{"id":533885,"date":"2023-01-02T16:00:00","date_gmt":"2023-01-02T13:00:00","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/latest-diversity-reports-from-usc-sdsu-reveal-room-for-improvement-behind-the-camera\/"},"modified":"2023-01-02T16:00:00","modified_gmt":"2023-01-02T13:00:00","slug":"latest-diversity-reports-from-usc-sdsu-reveal-room-for-improvement-behind-the-camera","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/latest-diversity-reports-from-usc-sdsu-reveal-room-for-improvement-behind-the-camera\/","title":{"rendered":"#Latest Diversity Reports from USC, SDSU Reveal Room for Improvement Behind the Camera"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3d28dbc55c7\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3d28dbc55c7\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/latest-diversity-reports-from-usc-sdsu-reveal-room-for-improvement-behind-the-camera\/#Latest_Diversity_Reports_from_USC_SDSU_Reveal_Room_for_Improvement_Behind_the_Camera\" >Latest Diversity Reports from USC, SDSU Reveal Room for Improvement Behind the Camera<\/a><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"Latest_Diversity_Reports_from_USC_SDSU_Reveal_Room_for_Improvement_Behind_the_Camera\"><\/span>Latest Diversity Reports from USC, SDSU Reveal Room for Improvement Behind the Camera<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    As 2023 dawns, two major academic organizations that measure the progress of inclusion in Hollywood are looking back at the track record for 2022 in film.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/annenberg.usc.edu\/research\/aii\">USC Annenberg Inclusion Initiative<\/a>\u2019s latest \u201cInclusion in the Director\u2019s Chair\u201d report analyzes the gender and race\/ethnicity of the directors behind last year\u2019s 100 highest-grossing <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> in the U.S., while the <a rel=\"nofollow noopener\" target=\"_blank\" href=\"http:\/\/womenintvfilm.sdsu.edu\">San Diego State Center for the Study of Women in Television and Film<\/a>\u2019s most recent \u201cCelluloid Ceiling\u201d report examined the employment of women in key behind-the-scenes roles in both the 100 and 250 top-grossing movies at the domestic box office.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    In the one category shared by both studies \u2014 percentage of women directors among top 100 films \u2013 the schools came up with slightly different counts (possibly because of the criteria each group uses to compile its Box Office Mojo sampling). SDSU reported that 11 percent of 2022\u2019s helmers were women (down from 12 percent in 2021 and a high of 16 percent in 2020), while USC counted 9 percent in 2022 (down from 12.7 percent in 2021 and a high of 15 percent in 2020). The total number of women helming a top 100 movie \u2014 10 of 111 directors \u2014 was small enough for USC to list them by name: Olivia Newman (<em>Where the Crawdads Sing<\/em>), Gina Prince-Bythewood (<em>The Woman King<\/em>), Olivia Wilde (<em>Don\u2019t Worry Darling<\/em>), Jessica M. Thompson (<em>The Invitation<\/em>), Kat Coiro (<em>Marry Me<\/em>), Rosalind Ross (<em>Father Stu<\/em>), Halina Reijn (<em>Bodies Bodies Bodies<\/em>), Kasi Lemmons (<em>Whitney Houston: I Wanna Dance with Somebody<\/em>), Chinonye Chukwu (<em>Till<\/em>) and Maria Schrader (<em>She Said<\/em>).<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    \u201cFive years after #MeToo exploded and two years following the murder of George Floyd, Hollywood has evidenced little change for women and underrepresented directors \u2014 particularly women of color,\u201d AI2 founder Stacy L. Smith said in a statement accompanying USC\u2019s report, which noted that only three women of color \u2014 Prince-Bythewood, Lemmons and Chukwu \u2014 directed a top 100 movie in 2022 and across 16 years of AI2\u2019s research, women of color directed just 21 (1.3 percent) of 1,600 films. \u201cWe\u2019d like to see not only the tradition change but also the hiring practices that continue to marginalize women and people of color as directors.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The SDSU study notes that movies with at least one woman director tend to hire more women in key behind-the-scenes roles than films directed only by men: Among woman-directed movies, women represented 53 percent of writers (compared with 12 percent of male-helmed features), 39 percent of editors (compared with 19 percent), 19 percent of cinematographers (compared with 4 percent) and 18 percent of composers (compared with 6 percent).<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Overall, since the release of the first \u201cCelluloid Ceiling\u201d report 25 years ago, the share of women in key roles behind the camera (directors, writers, producers, executive producers, editors and cinematographers) for top 250 movies has inched up from 17 percent in 1998 to 24 percent in 2022.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    \u201cGiven the number of panels, research reports and hand-wringing devoted to this issue over the last two and a half decades, one would expect more substantial gains,\u201d CSWTF founder Martha Lauzen said in a statement. \u201cIt took the accumulation of over two decades of advocacy efforts, research reports and an EEOC investigation to double the percentage of women directors from 9 percent to 18 percent, and women are still dramatically underrepresented in that role\u2026. It\u2019s easy to miss the larger story of women as filmmakers since the numbers can rise slightly one year, only to fall a bit in the next. We get distracted by the incremental movement of the numbers from year to year, but often fail to notice the lack of substantial gains over the long term.\u201d<\/p>\n<\/p><\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n!function(f, b, e, v, n, t, s) {\nif (f.fbq) return;\nn = f.fbq = function() {n.callMethod ? n.callMethod.apply(n, arguments) : n.queue.push(arguments);};\nif (!f._fbq) f._fbq = n;\nn.push = n;\nn.loaded = !0;\nn.version = '2.0';\nn.queue = [];\nt = b.createElement(e);\nt.async = !0;\nt.src = v;\ns = b.getElementsByTagName(e)[0];\ns.parentNode.insertBefore(t, s);\n}(window, document, 'script', 'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\nfbq('init', '352999048212581');\nfbq('track', 'PageView');\n<\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/usc-annenberg-sdsu-directors-diversity-reports-2022-1235289832\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Latest Diversity Reports from USC, SDSU Reveal Room for Improvement Behind the Camera As 2023 dawns, two major academic organizations that measure the progress of inclusion in Hollywood are looking back at the track record for 2022 in film. The USC Annenberg Inclusion Initiative\u2019s latest \u201cInclusion in the Director\u2019s Chair\u201d report analyzes the gender and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":533886,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2023\/01\/Olivia-Newman-Gina-Prince-Bythewood-Olivia-Wilde-Split-Everett-H-2023.jpg?w=1024","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[137911,137912,134658,118834],"class_list":["post-533885","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-annenberg","tag-reports-and-studies","tag-representation-in-hollywood","tag-usc"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/533885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=533885"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/533885\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/533886"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=533885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=533885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=533885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}