{"id":452359,"date":"2022-05-25T01:12:50","date_gmt":"2022-05-24T22:12:50","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/watch-nostalgia-review-mario-martones-rueful-ruminative-ode-to-naples\/"},"modified":"2022-05-25T01:12:50","modified_gmt":"2022-05-24T22:12:50","slug":"watch-nostalgia-review-mario-martones-rueful-ruminative-ode-to-naples","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/watch-nostalgia-review-mario-martones-rueful-ruminative-ode-to-naples\/","title":{"rendered":"Watch &#8216;Nostalgia&#8217; Review: Mario Martone&#8217;s Rueful, Ruminative Ode to Naples"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3f9aef01e98\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3f9aef01e98\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-nostalgia-review-mario-martones-rueful-ruminative-ode-to-naples\/#%E2%80%9CWatch_Online_%E2%80%98Nostalgia_Review_Mario_Martones_Rueful_Ruminative_Ode_to_Naples%E2%80%9D\" >&#8220;Watch Online &#8216;Nostalgia&#8217; Review: Mario Martone&#8217;s Rueful, Ruminative Ode to Naples&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-nostalgia-review-mario-martones-rueful-ruminative-ode-to-naples\/#%E2%80%9C%E2%80%98Nostalgia_Review_Mario_Martones_Rueful_Ruminative_Ode_to_Naples%E2%80%9D\" >&#8220;&#8216;Nostalgia&#8217; Review: Mario Martone&#8217;s Rueful, Ruminative Ode to Naples&#8221;<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-nostalgia-review-mario-martones-rueful-ruminative-ode-to-naples\/#optional_screen_reader\" >optional screen reader<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-nostalgia-review-mario-martones-rueful-ruminative-ode-to-naples\/#Read_More_About\" >Read More About:<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CWatch_Online_%E2%80%98Nostalgia_Review_Mario_Martones_Rueful_Ruminative_Ode_to_Naples%E2%80%9D\"><\/span>&#8220;Watch Online &#8216;Nostalgia&#8217; Review: Mario Martone&#8217;s Rueful, Ruminative Ode to Naples&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9C%E2%80%98Nostalgia_Review_Mario_Martones_Rueful_Ruminative_Ode_to_Naples%E2%80%9D\"><\/span>&#8220;&#8216;Nostalgia&#8217; Review: Mario Martone&#8217;s Rueful, Ruminative Ode to Naples&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div>\n                        Hometowns forget us quickly when we leave them, even if some of the people left behind do not. Architecture, infrastructure and whole communities can change with scant warning or regard for our memories, or our bearings when we return. When you go home again \u2014 and you can, contrary to the popular adage \u2014 even what you remember has to be reintroduced to you; sidewalks once accustomed to your footprints have to be broken in again, like a new pair of shoes. For Felice, an unmoored Italian expat visiting Naples after a four-decade absence, it\u2019s not what he recognizes of his home city that brings him comfort, but the new, younger life surging past the ghosts that kept him away so long. \u201cNostalgia\u201d is thus a barbed title for Mario Martone\u2019s gruffly lyrical urban portrait: Sometimes you need to go back, the film says, but it\u2019s best to keep looking forward as you do.<\/p>\n<p>Unlike his brooding protagonist, Neapolitan son Martone can scarcely stay away from the city known for its world-beating pizza and, less <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ealingly, the much-documented exploits of the Camorra crime syndicate. His cinema has been heavily consumed with the city\u2019s historical and cultural fabric, up to and including last year\u2019s regional theatrical biopic \u201cThe King of Laughter\u201d; hopping briefly across the water to an adjacent island, 2018\u2019s \u201cCapri-Revolution\u201d counted as a relative vacation for the filmmaker. If much of Martone\u2019s recent work has been turgid or opaque, seemingly limited to local audiences in its appeal, the atmospheric, elegiac \u201cNostalgia\u201d reverses that trend, even as it devotes itself wholeheartedly to Naples\u2019 grimy streets.<\/p>\n<p>The director\u2019s first film in 24 years to unspool in Cannes \u2014 Venice, unsurprisingly, has since been his go-to festival \u2014 benefits from a contemporary, outward-looking sensibility, as befits its hero\u2019s conflicted native\/stranger perspective, that identifies a universal kind of heartache in his homecoming. This is especially true of \u201cNostalgia\u2019s\u201d lovely, laconic first half, in which fiftysomething Cairo resident Felice (Pierfrancesco Favino) touches down in Naples and slowly, silently rediscovers its streetscapes and soundtrack, his backstory unfolding through fragmented sensory detail and the wordless dialogue of simple human touch. The spell is broken somewhat as things get more vocally explicated, and \u201cNostalgia\u201d shifts into the familiar, less arresting register of Italian underworld drama; still, it remains evocative and absorbing.<\/p>\n<p>\u201cI\u2019m sorry I don\u2019t remember you,\u201d says Felice upon being recognized in a local restaurant by an old family friend, and it\u2019s not so much an apology as an expression of personal regret. After arriving in Naples and checking into an identity-free vacuum of an airport hotel, he heads into town and wanders the streets of his childhood neighborhood, seemingly willing himself to feel more at home than he does. Even his actual home is no longer accommodating: Expecting his elderly mother Teresa to answer when he knocks on the door of the family apartment, he instead finds surly strangers claiming the space.<\/p>\n<p>Teresa (Aurora Quattrocchi, excellent) has instead been cajoled into taking a dark, narrow basement studio several floors below; not much longer for this world, she shrugs off the downgrade as her long-absent son seeks better digs for her, working out layers of guilt through real estate. And, occasionally, through more direct gestures, as in one achingly moving scene where Felice gives his frail, inflexible mother a delicate sponge bath over her initially prim protests, the duty of care having shifted irrevocably from parent to child.<\/p>\n<p>It\u2019s for Teresa that Felice has returned, and even then only under duress from his Egyptian wife Arlette (Sofia Essaidi) back home. Having left Naples at 15 \u2014 under seamy circumstances gradually revealed in Super-16 flashback \u2014 the younger Felice had never intended to come back. Yet the longer he stays past his initial obligations to his mother, the less able he finds himself to leave these simultaneously intimate and alien streets, lined with perspiring ochre apartment buildings and scored to the incessant, obnoxious <em>neeee-yawwww<\/em> of men on motorcycles. Felice buys one himself, retracing the urban biking routes of his youth, with editor Jacopo Quadri\u2019s elegant match cuts linking past and present along these concrete circuits.<\/p>\n<p>With his jaw ever-set and his brow ever-furrowed, the stoically charismatic Favino is the right human anchor for this project: sympathetic in a strong, silent way, but equally capable of melting into the film\u2019s busy, shadowed tableaux of urban unrest, shot in tanned, tone-on-tone style by DP Paolo Carners. There\u2019s an aptly nostalgic, Polaroid-soft finish to the flashbacks, but the visuals cool as the older as Felice faces the heavier baggage of his past, setting out to reunite with Oreste (Tommaso Ragno), a boyhood friend turned vicious crime boss. He continues this pursuit over the advice of community-minded priest Don Luigi (Francesco di Leva), whose bright-eyed teenage charges give Felice renewed hope for the city he once wrote off.<\/p>\n<p>More in line with Martone\u2019s 2019 Camorra saga \u201cThe Mayor of Rione Sanita,\u201d these schematic, even sentimental, narrative developments set \u201cNostalgia\u201d on a very different course from the observational, asphalt-textured geographic storytelling of its opening reels \u2014 until an unexpectedly brusque, restrained ending once more leaves viewers adrift in Neapolitan alleys. Even in its more generic stretches, Martone\u2019s latest feels both inviting and convincingly inhabited, a siren song to the past that confronts us with a violent, unromantic present, paved under with the same old, blood-washed cobblestones.<\/p>\n<div class=\"article-tags \/\/ a-children-icon-bullet lrv-u-font-family-primary u-letter-spacing-012 lrv-u-line-height-large lrv-u-color-brand-primary\">\n<h2 id=\"optional-screen-reader\" class=\"lrv-a-screen-reader-only\"><span class=\"ez-toc-section\" id=\"optional_screen_reader\"><\/span>\n        optional screen reader  <span class=\"ez-toc-section-end\"><\/span><\/h2>\n<nav class=\"o-nav  o-nav lrv-u-border-b-1 u-border-color-brand-secondary-40 lrv-u-border-t-1 lrv-u-text-align-center lrv-u-padding-b-025 u-padding-t-050@desktop u-padding-t-050@tablet u-padding-t-050@mobile-max lrv-u-margin-t-2 lrv-u-margin-b-2\" data-dropdown=\"\">\n<h4 id=\"\" class=\"o-nav__title lrv-u-color-black lrv-u-font-family-secondary o-nav__title a-content-ignore u-line-height-140 u-letter-spacing-0002\"><span class=\"ez-toc-section\" id=\"Read_More_About\"><\/span>Read More About:<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<\/nav>\n<\/div><\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n  !function(f, b, e, v, n, t, s) {\n    if (f.fbq) return;\n    n = f.fbq = function() {\n      n.callMethod ?\n          n.callMethod.apply(n, arguments) : n.queue.push(arguments);\n    };\n    if (!f._fbq) f._fbq = n;\n    n.push = n;\n    n.loaded = !0;\n    n.version = '2.0';\n    n.queue = [];\n    t = b.createElement(e);\n    t.async = !0;\n    t.src = v;\n    s = b.getElementsByTagName(e)[0];\n    s.parentNode.insertBefore(t, s);\n  }(window, document, 'script',\n      'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n  fbq('init', '586935388485447');\n  fbq('init', '315552255725686');\n  fbq('track', 'PageView');\n<\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &#038; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/variety.com\/2022\/film\/reviews\/nostalgia-review-2-1235275849\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Watch Online &#8216;Nostalgia&#8217; Review: Mario Martone&#8217;s Rueful, Ruminative Ode to Naples&#8221; &#8220;&#8216;Nostalgia&#8217; Review: Mario Martone&#8217;s Rueful, Ruminative Ode to Naples&#8221; Hometowns forget us quickly when we leave them, even if some of the people left behind do not. Architecture, infrastructure and whole communities can change with scant warning or regard for our memories, or our&#8230;<\/p>\n","protected":false},"author":1,"featured_media":452360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/variety.com\/wp-content\/uploads\/2022\/05\/1103209648c03e98fbd0007a340937e2498d1633.jpeg?w=1024","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-452359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch-movies-tv-seriess"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/452359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=452359"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/452359\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/452360"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=452359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=452359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=452359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}