{"id":453279,"date":"2022-05-26T15:00:15","date_gmt":"2022-05-26T12:00:15","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/21-things-we-learned-from-the-fistful-of-dollars-commentary\/"},"modified":"2022-05-26T15:00:15","modified_gmt":"2022-05-26T12:00:15","slug":"21-things-we-learned-from-the-fistful-of-dollars-commentary","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/21-things-we-learned-from-the-fistful-of-dollars-commentary\/","title":{"rendered":"#21 Things We Learned from the &#8216;Fistful of Dollars&#8217; Commentary"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a39bd76d8b8d\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a39bd76d8b8d\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/21-things-we-learned-from-the-fistful-of-dollars-commentary\/#%E2%80%9C21_Things_We_Learned_from_the_%E2%80%98Fistful_of_Dollars_Commentary%E2%80%9D\" >&#8220;21 Things We Learned from the &#8216;Fistful of Dollars&#8217; Commentary&#8221;<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/21-things-we-learned-from-the-fistful-of-dollars-commentary\/#A_Fistful_of_Dollars_1964\" >A Fistful of Dollars (1964)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/21-things-we-learned-from-the-fistful-of-dollars-commentary\/#Best_in_Context-Free_Commentary\" >Best in Context-Free Commentary<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/21-things-we-learned-from-the-fistful-of-dollars-commentary\/#Final_Thoughts\" >Final Thoughts<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9C21_Things_We_Learned_from_the_%E2%80%98Fistful_of_Dollars_Commentary%E2%80%9D\"><\/span>&#8220;21 Things We Learned from the &#8216;Fistful of Dollars&#8217; Commentary&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<pre><code>     &lt;span class=\"mx-1\"&gt;\u201cHe\u2019s come from nowhere, he\u2019s going nowhere, and he goes around shooting people.\u201d&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;\n\n\n\n                &lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;\n            &lt;img width=\"800\" height=\"450\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/a-fistful-of-dollars.jpg\" class=\"articlethumb wp-post-image\" alt=\"A Fistful Of Dollars\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/a-fistful-of-dollars.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/a-fistful-of-dollars-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;                                    &lt;p&gt;\n                    &lt;span class=\"sf-entry-flag sf-entry-flag-creditline\"&gt;Kino Lorber&lt;\/span&gt;\n\n                        &lt;\/figure&gt;\n\n    &lt;!-- START BYLINE --&gt;\n    &lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Rob Hunter\u00a0\u00b7 Published on May 26th, 2022 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;i data-stringify-type=\"italic\"&gt;Welcome to\u00a0&lt;\/i&gt;&lt;b data-stringify-type=\"bold\"&gt;&lt;i data-stringify-type=\"italic\"&gt;Commentary Commentary,&lt;\/i&gt;&lt;\/b&gt;&lt;i data-stringify-type=\"italic\"&gt; where we sit and listen to filmmakers talk about their work, then share the most interesting parts. In this edition, Rob Hunter revisits the first entry in the unofficial \u201cMan With No Name\u201d trilogy, A Fistful of Dollars&lt;\/i&gt;.\n<\/code><\/pre>\n<hr\/>\n<p>The \u201cMan With No Name\u201d trilogy \u2014 three films directed by <strong>Sergio Leone<\/strong> and starring <strong>Clint Eastwood<\/strong> as an unnamed stranger who rides into and out of trouble \u2014 began in 1964 with <strong><em>A Fistful of Dollars<\/em><\/strong>. The film sees Eastwood\u2019s character arrive in a small border town and immediately set about playing two feuding factions against each other. It\u2019s a familiar enough tale, more on that below, but it\u2019s made into something iconic as it kicks off the spaghetti western as we know and love them.<\/p>\n<p>The new 4K UHD from KL Studio Classics is the beautiful release you\u2019re hoping for with new color grading of a 4K restoration, and it includes two commentary tracks. One is from Tim Lucas, and the other \u2014 the one we\u2019re listening to today \u2014 is from film historian Sir Christopher Frayling, the author of a Sergio Leone biography. Keep reading to see what I heard on the commentary track for <em>A Fistful of Dollars<\/em>.<\/p>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"A_Fistful_of_Dollars_1964\"><\/span>A Fistful of Dollars (1964)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p\">Commentator: Sir Christopher Frayling (film historian)<\/p>\n<p class=\"graf graf--p\"><strong>1.<\/strong> The <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=rnSU_qq7owA\">opening title credits<\/a> were designed by Luigi Lardani and based in part on the popular James Bond title credits of the time. The shot at 1:13 is a fairly direct reference with \u201cthe eye, the iris looking down onto the horseman.\u201d<\/p>\n<p><strong>2.<\/strong> Ennio Morricone\u2019s score stands out from the genre\u2019s usual music as evident right from the start. The title track features gunshots, whip cracks, electric guitar, and more to create \u201ca rock \u2018n roll western.\u201d<\/p>\n<p><strong>3.<\/strong> The shooting <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a> opens with a map showing the divide between Mexico and the southern United States in 1872. The lead character (Clint Eastwood) is named Ray\u2026 something that was wisely dropped to leave him the man with no name, although the coffin maker does call him Joe in the third act.<\/p>\n<p><strong>4.<\/strong> There weren\u2019t many trees in this part of Spain (standing in for Mexico), so \u2014 per Eastwood \u2014 when Leone drove past a farm with single tree by the side of the road, he stopped to acquire it. \u201cThey stopped the car, got out, said \u2018we\u2019re from the highway department and your tree is a danger to passing traffic.&#8217;\u201d They took the tree, brought it to their shooting location, and secured it into the ground to hang a noose from it.<\/p>\n<p><strong>5.<\/strong> The man rides into town\u00a0 at 7:05, and it\u2019s a shift from the early location filming to an existing \u201cset\u201d north of Madrid. It was built in 1962 for a <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> of Zorro films and then redressed for this film. Leone would go on to reuse it in other films, but while those later budgets would allow for extras to be roaming the streets, here the low budget left no room for non-speaking filler.<\/p>\n<p><strong>6.<\/strong> <em>A Fistful of Dollars<\/em> is a co-production between Italy, Spain, and Germany. While thought by some to be the first Italian western, there had actually been twenty-five or so that preceded it with the same production setup. They were \u201ccopy American\u201d westerns, though, meaning Leone\u2019s film was the first to create this new style.<\/p>\n<p><strong>7.<\/strong> You know this already, but the film is very directly based on Akira Kurosawa\u2019s <em>Yojimbo<\/em> (1961). Kurosawa had already acknowledged that his samurai films were in some ways a reworking of traditional Hollywood westerns, but <em>A Fistful of Dollars<\/em> is a very, very clear remake of <em>Yojimbo<\/em> \u2014 \u201cthe trouble was that nobody had cleared the rights.\u201d Kurosawa eventually wrote to Leone after seeing the western and said \u201cI like your film very much, it\u2019s a very interesting film, unfortunately it\u2019s my film not your film.\u201d They settled out of court with the Japanese director going on to earn more from this film than from any of his own releases.<\/p>\n<p><strong>8.<\/strong> The original title was <em>The Magnificent Stranger<\/em>. The shooting script also specified the two competing clans as both being Mexican as opposed to where it stands now with a Mexican group opposed by whites.<\/p>\n<p><strong>9.<\/strong> Eastwood was paid $15,000 for the film with a six-week Spanish \u201choliday\u201d included. Other actors originally considered for the role, including Charles Bronson, James Coburn, Henry Fonda, and others, all asked for too much money.<\/p>\n<p><strong>10.<\/strong> Morricone was not the first choice to compose the film as they wanted Angelo Lavagnino (<em>The Last Days of Pompeii<\/em>, 1959), but Leone went to meet with Morricone anyway. He discovered the two had attended primary school together, and after reminiscing they began to discuss a possible score approach. Morricone shared an arrangement he had previously written of Woody Guthrie\u2019s \u201cPastures of Plenty\u201d with electric guitars, choir, and more \u2014 and that became the opening track.<\/p>\n<p><strong>11.<\/strong> A whopping 34% of Hollywood productions in 1950 were westerns, but by 1963 that percentage had dropped to just 9%. Leone and Italian producers saw their opening as European audiences who grown up under fascism were still craving the \u201cfreedom\u201d and wide open spaces captured in westerns.<\/p>\n<p><strong>12.<\/strong> Ren\u00e9 Magritte was one of Leone\u2019s favorite artists.<\/p>\n<p><strong>13.<\/strong> Eastwood is mouthing an Italian cigar called a Toscano \u201cwhich is virtually unsmokable\u201d despite being very anti-smoking himself. The filmmakers felt it was a part of the character, though, so he conceded. He asked Leone if the cigar could be skipped on their next film, but Leone said \u201cof course you will smoke the cigar, it\u2019s playing the lead.\u201d<\/p>\n<p><strong>14.<\/strong> Leone had wanted to use the <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=AR-KbvXvBd8\">traditional deguello theme<\/a> from <em>Rio Bravo<\/em> (1959) and <em>The Alamo<\/em> (1960), but he discovered it wasn\u2019t actually as old and traditional as he thought. It had actually been written in the 50s for the films, so Morricone wrote his own starting at 33:03.<\/p>\n<p><strong>15.<\/strong> The cross-cutting between the cemetery shootout and Eastwood\u2019s search for the gold finds an extra layer in its aural syncopation. He taps barrels in the basement at 45:21, and we cut to the same number of gun shots in the cemetery. \u201cIt\u2019s pure style, it\u2019s got nothing to do with the real world.\u201d<\/p>\n<p><strong>16.<\/strong> Leone\u2019s English was limited, and his direction of Eastwood usually amounted to standing in a cowboy hat while wearing a pair of toy guns and saying \u201cwatch me, Clint!\u201d and miming what he wanted the actor to do.<\/p>\n<p><strong>17.<\/strong> The film features numerous nods towards Christianity and Easter with the dinner gathering at 57:51 being a deliberate reference to Leonardo da Vinci\u2019s \u201cThe Last Supper\u201d painting.<\/p>\n<p><strong>18.<\/strong> William Thomkins was Eastwood\u2019s double and plays a small role in the film as one of the Baxter gang members.<\/p>\n<p><strong>19.<\/strong> \u201cCause I knew someone like you once, there was no one there to help,\u201d is the only piece of moral motivation given to Eastwood\u2019s character. The original shooting script shifted at this point to offer up a three-page flashback showing an earlier incident in the man\u2019s life.<\/p>\n<p><strong>20.<\/strong> The shot at 1:08:50 of a thug putting out his cigarette on Eastwood\u2019s hand was trimmed from many UK prints back in the 60s for being too cruel.<\/p>\n<p><strong>21.<\/strong> The gunbelt and the pistol grips were borrowed by Eastwood from the <em>Rawhide<\/em> (1959-1965) set, and he brought them to the production for good luck.<\/p>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Best_in_Context-Free_Commentary\"><\/span>Best in Context-Free Commentary<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p graf--startsWithDoubleQuote\">\u201cHe\u2019s a big man on a little mule.\u201d<\/p>\n<p>\u201cHe\u2019s come from nowhere, he\u2019s going nowhere, and he goes around shooting people.\u201d<\/p>\n<p>\u201cYou keep wanting Eastwood to be the goodie, but he never quite behaves like that.\u201d<\/p>\n<p>\u201cEveryone\u2019s pretty bad, but some are worse than others.\u201d<\/p>\n<p>\u201cItalian western heroes like to strike their matches on any available surface, whether it\u2019s his chin, the boot of a hanging man, or a piece of metal.\u201d<\/p>\n<h3 class=\"graf graf--h3\"><span class=\"ez-toc-section\" id=\"Final_Thoughts\"><\/span>Final Thoughts<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p class=\"graf graf--p\">You can\u2019t go wrong riffing on a Kurosawa film, and <em>A Fistful of Dollars<\/em> succeeds in delivering a stylish tale of violence and morality. Frayling\u2019s commentary confirms his extensive knowledge of Leone and the director\u2019s work through details, anecdotes, and more. Fans will want to give a listen to both commentaries, though, as the history behind the film, the filmmakers, and the genre itself is a rich one.<\/p>\n<p class=\"graf graf--p\">Read more Commentary Commentary from the archives.<\/p>\n<pre><code>    Related Topics: A Fistful of Dollars, Commentary Commentary\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/secure.gravatar.com\/avatar\/dca6f7118e64ea9aa6ef4f60221cfe7e?s=96&amp;d=mm&amp;r=x\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Rob Hunter has been writing for Film School Rejects since before you were born, which is weird seeing as he&#8217;s so damn young. He&#8217;s our Chief Film Critic and Associate Editor and lists &#8216;Broadcast <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">News<\/a>&#8217; as his favorite film of all time. Feel free to say hi if you see him on Twitter <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/FakeRobHunter\">@FakeRobHunter<\/a>.        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;\n            &lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;\n            &lt;!-- END RECOMMENDED READING --&gt;\n\n\n\n\n&lt;\/div&gt;&lt;script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/a-fistful-of-dollars-commentary\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-fistful-of-dollars-commentary\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;21 Things We Learned from the &#8216;Fistful of Dollars&#8217; Commentary&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;\u201cHe\u2019s come from nowhere, he\u2019s going nowhere, and he goes around shooting people.\u201d&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt; &lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt; &lt;img width=&#8221;800&#8243; height=&#8221;450&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/a-fistful-of-dollars.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;A Fistful Of Dollars&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/a-fistful-of-dollars.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/a-fistful-of-dollars-768&#215;432.jpg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw, 800px&#8221;\/&gt; &lt;p&gt; &lt;span class=&#8221;sf-entry-flag sf-entry-flag-creditline&#8221;&gt;Kino Lorber&lt;\/span&gt; &lt;\/figure&gt; &lt;!&#8211; START&#8230;<\/p>\n","protected":false},"author":1,"featured_media":453280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/05\/a-fistful-of-dollars.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-453279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/453279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=453279"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/453279\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/453280"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=453279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=453279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=453279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}