{"id":482105,"date":"2022-08-05T21:30:22","date_gmt":"2022-08-05T18:30:22","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/from-first-man-to-007\/"},"modified":"2022-08-05T21:30:22","modified_gmt":"2022-08-05T18:30:22","slug":"from-first-man-to-007","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/from-first-man-to-007\/","title":{"rendered":"#From &#8216;First Man&#8217; to 007"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a495faa27461\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a495faa27461\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/from-first-man-to-007\/#%E2%80%9CFrom_%E2%80%98First_Man_to_007%E2%80%9D\" >&#8220;From &#8216;First Man&#8217; to 007&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/from-first-man-to-007\/#Watch_%E2%80%9CCinematography_Style_Linus_Sandgren%E2%80%9D\" >Watch \u201cCinematography Style: Linus Sandgren\u201d:<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/from-first-man-to-007\/#Who_made_this\" >Who made this?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/from-first-man-to-007\/#More_videos_like_this\" >More videos like this<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CFrom_%E2%80%98First_Man_to_007%E2%80%9D\"><\/span>&#8220;From &#8216;First Man&#8217; to 007&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<pre><code>     &lt;span class=\"mx-1\"&gt;Want to know more about the \u2018No Time to Die\u2019 cinematographer? Can\u2019t say we blame you.&lt;\/span&gt;\n&lt;\/p&gt;&lt;div id=\"\"&gt;\n\n\n\n                &lt;figure class=\"sf-entry-featured-<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> \"&gt;\n            &lt;img width=\"800\" height=\"418\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/07\/linus-sandgren-cinematography.jpg\" class=\"articlethumb wp-post-image\" alt=\"Linus Sandgren Cinematography\" srcset=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/07\/linus-sandgren-cinematography.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/07\/linus-sandgren-cinematography-768x401.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\"\/&gt;                            &lt;\/figure&gt;\n\n    &lt;!-- START BYLINE --&gt;\n    &lt;div class=\"row align-items-center justify-content-center my-4 text-center medium dark-gray\"&gt;\n        By\u00a0Meg Shields\u00a0\u00b7 Published on August 5th, 2022 \n        &lt;\/div&gt;\n    &lt;!-- END BYLINE --&gt;\n\n    &lt;p&gt;&lt;em&gt;Welcome to The Queue \u2014 your daily distraction of curated video content sourced from across the web. Today, we\u2019re watching a video essay that looks at what distinguishes the cinematography of Linus Sandgren.&lt;\/em&gt;\n<\/code><\/pre>\n<hr\/>\n<p>With credits like\u00a0<em>No Time To Die, La La Land,\u00a0<\/em>and\u00a0<em>First Man\u00a0<\/em>under his belt, director of photography <strong>Linus Sandgre<\/strong>n has easily carved out a space for himself as one of the 21st century\u2019s most notable cinematographers. Hailing from Sweden, the BAFTA and Academy Award-winning DoP has proved himself a reliable talent on big-budget projects, able to bob, weave, and adapt to all manner of genres and deliver striking images (many of which we\u2019ve been h<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>y to highlight over at One Perfect Shot).<\/p>\n<p>The video essay below takes a look at two aspects of what distinguishes Sandgren\u2019s work as a cinematographer. Namely: his creative philosophy and his preferred gear. As the essay explains, Sandgren is keen on adapting his style to meet the needs of both the story and the director\u2019s style. So whether it be shooting\u00a0<em>Don\u2019t Look Up\u00a0<\/em>like a conventional political thriller or ensuring that the scope and scale we\u2019ve come to expect from the Bond franchise comes across in\u00a0<em>No Time To Die<\/em>, a quick peek at Sandgren\u2019s resume reveals that he\u2019s quite the chameleon. But, as with most things cinematography, a visual aide is far better than the written word. So buckle up, and check out the video essay below for a look at what makes Linus Sandgren a name worth knowing.<\/p>\n<p>Postscript: it would be criminal negligence on my part to fail to mention the existence of <em>Disco Kung Fu<\/em>, a short film Sandgren shot in 2002 that I am very fond of. Also look: Sandgren on <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/podcasts.apple.com\/us\/podcast\/linus-sandgren-cinematographer\/id1510638084?i=1000487915125\">Roger Deakins\u2019 podcast<\/a>! Hell yeah!<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Watch_%E2%80%9CCinematography_Style_Linus_Sandgren%E2%80%9D\"><\/span>Watch \u201cCinematography Style: Linus Sandgren\u201d:<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><iframe loading=\"lazy\" title=\"Cinematography Style:  Linus Sandgren\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/S_9YN7dfohs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr\/>\n<h2><span class=\"ez-toc-section\" id=\"Who_made_this\"><\/span>Who made this?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>This video essay on Linus Sandgren\u2019s cinematography is by <strong>In Depth Cine<\/strong>, a YouTube account dedicated to providing its audience with practical rundowns and explainers on some of the more technical aspects of movie-making.\u00a0<strong>Gray Kotz\u00e9<\/strong>, a documentary DP based in South Africa, is the man behind the channel. You can check out Kotz\u00e9\u2019s portfolio on their website\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.graykotze.com\/\">here<\/a>. And you can check out In Depth Cine on YouTube\u00a0<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/c\/InDepthCine\/featured\">here<\/a>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"More_videos_like_this\"><\/span>More videos like this<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<pre><code>    Related Topics: Cinematography, Linus Sandgren, The Queue\n    &lt;!-- AUTHOR BOX --&gt;\n<\/code><\/pre>\n<div class=\"gray-bg p-4 border small mb-5\">\n<div class=\"row align-items-center text-md-center\">\n<div class=\"col-md-2\">\n            <img decoding=\"async\" src=\"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2019\/07\/meg.jpg\" class=\"circle img-fluid\" width=\"100px\" height=\"100px\"\/>\n        <\/div>\n<div class=\"col-md\">\n            Meg Shields is the humble farm boy of your dreams and a senior contributor at Film School Rejects. She currently runs three columns at FSR: The Queue, How&#8217;d They Do That?, and Horrorscope. She is also a curator for One Perfect Shot and a freelance writer for hire. Meg can be found screaming about John Boorman&#8217;s &#8216;Excalibur&#8217; on Twitter here: <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/TheWorstNun\">@TheWorstNun<\/a>. (She\/Her).        <\/div>\n<\/p><\/div>\n<\/div>\n<pre><code>    &lt;!-- START RECOMMENDED READING 1 --&gt;\n                                &lt;section class=\"recommended py-5\"&gt;\n            &lt;h3&gt;Recommended Reading&lt;\/h3&gt;\n\n\n        &lt;\/section&gt;\n            &lt;!-- END RECOMMENDED READING --&gt;\n\n\n\n\n&lt;\/div&gt;&lt;script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"&gt;&lt;\/script&gt;\n<\/code><\/pre>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/filmschoolrejects.com\/linus-sandgren-cinematography\/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=linus-sandgren-cinematography\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;From &#8216;First Man&#8217; to 007&#8221; &lt;span class=&#8221;mx-1&#8243;&gt;Want to know more about the \u2018No Time to Die\u2019 cinematographer? Can\u2019t say we blame you.&lt;\/span&gt; &lt;\/p&gt;&lt;div id=&#8221;&#8221;&gt; &lt;figure class=&#8221;sf-entry-featured-media &#8220;&gt; &lt;img width=&#8221;800&#8243; height=&#8221;418&#8243; src=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/07\/linus-sandgren-cinematography.jpg&#8221; class=&#8221;articlethumb wp-post-image&#8221; alt=&#8221;Linus Sandgren Cinematography&#8221; srcset=&#8221;https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/07\/linus-sandgren-cinematography.jpg 800w, https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/07\/linus-sandgren-cinematography-768&#215;401.jpg 768w&#8221; sizes=&#8221;(max-width: 800px) 100vw, 800px&#8221;\/&gt; &lt;\/figure&gt; &lt;!&#8211; START BYLINE &#8211;&gt; &lt;div class=&#8221;row align-items-center justify-content-center my-4 text-center&#8230;<\/p>\n","protected":false},"author":1,"featured_media":482106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/filmschoolrejects.com\/wp-content\/uploads\/2022\/07\/linus-sandgren-cinematography.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-482105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/482105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=482105"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/482105\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/482106"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=482105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=482105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=482105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}