{"id":570575,"date":"2023-04-17T12:55:46","date_gmt":"2023-04-17T09:55:46","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/cannes-critics-week-unveils-lineup-full-list\/"},"modified":"2023-04-17T12:55:46","modified_gmt":"2023-04-17T09:55:46","slug":"cannes-critics-week-unveils-lineup-full-list","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/cannes-critics-week-unveils-lineup-full-list\/","title":{"rendered":"#Cannes Critics\u2019 Week Unveils Lineup (Full List)"},"content":{"rendered":"
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\n Cannes Critics\u2019 Week, a parallel film festival sidebar selected by the French Syndicate of Cinema Critics, has unveiled its 2023 selection of 11 features, including seven competition titles and four special screenings. <\/p>\n

\n The section focuses on first and second features from emerging directors. The 62nd edition runs alongside the main Cannes festival May 17-25.<\/p>\n

\n This year\u2019s competition lineup includes two Asian horror movies<\/a>: the Korean horror film Sleep (Jam)<\/em> from first-time director, and former Bong Joon-Ho assistant, Jason Yu, and Tiger Strip<\/a>es<\/em> from Malaysian director Amanda Eu. The former features Parasite<\/em> star Lee Sun-kyun and Train to Busan\u2019s Jung Yu-mi as newlyweds whose lives descend into horror triggered by the husband\u2019s strange behavior while asleep. Tiger Stripes, which draws inspiration from Southeast Asia folklore, is a coming-of-age tale about a 12-year-old girl whose body starts to change in alarming and horrifying ways as she hits puberty.<\/p>\n

\n Physical changes of a different sort are at the center of Power Alley (Levante)<\/em>, the competition title from Brazilian director Lillah Halla, about a budding teenage volleyball champion who discovers she is pregnant and falls foul of Brazil\u2019s abortion ban in her attempts to seek an illegal termination. Halla, whose short Menarca<\/em> screened in Cannes Critics\u2019 Week in 2020, developed Power Alley<\/em> with the support of the Critics\u2019 Week Next Step initiative, a program designed to help filmmakers move from their first shorts to their first feature. <\/p>\n

\n Amjad Al Rasheed becomes the first-ever Jordanian director in Critics\u2019 Week with Inshallah A Boy<\/em>. The drama, which stars Palestinian actress Mouna Hawa (A House In Jerusalem<\/em>), examines Jordan\u2019s sexist inheritance laws through the story of a woman fighting for her economic survival and independence following the death of her husband. This is Al Rasheed\u2019s debut feature, after attracting attention with the award-winning short The Parrot<\/em>, co-directed with Darin J. Sallam.<\/p>\n

\n Also in the Critics\u2019 Week competition this year are the French psychological thriller Le Ravissement <\/em>from director Iris Kaltenb\u00e4ck, featuring Hafsia Herzi as a woman who kidnaps her friend\u2019s new-born baby in an attempt to build a life with a former lover; the Belgian drama Il Pleut Dans La Maison<\/em> from director Paloma Sermon-Da\u00ef\u2019s about two teenagers left alone in a dilapidated house over the summer holidays; and Lost Country <\/em>from director Vladimir Peri\u0161i\u0107, a Serbian drama set against the backdrop of the 1996 student demonstrations in Belgrade against the attempted election fraud by then-President Slobodan Milo\u0161evi\u0107. Peri\u0161i\u0107 app<\/a>eared in Critics\u2019 Week in 2009 with Ordinary People<\/em>. <\/p>\n

\n Ava Cahen, now in her second year as artistic director of Critics\u2019 Week, made a major splash at her debut, which featured break-out hits including Charlotte Wells\u2019 Oscar-nominated Aftersun<\/em>, Crist\u00e8le Alves Meira\u2019s Portuguese feature Alma Viva<\/em>, and Andr\u00e9s Ram\u00edrez Pulido\u2019s Columbian drama La Jauria<\/em>. This year\u2019s poster for Critics\u2019 Week features a scene from Aftersun<\/em>.<\/p>\n

\n Marie Amachoukeli\u2019s Ama Gloria<\/em>, a drama about the deep bond between a motherless six-year-old and her nanny, opens the 2023 Critics\u2019 Week section in a special screening, and Erwan Le Duc\u2019s No Love Lost<\/em>, starring 120 BPM<\/em> actor Nahuel Perez Biscayart as a single father raising a daughter (C\u00e9leste Brunnquell), will close the section. Also getting a special screening this year is St\u00e9phan Castang\u2019s zombie movie Vincent Must Die<\/em> and the Belgian romantic comedy The (Exp)erience of Love<\/em> from directorial duo Ann Sirot and Rapha\u00ebl Balboni, about a couple struggling to conceive who decide to sleep with their ex-partners. <\/p>\n

\n Audrey Diwan, whose Frech abortion drama Happening<\/em> won the Golden Lion at the 2021 Venice Film Festival, will head up this year\u2019s Critics\u2019 Week jury, together with German actor Franz Rogowski, Sundance programmer Kim Yutani, Portuguese cinematographer Rui Po\u00e7as, and Indian journalist Meenakshi Shedde.<\/p>\n

\n Check out the full 2023 Critics\u2019 Week lineup below. <\/p>\n

\n COMPETITION<\/strong><\/p>\n

\n Power Alley (Levante)<\/em>, Lillah Halla<\/p>\n

\n Il Pleut Dans La Maison<\/em>, Paloma Sermon-Da\u00ef<\/p>\n

\n Inshallah A Boy<\/em>, Amjad Al Rasheed<\/p>\n

\n Sleep (Jam)<\/em>, Jason Yu<\/p>\n

\n Lost Country<\/em>, Vladimir Perisi\u010d<\/p>\n

\n Le Ravissement<\/em>, Iris Kaltenb\u00e4ck<\/p>\n

\n Tiger Stripes<\/em>, Amanda Nell Eu<\/p>\n

\n SPECIAL SCREENINGS<\/strong><\/p>\n

\n Opening Film \u2014 Ama Gloria<\/em>, Maria Amachoukeli<\/p>\n

\n The (Exp)erience Of Love<\/em>, Ann Sirot & Rapha\u00ebl Balboni<\/p>\n

\n Vincent Must Die<\/em>, St\u00e9phan Castang<\/p>\n

\n Closing Film \u2014 No Love Lost<\/em>, Erwan Le Duc<\/p>\n<\/p><\/div>\n