{"id":506928,"date":"2022-11-04T20:25:44","date_gmt":"2022-11-04T17:25:44","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/the-duality-of-mount-kimbie\/"},"modified":"2022-11-04T20:25:44","modified_gmt":"2022-11-04T17:25:44","slug":"the-duality-of-mount-kimbie","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/","title":{"rendered":"#The duality of Mount Kimbie"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a2f3900f0871\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a2f3900f0871\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#%E2%80%9CThe_duality_of_Mount_Kimbie%E2%80%9D\" >&#8220;The duality of Mount Kimbie&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#Kai_Campos_and_Dom_Maker_break_down_their_new_split_double_album_MK_35_Die_Cuts_City_Planning_track_by_track\" >Kai Campos and Dom Maker break down their new split double album, MK 3.5: Die Cuts | City Planning, track by track.<\/a><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#1_DVD_feat_Choker\" >1. DVD (feat. Choker)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#2_In_Your_Eyes_feat_slowthai_Danny_Brown\" >2. In Your Eyes (feat. slowthai &amp; Danny Brown)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#3_F1_Racer_feat_Kucka\" >3. F1 Racer (feat. Ku\u010dka)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#4_Heat_On_Lips_On\" >4. Heat On, Lips On<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#5_End_of_the_Road_feat_reggie\" >5. End of the Road (feat. reggie)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#6_Somehow_Shes_Still_Here_feat_James_Blake\" >6. Somehow She\u2019s Still Here (feat. James Blake)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#7_Kissing_feat_slowthai\" >7. Kissing (feat. slowthai)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#8_Say_That_feat_Nomi\" >8. Say That (feat. Nomi)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#9_Need_U_Tonight\" >9. Need U Tonight<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#10_If_and_When_feat_Wiki\" >10. If and When (feat. Wiki)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#11_Tender_Hearts_Meet_the_Sky_feat_KeiyaA\" >11. Tender Hearts Meet the Sky (feat. KeiyaA)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#12_A_Deities_Encore_feat_Live\" >12. A Deities Encore (feat. Liv.e)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#1_Q\" >1. Q<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#2_Quartz\" >2. Quartz<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#3_Transit_Map_Flattened\" >3. Transit Map (Flattened)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#4_Satellite_7\" >4. Satellite 7<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#5_Satellite_9\" >5. Satellite 9<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#6_Satellite_6_Corrupted\" >6. Satellite 6 (Corrupted)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#7%E2%80%939_%E2%80%9CZone_3_City_Limits%E2%80%9D_%E2%80%9CZone_2_Last_Connection%E2%80%9D_%E2%80%9CZone_1_24_Hours%E2%80%9D\" >7\u20139. \u201cZone 3 (City Limits),\u201d \u201cZone 2 (Last Connection),\u201d \u201cZone 1 (24 Hours)\u201d<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-22\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#10_Industry\" >10. Industry<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-23\" href=\"https:\/\/buradabiliyorum.com\/en\/the-duality-of-mount-kimbie\/#11_Human_Voices\" >11. Human Voices<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CThe_duality_of_Mount_Kimbie%E2%80%9D\"><\/span>&#8220;The duality of Mount Kimbie&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"Kai_Campos_and_Dom_Maker_break_down_their_new_split_double_album_MK_35_Die_Cuts_City_Planning_track_by_track\"><\/span>Kai Campos and Dom Maker break down their new split double album, <i>MK 3.5: Die Cuts | City Planning<\/i>, track by track. <span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-239220\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/unnamed_8_gm7ujd\/mount-kimbie-die-cuts-city-planning-track-by-track.jpg 2400w,\" sizes=\"100vw\" alt=\"The duality of Mount Kimbie\"><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Bolade Banjo<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239221\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            Mount Kimbie have found success over the past decade by presenting a united front, producing sleek electronic instrumentals that can feel impenetrably solid. But Dom Maker and Kai Campos are not a monolith. On their new double LP, <i>MK 3.5: Die Cuts | City Planning<\/i>, the duo spread out in opposite directions.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            Maker\u2019s <i>Die Cuts<\/i> is a veritable orgy of collaboration, including a listed feature on all but two of its 12 tracks and far more behind the scenes. Though its backbone is the slippery synth work that Mount Kimbie is best known for, the disc delves into the nether realms of hip-hop and R&amp;B, finding some of their most compelling artists on the way down.<\/p>\n<p>            Campos takes an almost opposite <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>roach on <i>City Planning<\/i>. With only one collaborator on the 11-track project, he creates a world of solitary sketches, blueprints of an imaginary metropolis set far in the future.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            On the eve of their completely distinct albums\u2019 joint release, Maker and then Campos broke down the process and themes behind each of their discs, track by track.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239223\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_2_zbeafe\/disc-1-i-die-cuts-i-art-by-tyrone-lebon-and-tom-shannon.jpg 2400w,\" sizes=\"100vw\" alt=\"The duality of Mount Kimbie\"><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      Disc 1: <i>Die Cuts<\/i>. Art by Tyrone Lebon and Tom Shannon.<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239222\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"1_DVD_feat_Choker\"><\/span>\n        1. DVD (feat. Choker)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Mount Kimbie, Dom Maker - dvd (feat. Choker) [Official Audio]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3J811AdMRII?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            <b>Dom Maker:<\/b> To me, <i>Die Cuts<\/i> is all about the process of assembling something unique using pieces of larger, raw material. The construction of \u201cDVD\u201d embodies that concept. Duval Timothy sent me a lengthy, unedited recording of him and Sampha together \u2014 playing the piano, talking, singing, improvising \u2014 at Duval\u2019s basement studio in South London (a large, beautifully creative space, walls hung with colorful textiles, an upright piano mic\u2019d up, keyboards lent against the wall, comfy seating). I sliced up that material and made two loops that worked glued together. The next week I had a session with Michael Uzowuru, and that\u2019s where I met Choker. We all traded a few ideas and Choker sent me those loops back with his vocals on them. He then bought in <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/teohalm\/?hl=en\">Teo Halm<\/a>, who recorded bass and drums on them, and I boiled the stems down a little to finish.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239224\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"2_In_Your_Eyes_feat_slowthai_Danny_Brown\"><\/span>\n        2. In Your Eyes (feat. slowthai &amp; Danny Brown)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Mount Kimbie, Dom Maker - in your eyes (feat. slowthai &amp; Danny Brown) [Official Audio]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/sldUhbbH9-E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            Being denied the use of a sample is similar to waking up from an amazing dream and realizing it was just fantasy. Unfortunately, that happened on \u201cIn your Eyes.\u201d I had to reconstruct the whole first half of the instrumental around the verse that Ty had laid down at Truth Studios in Los Angeles, and Danny\u2019s verse was flown in for the second half. I wanted to make it feel like the first half of the song is a rain storm and the beat switch is the moment when the clouds part and the sun breaks through.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239226\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"3_F1_Racer_feat_Kucka\"><\/span>\n        3. F1 Racer (feat. Ku\u010dka)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Mount Kimbie, Dom Maker - f1 racer (feat. Ku\u010dka) [Official Video]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/aRrOlY9jq1s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            Ku\u010dka supported us on our U.S. tour a few years back, and we\u2019ve stayed close ever since. I sent her this instrumental one morning, and she quickly sent it back with this vocal idea, confessing that the night before, she\u2019d had a dream about being an F1 racing driver competing in a Grand Prix and had written this song about it. I wanted to try and create the feeling of movement and momentum in the beat. As with the majority of the songs on this album, I collaborated on this instrumental with my friends. I had James Blake add the main synth line, and my good friend Chris Trowbridge (<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/soundcloud.com\/partnermusic\">Partner Music<\/a>) chopped up and sent me the original sampled loop that makes up the spine of this song.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239228\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"4_Heat_On_Lips_On\"><\/span>\n        4. Heat On, Lips On<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"heat on, lips on\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/rdWZWbh40m0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            I chopped each individual word of a poem, written and performed by a spoken word artist I discovered on <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>. I then reassembled them to create new sentences over two different beats I\u2019d made by sampling some stock \u2018jazz music\u2019 that someone had made and posted on one of those \u2018royalty free\u2019 music sites. I see this as a couple of messy pages in my audio scrapbook.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239229\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"5_End_of_the_Road_feat_reggie\"><\/span>\n        5. End of the Road (feat. reggie)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"end of the road\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/QdY_sKMHiXI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            Me and reggie made this in our first session together. He suggested pitching up his vocal on it, which, to me, sealed the fact that I wanted to work with this guy as much as possible! The original sample is from an old low rider soul tune that I discovered. To me, it feels like a drive thru somewhere in Southern California. reggie is a rare talent and I\u2019m honored to feature him on <i>Die Cuts<\/i>.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239231\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"6_Somehow_Shes_Still_Here_feat_James_Blake\"><\/span>\n        6. Somehow She\u2019s Still Here (feat. James Blake)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"somehow she&#039;s still here\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/MTILggZ9BcY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            Originally, me and James produced this song for Jay-Z. It was about 24 hours away from being on <i>4:44<\/i> and got canned at the last minute. Jay\u2019s loss is my gain (definitely the only opportunity I\u2019ll ever get to say that). It features a great sample from the legend, Mahalia Jackson. I remember a surreal incident where I was playing this on my headphones in the back of an Uber after I\u2019d just left one of the sessions with Jay and James. We were snaking down a narrow, scarcely lit road in the Hollywood hills and the driver stopped and asked me to play it over his stereo as we continued down, passing mansions and Bugattis.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239232\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"7_Kissing_feat_slowthai\"><\/span>\n        7. Kissing (feat. slowthai)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"kissing\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/L1thUZrW9To?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            One of the oldest tracks on the album. One of my favorite slowthai vocals ever. I spent many hours trying to exact the drum programming on this one. My friend <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/joshinfilm\/?hl=en\">Josh Stadlen<\/a> came up with the melody that comes in after the first chorus, when the beat switches. The song feels so \u201cBritish\u201d to me, very nostalgic. Despite having moved to the U.S. over seven years ago, I still miss the U.K. a lot, and that longing definitely gets into my music.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239233\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"8_Say_That_feat_Nomi\"><\/span>\n        8. Say That (feat. Nomi)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"say that\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/eM4irBTwcaU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            This is the first time Nomi has ever released music under her name. It\u2019s my favourite track on the album. Her vocal is so pure and beautiful, I underlaid the entire instrumental with the sound of a crackling fire, and there are a few moments of ASMR recordings of people whispering sentences about love and commitment. Me and Nomi are gonna make a lot of music together in the future. She\u2019s fantastic.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239235\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"9_Need_U_Tonight\"><\/span>\n        9. Need U Tonight<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"need u tonight\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/k-QaG9wHWUc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            The one interlude on the album. I made this with Chris Trowbridge: the guy always supplying me with amazing samples and chops. It\u2019s a quick flick to another channel for a second, and then its gone. It feels like a flash of a memory.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239236\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"10_If_and_When_feat_Wiki\"><\/span>\n        10. If and When (feat. Wiki)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"if and when\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/jSe28YOiE6M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            I was so in love with what Wiki had recorded, I had to gut the original beat that I\u2019d sent him and make something totally new. I resonated with what he speaks about: alcoholism, trying to hold everything together. There\u2019s so much energy in his delivery, and I wanted to match that. Wik came over to L.A. to finish the song with me. I probably sent him 15 different versions of it, but this is where we ended up.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239237\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"11_Tender_Hearts_Meet_the_Sky_feat_KeiyaA\"><\/span>\n        11. Tender Hearts Meet the Sky (feat. KeiyaA)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"tender hearts meet the sky\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/FzCKGYEDLiA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            KeiyaA flew over from New York to work on this with me. We spent most of our time talking and laughing together, then at the very end of her stay, my friend <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/cediejanson\/?hl=en\">Cedie Janson<\/a> came into the studio with his Kaoss Pad and came up with a crazy chop that K wrote to and recorded over. I absolutely love KeiyaA\u2019s music, so it was huge for me to have her involved.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239238\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"12_A_Deities_Encore_feat_Live\"><\/span>\n        12. A Deities Encore (feat. Liv.e)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Mount Kimbie, Dom Maker - a deities encore (feat. Liv.e) [Official Audio]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/zZ9LOG4C53w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            Liv.e and I spent a couple of hours together playing music back and forth at each other, exchanging an aux cord. She took the main loop home with her and came back the next day with this entire vocal recorded \u2014 an intricate weave of layers upon layers of harmony. Working with her inspires me like no one else. Liv.e makes me feel like I can do anything musically and be completely free.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-239239\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Mount_Kimbie_-_Die_Cuts___City_Planning_-_artwork_1_1_zixhbs\/disc-2-i-city-planning-i-art-by-tyrone-lebon-and-tom-shannon.jpg 2400w,\" sizes=\"100vw\" alt=\"The duality of Mount Kimbie\"><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      Disc 2: <i>City Planning<\/i>. Art by Tyrone Lebon and Tom Shannon.<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239240\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"1_Q\"><\/span>\n        1. Q<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Mount Kimbie, Kai Campos - Q (Official Audio)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/aSh03nFlCww?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            <b>Kai Campos:<\/b> \u201cQ\u201d is a small little thing: just a nice loop I had made, a 606, and a pitch delay effect. It came late in the day, but after it was done, it was obviously the first track because I think it succinctly establishes the world of the record. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239241\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"2_Quartz\"><\/span>\n        2. Quartz<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Mount Kimbie, Kai Campos - Quartz (Official Audio)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3sbxLmTUE38?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            \u201cQuartz\u201d is an expansion of the first track. I\u2019m not considering tempo when I\u2019m working, just listening for what feels right, but I was a bit surprised to see this was running so fast. I was finding more pockets of space when the tracks started getting faster. This was a rhythm track for a long time, but in the end, I felt like it benefited from adding the color that came with the chord sequence. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239242\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"3_Transit_Map_Flattened\"><\/span>\n        3. Transit Map (Flattened)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Transit Map (Flattened)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/U4YVlZokYAU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            \u201cTransit Map\u201d is the only collaboration on the record. I was listening to a piece of piano improv from our bandmate <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/andreabalencybearn\/?hl=en\">Andrea Balency-B\u00e9arn<\/a> and was instantly obsessed with this one phrase, which is the piano line of this track. Much against the intention of the original piece, I felt like it needed to be looped forever underneath a kick drum.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239243\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"4_Satellite_7\"><\/span>\n        4. Satellite 7<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Satellite 7\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/Y7p3P6N0KDM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            \u201cSatellite 7,\u201d \u201c9,\u201d and \u201c6\u201d are all closely related. Early on, I found a sequencer I hadn\u2019t used in several years and started playing round with some old ideas that were saved in it. I was into the idea of exploring one idea from several different view points. \u201cSatellite 7\u201d was the first, and originally, it turned into this really big, more clubby track that at some point I realized wasn\u2019t very good.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239244\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"5_Satellite_9\"><\/span>\n        5. Satellite 9<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Mount Kimbie, Kai Campos - Satellite 9 [Official Audio]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gegRqfTgUZY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            \u201cSatellite 9\u201d was made while mixing the record and came together in a really short time. That process was how the best part of this record came together. There was a long and slow period of making lots and lots of ideas. And then the last part was s<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>ping them back, cutting them apart, and working really quickly on new ones \u2014 mixing them in that moment, following the energy they were presenting. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239245\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"6_Satellite_6_Corrupted\"><\/span>\n        6. Satellite 6 (Corrupted)<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Satellite 6 (Corrupted)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/YHNoIUOnBrk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            \u201cSatellite 6\u201d is one of my favorite moments of the record. It was pretty much a happy accident that came from a really boring type of error in the studio, but these are the most exciting parts of making music. I wanted it to feel beautiful but also uncomfortable, like looking at the sun.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239246\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"7%E2%80%939_%E2%80%9CZone_3_City_Limits%E2%80%9D_%E2%80%9CZone_2_Last_Connection%E2%80%9D_%E2%80%9CZone_1_24_Hours%E2%80%9D\"><\/span>\n        7\u20139. \u201cZone 3 (City Limits),\u201d \u201cZone 2 (Last Connection),\u201d \u201cZone 1 (24 Hours)\u201d<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Zone 3 (City Limits)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/-T-JtzGoi7I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/><iframe loading=\"lazy\" title=\"Zone 2 (Last Connection)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/ndOzGrYA9TE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/><iframe loading=\"lazy\" title=\"Mount Kimbie, Kai Campos - Zone 1 (24 Hours) [Official Audio]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XaFZGr8Rmss?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            Zones \u201c3,\u201d \u201c2,\u201d and \u201c1\u201d are another three-parter! It started off as quite a simple arpeggio which I built on and tried to look at from a few different angles. It makes heavy use of the Roland JV1080, which is a synth that was very popular in the late \u201990s but still has a lot of magic to me. \u201cZone 1\u201d is the most dense and complete bit of music on the record, but I wanted to show the inner workings of tracks as well, and Zone 3 is the DNA of the whole thing.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239247\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"10_Industry\"><\/span>\n        10. Industry<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Industry\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/cKP6dZI9msA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            \u201cIndustry\u201d signals a change in direction at the end of the record and is quite an abrasive end to the trip that the previous three tracks have been on. It\u2019s the sound of leaving somewhere intoxicating.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-239248\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"11_Human_Voices\"><\/span>\n        11. Human Voices<br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <iframe loading=\"lazy\" title=\"Human Voices\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/NWFTskkAsC0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>            \u201cHuman Voices\u201d is a soft landing at the end of the record and is meant to feel like a time that\u2019s between night and the next morning. It\u2019s a return to something outside of the world of the record and neither happy nor sad. It\u2019s not a big statement of an exit, just something that slips away. As much as possible, I wanted the record to not feel like it had a strict beginning, middle and end and was more of a looping experience. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Raphael Helfand<\/span><br \/>\n  <\/span><\/div>\n<p><script async defer src=\"https:\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2022\/11\/04\/mount-kimbie-die-cuts-city-planning-track-by-track\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The duality of Mount Kimbie&#8221; Kai Campos and Dom Maker break down their new split double album, MK 3.5: Die Cuts | City Planning, track by track. Bolade Banjo Mount Kimbie have found success over the past decade by presenting a united front, producing sleek electronic instrumentals that can feel impenetrably solid. But Dom Maker&#8230;<\/p>\n","protected":false},"author":1,"featured_media":506929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_532,w_1022,x_2,y_67,f_auto,q_auto:eco\/unnamed_8_u9xjer\/unnamed_8_u9xjer.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[135107,87514,135108,70744,129710],"class_list":["post-506928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-dom-maker","tag-electronic","tag-kai-campos","tag-mount-kimbie","tag-track-by-track"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/506928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=506928"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/506928\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/506929"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=506928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=506928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=506928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}