThis is what I\u2019m thinking about while I\u2019m hanging out [at Donuts Are Forever]. I am struggling with this because this is unreadable. \u2018Nobody is going to read this.\u2019 Then it just occurred to me, well, why am I using the map of Detroit anyway? I\u2019m using the map of Detroit because it\u2019s a broken grid. It\u2019s a conflicted polyrhythm. Well, why can\u2019t I use the map of Detroit to teach the music stuff? So then those go together. And then the family history goes on top of it.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While Charnas\u2019s <\/span><i><span style=\"font-weight: 400;\">The Big Payback <\/span><\/i><span style=\"font-weight: 400;\">was spun off into the VH1 <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">TV series<\/a>, <em>The Breaks<\/em>, he doesn\u2019t presume that this book will be turned into a biopic or TV show about Dilla. In fact, he hopes that it inspires those closest to James to tell their own stories.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI actually feel like anything that\u2019s done about Dilla is a good thing. I really try not to be proprietary about it because people don\u2019t own stories. That\u2019s another thing that people really don\u2019t understand. It\u2019s our job as journalists and storytellers to tell these stories. I want Maureen to have a book. I want Frank [Nitt of Frank N Dank] to have a book. There are lots of people who could create great stories of their own. Maybe there will be another Dilla book at some point. It\u2019d be fantastic. Let a million flowers bloom.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dan Charnas\u2019s <\/span><i><span style=\"font-weight: 400;\">Dilla Time<\/span><\/i><span style=\"font-weight: 400;\"> is out now MCD Press.<\/span><\/p>\n<p class=\"p1\">\n<\/div>\n<p><\/p>\n<div class=\"author\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n<meta itemprop=\"name\" content=\"Jerry Barrow\"><br \/>\nby Jerry Barrow\n<\/div>\n<p><script async defer src=\"https:\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/hiphopdx.com\/news\/id.67848\/title.dilla-time-author-corrects-one-major-misconception-about-the-legendary-producer\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;#\u2018Dilla Time\u2019 Author Corrects One Major Misconception About The Legendary Producer&#8221; Dilla Photo by Gregory Bojorquez\/Getty Images\/ Charnas\/ Noah Stephens On Sunday February 16, 2020, Brooklyn Bowl in New York\u2019s Williamsburg played host to \u201cDonuts Are Forever,\u201d an annual gathering of fans, friends and family of the late, great James \u201cJ Dilla\u201d Dewitt Yancey. This&#8230;<\/p>\n","protected":false},"author":1,"featured_media":403995,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/static.hiphopdx.com\/2022\/02\/DillaTimeThumbnail-2-1200x675.jpeg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-403994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/403994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=403994"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/403994\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/403995"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=403994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=403994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=403994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}