{"id":531803,"date":"2022-12-27T21:45:00","date_gmt":"2022-12-27T18:45:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/how-top-gun-maverick-took-audiences-inside-the-fighter-jets\/"},"modified":"2022-12-27T21:45:00","modified_gmt":"2022-12-27T18:45:00","slug":"how-top-gun-maverick-took-audiences-inside-the-fighter-jets","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/how-top-gun-maverick-took-audiences-inside-the-fighter-jets\/","title":{"rendered":"#How \u2018Top Gun: Maverick\u2019 Took Audiences Inside the Fighter Jets"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a36c41a6cb64\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a36c41a6cb64\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/how-top-gun-maverick-took-audiences-inside-the-fighter-jets\/#How_%E2%80%98Top_Gun_Maverick_Took_Audiences_Inside_the_Fighter_Jets\" >How \u2018Top Gun: Maverick\u2019 Took Audiences Inside the Fighter Jets<\/a><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"How_%E2%80%98Top_Gun_Maverick_Took_Audiences_Inside_the_Fighter_Jets\"><\/span>How \u2018Top Gun: Maverick\u2019 Took Audiences Inside the Fighter Jets<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    When Joseph Kosinski took on the aerial scenes in Paramount\u2019s <em>Top Gun: Maverick<\/em>, he wanted to capture the experience of being a Navy fighter pilot. \u201cThe actors certainly behave differently when they\u2019re experiencing that for real,\u201d he says, describing how the filmmakers created that energy with some unique camera <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/technology\/\" data-internallinksmanager029f6b8e52c=\"4\" title=\"Technology\" target=\"_blank\" rel=\"noopener\">technology<\/a> that was mounted inside the jet cockpits to film the actors while they were aboard.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It worked so well that now Kosinski and cinematographer Claudio Miranda are aiming to use similar technology to capture the experience of driving a Formula One car for their upcoming untitled <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">App<\/a>le racing movie starring Brad Pitt.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    An Oscar winner for <em>Life of Pi <\/em>who has been collaborating with Kosinski since 2010\u2019s <em>Tron: Legacy<\/em>, Miranda explains that he consulted with Sony on the initial development of its Venice digital cinematography camera, which was used to shoot <em>Maverick<\/em>, and more recently, he worked with Sony on the Rialto extension system that effectively detaches the sensor from the camera. \u201cYou have this little device that you can stick anywhere, and then the main body would be tethered somewhere else,\u201d he explains, noting that there were six such cameras inside the jets, with very lightweight spherical lenses.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1000px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((650\/1000)*100%);\">\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Print-Issue-37-biz_screen-Top-Gun-Kosinski-Miranda-Publicity-EMBED-2022.jpg?w=1000\" alt=\"Kosinski with cinematographer Claudio Miranda (right)\" srcset=\"\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"650\" width=\"1000\" decoding=\"\"\/><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-padding-tb-025\"><span class=\"a-font-secondary-s lrv-u-margin-r-025\">Kosinski with cinematographer Claudio Miranda (right)<\/span><\/p>\n<p>                                    <cite class=\"a-font-accent-uppercase-xs lrv-u-color-grey-dark\">Courtesy of Scott Garfield\/Paramount Pictures<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    \u201cThe Navy at first said we\u2019d have a tough time finding space for one camera, and we ended up fitting six in there,\u201d Kosinski adds. \u201cThat\u2019s largely because Claudio and our whole camera department worked closely with the Navy to find places to tuck all of this equipment. [It took] a lot of back-and-forth to design a system that could withstand the speed and the Gs and be safe in case of an ejection.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Miranda says, \u201cWe wanted to capture this in camera as much as possible,\u201d though of course he acknowledges the handoff to the VFX team. \u201cI mean, obviously we didn\u2019t blow up planes.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    When in the air with a Navy pilot flying the jet, the actor would be responsible for starting the cameras. \u201cThere was a little button that would run all six cameras,\u201d Miranda says. \u201cThen they would say their lines and what was rehearsed on the ground.\u201d After each flight, the team would review the take to determine if another would be needed.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    For the Formula One movie, Kosinski says they want to apply a similar approach to shoot the actors in race cars \u2014 \u201cto give the audience the experience of what it\u2019s like to drive one of these incredible machines. There are only 20 people in the world who get to experience that every week.\u201d <em>Maverick<\/em>\u2018s Jerry Bruckheimer and Chad Oman of Jerry Bruckheimer Films are producing. Also on board to produce, along with Pitt\u2019s Plan B, is seven-time Formula One world champion Lewis Hamilton.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1000px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((650\/1000)*100%);\">\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2022\/12\/Print-Issue-37-biz_screen-Top-Gun-Barbaro-Cruise-Publicity-EMBED-2022.jpg?w=1000\" alt=\"Actress Monica Barbaro (left) and Cruise\" srcset=\"\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"650\" width=\"1000\" decoding=\"\"\/><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-padding-tb-025\"><span class=\"a-font-secondary-s lrv-u-margin-r-025\">Actress Monica Barbaro (left) and Cruise<\/span><\/p>\n<p>                                    <cite class=\"a-font-accent-uppercase-xs lrv-u-color-grey-dark\">Courtesy of Paramount Pictures.<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    More work on the camera system is needed before filming can begin. \u201cWhen it comes to racing, lightness is everything,\u201d Kosinski says. \u201cWe need to come up with a new way of capturing it so that the cameras are much smaller, much lighter, much like the cars themselves, but still capturing a very high-quality, filmic image.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    To achieve this goal, they\u2019ve been working with Formula One and Hamilton. \u201cI think each kilogram is like a tenth of a second on a lap,\u201d Kosinski explains. \u201cWe don\u2019t want to put so much gear on that we slow the car down because that works against the experience.\u201d The movie is in prep, with production targeted to start in mid- to late 2023.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>This story first appeared in the Dec. 7 issue of The Hollywood Reporter magazine. <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/subscribe.hollywoodreporter.com\/sub\/?p=THR&amp;f=saleb_2&amp;s=IH2205THRS\">Click here to subscribe<\/a><\/em>.<\/p>\n<\/p><\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n!function(f, b, e, v, n, t, s) {\nif (f.fbq) return;\nn = f.fbq = function() {n.callMethod ? n.callMethod.apply(n, arguments) : n.queue.push(arguments);};\nif (!f._fbq) f._fbq = n;\nn.push = n;\nn.loaded = !0;\nn.version = '2.0';\nn.queue = [];\nt = b.createElement(e);\nt.async = !0;\nt.src = v;\ns = b.getElementsByTagName(e)[0];\ns.parentNode.insertBefore(t, s);\n}(window, document, 'script', 'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\nfbq('init', '352999048212581');\nfbq('track', 'PageView');\n<\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. 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