{"id":475669,"date":"2022-07-19T19:28:57","date_gmt":"2022-07-19T16:28:57","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/sam-gendel-treads-his-own-path\/"},"modified":"2022-07-19T19:28:57","modified_gmt":"2022-07-19T16:28:57","slug":"sam-gendel-treads-his-own-path","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/sam-gendel-treads-his-own-path\/","title":{"rendered":"#Sam Gendel treads his own path"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a2719740323f\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a2719740323f\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/sam-gendel-treads-his-own-path\/#%E2%80%9CSam_Gendel_treads_his_own_path%E2%80%9D\" >&#8220;Sam Gendel treads his own path&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/sam-gendel-treads-his-own-path\/#We_spoke_with_the_composer_about_crafting_behemoth_albums_his_unexpected_love_of_YouTube_vlogs_and_the_time_he_found_himself_performing_for_50000_Red_Hot_Chili_Peppers_fans_in_Milan\" >We spoke with the composer about crafting behemoth albums, his unexpected love of YouTube vlogs, and the time he found himself performing for 50,000 Red Hot Chili Peppers fans in Milan.<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CSam_Gendel_treads_his_own_path%E2%80%9D\"><\/span>&#8220;Sam Gendel treads his own path&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"We_spoke_with_the_composer_about_crafting_behemoth_albums_his_unexpected_love_of_YouTube_vlogs_and_the_time_he_found_himself_performing_for_50000_Red_Hot_Chili_Peppers_fans_in_Milan\"><\/span>We spoke with the composer about crafting behemoth albums, his unexpected love of YouTube vlogs, and the time he found himself performing for 50,000 Red Hot Chili Peppers fans in Milan. <span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-234705\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/unnamed_20_whwqlu\/sam-gendel-treads-his-own-path.jpg 2400w,\" sizes=\"100vw\" alt=\"Sam Gendel treads his own path\"><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-234698\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            To be a fan of Sam Gendel is to give yourself over to a relentless wave of music. The 35-year-old Los Angeles-based saxophonist released his latest album <i>Superstore<\/i> last month and its title reflects its comprehensive nature: chances are you will find what you need in at least one of its 34 tracks. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            Compared to last year\u2019s 52-song, 224-minute epic <i>Fresh Bread<\/i>, however, it\u2019s positively novella-like in its brevity. In total Gendel has released nine albums since the start of 2021, with <i>Superstore<\/i> following the curious <i>Live A Little<\/i>, an experimental pop album he made in collaboration with his 12-year-old sister-in-law Antonia Cytrynowicz. Prior to this he released <i>Satin Doll<\/i>, an album of jazz standards reworked through a psychedelic hip-hop lens, and performed live as part of both Moses Sumney and Perfume Genius\u2019s band. Since this interview he has announced <i>blueblue<\/i>, another solo full-length due on October 14. <\/p>\n<p>            If Gendel\u2019s place in the musical landscape feels hard to pin down then <i>Superstore<\/i> doesn\u2019t want to provide many helpful location details. It\u2019s a fascinating and loose set of ideas that sprout and dissipate at will, boasting a singular ambiance and a beat tape-like <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>roach to structure and length. In conversation, Gendel stays true to this unknowable image, seemingly in love with music and yet alienated from it at the same time. He grew up listening to jazz but isn\u2019t keen on being labeled a jazz musician while efforts to pin him down on specific rap influences fall by the wayside. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            During our hour-long conversation, though, a couple of things become clear. Gendel is truly following his own path and doesn\u2019t feel any pressure to work in anything like traditional methods. Whether we are talking about his feelings about the current health of the jazz world (he\u2019s not a fan) or the idea of following his experimental peers into Hollywood and scoring a movie, he remains unmoved. \u201cI just hate middlemen,\u201d he says at one point, in relation to his fear of movie producers. That absence of outside influence is key to Gendel and his music. <\/p>\n<p>            There is no music industry guidebook that would advise you to release an album longer than two Marvel <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a>, nor that improvising a full album with a child will reap great rewards. It\u2019s only by shunning outside voices that he can be left to let his voice come through untarnished or misshapen. It\u2019s to his credit that his work rarely, if ever, feels indulgent or self-satisfied. More like a real-time pursuit of ideas and what feels exciting in the moment.  <i>Superstore<\/i>, in that regard, is an ironic title. Gendel knows that what he\u2019s selling isn\u2019t for mass distribution. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-234699\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>THE FADER: How do you go about putting together a 34-track album like <i>Superstore<\/i>?<\/b><\/p>\n<p>            It\u2019s pretty simple. If I finish a piece of music it naturally has its shape or form and aggregate things as they inform me where they want to be. This batch of music all relates, in some way, to my ears. I end up dragging them into one folder and at some point, it feels like that\u2019s the statement and it\u2019s done.<\/p>\n<p>            <b>When do you know an album is done?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            That\u2019s the part that is hard to predict. You would think that you could do that endlessly but I eventually wake up one day and say, \u2018OK. Enough is enough&#8217; and put the kibosh on it. You stop following the ideas after a certain point. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-234700\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>Would you ever consider ditching the album format and just having something like a playlist that you update with new music?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            My girlfriend and I watch a lot of vlogs as a sort of cultural study, it seems, and that process you describe is more akin to their way of working. You\u2019re constantly creating in a symbiotic relationship with whoever is consuming it. Music might get to that point. It already is for some people, I guess. Eventually, everyone will have their own channel and it\u2019ll be the TV of humanity. You\u2019ll either be making playlists or just have drones flying around you filming you 24 hours a day, endlessly streaming your life. I still like the album form though. I wouldn\u2019t do it if I didn\u2019t like it but if something else comes along then I\u2019m down for it. <\/p>\n<p>            <b>Do you have people around you trying in vain to put you on a more traditional path?<\/b><\/p>\n<p>            Anyone who had an interest in that gave up a long time ago. It ain\u2019t gonna happen. I\u2019m more interested in throwing ideas out and seeing where the ceiling is. I haven\u2019t hit it yet. Putting out a \u201cnormal\u201d album just doesn\u2019t work for me, if it did I\u2019d be doing it. There\u2019s such a limited way of looking at humans sharing things. It\u2019s all made up! I just do what naturally comes to my mind. I don\u2019t have the fear anymore. I just do it and say, \u2018This is the thing.\u2019 Luckily people understand and are down to help me achieve that.  <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-234707\" class=\"content_block breaker triple_gutter_right triple_gutter_left pull_quote\">\n<div class=\"media_wrapper\">\n<blockquote class=\"pull_quote\"><p>Even the greatest jazz musicians in history would say, \u2018it\u2019s either good or it\u2019s not.\u2019 That still applies, especially in this age of music. Right now I\u2019m much more drawn to the things I don\u2019t understand<\/p><\/blockquote><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-234701\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>You mentioned vlogs earlier, have you comes across your music on TikTok at all? <\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            No. I wouldn\u2019t know, I hate TikTok and wish it would go away. On the vlogs though they all use this royalty-free music licensing service called Epidemic Sound. It\u2019s the funniest thing ever. We talk about trolling it and uploading some music to see if any vloggers use it. Over time, though, the music is getting more and more similar to regular pop productions. They sound like they take so much time to make and they\u2019re uploading them to a platform for vloggers to use for free. It\u2019s kind of insane to see the convergence of things and the way the goal now is to have your music used for something. I don\u2019t relate but it\u2019s amazing to watch. <\/p>\n<p>            <b>One of the main things that attracted me to your music was picking up on a sense of humor in some of the songs and, particularly, in the videos. How important is humor to what you do?<\/b><\/p>\n<p>            As soon as I open my mouth I feel like I\u2019ll fall short here but what you just said means a lot to me. I just don\u2019t know how to speak because, as soon as I do, it\u2019s over. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            <b>What is your relationship to jazz at this stage? You\u2019ve released albums through traditional labels like Nonesuch but I\u2019ve also seen interviews where you have distanced yourself from the genre tag. Do you mind when people call you a jazz artist?<\/b><\/p>\n<p>            I guess it\u2019s just another part of the history of music. I got caught by jazz at an early age so it\u2019s where I was led by my mind and my ear. It just happened outside of my understanding, it just happened. Jazz is just a language within another broader language. I\u2019m a curious person and music offers up endless possibilities for me. I guess I can\u2019t escape jazz. It\u2019s what hits people first and they hear what they hear. I hope people stop thinking that way. You either like it or you don\u2019t. Even the greatest jazz musicians in history would say, \u2018it\u2019s either good or it\u2019s not.\u2019 That still applies, especially in this age of music. Right now I\u2019m much more drawn to the things I don\u2019t understand. I don\u2019t need to hear endless saxophone solos these days. <\/p>\n<p>            <b>This album and your last record, <i>Fresh Bread<\/i>, play a lot like a rap producer\u2019s beat tape. What\u2019s your relationship to hip-hop? Was it big for you growing up?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            I listen to a lot of rap and have done for decades. It\u2019s just like jazz, it\u2019s another dialect that I was drawn to from a young age. Whatever tools you get from being immersed in that becomes a part of your vocabulary. There\u2019s no real specific ideas there, though. It\u2019s just what hits my brain and ends up happening. I really don\u2019t know how things find their way into my brain. It\u2019s a big mystery to me. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-234702\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>Last year your song \u201cBOA,\u201d which you released alongside Sam Wilkes, was used prominently in the Netflix movie <i>Malcolm &amp; Marie<\/i>. How did it feel to have your music recontextualised in that way?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            I\u2019m all for it. I think it was cool, and I like what they did with it. It was not what I expected would ever happen with that song but I was very grateful. Any time someone enjoys listening to my music I think, \u2018Woah, that\u2019s crazy.\u2019 I truly have no idea how they found \u201cBOA\u201d but they approached me and explained how it would be used and I thought it sounded interesting. <\/p>\n<p>            <b>Do you have any ambition to work in film or TV? Lots of musicians are hired to score movies now\u2026<\/b><\/p>\n<p>            I could not see someone who makes movies or television hiring someone like me. The little I have seen of that world it seems that you have to be ready for that. They don\u2019t have to be ready for you, you have to be ready for them. That\u2019s cool but it takes a certain kind of person and that\u2019s not me. I would do something with a singular vision, where it\u2019s clear that my music is the inevitable endpoint for the project. That kind of unique experience is the only way it could happen and I don\u2019t anticipate it happening at all. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            <b>When I was doing some research for this interview I saw that you once opened for Red Hot Chili Peppers with your former band, Knower. What are your memories of being on the road with those guys?<\/b><\/p>\n<p>            It was so funny. We played for 50,000 people in Rome and Milan. That kind of stuff doesn\u2019t phase me, though. If there are that many people in front of you there may as well be none. It\u2019s just a sea of heads. With that crew we just go wild, I was losing my voice every night screaming into my sax. We just didn\u2019t care at all. Our experience is so intimate, those shows felt like we were rehearsing at home. <\/p>\n<p>            It was crazy too, because I had to fly to L.A. to play a festival show with Moses Sumney. I literally flew from Italy to L.A., played a show, and then flew straight back. It was totally psychotic. I was there for 12 hours, turned around and flew back. <br \/><b><br \/>You have a pretty busy schedule of festival dates coming up this summer. What\u2019s your live show like right now? <\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            I don\u2019t play live very much, I just play with other people. That\u2019s how I prefer it. I dread playing solo shows right up until I get on stage. For some reason performing has lost its luster for me, I\u2019m much more content making music at home I like the slowness of that. Once I\u2019m in the middle of a show, though, I\u2019m all in. I just get debilitatingly nervous beforehand. I don\u2019t know why. <\/p>\n<p>            The live show will always be new stuff, though. There are older things I\u2019ll touch on but I\u2019ll do them in a way based on the current mindset. That\u2019s the only way I know how. <\/p>\n<p><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-234706\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6pg3XdudiTtiA457uOudNQ?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">David Renshaw<\/span><br \/>\n  <\/span><\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2022\/07\/19\/sam-gendel-treads-his-own-path\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Sam Gendel treads his own path&#8221; We spoke with the composer about crafting behemoth albums, his unexpected love of YouTube vlogs, and the time he found himself performing for 50,000 Red Hot Chili Peppers fans in Milan. To be a fan of Sam Gendel is to give yourself over to a relentless wave of music&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":475670,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_533,w_1024,x_0,y_0,f_auto,q_auto:eco\/unnamed_3_m69seu\/unnamed_3_m69seu.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[87515,73886],"class_list":["post-475669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-experimental","tag-sam-gendel"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/475669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=475669"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/475669\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/475670"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=475669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=475669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=475669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}