{"id":440721,"date":"2022-05-02T15:00:56","date_gmt":"2022-05-02T12:00:56","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/death-wish-ii-finds-exploitative-justice-in-4k-uhd\/"},"modified":"2022-05-02T15:00:56","modified_gmt":"2022-05-02T12:00:56","slug":"death-wish-ii-finds-exploitative-justice-in-4k-uhd","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/death-wish-ii-finds-exploitative-justice-in-4k-uhd\/","title":{"rendered":"#&#8217;Death Wish II&#8217; Finds Exploitative Justice in 4K UHD"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6af3b95680cdf\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6af3b95680cdf\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/death-wish-ii-finds-exploitative-justice-in-4k-uhd\/#%E2%80%9C%E2%80%98Death_Wish_II_Finds_Exploitative_Justice_in_4K_UHD%E2%80%9D\" >&#8220;&#8216;Death Wish II&#8217; Finds Exploitative Justice in 4K UHD&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/death-wish-ii-finds-exploitative-justice-in-4k-uhd\/#Death_Wish_II_1982\" >Death Wish II (1982)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/death-wish-ii-finds-exploitative-justice-in-4k-uhd\/#Alien_Private_Eye_1989\" >Alien Private Eye (1989)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/death-wish-ii-finds-exploitative-justice-in-4k-uhd\/#FleshEater_1988\" >FleshEater (1988)<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9C%E2%80%98Death_Wish_II_Finds_Exploitative_Justice_in_4K_UHD%E2%80%9D\"><\/span>&#8220;&#8216;Death Wish II&#8217; Finds Exploitative Justice in 4K UHD&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<pre><code>     &lt;span class=\"mx-1\"&gt;No one expected to ever see \u2018Death Wish II\u2019 get the 4K UHD treatment, but here we are.&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;\n\n\n\n                &lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;\n            &lt;img width=\"800\" height=\"428\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/image_30808.jpg\" class=\"articlethumb wp-post-image\" alt=\"Death Wish 2\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/image_30808.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/image_30808-768x411.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;                                    &lt;p&gt;\n                    &lt;span class=\"sf-entry-flag sf-entry-flag-creditline\"&gt;Vinegar Syndrome&lt;\/span&gt;\n\n                        &lt;\/figure&gt;\n\n    &lt;!-- START BYLINE --&gt;\n    &lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Rob Hunter\u00a0\u00b7 Published on May 2nd, 2022 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;strong&gt;Vinegar Syndrome&lt;\/strong&gt;\u2018s new releases include 4K UHDs of Michael Winner\u2019s &lt;strong&gt;&lt;em&gt;Death Wish II&lt;\/em&gt;&lt;\/strong&gt; and Bill Hinzman\u2019s &lt;strong&gt;&lt;em&gt;FleshEaters&lt;\/em&gt;&lt;\/strong&gt; along with the Blu-ray debut of Vik Rubenfeld\u2019s &lt;strong&gt;&lt;em&gt;Alien Private Eye&lt;\/em&gt;&lt;\/strong&gt;. Keep reading for a look at all three releases.\n<\/code><\/pre>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Death_Wish_II_1982\"><\/span>Death Wish II (1982)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-371095\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/death-wish-2.jpg\" alt=\"Death Wish II\" width=\"300\" height=\"380\"\/>Paul Kersey (<strong>Charles Bronson<\/strong>) has left the East coast behind in favor or California\u2019s warm weather and lower crime rates. Unfortunately, only the weather has kept its part of the bargain as crime has instead chosen to skyrocket. A day out with his girlfriend Geri (<strong>Jill Ireland<\/strong>) and daughter Carol (<strong>Robin Sherwood<\/strong>) \u2014 the latter now mute due to the trauma she experienced in 1974\u2019s <em>Death Wish<\/em> \u2014 ends in tragedy when street thugs steal Paul\u2019s wallet, go to his house, gang rape his housekeeper, and kidnap his daughter. Carol\u2019s found dead a short while later, and soon Paul is back doing what he does best\u2026 cleaning up the streets with a semi-automatic pistol.<\/p>\n<p><em>Death Wish II<\/em> has an incredibly rough first act, easily the meanest I\u2019ve seen in a mainstream film, and it\u2019s only exacerbated in director <strong>Michael Winner<\/strong>\u2018s uncut version. The housekeeper\u2019s sexual assault is especially egregious as in addition to its length and ugliness, she\u2019s never the reason for Paul\u2019s revenge quest. Instead, it\u2019s Carol\u2019s death \u2014 a grim sequence that sees her jump to her death after being raped \u2014 that drives Paul\u2019s fury. H<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ily, if that word\u2019s even appropriate here, the bulk of what follows is focused almost exclusively on him tracking and killing the villains responsible. I say \u201calmost\u201d because there\u2019s a third rape attempt that unfolds offscreen and is interrupted by Paul\u2019s gun.<\/p>\n<p>While the themes at play here are in line with the first, the conceit of a Liberal pushed towards violence are far less challenging in the sequel seeing as Paul\u2019s essentially locked and loaded from the start. There\u2019s no struggle on that front despite Geri\u2019s brief argument for rehabilitation over punishment, and instead we just watch as Paul tracks and kills one bad guy after the next. The only interesting plot addition is the return of Det. Frank Ochoa (<strong>Vincent Gardenia<\/strong>) whose suspicion that Paul\u2019s up to his old tricks leads the cop to a fatal choice.<\/p>\n<p><em>Death Wish II<\/em> is a solid piece of exploitation cinema for the masses as Bronson does what Bronson does, and he does it well. It can\u2019t touch the weight of the first and isn\u2019t among the best of Bronson\u2019s collaborations with Winner \u2014 I\u2019d put <em>Chato\u2019s Land<\/em> (1972) and <em>The Mechanic<\/em> (1972) at the top of that list \u2014 but it\u2019s an entertaining watch for fans of its star and of revenge in <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a>. But yeah, be warned, it\u2019s the meanest, ugliest film the pair ever made.<\/p>\n<p>Vinegar Syndrome brings the film to UHD with a new 4K restoration from the original uncut 35mm negative, and the image is fantastic. Deep blacks, sharp contrasts, and the original grain combine to make it the best its looked since the original release. The extras are also well worth a listen and watch, and they include the following in addition to a theatrical trailer.<\/p>\n<ul>\n<li>Commentary with Paul Talbot \u2013 The Charles Bronson expert shares a lot of interesting observations and details from the production while also making silly comments like \u201cin the first film, he [Kersey] wore a print bathrobe\u201d and \u201cwe see Ireland here in a purple pantsuit.\u201d<\/li>\n<li>Alternative TV version of <em>Death Wish II<\/em> [1:35:31] \u2013 Graphic nastiness and foul language are edited out in exchange for extended scenes and minor dialogue additions.<\/li>\n<li>Pass [5:28] \u2013 Screenwriter David Engelbach shares how he initially said no to the job offer before deciding to come aboard. He also details an entire subplot involving survivalists in the woods that was trimmed from the shooting script.<\/li>\n<li>Working with Bronson [7:24] \u2013 Actor Robert F. Lyons talks about working with the legend, and it\u2019s as positive as you\u2019d expect.<\/li>\n<li>Dark Parts [8:10] \u2013 Actor Robin Sherwood \u2014 who is somehow seventy years old while looking to be in her fifties \u2014 recalls working with Bronson and Winner, dealing with fans who thought she was actually mute, and coming to terms with the character\u2019s rough scenes.<\/li>\n<li>Fire in the Theater [7:19] \u2013 Todd Roberts, son of producer Bobby Roberts, shares memories of his dad\u2019s regarding the response to the films.<\/li>\n<\/ul>\n<h2><span class=\"ez-toc-section\" id=\"Alien_Private_Eye_1989\"><\/span>Alien Private Eye (1989)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-371096\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/alien-private-eye.jpg\" alt=\"Alien Private Eye\" width=\"300\" height=\"345\"\/>Aliens are among us, and at least one of them has somehow passed the California licensing exam to become a private investigator. Lemro (<strong>Nicholas Hill<\/strong>) likes meeting new people, and his latest friend is a woman who he saves from a group of attackers. She\u2019s grateful for the help, but when she discovers during sex that he\u2019s a pointy eared alien, well, she waits until the boning has completed and then berates him and leaves. They soon reunite, though, as Lemro might just be her only hope at preventing a drug-induced apocalypse on planet Earth.<\/p>\n<p><strong>Vik Rubenfeld<\/strong> is almost a one-man crew bringing <em>Alien Private Eye<\/em> to life, and the result is something extraordinary. Not good, per se, but highly entertaining in everything it accomplishes despite the lack of both a worthwhile budget and capable actors. There\u2019s no denying the film\u2019s severe limitations, but focusing on the positives reveals a movie that delivers some fun action, wild dialogue\/delivery, and an engaging premise.<\/p>\n<p>The film\u2019s conceit, that aliens are visiting from their own 30th century civilization, finds fun, and that\u2019s even before our hero is pitted against some Hitler-loving gangbangers. Hill was a professional kickboxer by trade before turning towards acting, and while he\u2019s much better at the former skillset he makes for an entertaining hero fighting the rise of drug use with his wrist lasers and mad kicks.<\/p>\n<p><em>Alien Private Eye<\/em> is played mostly serious, but that can\u2019t stop the fun as the combination of Rubenfeld\u2019s script, the actors\u2019 line deliveries, and Rubenfeld\u2019s editing choices that leave notable gaps between exchanges will have you smiling and laughing. Add in some competent action beats, intriguing world building, and atmospheric cinematography, and you have a movie that\u2019s far more entertaining than you\u2019re expecting.<\/p>\n<p>Vinegar Syndrome\u2019s Blu-ray features a new 4K restoration from the original negative, and it brings the film\u2019s hazy, colorful Los Angeles to attractive life. Go into this action\/sci-fi\/comedy with the understanding that it was made for $250k by a filmmaker whose only other credit in the business is as the creator of CBS\u2019 <em>Early Edition<\/em> with Kyle Chandler, and the odds are good that you\u2019ll have a damn good time.<\/p>\n<ul>\n<li>Commentary with writer\/director\/producer\/editor\/casting director Vik Rubenfeld<\/li>\n<li>Master of Suspense [28:55] \u2013 The filmmaker recalls his love of <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, how he found financing, that Ryan Reynolds designed the voice he acts with, how he wasn\u2019t a good director for actors, that the lead is named after <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/sciencee\/\" data-internallinksmanager029f6b8e52c=\"5\" title=\"Science\" target=\"_blank\" rel=\"noopener\">science<\/a> fiction writer Stanislaw Lem, how he compares himself to Stanley Kubrick, and more. He\u2019s very confident in his abilities.<\/li>\n<li>Fashion Show Film Noir [9:53] \u2013 Cinematographer J\u00fcrg V. Walther talks about his start in the business and how he was brought on to finish this film after the first director of photography quit over creative differences.<\/li>\n<li>Mister Lemro Private Investigator, I Presume [15:08] \u2013 Actor Nicholas Hill shares that god had a plan, and that plan involved him living past thirty-five and landing the lead in this film.<\/li>\n<\/ul>\n<h2><span class=\"ez-toc-section\" id=\"FleshEater_1988\"><\/span>FleshEater (1988)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-371100\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/flesheater.jpg\" alt=\"Flesheater\" width=\"300\" height=\"345\"\/>A farmer removes a stump in his remote field, but instead of satisfaction for a job well done he finds only death at the hands and teeth of a zombie (Bill Hinzman, who also writes\/directs). Soon the undead plague spreads starting with a Halloween gathering of \u201cteens\u2019 hoping for a night of booze and banging and continuing on through farmers, families, and more.<\/p>\n<p>The intended draw behind <em>FleshEater<\/em> is the involvement of Hinzman both behind and in front of the camera. He plays the initial zombie in George Romero\u2019s original 1968 classic, <em>Night of the Living Dead<\/em>, and two decades later he decided to make his own nod towards genre history. Good intentions are no guarantee for success, of course, and the result here is a generic zombie movie that quickly grows fairly redundant on its way to a very familiar ending.<\/p>\n<p>Spoilers, I guess, but <em>FleshEater<\/em> goes for the exact same finale that lands so powerfully in Romero\u2019s film. The difference, though, is that while the older movie has social commentary to spare there\u2019s nothing of the sort here. That means the downer ending falls flat, and it makes the journey getting there feel like even more of a drag as the \u201clocals shooting the monsters\u201d segment goes on for what feels like hours. We meet uninspired character fodder, they get bit, they rise back up as zombies, and repeat. The only break from the formula comes in the form of naked ladies, so plan accordingly.<\/p>\n<p><em>FleshEater<\/em> is the epitome of a movie that brings nothing new to the table or genre, but that\u2019s not really a requirement if a film can entertain. Mileage will vary on this one, though, meaning that while it doesn\u2019t work for me the film clearly has its fans. The expected beats are hit from start to end punctuated with some bloody gore, and then it ends. Enjoy!<\/p>\n<p>Vinegar Syndrome offers up <em>FleshEater<\/em> in UHD from a new 4K scan and restoration of the original 16mm negative, and it looks far better than past editions have managed. It\u2019s a reminder that this world, and Vinegar Syndrome in particular, is a constant source of the unexpected.<\/p>\n<ul>\n<li>Commentary with cinematographer Simon Manses, composer Erica Portnoy, and producer Andrew Sands<\/li>\n<li>Zombie Nosh LLC [19:35] \u2013 Producer Andrew Sands talks about the inspiration for the film being the imminent release of a colorized release of the original <em>Night of the Living Dead<\/em>.<\/li>\n<li>All Roads Lead Back to FleshEater [18:32] \u2013 Cinematographer Simon Manses recalls meeting Hinzman as his assistant on Romero\u2019s <em>The Amusement Park<\/em>.<\/li>\n<li>The Family Continues [7:27] \u2013 Bonnie Hinzman shares memories of her husband including their friendship with Romero, a meeting with Orson Welles, and more. She also points out that the guy who shoots our protagonists in the end is the same one who kills Ben in the end of <em>Night of the Living Dead<\/em>.<\/li>\n<li>Carnage in Compositions [7:30] \u2013 Composer Erica Portnoy talks about her work before, during, and after the film.<\/li>\n<li>Family of Flesh Eaters [9:25] \u2013 Heidi Hinzman recalls her time working with her father on the film and the career that followed.<\/li>\n<li>Crushed Pink Grapefruit Brain [14:40] \u2013 Makeup effects artist Jerry Gergley talks about the practical effects he\u2019s crafted over the years and mentions how Hinzman eventually threw away the script and just started making stuff up.<\/li>\n<li>To Live and Die in PA [8:57] \u2013 Actor John Mowod explores how his career kicked off with <em>FleshEaters<\/em>.<\/li>\n<li>Meatballs and Missing Actors [8:01] \u2013 Unit Manager Paul Giorgi details how he went from <em>U2: Rattle &amp; Hum<\/em> to <em>FleshEaters<\/em>.<\/li>\n<li>Minor Budget Majorette [7:05] \u2013 Hair stylist Terrie Godfrey talks about her introduction to Hinzman, her work on The Majorettes and other projects with this team, and more.<\/li>\n<li>Behind-the-scenes still gallery [9:52]<\/li>\n<\/ul>\n<p><em>Check out these releases and more at <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/vinegarsyndrome.com\/\">VinegarSyndrome.com<\/a>!<\/em><\/p>\n<pre><code>    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/secure.gravatar.com\/avatar\/dca6f7118e64ea9aa6ef4f60221cfe7e?s=96&amp;d=mm&amp;r=x\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Rob Hunter has been writing for Film School Rejects since before you were born, which is weird seeing as he&#8217;s so damn young. He&#8217;s our Chief Film Critic and Associate Editor and lists &#8216;Broadcast <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">News<\/a>&#8217; as his favorite film of all time. Feel free to say hi if you see him on Twitter <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/FakeRobHunter\">@FakeRobHunter<\/a>.        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                            &lt;!-- END RECOMMENDED READING --&gt;\n\n\n\n\n&lt;\/div&gt;&lt;script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/death-wish-2-4k-uhd-review\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=death-wish-2-4k-uhd-review\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;&#8216;Death Wish II&#8217; Finds Exploitative Justice in 4K UHD&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;No one expected to ever see \u2018Death Wish II\u2019 get the 4K UHD treatment, but here we are.&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt; &lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt; &lt;img width=&#8221;800&#8243; height=&#8221;428&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/image_30808.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;Death Wish 2&#8243; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/image_30808.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/image_30808-768&#215;411.jpg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw, 800px&#8221;\/&gt; &lt;p&gt; &lt;span class=&#8221;sf-entry-flag sf-entry-flag-creditline&#8221;&gt;Vinegar Syndrome&lt;\/span&gt;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":440722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/04\/image_30808.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-440721","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/440721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=440721"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/440721\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/440722"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=440721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=440721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=440721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}