{"id":509184,"date":"2022-11-12T02:26:14","date_gmt":"2022-11-11T23:26:14","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/a-real-world-black-swan-in-exile\/"},"modified":"2022-11-12T02:26:14","modified_gmt":"2022-11-11T23:26:14","slug":"a-real-world-black-swan-in-exile","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/a-real-world-black-swan-in-exile\/","title":{"rendered":"#A Real-World \u2018Black Swan\u2019 in Exile"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a305767a7314\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a305767a7314\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/a-real-world-black-swan-in-exile\/#A_Real-World_%E2%80%98Black_Swan_in_Exile\" >A Real-World \u2018Black Swan\u2019 in Exile<\/a><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"A_Real-World_%E2%80%98Black_Swan_in_Exile\"><\/span>A Real-World \u2018Black Swan\u2019 in Exile<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Joy Womack is speaking to me in a Zoom window as she furiously threads a pair of ballet shoes. \u201cIt takes three hours to prepare one pair of shoes,\u201d she says apologetically. \u201cAnd we go through four pairs a week. So if you\u2019re not sewing, you\u2019re out of shoes.\u201d <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    At 28, Womack has already gone through thousands of ballet shoes. She was born one of nine children to a middle-class family in Beverly Hills; until 12 she lived in Santa Monica, then moved with her family to Austin, Texas, where her mother enrolled her in a dance school that specializes in the Vaganova ballet technique. That led to a scholarship at the Kirov Academy of Ballet in Washington, D.C., which led her to <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ly to the Bolshoi school in Moscow, where she was accepted.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Womack moved to Moscow at 15, graduated top of her class and was accepted into the Bolshoi Company \u2014 unheard of for a non-Russian dancer, much less an American. A <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> of scandals at the Bolshoi led her to quit that company and join the state Kremlin Ballet, based out of the actual Kremlin building in Red Square. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    If it all sounds like something out of a movie, it is, as Womack\u2019s life has already served as the basis for a 2021 documentary, <em>Joy Womack: The White Swan<\/em>, as well as an upcoming biopic called <em>Joika<\/em> starring Talia Ryder as Womack and Diane Kruger as her instructor Tatiyana Volkova.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Filming on <em>Joika<\/em>, for which Womack served as choreographer and consultant, wrapped in Warsaw almost hours before Russia launched its assault on Ukraine. The war has turned Womack into something of a ballet refugee, unable to return to Russia for having spoken out against the war, and without a company to call her own. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    On Nov. 12, she will perform at Segrestrom Center for the Arts in <em><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.scfta.org\/events\/2022\/reunited-in-dance\">Reunited in Dance<\/a><\/em>, organized by British-born Xander Parish, former principal dancer at St. Petersburg\u2019s Mariinsky Ballet, and featuring an all-star company of international dancers impacted by the war in Ukraine. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Womack took a break from an intensive rehearsal schedule for a fascinating conversation with <em>The Hollywood Reporter<\/em> about dance and diplomacy amid the horrors of war.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Had they never taken an American at the Bolshoi before?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    There was an American woman \u2014 she was half-American, half-Russian in the 1960s. She grew up in the Soviet Union. That\u2019s what I\u2019ve been told. But in the new Russian Federation, there had never been an American woman in the company before.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>I assume you had to work with translators?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    No, I had to learn Russian. I learned Russian at school, so I speak fluent Russian.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>So on top of all your ballet commitments, you had to learn how to speak Russian?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    My teacher said she was going to throw me out of the class if I didn\u2019t learn Russian in three months. So I learned Russian. I would get up at five in the morning and practice my Russian. I learned it super quickly.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>And how are you treated as an American?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I mean, honestly, that\u2019s one of the things that I love about Russia. Yes, I was the American girl, but I feel like I earned my s<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>es, if you know what I mean. By the end of my time in Russia, I was treated pretty much like everybody. I ended up getting my Russian citizenship last year. So I think they saw that. They appreciated that I had a huge love for their culture and love for their school, and love for their tradition. I wanted to be Russian after I was there for a year. I wanted so badly just to be like them.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Were you performing for Putin and all his officers?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Yes.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>What\u2019s that like?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It was a big honor. I mean, this is before [the war]. I was really proud to be part of diplomacy and the fact that Russia takes a huge pride in their classical ballet. And so they fund it well, and the dancers have great opportunities, and we are ambassadors for arts and culture. I believe that arts, culture and dance is an organic bridge between nations, and the way that we should do diplomacy. I don\u2019t think that we should involve politics inside of our diplomatic arts policy. And so being an American, working for the Kremlin, I thought, was a natural reflection of how we create relationships between countries.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    So for me, it was a big honor. When I was 17, I got to represent the Bolshoi school when they came to the Kennedy Center and I danced as a soloist. I was the best soloist in that production. And I felt like that was a huge statement. I was so proud to represent Bolshoi Academy as an American. And then when I would go on tour with the Kremlin Ballet, or when I would dance, I felt part of it. Where, I\u2019m sure you can ask Xander Parish or any one of the dancers here. We were really proud to be part of that tradition. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    And it\u2019s really sad what\u2019s happening these days because more and more we\u2019re becoming polarized in spaces that were never polarized before. And sadly, it is true the Russian government does fund the arts there. So I personally didn\u2019t feel comfortable remaining in Russia and receiving a government salary when I wasn\u2019t OK with what was happening.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>And then what about on the American end? Did you ever get any suspicions from, I don\u2019t know, the CIA that you might be a spy or something?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I can\u2019t comment on that, but I do know that it was a very weird place to be. I can\u2019t comment on that, but I think people have this idea of \u201cbig bad Russia.\u201d I understand why now, but before, I feel like I lived in a golden era in Russia where it was becoming more and more international, and people were having a career dancing. Because in the United States, we don\u2019t have the funding for arts like we did in Russia. We were literally dancing a different ballet every night. You can\u2019t do that in the United States. You have a block of performances and then everybody rehearses for three months. And in Russia, my season would go from September to July and then I\u2019d have a paid vacation for a month. In the U.S. you have to go on unemployment when you\u2019re not working as an artist. We have very far to come as a nation in the U.S. if we want to talk about cultural diplomacy or cultural superiority. We have no cultural support to speak of. The National Endowment for the Arts is $250 million.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Meanwhile, we\u2019re giving $40 billion of aid to Ukrainians, which that\u2019s awesome, we have to give that aid. But why can\u2019t we support our own arts programs in the United States? Why are dancers who are in the United States feeling like they have to go overseas to get health care, to have support, to be able to have a career, to be respected? I will not tell you how many times in my life I\u2019ve been asked by my American family, \u201cWhen am I going to get a real job?\u201d Whereas in Russia, I\u2019m respected. I was. Now I\u2019m persona non grata.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>You must have been quite a celebrity there for being the only American in the Bolshoi, and you were dancing leads in things like <em>Swan Lake<\/em>.<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I feel like there was a notoriety around my name. I don\u2019t know if I was a celebrity, but I do feel like I always had work, and I could perform where I wanted. And certainly later I felt like I had the ability to choose my projects, which was nice. I think especially since the start of the war, I\u2019ve kind of mourned that in some way. I was going a certain way. I was kind of the token American in some ways. And I felt like I was opening the door for Russia to be a space that was more popular amongst foreigners. So overnight that whole platform disappeared. And I didn\u2019t feel comfortable. I know there\u2019s several of my friends who I personally helped them find their first jobs in Russia who are still there.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    And it breaks my heart. There\u2019s a moment where there\u2019s a line in the sand. I know that a lot of the dancers that have decided to stay, but it\u2019s because they have no other option. They can\u2019t find employment in the West because it\u2019s extremely competitive and very, very difficult. Doesn\u2019t matter how great of a dancer you are, there\u2019re no contracts. Companies in the West can\u2019t take you. Whereas in Russia, there\u2019s a company in every city, and performances, and there\u2019s an audience, and the government supports the arts. So maybe you\u2019re not making a huge salary, but you can make a living dancing in Russia.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>You mentioned that you are persona non grata now. What do you mean by that?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Because I\u2019ve made the statements that I have. And by leaving Russia, if I ever went back, I would have to stay. And I would have to probably say some things \u2014 that I agree with the position of the Russian government, etc. And that\u2019s very sad to me. Because I have always stood for the fact that ballet can be diplomacy for the world. So I would prefer not to focus on the political, if you don\u2019t mind. I really don\u2019t want it to be about that. I know that maybe that\u2019s the buzz thing right now, but I feel like it can really be something that burns bridges down the road.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Maybe I\u2019ve already lit the fire behind myself, but I really love the people that I worked with. And I think that there\u2019s this naive idea we have as Americans that like, \u201cOh, well, if we punish them, they\u2019ll rise up.\u201d But no, there\u2019s no possibility for that. Russians will live. They have no choice. They have to be OK with the government that they have because they don\u2019t have any power. So to penalize the people for something that somebody does in the leadership is not fair for the regular man there. And I have the dearest family friends that I have experienced nothing but kindness from, ordinary people that are in Russia who love me, who\u2019ve given me space.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    For example, my friends in Astrakhan, they literally have all of my stuff. They\u2019ve not asked for a dime to take care of my things when we left. It\u2019s so easy to demonize a people group and not understand where they\u2019re coming from. Most of the people I know are not OK with the fact that a war is going on, but they can\u2019t say that loud. Or they\u2019ve been brainwashed by what they watch.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>And we certainly are not immune from that over here, either.<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I mean, we just had Election Day. Think about how polarized the United States is. Those who live in glass houses should not throw stones. We\u2019re all human.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Have you been vocal at all about your position on the war?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Very much so. I worked in the South of France after I left Russia. I was super afraid to make any statements because I was afraid for my friends. And then I realized that I couldn\u2019t stay silent. So I released a statement on my <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social media<\/a> officially, because I felt like it was the right thing to do before starting in another place. And I received so much backlash from friends and from people that I worked with. And on the other hand, I received a lot of support. So I do feel like I have to follow my con<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/sciencee\/\" data-internallinksmanager029f6b8e52c=\"5\" title=\"Science\" target=\"_blank\" rel=\"noopener\">science<\/a> and my conviction. I always have. In my career I always felt like I have to follow what my heart says is to be true, even if that closes doors in front of me.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    But at least at the end of the day, I can have an honest conscience. I have suffered in my career because of that. Because people don\u2019t want somebody who speaks their mind or is an advocate for themselves, especially in the dance industry. They want somebody who\u2019s beautiful and does what the company says. They don\u2019t want somebody who speaks out or exposes things. So I think I\u2019ve kind of had that branded onto me ever since I spoke about what was going on in the Bolshoi in 2013. So I\u2019ve had to navigate that and make peace with the fact that I\u2019ve lost out on a lot of opportunity. But at what cost comes celebrity, at what cost comes notoriety? I\u2019m not chasing the fame. I love what I do, I love the art, but I don\u2019t want to be given opportunity because I\u2019ve become complacent with something that compromises my morals.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Let\u2019s talk about <em>Joika<\/em> a bit, because it sounds really cool. Diane Kruger\u2019s in it. And it\u2019s your life story. How did that come together?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It\u2019s kind of a crazy ride. There was a <em>New York Times<\/em> article about me when I moved over to the Bolshoi. I think it was my first or my second year in the school. And a writer found that plot really interesting and they kind of wrote a treatment and then it got shopped around Hollywood. I grew up in L.A., so everybody around me was trying to get famous and be in a movie and I could have cared less. So I literally thought that people were high on crack trying to make a movie about my life. That\u2019s never going to happen. And even to this day when I talk with James [Napier Robertson], who\u2019s the director, I tell him I\u2019ll believe it when I\u2019m sitting at the premiere. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The only thing that I asked when James said that it was happening was like, \u201cLook, I just want the dance to be good in it.\u201d I want ballet to have its day. We had <em>Black Swan<\/em>. I think that the only way to repopularize the art form in the United States is to have more things like that. So that\u2019s the reason I said yes to the project is because I want there to be more movies about ballet in the limelight. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>And you wrapped at the very last possible minute before war broke out?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I think if we had pushed the shoot by a week, we would have been stuck. It was filming in Poland. But the problem is, when the war started, refugees started to pour into Warsaw.  So all of the hotels were being filled up with refugees. There was nowhere to stay. The movie company, they\u2019re like, \u201cWell, you can\u2019t go back to Russia. Literally they can\u2019t get you flights back in.\u201d Then we kind of were gypsies around Europe.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    For two months I tried finding a job. I worked temporarily in the South of France, but I had never faced as much rejection in my life as I faced after the war. I auditioned for over 100 different places and received rejection from each one of them.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>So what did you do?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I holed up in a tiny apartment in Paris and I just trained every single day. And I did as many auditions as I could and kept getting no\u2019s. And then I passed the Paris Opera audition and I just waited for an answer. I\u2019m not allowed to talk about it yet. I can talk about it in January. Then I went back to the States and started to get a ton of invitations to perform and collaborate.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>So you\u2019re kind of a ballet refugee?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Yeah, well, which is what <em>Reunited in Dance<\/em> is. Xander gave us a place to work and an opportunity to perform for the audience again, which is really kind. My family\u2019s flying in for the performance, which is really exciting because I think I\u2019ve performed for them a handful of times in my life. They\u2019ve rarely gotten to see me actually perform because I spent the bulk of my career in Russia, and it\u2019s kind of hard to get to Russia.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>I must say, I find you fascinating. Not just your life story, but your point of view.<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    We need to remember that we need to love and have compassion for our fellow man. And it\u2019s so easy to demonize another person. But we\u2019re just like people who throw bombs if we use our words in a way that excludes another people. So the only thing we can do is do the best we can every day. Find something that you love and hope that thing that you love can touch other people. And that\u2019s the way we make our world a better place.<\/p>\n<\/p><\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n!function(f, b, e, v, n, t, s) {\nif (f.fbq) return;\nn = f.fbq = function() {n.callMethod ? n.callMethod.apply(n, arguments) : n.queue.push(arguments);};\nif (!f._fbq) f._fbq = n;\nn.push = n;\nn.loaded = !0;\nn.version = '2.0';\nn.queue = [];\nt = b.createElement(e);\nt.async = !0;\nt.src = v;\ns = b.getElementsByTagName(e)[0];\ns.parentNode.insertBefore(t, s);\n}(window, document, 'script', 'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\nfbq('init', '352999048212581');\nfbq('track', 'PageView');\n<\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.hollywoodreporter.com\/lifestyle\/arts\/joy-womack-reunited-dance-bolshoi-black-swan-exile-1235260507\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Real-World \u2018Black Swan\u2019 in Exile Joy Womack is speaking to me in a Zoom window as she furiously threads a pair of ballet shoes. \u201cIt takes three hours to prepare one pair of shoes,\u201d she says apologetically. \u201cAnd we go through four pairs a week. So if you\u2019re not sewing, you\u2019re out of shoes.\u201d&#8230;<\/p>\n","protected":false},"author":1,"featured_media":509185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/11\/Joy-Womack-by-Karolina-Kuras-Announcement-Publicity-H-2022.jpg?w=1024","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[74556,124783,4975,135443,70868],"class_list":["post-509184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-diane-kruger","tag-international","tag-russia","tag-talia-ryder","tag-ukraine"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/509184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=509184"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/509184\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/509185"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=509184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=509184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=509184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}