{"id":544857,"date":"2023-01-28T19:38:18","date_gmt":"2023-01-28T16:38:18","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/infinity-pool-filmmaker-brandon-cronenberg-didnt-worry-about-rating-while-making-shocking-horror-film\/"},"modified":"2023-01-28T19:38:18","modified_gmt":"2023-01-28T16:38:18","slug":"infinity-pool-filmmaker-brandon-cronenberg-didnt-worry-about-rating-while-making-shocking-horror-film","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/infinity-pool-filmmaker-brandon-cronenberg-didnt-worry-about-rating-while-making-shocking-horror-film\/","title":{"rendered":"#\u2018Infinity Pool\u2019 Filmmaker Brandon Cronenberg Didn\u2019t Worry About Rating While Making Shocking Horror Film"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3a0eb24bc32\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3a0eb24bc32\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/infinity-pool-filmmaker-brandon-cronenberg-didnt-worry-about-rating-while-making-shocking-horror-film\/#%E2%80%98Infinity_Pool_Filmmaker_Brandon_Cronenberg_Didnt_Worry_About_Rating_While_Making_Shocking_Horror_Film\" >\u2018Infinity Pool\u2019 Filmmaker Brandon Cronenberg Didn\u2019t Worry About Rating While Making Shocking Horror Film<\/a><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%98Infinity_Pool_Filmmaker_Brandon_Cronenberg_Didnt_Worry_About_Rating_While_Making_Shocking_Horror_Film\"><\/span>\u2018Infinity Pool\u2019 Filmmaker Brandon Cronenberg Didn\u2019t Worry About Rating While Making Shocking Horror Film<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <em>Infinity Pool<\/em>, the out-there horror movie from director Brandon Cronenberg, was one of the talks of the Sundance Film Festival. With its eye-popping and blood-gushing violence and hallucinatory orgies, the movie had audiences rubbing their eyes in disbelief. What did they just see?<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The movie stars Alexander Skarsgard as an author tr<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ed in a vacation from hell and horror queen Mia Goth as a sultry fan-turned-manipulator who pushes him over the edge, all set in a county that allows the rich to create clones that take brutal punishments for the rich\u2019s crimes. The R-rated <em>Infinity Pool<\/em> is getting a theatrical release from Neon starting Friday. But the cut shown at Sundance was unrated, hence all of the talk out of the festival about the sex and violence.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The man behind it all is a shy and unassuming Canadian from Toronto, who happens to be the son of iconic filmmaker David Cronenberg. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    \u201cI\u2019m a complete hermit. I don\u2019t normally crave human company but it felt really good to be around actual people,\u201d Cronenberg remarks about Sundance. Cronenberg\u2019s previous film, 2020\u2019s <em>Possessor<\/em>, also debuted at Sundance and provoked audiences with an uncompromising vision of dystopia and body horror.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    In between <em>Pool\u2019s<\/em> debut at Sundance and its theatrical opening, <em>The Hollywood Reporter<\/em> grabbed Cronenberg for a quick chat about not telling audiences what to think, why \u201cpenis shoots out of a vagina\u201d is something you\u2019ll see on screen but not in his script, his own vacation from the hell, and the inevitable comparisons to his dad.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>How did you take in the reaction to your film coming out of Sundance?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It was incredibly exciting. I always assume that everyone will only hate my films and obviously this isn\u2019t for everyone, but it has been largely quite positive online, much to my surprise.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>What feelings were you hoping to evoke from audience with this film?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I don\u2019t like to answer that questions because to me, when you make a movie, the last creative act is done by the audience. I think that watching a film is so subjective, exploring a film is so subjective, that I don\u2019t want to really interpret my films or to tell people what to think about before they see them. Part of the pleasure of this film, or at least watching films in <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a>, is having a chance to interpret them and explore them. So I don\u2019t like to force my own interpretation on a film right at the start. Maybe two years down the road, that may give me a chance to change my mind if I turns out I was wrong and my own interpretation was incredibly stupid.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Whose decision was it to show the unrated cut at Sundance?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It was a group decision. I obviously was pushing for it and got support from Neon and everybody else.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Will that cut be released on Blu-ray or in some fashion?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    There is a plan for it. I don\u2019t know where we\u2019ve landed with it but I know there is something in the works.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>So obviously you shot a lot of stuff that is not in the commercial release and stuff that can\u2019t be shown because of the ratings. When you were shooting some of these scenes, you must have known that would be cut, right?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Well, I wouldn\u2019t say we shot a lot of stuff that isn\u2019t in it. A surprising amount of stuff got through, to be honest. It\u2019s not a fundamentally different film. There are a few changes. There\u2019s a few interesting shots that are in the R version that are not in the unrated version. I wouldn\u2019t say it\u2019s as dramatically different as you might expect. I supervised both cuts.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The ratings issue with NC-17 is generally specifically a US theatrical issue because of the way that ratings work here. In a lot of territories, there is no problem. I can\u2019t see in the UK or in France there being any issues with ratings for this film. You make the film you want to make. You\u2019re pragmatic about it, \u2018cuz I want people to see it, I want people to see it in theaters, I want it to get the best release possible. You have to be pragmatic about it when you\u2019re in film because there are so many weird forces shaping what you\u2019re doing.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I\u2019m actually lucky to be able to start with the version of the film that I want to make without considering those things, to have a director\u2019s cut. If I need to make a few tweaks for the release, then it is what it is.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>At what point as a filmmaker do you self-censor yourself and say \u201cThere is no point in shooting this because it won\u2019t be seen?<\/strong>\u201c<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I never do. Because it will be seen. (<em>Laughs<\/em>.)<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Is that Alexander\u2019s penis we see on screen in the masturbation scene or is that a penis double? Or a prosthetic?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It\u2019s a prosthetic. It\u2019s just a very good fake penis made by Dan Martin, our FX artist.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Let\u2019s talk about the orgy scene. It\u2019s the second big orgy scene in two months, after <em>Babylon<\/em>. How hard is it to shoot something like that?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I keep getting questions about that. It\u2019s really like shooting like any other scene. I think people come into these discussions going, \u201cHow did you get the actors to do that?\u201d But the thing is that the actors have all read the script, they all know what\u2019s involved in the scene. When you\u2019re actually shooting the scene, it\u2019s all very meticulously planned and shot. We had an intimacy coordinator on the film and we rehearsed with and all the actors and we had discussions with people about what they were comfortable with, what they boundaries were, and with all of that in mind, we designed a <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> of shots for the orgy scene and rehearsed them. When it came to shoot, it was like like choreographing a dance or a fight scene. It\u2019s not at all weird.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>When you\u2019re writing a scene like that, at the script stage, do you go into a high level of detail? Or is it like an action movie where you write, \u201cThere\u2019s a fight,\u201d and a stunt coordinator designs that? Does your script have an actual line that says, \u201cPenis shoots out of a vagina?\u201d<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    No. It doesn\u2019t. (<em>Laughs.<\/em>) It really depends. Sometimes it may have a particular image I\u2018m stuck on. Sometimes it\u2019s done through those rehearsals and the process with the actors there. You\u2019re upfront about the kind of scene it is with the actors so there\u2019s an element of comfort they have with the material going into it and it\u2019s a collaborative process. When it comes to those make up effects and hallucinatory effects, those are all a collaboration with Dan, (cinematographer) Karim Hussein, (producer) Rob Cotterill, people from my core team.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    There may be a paragraph that says, \u201cimages deforming\u201d or \u201cnightmarish flashes of imagery.\u201d And that\u2019s sort of code for my team that we are going explore a bunch of in-camera practical effects and makeup effects and that we are going brainstorm this kind of impressionistic dreamscape. Because it\u2019s all in-camera practical work.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>What was the process of casting Mia Goth? Was the role written expressly for her?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I never write for particular actors because you never know who\u2019s going to want to do it. You never know who\u2019s going to be available, you never know who\u2019s going to have the right passport. There\u2019s a million practical factors when you\u2019re casting and stars have to align a certain way. Mia is someone I was excited about for years before working with her. I just think she is one of those actors who sears though the screen and had that hard to articulate thing where she is always exciting and she never makes boring choices. She was working on <em>Pearl<\/em> at the time and I sent her the script and I was very lucky she was interested. From my perspective it was surprisingly easy.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>The cinematography of this was very specific. What went into the look?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    There were two discussions for that. There\u2019s the conventional, filmmaking \u2014 what lenses we\u2019re going to use, how we\u2019re going to shoot a regular dramatic scene \u2014 discussions. Usually I shotlist the film with Karim Hussein, before we have actors or sets. We do a theoretical shotlist, scene-by-scene, not knowing the realities of the shoot but as a way to discuss the cinematic language. How the framing is going to work, how the lenses are going to work, that kind of thing.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    For the more hallucinatory stuff, that is something we\u2019ve been developing together over the course of three films, if you count the short film we did before <em>Possessor<\/em>. None of the techniques in <em>Infinity Pool<\/em> are the same as the ones we used in <em>Possessor<\/em>, there is no complete overlap. There is a similar element to them in that it is practical in-camera work where we\u2019re deforming the image using diopters gels and lens flares.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    We tend to rephotograph it \u2014 we project the image and then shoot it again, and again, and again, using different glass, different gels, so that you have the same shot sometimes rephotographed six different times with different versions of image distortions. And when I get into the editing room, with James Vandewater in this case. It\u2019s a fairly deranged process because you\u2019re cutting between different versions of each shot, you\u2019re building the glitches out in a frame by frame way, almost like stop-motion.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    You use different frames, you play with the order of the frames, and it changes how you perceive them. There\u2019s a bit of a mad alchemy to the editing process once I was one with Karim.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>You said you\u2019ve been working on this script for years. What was the inspiration for it and how did it evolve over time?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It started as a short story and it was really just the first execution scene. At the time, I was interested in identity and punishment and a scene were someone was watching an exact double that believes its guilty of the crime. That was the whole thing.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I did draw on some experiences I had, the one time I did go to a resort about 20 years ago, for when I started building out the particulars of the resort compound, the barbed wire fencing and so on. A lot of that was taken from reality. It was vacation that I found to be particularly menacing.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Geez, where did you go?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    It was the Dominican Republic and it was very surreal. They would bus you in in the middle of the night. You wouldn\u2019t see any of the surrounding country at all because it was dark. They just dropped you into a compound surrounded by razor wire fence, it was much like in the film. There was a fake town where you could shop, but not outside the compound. There was a Chinese restaurant, there was a horrible disco.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    The scene with the ATV on the beach, that actually happened, and then at the end of the week, they bus you back to the airport during the day, and you see this incredible poverty surrounding the resort. That contrast is horrible but also completely surreal. You realize you\u2019ve never been to the actual country.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Where were you? Was it some embassy grounds for some kind of global tourist nation? Was it some alternate dimension that had broken through in this host country? Was it a tacky Disneyland mirror of reality? That to me was alarming but also felt like a great setting for characters not dealing with conventional consequences.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>Comparisons to your father are inevitable. Not just because of you being filmmakers but because the genres you work in. Is that something that bothers you or is that something you embrace?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    Neither, really. It was inevitable when I got into film that people would make those comparisons. For me, I\u2019m just working with material that honestly is just interesting to me. I\u2019m following my own creative impulses and creative preoccupations. If there is some overlap with his interest, it\u2019s probably natural because we\u2019re related. But I don\u2019t think about it when I\u2019m working. To either embrace it or actively reject it would be defining my career in relation to his career and I just wouldn\u2019t be able to work in any honest or interesting way if I cared about that. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>I\u2019m trying to imagine you two at family dinners and talking about how to make a head explode.<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I get the family dinners question a lot. I don\u2019t know what it is about family dinners but it\u2019s all pretty normal.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    <strong>What do you want to do next? Do want to continue to the push the boundaries of sci-fi and horror? Or do want to jump into the IP <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">game<\/a>?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n    I\u2019m sort of doing both. I have a space horror movie film called <em>Dragon<\/em> that I\u2019ve been working on for a number of years that might happen. And I\u2019m also adapting a novel called <em>SuperCannes<\/em> as a limited series. It\u2019s not really sci-fi or horror, it\u2019s more of strange detective story. I\u2019m not sure if either of those things will happen ultimately but that\u2019s what I\u2019m working on.<\/p>\n<\/p><\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n!function(f, b, e, v, n, t, s) {\nif (f.fbq) return;\nn = f.fbq = function() {n.callMethod ? n.callMethod.apply(n, arguments) : n.queue.push(arguments);};\nif (!f._fbq) f._fbq = n;\nn.push = n;\nn.loaded = !0;\nn.version = '2.0';\nn.queue = [];\nt = b.createElement(e);\nt.async = !0;\nt.src = v;\ns = b.getElementsByTagName(e)[0];\ns.parentNode.insertBefore(t, s);\n}(window, document, 'script', 'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\nfbq('init', '352999048212581');\nfbq('track', 'PageView');\n<\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-features\/infinity-pool-brandon-cronenberg-talks-gory-movie-1235311628\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Infinity Pool\u2019 Filmmaker Brandon Cronenberg Didn\u2019t Worry About Rating While Making Shocking Horror Film Infinity Pool, the out-there horror movie from director Brandon Cronenberg, was one of the talks of the Sundance Film Festival. With its eye-popping and blood-gushing violence and hallucinatory orgies, the movie had audiences rubbing their eyes in disbelief. What did they&#8230;<\/p>\n","protected":false},"author":1,"featured_media":544858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2023\/01\/Infinity-Pool-and-Inset-of-Brandon-Cronenberg-H-2023.jpg?w=1024","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[31691,110254,78250],"class_list":["post-544857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-david-cronenberg","tag-infinity-pool","tag-mia-goth"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/544857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=544857"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/544857\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/544858"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=544857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=544857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=544857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}