{"id":405779,"date":"2022-02-15T03:18:01","date_gmt":"2022-02-15T00:18:01","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/marry-me-will-have-you-looking-into-divorce-or-annulment\/"},"modified":"2022-02-15T03:18:01","modified_gmt":"2022-02-15T00:18:01","slug":"marry-me-will-have-you-looking-into-divorce-or-annulment","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/marry-me-will-have-you-looking-into-divorce-or-annulment\/","title":{"rendered":"#’Marry Me’ Will Have You Looking Into Divorce or Annulment"},"content":{"rendered":"

“#’Marry Me’ Will Have You Looking Into Divorce or Annulment<\/strong>”<\/p>\n

     <span class=\"mx-1\">Maybe skip it and watch \u2018Notting Hill\u2019 instead.<\/span>\n<\/p><div id=\"\">\n\n\n\n                <figure class=\"sf-entry-featured-media<\/a> \">\n            <img width=\"800\" height=\"471\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/02\/Marry-Me.jpg\" class=\"articlethumb wp-post-image\" alt=\"Wilson and Lopez in Marry Me\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/02\/Marry-Me.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/02\/Marry-Me-768x452.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/>                                    <p>\n                    <span class=\"sf-entry-flag sf-entry-flag-creditline\">Universal Pictures<\/span>\n\n                        <\/figure>\n\n    <!-- START BYLINE -->\n    <div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\">\n        By\u00a0Rob Hunter\u00a0\u00b7 Published on February 14th, 2022 \n        <\/div>\n    <!-- END BYLINE -->\n\n    We\u2019re all in agreement that romantic comedies, more than any other genre, are all about a simple guarantee \u2014 yes, the laughs may fall flat and the love may feel forced, but we know that by the time the end credits roll our two leads will be together. There are exceptions, of course, with one of the best being <em>My Best Friend\u2019s Wedding<\/em> (1997), but they only prove the rule. Rom-coms end with a couple. What <strong><em>Marry Me<\/em><\/strong> presupposes, though, is what happ<\/a>ens if a rom-com started with one instead? The answer, it turns out, is nothing good.\n<\/code><\/pre>\n
Kat Valdez (Jennifer Lopez<\/strong>) is a pop star with three ex-husbands and plans to get married on live television to fellow singing sensation Bastian (Maluma<\/strong>), but mere moments beforehand, and with twenty million people watching, she discovers he cheated on her. She looks to the audience in front of her, specifically a befuddled man holding a sign saying \u201cMarry Me\u201d \u2014 the name of the couple\u2019s hit duet, and a sign he\u2019s simply holding for his young daughter \u2014 and she says yes. Charlie (Owen Wilson<\/strong>) is suddenly in the spotlight, and encouraged by the crowd, his daughter, and his friend Parker (Sarah Silverman<\/strong>), he walks up on stage and gets married. The spontaneous moment becomes an opportunity for Kat\u2019s team to get some short-lived attention, but what if the megastar and the math teacher actually hit it off? Is there a chance these two opposites can find love together despite their differences?!<\/p>\n
While a different Julia Roberts rom-com is mentioned above, it\u2019s Notting Hill<\/em> (1999) that appears to be the main inspiration for Marry Me<\/em> as a nobody and a celebrity hit it off and fumble trying to make their worlds mesh. (Hell, the ending of this one is a clear lift as well.) What that gem does so beautifully, though, this passable effort rushes through by forcing them together from the onset. Sure, it makes for a new starting point, but knowing that\u2019s also going to be the destination makes for a wholly uneventful ride.<\/p>\n
Director Kat Cairo<\/strong> and writers John Rogers<\/strong>, Tami Sagher<\/strong>, and Harper Dill<\/strong> don\u2019t stop at Notting Hill<\/em> either as we also get a frenzied run to the airport (classic!), a blatant beat lifted wholesale (and unsuccessfully) from Pretty Woman<\/em> (1990), and some When Harry Met Sally<\/em> (1989) inspired \u201creal\u201d couples talking at the end. Can she make time in her celebrity lifestyle for the quieter moments? Can he deal with the insecurity he feels on her arm? Will Jimmy Fallon cameo more than three times as himself here with some woefully unfunny bits? These are all questions the film asks, but it\u2019s unclear who exactly will be lining up for the answers.<\/p>\n
As mentioned in my review for this weekend\u2019s other (and somewhat superior) rom-com, I Want You Back<\/em>, an otherwise generic script can be easily overcome on the strength of the leads, but Marry Me<\/em> has no such luck. Both Lopez and Wilson are solid performers, and each has found success in the rom-com genre previously with Maid in Manhattan<\/em> (2002) and Wedding Crashers<\/em> (2005), respectively, but there\u2019s just nothing but dead air between them here. The lack of chemistry would be almost impressive if it wasn\u2019t the most necessary ingredient in a rom-com.<\/p>\n
Wilson in particular feels like he\u2019s just recycling old bits and mannerisms rather than creating a character, and while some beats land \u2014 he\u2019s still a funny guy when he wants to be \u2014 he never convinces us he\u2019s someone anyone would fall for, let alone an international celeb like Kat. Lopez is a different story (and probably wishes she was in one, too) as you feel her struggle being pulled to one side by her career, fame, and job, and pulled to the other by a sincere desire for love. Her \u201cI\u2019m just a girl, standing in front of a boy\u2026\u201d moment may not hit with anything resembling the power of Roberts\u2019 in Notting Hill<\/em>, but it\u2019s there all the same. To be fair, she also gets to perform pop songs which give Kat sequences with real energy and personality, something Wilson\/Charlie never gets.<\/p>\n
Silverman is good fun, and John Bradley<\/strong> brings both competence and charm as Kat\u2019s manager, but a successful rom-com needs both of its leads to shine. They need to make us laugh, make us care, and even make us fall in love at least a little bit along the way. The pairing of Lopez and Wilson fizzles early on and never reignites, and that spells doom for the marriage between audiences and Marry Me<\/em>. But yeah, in case it wasn\u2019t clear throughout this review, go watch (or rewatch) Notting Hill<\/em> instead to see how the professionals do it.<\/p>\n
    Related Topics: Marry Me\n    <!-- AUTHOR BOX -->\n<\/code><\/pre>\n
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\n            Rob Hunter has been writing for Film School Rejects since before you were born, which is weird seeing as he’s so damn young. He’s our Chief Film Critic and Associate Editor and lists ‘Broadcast News<\/a>’ as his favorite film of all time. Feel free to say hi if you see him on Twitter @FakeRobHunter<\/a>.        <\/div>\n<\/p><\/div>\n<\/div>\n
    <!-- START RECOMMENDED READING 1 -->\n                                <section class=\"recommended py-5\">\n            <h3>Recommended Reading<\/h3>\n\n\n        <\/section>\n            <!-- END RECOMMENDED READING -->\n\n\n\n\n<\/div><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script>\n<\/code><\/pre>\n
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Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"
“#’Marry Me’ Will Have You Looking Into Divorce or Annulment” <span class=”mx-1″>Maybe skip it and watch \u2018Notting Hill\u2019 instead.<\/span> <\/p><div id=””> <figure class=”sf-entry-featured-media “> <img width=”800″ height=”471″ src=”https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/02\/Marry-Me.jpg” class=”articlethumb wp-post-image” alt=”Wilson and Lopez in Marry Me” srcset=”https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/02\/Marry-Me.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/02\/Marry-Me-768×452.jpg 768w” sizes=”(max-width: 800px) 100vw, 800px”\/> <p> <span class=”sf-entry-flag sf-entry-flag-creditline”>Universal Pictures<\/span> <\/figure> <!– START BYLINE –> <div…<\/p>\n","protected":false},"author":1,"featured_media":405780,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/02\/Marry-Me.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-405779","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/405779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=405779"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/405779\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/405780"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=405779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=405779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=405779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}