{"id":479741,"date":"2022-07-28T18:59:11","date_gmt":"2022-07-28T15:59:11","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/quinn-is-her-own-wave\/"},"modified":"2022-07-28T18:59:11","modified_gmt":"2022-07-28T15:59:11","slug":"quinn-is-her-own-wave","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/quinn-is-her-own-wave\/","title":{"rendered":"#quinn is her own wave"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a26bfed3316b\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 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>&#8220;quinn is her own wave&#8221;<\/a><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9Cquinn_is_her_own_wave%E2%80%9D\"><\/span>&#8220;quinn is her own wave&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<style>\n<p> article.custom .custom-title, article.custom .custom-media .caption {\n   color: ;\n }<\/p>\n<p> article.custom .custom-attribution, article.custom .custom-attribution a {\n   color: ;\n }<\/p>\n<\/style>\n<div id=\"content_block-235116\" class=\"content_block flush title center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"custom-title\">\n      quinn is her own wave\n    <\/div>\n<div class=\"custom-description\">\n      The genreless wunderkind discusses her self-titled sophomore album on the latest episode of The FADER Interview.\n    <\/div>\n<div class=\"custom-attribution\">\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Jordan Darville<\/span><br \/>\n  <\/span><\/div>\n<\/p><\/div>\n<div class=\"custom-media\">\n<div class=\" image center_align\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_2_sjcozk\/quinn-is-her-own-wave.jpg 2400w,\" sizes=\"100vw\" alt=\"quinn is her own wave\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Ceimeo<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"custom_share_buttons_top \" style=\"\">\n<div id=\"new_socials_bottom\" class=\"new_socials_footer  \">\n<p>      <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Facebook-747312c39722d47504a80f02500b8d4ad2e36acf922bad1c83799db1bc77f605.png\" alt=\"Fdr socialsharing facebook\"><br \/>\n      <!-- <span>Share<\/span> --><\/p>\n<p>  <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?url=https%3A%2F%2Fwww.thefader.com%2F2022%2F07%2F28%2Fquinn-is-her-own-wave%3Futm_source%3Df%26utm_medium%3Dtw%26utm_campaign%3Dshare&amp;text=quinn%20is%20her%20own%20wave&amp;via=thefader\" class=\"new_social_footer_button twitter new_social_share_button\" data-ga-event-category=\"Social Share\" data-ga-event-label=\"Twitter\" data-ga-on=\"click\" data-ga-event-action=\"cilck\"><\/p>\n<p>    <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Twitter-8d78f695280aa3f8a4461702c68e9fcbfd6042af1600c62d49fdec4b735fb57a.png\" alt=\"Fdr socialsharing twitter\"><br \/>\n    <!-- <span>Tweet<\/span> --><br \/>\n  <\/a><\/p>\n<p>        <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"20\" height=\"20\" src=\"https:\/\/www.thefader.com\/assets\/logo-snapchat-5f1563935ac089d0cf1773f642ddbfb6cdb16e8c4ac14fec95a3c11b6f963389.svg\" alt=\"Logo snapchat\"><br \/>\n        <!-- <span>Snap<\/span> --><\/p>\n<\/div><\/div>\n<style>\n<\/style>\n<div id=\"content_block-235117\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <span class=\"lead-text\">At just 17 years old<\/span>, quinn has established herself as one of the most bold and beguiling experimental composers working today. Born in Baltimore and raised in the surrounding DMV, she first emerged as a standout creator of hyperpop, an underground subgenre marked by chaos, angst, and an exhilarating rawness that flourished on SoundCloud. Tracks like \u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=4Pt-KsCPieM\">ok im cool<\/a>\u201d and \u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=MHEe0U9Hf-A&amp;ab_channel=p4rkr-Topic\">i dont want that many friends in the first place<\/a>\u201d made a name for quinn, but she quickly found herself outgrowing the scene that made her a star. Instead of chasing fame, she chose to focus on her craft.<\/p>\n<p>            As a result, quinn has created two full-length albums far beyond the scope of her initial efforts. Her debut, 2020\u2019s <i><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/dismissyourself.bandcamp.com\/album\/drive-by-lullabies\">drive-by lullabies<\/a><\/i>, represented her first steps away from hyperpop. Fans of her early work were drawn to tracks like \u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=kQwsQh8_OZs&amp;ab_channel=p4rkr-Topic\">coping mechanism<\/a>,\u201d a fuzzed-out emo-pop cut rippling with the pain that defines quinn\u2019s work. But for the first time, these songs felt like smaller parts of a whole. On her new, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/trenchdog.bandcamp.com\/album\/quinn\">self-titled album<\/a>, quinn is more confident in her wide-ranging musical talents than ever before. With a love for lo-fi beat tapes, hip-hop, and neo-soul coursing through it, quinn\u2019s new album endeavors to represent a definitive artistic statement for a certain moment in time. Impressively, she\u2019s pulled it off.<\/p>\n<p>            This week, I called quinn at her home in Columbus, Georgia to speak about the new project, her thoughts on the scene she left behind, and her label, <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/deadairrecords\/?hl=en\">deadAir Records<\/a>.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235174\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235118\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_1_chhxik\/quinn-is-her-own-wave.jpg 2400w,\" sizes=\"100vw\" alt=\"quinn is her own wave\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Ceimeo<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235119\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <i>This Q&amp;A is taken from the latest episode of The FADER Interview. To hear this week\u2019s show in full, and to access the podcast\u2019s archive, click <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/link.chtbl.com\/thefaderinterview\">here<\/a>.<br \/>\n          <\/i><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235120\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" frameborder=\"0\" src=\"https:\/\/playlist.megaphone.fm?p=TFI7834680816\" width=\"100%\" height=\"482\"><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235175\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235121\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>The FADER: You\u2019re out on summer vacation now, right?<\/b><\/p>\n<p>            <b>quinn:<\/b> I get back in school for my last year on August 9, but I\u2019ve got a New York show coming up, so I\u2019ll be spending the last week of my last summer as a child in New York.<\/p>\n<p>            <b>Do you still feel like a child?<\/b><\/p>\n<p>            Hell, no. I stopped feeling like a child when I stopped being taken as a child. That doesn\u2019t mean my childhood ended right there, but that was the last time I genuinely felt like somebody who needed to be looked after.<\/p>\n<p>            <b>When we first spoke, you sounded a bit more wide-eyed about the music industry and all this attention. You were taken aback that people were listening to you and taking you seriously as an artist.<\/b><\/p>\n<p>            I\u2019m still a little taken aback by it, depending on who\u2019s listening. But nowadays my eyes are nowhere near as wide, and I know exactly what I wanna do before I do it. Last time we spoke, I was at a period where I\u2019d think of something in the moment, do it, and release it. I didn\u2019t think of how it would impact my discography or my legacy.<\/p>\n<p>            <b>It\u2019s crazy to put the new album next to <i>drive-by lullabies<\/i>. They\u2019re two completely different works, but you can still tell they came from the same artist. How did you <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>roach the self-titled, compared to your first album?<\/b><\/p>\n<p>            <i>drive-by lullabies<\/i> [was] a test run, if that makes sense. It was really messy. I wanted it to be messy and I\u2019m glad it\u2019s messy. That messiness is who I am. I like throwing it all on the table and waiting for a reaction. With <i>quinn<\/i>, I knew what type of music I wanted to go for: melodic, soulful, [with] bright, layered vocals \u2014 and when it\u2019s not layered, it\u2019s just flat-out beautiful. I took a lot more time to plan this one out, as you can hear in the transitions and the stuff I talk about. The subject matter is a lot deeper.<\/p>\n<p>            <b>\u201camerican freestyle\u201d has such anger and ferocity. Can you tell me about writing that track and its inclusion in the record?<\/b><\/p>\n<p>            DMV is my home. [It\u2019s a] very progressive, very Black area. I wouldn\u2019t say you\u2019d rarely experience prejudice, but a lot less than if you weren\u2019t in that circle of POCs. I didn\u2019t have to deal with much prejudice as a child, except at school. Moving down to Columbus recently was a vast difference. Now I see myself getting profiled pretty much every time I leave the house.<\/p>\n<p>            I wrote that song the first time I got profiled and was aware of it. Me and my friends were just walking, and we got profiled in my own damn neighborhood \u2014 \u201cI don\u2019t know what your type has business around here doing, but get away from my cars\u201d \u2014 and we got in a little screaming match. After it was over, I was still pissed because that was the first time I\u2019d been called out like that. So I go home. I tell my dad. I tell everyone I can, hoping something will happen, but ain\u2019t shit happen. That\u2019s when I realized it\u2019s normal down here. \u201camerican freestyle\u201d is a diss track towards America because there\u2019s not a lot to be happy about when you live in the melting pot. It\u2019s gotten so bad, I had to express it to fans. I don\u2019t usually get political, but I had to let people know, I don\u2019t fuck with prejudice of any sort. I wanted the focus to be on what I was saying, so I didn\u2019t include an instrumental.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235176\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235122\" class=\"content_block breaker triple_gutter_right triple_gutter_left video\">\n<div class=\"media_wrapper\">\n<div class=\"video_wrapper\">\n<div class=\"fluid-width-video-wrapper\" style=\"padding-top: 56.25%;\">\n<p>    <iframe loading=\"lazy\" title=\"american freestyle\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/WlhLE6HgJJg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p><\/div>\n<\/div>\n<p><script>\n \/\/trackYouTubeVideo('235122');\n<\/script><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235123\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>What kind of music were you listening to during this album\u2019s creation?<\/b><\/p>\n<p>            I\u2019m glad you said <i>were<\/i>, because my taste changes a ton. Tracks like \u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=j0lrDN6AZmo\">two door tiffany<\/a>,\u201d \u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=xLqacJ-AbQU\">i\u2019ve heard that song before<\/a>,\u201d and \u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=glNnzs7sydc\">please don\u2019t waste my time<\/a>\u201d come from early Steve Lacy and The Internet, Standing on the Corner, Slauson Malone. I\u2019ve gotten people telling me, \u201cThis album is a lot like <i><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/standingonthecorner.bandcamp.com\/album\/red-burns\">Red Burns<\/a><\/i> \u2014 Slauson Malone this, Slauson Malone that.\u201d It\u2019s funny because we got Slauson Malone to listen to the album and I got his approval to release it. It was cool having somebody I idol so much give me such sincere and meaningful advice: He told me when I drop this album, it may take people [a few listens] to grasp what I\u2019m doing or who I am, \u2019cause it truly is a masterpiece.<\/p>\n<p>            <b>Whenever you say, across the album, \u201cYou ain\u2019t never heard no shit like this in your life,\u201d you do something before and after to really hammer that down, like, \u201cHear what I just did? You haven\u2019t heard that before. Hear what I\u2019m gonna do? You haven\u2019t heard that before.\u201d<\/b><\/p>\n<p>            Especially with listeners of my more accessible music, they <i>haven\u2019t<\/i> heard some shit like that. Whether you do or don\u2019t like the album, I\u2019m right: you\u2019ve never heard some shit like it. I wanted to [see] how creative I could get while having the minimal-ness my production does. I still haven\u2019t reached my boundaries, but it was fun making this album, and I made it my self-titled because it\u2019s the most quinn thing I can do.<\/p>\n<p>            <b>The final track concludes with the story of a confrontation you had with your dad when you were seven or eight. It\u2019s a sad story, and it comes after an album where the overwhelming feeling is confidence. Ending it on that note is a curveball.<\/b><\/p>\n<p>            This whole album represents my thought process. I start on the <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=TbQgrZAGbFs\">hustle<\/a>, I\u2019m excited: \u201cNo need to knock the hustle when you kinda <i>are<\/i> the hustle.\u201d I\u2019m confident in myself. I know I\u2019m about to make some good shit, and throughout the album, I prove that. But by the end of it, I don\u2019t like it anymore. I\u2019m back to square one. That\u2019s why the tracks are arranged the way they are. It\u2019s like, \u201cYo, I\u2019m gonna get in the studio, make some crazy shit,\u201d and the rest of the album is that crazy shit, and the end is me completely denouncing it \u2014 and completely denouncing myself. That\u2019s a result of years of depression stemming from my childhood, but also years of recovery. I\u2019m able to be chill and nonchalant, but I can\u2019t get excited for much.<\/p>\n<p>            I have major imposter syndrome. If I release something, I can\u2019t listen to it after. I\u2019m like, \u201cI don\u2019t care if it\u2019s great; I\u2019m embarrassed because I made this and other people heard it.\u201d But it doesn\u2019t happen as much as it used to, especially with this album. It\u2019s the one thing I\u2019ve dropped and can still listen to. When I blew up, I wasn\u2019t taking anything seriously, so people [doubted] my legitimacy. The hardcore music critics made fun of what I could do as an artist and tried to limit me as just a cringy teenager who\u2019s fucking around. (I hate the word \u201ccringe\u201d because it stinks of <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">Reddit<\/a>.) Part of this album \u2014 part of me getting more serious \u2014 is proving them wrong. I\u2019m also finding it a lot more fun taking music more seriously, but I\u2019m here to get my name back. I\u2019m here to prove to everybody who ruined my life that I\u2019m something more than they thought.<\/p>\n<p>            <b>When you put quinn on hiatus and started making music as cat mother, was that a reaction to that backlash?<\/b><\/p>\n<p>            Kinda sorta. I wanted to make different shit and I was showcasing it on my social media, but my fanbase wasn\u2019t fucking with that. I thought it would be good if I left for a long time and made what I wanted, so I left for that six-to-eight month interval, making stuff as cat mother and under a whole other Twitter account, whole other fanbase. It felt great, but eventually I came back and merged that with my discography. After <i>drive-by lullabies<\/i>, people started taking me seriously and critically rating me. My mixtape [<i><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/trenchdog.bandcamp.com\/album\/im-going-insane\">i\u2019m going insane<\/a><\/i>] has been <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/rateyourmusic.com\/charts\/top\/mixtape\/2022\/\">number one on Rate Your Music<\/a> since it dropped. Why? I don\u2019t know. I\u2019m just glad to be taken seriously.<\/p>\n<p>            <b>The reception of both <i>drive-by lullabies<\/i> and <i>quinn<\/i> has been pretty much universal acclaim. Are you still trying to distance yourself from critical adoration, or are you letting it wash over you?<\/b><\/p>\n<p>            I\u2019m tryna take away that imposter syndrome, [which] stems from people telling me I\u2019m not good enough. I\u2019m happy to be taken seriously, and I\u2019m happy I can make what I want and people will still like it. It wasn\u2019t like that before: People just wanted \u201cokay im cool\u201d or \u201ci dont want that many friends\u201d over and over, but I couldn\u2019t do that because I know myself and my career path better. It\u2019s not what I want, and I\u2019m smarter than that. Why would I drop the same sounds over and over? That\u2019s how you fall off and are never heard from again.<\/p>\n<p>            Two people told me two things that stuck with me: The first said they love when I\u2019m teasing music because they can never tell what I\u2019m gonna drop. It could be electronic, acoustic, vocal, instrumental \u2014 you don\u2019t know. It\u2019s like a mystery box. The second said, \u201cYou have a vibe I can\u2019t really explain, and I love that about you.\u201d They called me unexplainable and unpredictable, so I was like, \u201cWhat if I make that my thing? What if I embrace that weirdness?\u201d<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235177\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235124\" class=\"content_block breaker triple_gutter_right triple_gutter_left video\">\n<div class=\"media_wrapper\">\n<div class=\"video_wrapper\">\n<div class=\"fluid-width-video-wrapper\" style=\"padding-top: 56.25%;\">\n<p>    <iframe loading=\"lazy\" title=\"you don\u2019t gotta be here if you don\u2019t wone\u2019a\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/FPoWST_rwF4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p><\/div>\n<\/div>\n<p><script>\n \/\/trackYouTubeVideo('235124');\n<\/script><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235125\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>I wanted to get your <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a> thoughts on the scene you came up in (hyperpop, digicore, whatever) \u2014 the music that came out of it when you were still in it, how the press covered it \u2014 a postmortem, as it pertains to you.<\/b><\/p>\n<p>            Very creative people, shout out to them. I won\u2019t name names, because I\u2019m gonna be real, I don\u2019t talk to pretty much anybody in the community anymore. I still do have lots of love for those people. However, it\u2019s no denying that there\u2019s a bullshit-ton of unoriginality and shit that\u2019s like, \u201cHow can I make the loudest, most chaotic song so I can impress my peers?\u201d I know people are guilty of that because not only have I seen it; I used to be like that. It wasn\u2019t worth it in the long run. I had to stick to what\u2019s true to me, which is why I was so happy with my self-titled. I\u2019m happy people like it. I thought people would just want that loud stuff. The only people who don\u2019t like it are the people who don\u2019t understand it, which is like three. <\/p>\n<p>            The whole scene I came up in\u2026 At the time, it was amazing. I won\u2019t say it\u2019s a bad community [now] because every community has its pros and cons. It\u2019s just not a community where I find any breathing room \u2014 too much unoriginality, too many people sticking to the same scripts I wrote two years ago, not embracing their true selves. I\u2019m not bashing them for being unoriginal; I feel bad for people who\u2019ve gotta be unoriginal to make money. You\u2019re either in a fucked-up situation or you just don\u2019t know yourself. I\u2019ve been in fucked up financial situations \u2014 I think it\u2019s safe to say that most Americans of color have. I also know what it feels like to not know yourself musically and to stick to whatever script\u2019s out there for the sake of being part of a community. So I feel bad when people are stuck in that headspace, and I feel like only the people who break out of it make it in music. You\u2019ve gotta tap into yourself to make it. It doesn\u2019t come from making the same shit over and over.<\/p>\n<p>            Yeat\u2019s music is supposed to get you hyper. It\u2019s not supposed to have some hidden meaning. It\u2019s supposed to be cool ass music, which I love. Do I find myself typically listening to Yeat? Not really. I acknowledge how his music does the job for his target audience, and he\u2019s clearly doing very well from it. However, every dog has its day. If he doesn\u2019t expand on that sound, simple as it is, his day will come, and soon, we\u2019ll just be like, \u201cOh yeah, I remember Yeat.\u201d That\u2019s fine too: You don\u2019t always have to be the greatest of all time. People who copy and are unoriginal, I don\u2019t spite you; that\u2019s just not who I am. I don\u2019t wanna stick to the foundation of a genre. I just wanna make cool noises, and I want you to hear \u2019em.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235178\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235126\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/quinn_by_Ceimeo_bdhty2\/quinn-is-her-own-wave.jpg 2400w,\" sizes=\"100vw\" alt=\"quinn is her own wave\"><\/p>\n<p><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Ceimeo<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235127\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>\n            <b>Let\u2019s talk about deadAir, the label you\u2019re heavily involved with. Tell me about the artists you\u2019re working with now and how you see it evolving the trajectory of your career.<\/b><\/p>\n<p>            It\u2019s been amazing. I get all the benefits I thought I\u2019d have to sign to a label and give up a lot of integrity for, [but] deadAir doesn\u2019t work like a major label at all. There\u2019s no legally binding contracts, no debts, nothing to pay off \u2014 unless we\u2019ve commissioned an artist and have yet to pay them, of course. We\u2019re just really laid back, DIY. [We] often creatively direct each other.  You might find me producing for <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/soundcloud.com\/saturn27\">saturn<\/a> or <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/mobile.twitter.com\/janeremover\">Jane [Remover]<\/a>, or introducing ideas to their campaigns. I like helping; it\u2019s a huge part of my life now. <\/p>\n<p>            [deadAir is] helping me get closer with the people I wanna work with: that whole underground, neo-soul\/sample-based hip-hop community. MIKE and Earl \u2014  I\u2019m getting cooler with them as time goes on, and I wanna work with people like them down the line. Although it seems unrealistic, I feel I can make it happen. [deadAir co-founder] Jesse [Taconelli] has a dream for me, and that dream is the same as mine. We\u2019re making it come true, and I know we can because both Jesse and Billy [Bugara], the two heads of the label, have been with all these communities. They\u2019ve made these connections before and they can help me make them. When we go to New York, who knows who I\u2019ll link up with.<\/p>\n<p>            <b>You mentioned at the start of the interview being more considerate about your discography. Do you have a sequential plan of albums, or is it more free form than that?<\/b><\/p>\n<p>            It\u2019s pretty free form. I get an idea of what I think a good album would sound like, and then I make it. Lately I\u2019ve been looking towards less of a self-titled approach and more\u2026 I use <i>The Ooz<\/i> by King Krule as an example: Every song on that album is a song, unlike the self-titled I just released [where] some are songs and some are interludes. With this next album, I wanna dig into that while also maintaining that interlude-like feel and that personal connection you feel when listening to the album. After the Brooklyn show, I\u2019m gonna sit back for a minute because I do need a breather. But I\u2019m happy to see where I\u2019m at right now, and I\u2019m a lot more grateful than I was before.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-235179\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Jordan Darville<\/span><br \/>\n  <\/span><\/div>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><script async defer src=\"https:\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2022\/07\/28\/quinn-is-her-own-wave\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;quinn is her own wave&#8221; quinn is her own wave The genreless wunderkind discusses her self-titled sophomore album on the latest episode of The FADER Interview. By Jordan Darville Ceimeo At just 17 years old, quinn has established herself as one of the most bold and beguiling experimental composers working today. Born in Baltimore and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":479742,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_533,w_1024,x_0,y_0,f_auto,q_auto:eco\/quinn_by_Ceimeo_2_vl9dvq\/quinn_by_Ceimeo_2_vl9dvq.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[28101,87515,70532,131630,105545],"class_list":["post-479741","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-pop","tag-experimental","tag-hip-hop","tag-quinn","tag-the-fader-interview"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/479741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=479741"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/479741\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/479742"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=479741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=479741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=479741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}