{"id":445341,"date":"2022-05-11T16:08:51","date_gmt":"2022-05-11T13:08:51","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/how-intertextuality-enriches-a-film\/"},"modified":"2022-05-11T16:08:51","modified_gmt":"2022-05-11T13:08:51","slug":"how-intertextuality-enriches-a-film","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/how-intertextuality-enriches-a-film\/","title":{"rendered":"#How Intertextuality Enriches a Film"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a29bb0f07aee\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a29bb0f07aee\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/how-intertextuality-enriches-a-film\/#%E2%80%9CHow_Intertextuality_Enriches_a_Film%E2%80%9D\" >&#8220;How Intertextuality Enriches a Film&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/how-intertextuality-enriches-a-film\/#Watch_%E2%80%9CDrive_My_Car_What_is_Intertextuality%E2%80%9D\" >Watch \u201cDrive My Car: What is Intertextuality\u201d:<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/how-intertextuality-enriches-a-film\/#Who_made_this\" >Who made this?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/how-intertextuality-enriches-a-film\/#More_videos_like_this\" >More videos like this<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/how-intertextuality-enriches-a-film\/#Recommended_Reading\" >Recommended Reading<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CHow_Intertextuality_Enriches_a_Film%E2%80%9D\"><\/span>&#8220;How Intertextuality Enriches a Film&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<div id=\"\">\n<figure class=\"sf-entry-featured-media \">\n                <img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/best-movies-2021-drive-my-car.jpg\" class=\"articlethumb wp-post-image\" alt=\"Best Movies 2021: Drive My Car\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/best-movies-2021-drive-my-car.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/best-movies-2021-drive-my-car-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><br \/>\n                        <span class=\"sf-entry-flag sf-entry-flag-creditline\">Janus Films<\/span><\/p>\n<\/figure>\n<p>        <!-- START BYLINE --><\/p>\n<div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\">\n            By\u00a0Meg Shields\u00a0\u00b7 Published on May 11th, 2022\n            <\/div>\n<p>        <!-- END BYLINE --><\/p>\n<p>        <em>Welcome to The Queue \u2014 your daily distraction of curated video content sourced from across the web. Today, we\u2019re watching a video essay that takes a look at the <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">theme<\/a>s and intertextuality of Ryusuke Hamaguchi\u2019s film Drive My Car.<\/em><\/p>\n<hr\/>\n<p>If you\u2019re a casual film enjoyer, it\u2019s possible you\u2019ve seen the term \u201cintertextuality\u201d knocking about. But what does this ooky spooky academic word mean, anyway? Well don\u2019t worry, humble reader, this is film school <em>rejects\u00a0<\/em>dot com after all. As far as we\u2019re concerned, you don\u2019t <em>need\u00a0<\/em>a fancy piece of paper to use fancy words.<\/p>\n<p>As the name suggests, intertextuality describes the relationship between two texts, and more specifically the meaning that is created out of that relationship. The term was originally coined by Bulgarian-French jack of all philosophical trades Julia Kristeva. In her 1980 text <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.amazon.ca\/Desire-Language-Semiotic-Approach-Literature\/dp\/0231048076\"><em>Desire in Language<\/em><\/a>, Kristeva describes the way in which certain meaning is filtered through a work\u2019s relationship with other works. What a work \u201cmeans\u201d isn\u2019t strictly contained within itself. Instead, as far as intertextuality is concerned, meaning is created by the audience\/viewer\/reader in relation to the work <em>and\u00a0<\/em>the intricate nervous system of other works.<\/p>\n<p>If your intimate knowledge of Shakespeare\u2019s\u00a0<em>Hamlet\u00a0<\/em>enriches your viewing of\u00a0<em>The Lion King<\/em>, that\u2019s intertextuality. Being aware of horror novelist Stephen King while you watch demented author Sutter Kane raise hell in <em>In the Mouth of Madness<\/em>? That\u2019s intertextuality.<\/p>\n<p>But what does all this have to do with <strong><em>Drive My Car<\/em>? <\/strong>Well, if you\u2019ve had the pleasure of watching <strong>Ryusuke Hamaguchi<\/strong>\u2018s 2021 Oscar Award-winning film, you can probably guess which text the film is begging you to bring into the conversation. <em>Drive My Car\u00a0<\/em>follows Yusuke Kafuku (<strong>Hidetoshi Nishijima<\/strong>), a grieving artist who accepts a gig to direct a production of <em>Uncle Vanya<\/em>. Sure enough, musculature begins to form between Anton Chekhov\u2019s play and Kafuku\u2019s life. And as the video essay below suggests, a big part of \u201cgetting\u201d <em>Drive My Car\u00a0<\/em>is a degree of familiarity with\u00a0<em>Uncle Vanya.\u00a0<\/em>So hey, if the film\u2019s three-hour runtime wasn\u2019t enough of a barrier to entry, you also have to read up on a Russian 19th Century domestic drama. (Or you could watch this video essay):<\/p>\n<p><strong>This is your warning: the following video essay includes spoilers for Ryusuke Hamaguchi\u2019s <em>Drive My Car<\/em>.<\/strong><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Watch_%E2%80%9CDrive_My_Car_What_is_Intertextuality%E2%80%9D\"><\/span>Watch \u201cDrive My Car: What is Intertextuality\u201d:<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><iframe loading=\"lazy\" title=\"Drive My Car: What is Intertextuality | Video Essay\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XcTSPvGI-OY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Who_made_this\"><\/span>Who made this?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p id=\"block-839c096a-2881-4e76-aef1-4e01b79aa34f\" data-inc=\"2\">This video essay on the themes and intertextuality in the movie\u00a0<strong><em>Drive My Car <\/em><\/strong>is\u00a0by <strong>Accented Cinema<\/strong>, a Canadian-based <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">YouTube<\/a> video essay <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> with a focus on foreign cinema. You can subscribe to Accented Cinema for bi-weekly uploads\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCH_VqR5rFFhgjZmM31xA3Ag\/about\">here<\/a>. You can follow them on Twitter\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/AccentedCinema\">here<\/a>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"More_videos_like_this\"><\/span>More videos like this<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>        Related Topics: Ryusuke Hamaguchi, The Queue<br \/>\n        <!-- AUTHOR BOX --><\/p>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/07\/meg.jpg\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Meg Shields is the humble farm boy of your dreams and a senior contributor at Film School Rejects. She currently runs three columns at FSR: The Queue, How&#8217;d They Do That?, and Horrorscope. She is also a curator for One Perfect Shot and a freelance writer for hire. Meg can be found screaming about John Boorman&#8217;s &#8216;Excalibur&#8217; on Twitter here: <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/TheWorstNun\">@TheWorstNun<\/a>. (She\/Her).        <\/div>\n<\/p><\/div>\n<\/div>\n<p>        <!-- START RECOMMENDED READING 1 --><\/p>\n<section class=\"recommended py-5\">\n<h3><span class=\"ez-toc-section\" id=\"Recommended_Reading\"><\/span>Recommended Reading<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<\/section>\n<p>                <!-- END RECOMMENDED READING --><\/p><\/div>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/drive-my-car-themes\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=drive-my-car-themes\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;How Intertextuality Enriches a Film&#8221; Janus Films By\u00a0Meg Shields\u00a0\u00b7 Published on May 11th, 2022 Welcome to The Queue \u2014 your daily distraction of curated video content sourced from across the web. Today, we\u2019re watching a video essay that takes a look at the themes and intertextuality of Ryusuke Hamaguchi\u2019s film Drive My Car. If you\u2019re&#8230;<\/p>\n","protected":false},"author":1,"featured_media":445342,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/01\/best-movies-2021-drive-my-car.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-445341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/445341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=445341"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/445341\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/445342"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=445341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=445341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=445341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}