{"id":529218,"date":"2022-12-19T14:06:18","date_gmt":"2022-12-19T11:06:18","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/rotterdam-film-festival-unveils-competition-lineup\/"},"modified":"2022-12-19T14:06:18","modified_gmt":"2022-12-19T11:06:18","slug":"rotterdam-film-festival-unveils-competition-lineup","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/rotterdam-film-festival-unveils-competition-lineup\/","title":{"rendered":"#Rotterdam Film Festival Unveils Competition Lineup"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a23a707824e8\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a23a707824e8\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/rotterdam-film-festival-unveils-competition-lineup\/#Rotterdam_Film_Festival_Unveils_Competition_Lineup\" >Rotterdam Film Festival Unveils Competition Lineup<\/a><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"Rotterdam_Film_Festival_Unveils_Competition_Lineup\"><\/span>Rotterdam Film Festival Unveils Competition Lineup<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The International Film Festival Rotterdam (IFFR) on Monday unveiled the full lineup for its 2023 event.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    After two all-virtual festivals, the IFFR is finally returning in-person fest, running Jan. 25-Feb. 5 in the Dutch port city. Rotterdam is one of the last major festivals to return post-pandemic, its 2022 event having been forced to go online-only at the last minute when Dutch authorities imposed a new lockdown in December last year, just weeks before the IFFR kicked off. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The resulting revenue shortfall \u2014closed theaters equals zero ticket sales \u2014 meant IFFR had to slash its budget, cutting 15 percent of its staff and restructuring. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Festival director Vanja Kaludjercic, who runs the IFFR together with managing director Marjan van der Haar, told <em>The Hollywood Reporter<\/em> the cuts were made \u201cin order to avoid having to make big changes to the festival.\u201d The 2023 edition, however, will be significantly smaller than the pre-pandemic versions, with around 20 percent fewer films. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    \u201cBut we still have 430 films in the program, including shorts, with more than 200 world premieres,\u201d notes Kaludjercic, \u201cso we are still very big.\u201d <\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1296px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((730\/1296)*100%);\">\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Rotterdam-IFFR-2023-@JandeGroen-2.jpg?w=1296\" alt=\"Rotterdam IFFR 2023\" srcset=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Rotterdam-IFFR-2023-@JandeGroen-2.jpg 1296w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Rotterdam-IFFR-2023-@JandeGroen-2.jpg?resize=125,70 125w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Rotterdam-IFFR-2023-@JandeGroen-2.jpg?resize=681,383 681w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Rotterdam-IFFR-2023-@JandeGroen-2.jpg?resize=450,253 450w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"730\" width=\"1296\" decoding=\"\"\/><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-padding-tb-025\"><span class=\"a-font-secondary-s lrv-u-margin-r-025\">International Film Festival Rotterdam<\/span><\/p>\n<p>                                    <cite class=\"a-font-accent-uppercase-xs lrv-u-color-grey-dark\">@JandeGroen<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The 2023 IFFR will open with the world premiere of <em>Munch<\/em>, an experimental biopic of tortured Norwegian painter Edvard Munch \u2014he of the iconic \u201cThe Scream\u201d \u2014 from self-taught filmmaker Henrik Martin Dahlsbakken (<em>Returning Home<\/em>, <em>Possession<\/em>). The feature, produced by The Film Company with backing by Scandinavian streamer Viaplay and regional fund Filminvest, tells Munch\u2019s story in four interlocking chapters, each written by a different screenwriter \u2014 Fredrik H\u00f8yer, Mattis Herman Nyquist, Gine Cornelia Pedersen and Eivind S\u00e6ther\u2014 and each featuring a different actor playing Munch at ages 21 (Alfred Ekker Strande), 30 (Mattis Herman Nyquist), 45 (Ola G. Furuseth) and 80 (Anne Krigsvoll).<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>All India Rank<\/em>, a coming-of-age tale from director Varun Grover, will close the 2023 IFFR on Feb. 5. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The IFFR\u2019s main Tiger Competition lineup will include <em>Thiiird<\/em>, a mystery drama out of Lebanon from award-winning documentarian Karim Kassem, which uses the metaphor of a car mechanic to explore the damage desperately needing repair done to his country and its people; the Swedish autobiographical documentary drama <em>100 Seasons<\/em>, in which dancer Giovanni Bucchieri explores 25 years of love, success and failure; and <em>Playland<\/em>, a deliberately camp and kitschy drama from U.S. director Georden West, which imagines a  time-bending night in Boston\u2019s oldest and most notorious gay bar. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    In the Big Screen section, meant to highlight works for a broader audience or from more established directors, IFFR 2023 will feature <em>One Win<\/em> from Korean director Shin Yeon-Shick, an inspirational sports drama featuring <em>Parasite<\/em> star Song Kang-ho as the unsuccessful coach of a women\u2019s volleyball team; the Danish psychological drama <em>Copenhagen Does Not Exist<\/em> from director Martin Skovbjerg from a screenplay by <em>Worst Person in the World<\/em> writer\/director Eskil Vogt; and <em>Luka<\/em>, the latest from Belgian-U.S. director Jessica Woodworth, a contemporary adaptation of Dino Buzzati\u2019s classic novel <em>The Tartar Steppe<\/em>.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1296px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((730\/1296)*100%);\">\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Copenhagen-does-not-exist-publicity-H-2022.jpg?w=1296\" alt=\"Copenhagen Does Not Exist\" srcset=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Copenhagen-does-not-exist-publicity-H-2022.jpg 1296w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Copenhagen-does-not-exist-publicity-H-2022.jpg?resize=125,70 125w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Copenhagen-does-not-exist-publicity-H-2022.jpg?resize=681,383 681w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Copenhagen-does-not-exist-publicity-H-2022.jpg?resize=450,253 450w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"730\" width=\"1296\" decoding=\"\"\/><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-padding-tb-025\"><span class=\"a-font-secondary-s lrv-u-margin-r-025\">\u2018Copenhagen Does Not Exist\u2019<\/span><\/p>\n<p>                                    <cite class=\"a-font-accent-uppercase-xs lrv-u-color-grey-dark\">IFFR 2023<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    For Kaludjercic, who took over in 2020, this upcoming IFFR will be the first real test of her stewardship. Her renewed focus on \u201cdiscovery,\u201d on directors and films from outside the thematic, regional or genre mainstream, will be on full display. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    \u201cWe have films from the Middle East and Africa, from Morocco, from Lebanon, from Iran, from Tunisia,\u201d she notes, \u201cAsian cinema has always been a focus at IFFR but we are looking to expand and diversify our focus.\u201d <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    African films in the 2023 Tiger Competition lineup include Tunisian drama <em>Geology of Separation<\/em> from directors Yosr Gasmi and Mauro Mazzocchi; the Moroccan feature <em>Indivision<\/em> from Le\u00efla Kilani; and<em> Le spectre de Boko Haram<\/em> by Cameroon director Cyrielle Raingou, all of which will have their world premieres at the IFFR. From Asia, Kaludjercic\u2019s team has selected the likes of <em>Gagaland <\/em>from Chinese director Teng Yuhan and the Sri Lankan feature <em>Munnel<\/em> from director Visakesa Chandrasekaram.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    In its Bright Future program, dedicated to young and emerging talent, IFFR previously announced two world premieres: <em>Almost Entirely a Slight Disaster<\/em>, a deadpan dramedy from Turkish director Umut Subasi, and <em>Whispering Mountains<\/em>, a satirical drama director Jagath Manuwarna which looks at what h<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ens when a supernatural virus spreads across Sri Lanka. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Rotterdam\u2019s Limelight section, featuring art house highlights of the past year, will include such festival favorites as Alice Diop\u2019s <em>Saint Omer<\/em>, Charlotte Wells\u2019 <em>Aftersun<\/em>, <em>EO<\/em> from Poland\u2019s Jerzy Skolimowski, Jafar Panahi\u2019s autobiographical Iranian drama <em>No Bears<\/em>, and <em>War Pony <\/em>from directors Riley Keough and Gina Gammell.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The 2023 Robby M\u00fcller Award, presented in honor of the late Dutch cinematographer, of <em>Paris, Texas<\/em>, <em>24-Hour Party People<\/em> and <em>Breaking the Waves<\/em>, among others, will be awarded to French lenser H\u00e9l\u00e8ne Louvart, whose work includes such features as <em>Never Rarely Sometimes Always<\/em>, <em>The Lost Daughter<\/em>, <em>Happy as Lazzaro<\/em> and <em>The Wonders<\/em>.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:928px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((523\/928)*100%);\">\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2020\/02\/never_rarely_sometimes_always_copy_copy.jpg?w=928\" alt=\"\" srcset=\"\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"523\" width=\"928\" decoding=\"\"\/><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-padding-tb-025\"><span class=\"a-font-secondary-s lrv-u-margin-r-025\">\u2018Never Rarely Sometimes Always\u2019 cinematographer H\u00e9l\u00e8ne Louvart will receive the IFFR 2023 Robby M\u00fcller Award<\/span><\/p>\n<p>                                    <cite class=\"a-font-accent-uppercase-xs lrv-u-color-grey-dark\">\u2018Never Rarely Sometimes Always\u2019 \/ Courtesy of Sundance<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Oscar-winning director and Turner Prize-winning visual artist Steve McQueen will also attend IFFR  to present <em>Sunshine State<\/em>, an artwork originally commissioned for the festival\u2019s 50th anniversary in 2021 that can now be properly displayed at the Depot Boijmans Van Beuningen exhibition space in Rotterdam, with the official opening on Jan. 26. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The work, McQueen\u2019s first major artwork since his \u201cYear 3\u201d commission for the Tate Britain in 2019, is a two-channel video projection shown on both sides of two screens, which opens with footage of a burning sun and includes images from the 1927 feature film <em>The Jazz Singer<\/em>, a film famed as the first \u201ctalkie\u201d in cinema history that\u2019s also infamous for the performance of Al Jolson in blackface. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    IFFR 2023 will also see the in-person return of Rotterdam\u2019s famed co-production market, which will celebrate its 40th edition from Jan. 29-Feb. 1 with one-on-one meetings and networking sessions between independent producers, financiers and distributors.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Full list of IFFR 2023 films below. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Opening Film<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Munch<\/em>, dir. Henrik Martin Dahlsbakken<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Tiger Competition<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>100 Seasons<\/em>, dir. Giovanni Bucchieri<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Gagaland<\/em>, dir. Teng Yuhan<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Geology of Separation<\/em>, dirs. Yosr Gasmi, Mauro Mazzocchi<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Indivision<\/em>, dir. Le\u00efla Kilani<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Letzter Abend<\/em>, dir. Lukas Nathrath<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Mannvirki<\/em>, dir. G\u00fastav Geir Bollason<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Munnel<\/em>, dir. Visakesa Chandrasekaram<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>New Strains<\/em>, dir. Artemis Shaw, Prashanth Kamalakanthan<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Notas sobre un verano<\/em>, dir. Diego Llorente<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Numb<\/em>, dir. Amir Toodehroosta<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Nummer achttien<\/em>, dir. Guido van der Werve<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>La Palisiada<\/em>, dir. Philip Sotnychenko<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Playland<\/em>, dir. Georden West<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Le spectre de Boko Haram<\/em>, dir. Cyrielle Raingou<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Thiiird<\/em>, dir. Karim Kassem<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>three sparks<\/em>, dir. Naomi Uman<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Big Screen Competition<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Avant l\u2019effondrement<\/em>, dirs. Alice Zeniter, Beno\u00eet Volnais<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Before the Buzzards Arrive<\/em>, dir. Jon\u00e1s N. D\u00edaz<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Copenhagen Does Not Exist<\/em>, dir. Martin Skovbjerg<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Drawing Lots<\/em>, dirs. Zaza Khalvashi, Tamta Khalvashi<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Endless Borders<\/em>, dir. Abbas Amini<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Le formiche di Mida<\/em>, dir. Edgar Honetschl\u00e4ger<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Four Little Adults<\/em>, dir. Selma Vilhunen<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>La hembrita<\/em>, dir. Laura Amelia Guzm\u00e1n Conde<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Joram<\/em>, dir. Devashish Makhija<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Luka<\/em>, dir. Jessica Woodworth<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>My Little Nighttime Secret<\/em>, dir. Natalya Meshchaninova<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>N\u00e3o Sou Nada \u2013 The Nothingness Club<\/em>, dir. Edgar P\u00eara<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Okiku and the World<\/em>, dir. Sakamoto Junji<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>One Win<\/em>, dir. Shin Yeon-Shick<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>La Sudestada<\/em>, dirs. Daniel Casab\u00e9, Edgardo Dieleke<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Voyages en Italie<\/em>, dir. Sophie Letourneur<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Closing Film<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>All India Rank<\/em>, dir. Varun Grover<\/p>\n<\/p><\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n!function(f, b, e, v, n, t, s) {\nif (f.fbq) return;\nn = f.fbq = function() {n.callMethod ? n.callMethod.apply(n, arguments) : n.queue.push(arguments);};\nif (!f._fbq) f._fbq = n;\nn.push = n;\nn.loaded = !0;\nn.version = '2.0';\nn.queue = [];\nt = b.createElement(e);\nt.async = !0;\nt.src = v;\ns = b.getElementsByTagName(e)[0];\ns.parentNode.insertBefore(t, s);\n}(window, document, 'script', 'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\nfbq('init', '352999048212581');\nfbq('track', 'PageView');\n<\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/2023-international-film-festival-rotterdam-unveils-competition-line-up-1235283539\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rotterdam Film Festival Unveils Competition Lineup The International Film Festival Rotterdam (IFFR) on Monday unveiled the full lineup for its 2023 event. After two all-virtual festivals, the IFFR is finally returning in-person fest, running Jan. 25-Feb. 5 in the Dutch port city. Rotterdam is one of the last major festivals to return post-pandemic, its 2022&#8230;<\/p>\n","protected":false},"author":1,"featured_media":529219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Munch_Mattias_Herman_Nyquist@Stig_Indreb.jpg?w=1024","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[134646,124783,134648],"class_list":["post-529218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-iffr","tag-international","tag-rotterdam-film-festival"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/529218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=529218"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/529218\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/529219"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=529218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=529218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=529218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}