{"id":585527,"date":"2023-08-03T20:00:52","date_gmt":"2023-08-03T17:00:52","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/bambii-is-recontextualizing-the-rave\/"},"modified":"2023-08-03T20:00:52","modified_gmt":"2023-08-03T17:00:52","slug":"bambii-is-recontextualizing-the-rave","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/bambii-is-recontextualizing-the-rave\/","title":{"rendered":"#Bambii is recontextualizing the rave"},"content":{"rendered":"<div class=\"content_blocks\">\n<style>\n<\/style>\n<style>\n<p> article.custom .custom-title, article.custom .custom-media .caption {\n   color: #039cd7;\n }<\/p>\n<p> article.custom .custom-attribution, article.custom .custom-attribution a {\n   color: #039cd7;\n }<\/p>\n<p> article.custom .content_block blockquote.pull_quote {\n   color: #039cd7;\n }\n<\/style>\n<div id=\"content_block-251050\" class=\"content_block flush title center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"custom-title\">\n      Bambii is recontextualizing the rave\n    <\/div>\n<div class=\"custom-description\">\n      The progressive dancehall DJ and producer discusses her constant quest for transcendent moments on The FADER Interview.\n    <\/div>\n<div class=\"custom-attribution\">\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Jordan Darville<\/span><br \/>\n  <\/span><\/div>\n<\/p><\/div>\n<div class=\"custom-media\">\n<div class=\"triple_gutter_left triple_gutter_right image center_align\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Bambii_NormanWong_square_zecwow\/bambii-photo-by-a-target-_new-href-https-www-instagram-com-norman__wong-hl-en-norman-wong-a.jpg 2400w,\" sizes=\"100vw\" alt=\"Bambii is recontextualizing the rave\"><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      Bambii. Photo by <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/norman__wong\/?hl=en\">Norman Wong<\/a>.<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"custom_share_buttons_top \" style=\"\">\n<div id=\"new_socials_bottom\" class=\"new_socials_footer  \">\n<p>      <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Facebook-747312c39722d47504a80f02500b8d4ad2e36acf922bad1c83799db1bc77f605.png\"><!-- <span>Share<\/span> --><\/p>\n<p>  <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?url=https%3A%2F%2Fwww.thefader.com%2F2023%2F08%2F03%2Fbambii-fader-interview-feature%3Futm_source%3Df%26utm_medium%3Dtw%26utm_campaign%3Dshare&amp;text=Bambii%20is%20recontextualizing%20the%20rave&amp;via=thefader\" class=\"new_social_footer_button twitter new_social_share_button\" data-ga-event-category=\"Social Share\" data-ga-event-label=\"Twitter\" data-ga-on=\"click\" data-ga-event-action=\"cilck\"><\/p>\n<p>    <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"40\" height=\"40\" src=\"https:\/\/www.thefader.com\/assets\/FDR_SocialSharing_Twitter-8d78f695280aa3f8a4461702c68e9fcbfd6042af1600c62d49fdec4b735fb57a.png\"><!-- <span>Tweet<\/span> --><\/a><\/p>\n<p>        <img loading=\"lazy\" decoding=\"async\" class=\"\" width=\"20\" height=\"20\" src=\"https:\/\/www.thefader.com\/assets\/logo-snapchat-5f1563935ac089d0cf1773f642ddbfb6cdb16e8c4ac14fec95a3c11b6f963389.svg\"><!-- <span>Snap<\/span> --><\/p>\n<\/div><\/div>\n<style>\n<p> #content_block-251051,  #content_block-251051 blockquote.pull_quote, #content_block-251051 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251051\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <span style=\"color:#afe2e5\" class=\"lead-text\">Ten years ago,<\/span> Bambii had an idea. A Jamaican-Canadian resident of Toronto at the start of her DJ career, she wanted to host a rave that celebrated the kinds of music that the city was either ignoring or actively hostile to, like dancehall, garage, and jungle. The party was called JERK, and the annual event soon grew into a symbol of resistance to the whitewashing of electronic music and a local bastion of progressive dancehall. It had been a minute since Toronto had fostered anything genuinely cool, so naturally, it was time for Bambii to head out on the road. Three years after JERK\u2019s debut, she became the DJ for Mykki Blanco\u2019s tour, a run that would help establish her as one of electronic music\u2019s most vital talents. Not long after the Blanco tour wr<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ed, Bambii played some of the most storied electronic venues in the world, showing partygoers a different side of themselves with her genre-bending sets.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            2019 saw the release of Bambii\u2019s first solo production, \u201cNITEVISION.\u201d It was urgent, propulsive, and deliciously deviant, with deep, steely jungle synths. It was an ideal introduction to Bambii, who came off as both a student and prophet of dancehall, eager to spread the gospel with her own riddims. After COVID put the world on pause for two years, Bambii returned to releasing her own music, and was enlisted as a co-producer on Kelela\u2019s long-awaited sophomore album <i>Raven<\/i>. But in 2023, she leveled up. The solo Bambi tracks that appeared in advance of her debut EP <i>Infinity Club<\/i>, due out August 4, tapped even further into the fearlessness that defined Bambii as an artist from the beginning, exploring new arenas and sounding at home in each of them. \u201cOne Touch\u201d brought in airy jungle synths and pounding breakbeats; \u201cSlip Slide\u201d is a sex jam built on the rich history of U.K. rap; and \u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=k9pFLizm7jQ&amp;ab_channel=InnovativeLeisure\">Hooked<\/a>\u201d is a late contender for pop song of the summer.<\/p>\n<p>            Two weeks before <i>Infinity Club<\/i>\u2019s release, I spoke with Bambii about how DJing informed her music, gatekeeping in electronic music, and the pleasure of showing the world stylistic connections that are too often overlooked.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-251052\" class=\"content_block breaker triple_gutter_right triple_gutter_left video\">\n<div class=\"media_wrapper\">\n<div class=\"video_wrapper\">\n<div class=\"fluid-width-video-wrapper\" style=\"padding-top: 56.25%;\">\n<p>    <iframe loading=\"lazy\" title=\"BAMBII - Slip Slide [feat. Ragz Originale &amp; Lamsi] (Official Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GFlVwGETJxE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p><\/div>\n<\/div>\n<p><script>\n \/\/trackYouTubeVideo('251052');\n<\/script><\/div>\n<\/div>\n<style>\n<p> #content_block-251053,  #content_block-251053 blockquote.pull_quote, #content_block-251053 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251053\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <i>This Q&amp;A is taken from the latest episode of The FADER Interview podcast. To hear this week\u2019s show in full, and to access the podcast\u2019s archive, click <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/link.chtbl.com\/thefaderinterview\">here<\/a>.<\/i><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-251054\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" frameborder=\"0\" src=\"https:\/\/playlist.megaphone.fm?p=TFI7834680816\" width=\"100%\" height=\"482\"><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<p> #content_block-251080,  #content_block-251080 blockquote.pull_quote, #content_block-251080 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251080\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>The FADER: \u201cSlip Slide\u201d dropped yesterday. How do you feel when you release new music?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            <b>Bambii:<\/b> A bit more casual now. Because I have so many songs coming, I don\u2019t feel so precious about each song, whereas before, when I had less music, I was fixated on the day and the time and the direction of the wind. I was so paranoid about what each song was gonna do. Now I\u2019m operating with a bit more self-belief. As soon as I drop it, I\u2019m already focused on the next single.<\/p>\n<p>            \u201cSlip Slide\u201d is a little weird because it\u2019s the last song that made it on the project. It feels unrelated, like a B-side. I just loved it so much, it needed to be there.<\/p>\n<p>            <b>\u201cSlip Slide\u201d is so emblematic of the way you curate features. The guest artists both elevate the songs and they add a new dimension through their own artistry. Ragz Originale\u2019s verse in the context of that song\u2026 He sounds new, like a different artist. Do you start making the song with the idea of a collaboration, like, or does it come more naturally?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            I definitely start with the idea of a collaboration. I don\u2019t know who, but I can hear the cadence or the tone. I\u2019ll know if it needs to be a male or female vocal, a low or a high voice. I already have that reference in my head, and as I get further, it becomes more specific.<\/p>\n<p>            <b>Does that guide the production of the song \u2014 getting toward that idea?<\/b><\/p>\n<p>            It\u2019s definitely how I think about song arrangement. Overall production choices will be driven by what I want it to do in the club. I try to stay away from this bad habit of, if I\u2019m making something and I get excited about it, starting to think about the visuals. It doesn\u2019t let [the song] breathe because I\u2019m already jumping seven steps ahead. Sometimes, when you\u2019re making music, you should stay in the abstract space as much as possible so it can go in whatever direction.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            <b>When you were assembling the songs that make up <i>Infinity Club<\/i>, did you have a broad, concrete idea of what you wanted to achieve?<\/b><\/p>\n<p>            Yeah. I made the songs during an artist residency in the Cayman Islands, so pretty much every song started when I was in the Caribbean,  seaside. This was during [lockdown], and I was really isolated. I had COVID, and they locked me in the room for 13 days. I really hunkered down, like, \u201cOkay, I\u2019m gonna do two songs a day.\u201d I could see people sauntering on the beach, eating food, playing <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">game<\/a>s, while they wouldn\u2019t even let me out for a walk. I pretty much created the whole project then. <\/p>\n<p>            I already knew I wanted to call it <i>Infinity Club<\/i> three years before, when I started making music. I already had this concept. The overall theme of everything I do has the same origin point \u2014 being Caribbean, my family, what I\u2019ve experienced in Toronto \u2014 and it just stretches outward everywhere. It\u2019s putting an emphasis on where I\u2019m from, but also on my ability to jump genres, to create connections between sounds. It\u2019s everywhere. It\u2019s everything.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<p> #content_block-251081,  #content_block-251081 blockquote.pull_quote, #content_block-251081 .img_caption .caption {\n   color: #039cd7;\n }\n<\/style>\n<div id=\"content_block-251081\" class=\"content_block paragraph image triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Bambii_NormanWong2_1_vqfl92\/bambii-fader-interview-feature.jpg 2400w,\" sizes=\"100vw\" alt=\"Bambii is recontextualizing the rave\"><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Norman Wong<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<p> #content_block-251082,  #content_block-251082 blockquote.pull_quote, #content_block-251082 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251082\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>It\u2019s one thing to dismiss genre conventions \u2014 a lot of artists do that \u2014 and another to connect different kinds of music that a lot of people would consider separate, which <i>Infinity Club<\/i> does really well. It has the spirit of a DJ mix, in the way it elides and shifts and combines. Do you feel like your career as a DJ put you in a stronger position as a producer to be able to identify these connections and put them into your own music?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            100 percent. Even though I love being a producer, I still feel very much a DJ first in the way I get excited about music, the way that I research music, and the way I primarily want to be a platform for other artists. Wanting to discover and explore music is something that would make any producer stronger. Your reference points are gonna be automatically wider, and then you\u2019ll have a very intimate understanding of what music makes people react and what people like on a cerebral level. I have so many hard, in-person years of watching that in a very visceral way, over and over again. So when I make music, I\u2019m trying to achieve the thing that I witness pretty much every night.<\/p>\n<p>            <b>Have there been moments while you\u2019re DJing where you\u2019ll try something new and different just to see where it goes, and it goes off in a way that you didn\u2019t expect?<\/b><\/p>\n<p>            I can\u2019t think of a specific song, but it\u2019s surprising when you\u2019re in a high-octane, high-adrenaline moment in the club, and you take a left turn and take it down to a slow and sensual and emotional place, how quickly people will pivot with you in a collective, communal way. That\u2019s always shocking because, when you\u2019re a DJ and you\u2019re all the way up here, there\u2019s an emphasis on staying there. You don\u2019t ever wanna leave this place, but then everyone collectively wants to feel this other feeling together. It\u2019s such a pleasant surprise. When I see DJs who are able to do that, it really separates who I think is an artist and a DJ versus just someone in nightlife, because not many people can really orchestrate those moments.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<p> #content_block-251083,  #content_block-251083 blockquote.pull_quote, #content_block-251083 .img_caption .caption {\n   color: #039cd7;\n }\n<\/style>\n<div id=\"content_block-251083\" class=\"content_block breaker triple_gutter_right triple_gutter_left pull_quote\">\n<div class=\"media_wrapper\">\n<blockquote class=\"pull_quote\"><p>\u201cPeople like to do this thing where they take Black culture and they make it pop culture, and they deracialize it in a very convenient way so they don\u2019t have to pay homage.\u201d<\/p><\/blockquote><\/div>\n<\/div>\n<style>\n<p> #content_block-251084,  #content_block-251084 blockquote.pull_quote, #content_block-251084 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251084\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>There are so many Caribbean communities in Toronto \u2014 places like Little Jamaica, which has been decimated by this ongoing construction. A lot of people know about Caribana [(The Toronto Caribbean Festival)], but I don\u2019t think there\u2019s a conscious appreciation of what the Caribbean community does for the city.<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            Absolutely not. I often make the comparison between Toronto and London. I don\u2019t wanna romanticize London \u2014 it\u2019s also a very imperfect place \u2014 but it\u2019s an example of Caribbean culture that\u2019s been incubated, that\u2019s not only as esteemed but has been archived properly. I think the average person in London has a relationship with what\u2019s happening, even on a very basic level \u2014 how the influence of Caribbean culture has spread over music in <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/general\/\" data-internallinksmanager029f6b8e52c=\"3\" title=\"General\" target=\"_blank\" rel=\"noopener\">general<\/a> there. In Toronto, there\u2019s a lot of erasure. We don\u2019t have the same <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a> infrastructure that would help archive and formalize this narrative. Compare BBC and CBC, and the music programming that happens in the U.K. compared to here.<\/p>\n<p>            People like to do this thing where they take Black culture and they make it pop culture, and they deracialize it in a very convenient way so they don\u2019t have to pay homage; they can stay clear of appropriation. To me, everything in Toronto is informed by Caribbean people coming here in the \u201980s \u2014 music, slang, every single thing that\u2019s created an imprint here. Everything that makes Toronto feel like a place that\u2019s specific and not miscellaneous is because of the influx of Caribbean people. That\u2019s undebatable to me. <\/p>\n<p>            We don\u2019t have strong creative industries here, and that means we have a lack of storytelling. There was this whole Caribbean dance group era 10, 15 years ago. They had all these widespread competitions and it was a huge thing in our city that no one knows about. But if you go on YouTube, you can drum up a million videos of this culture that\u2019s basically died off [but] was the thing that people were looking at in the city. This is one example.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            This erasure happens everywhere. It happens in America with African American culture. It\u2019s a thing people just like to do with Black culture period. But the way that it happens in Toronto is really sad and annoying, so it\u2019s a point for me to center that, to put an emphasis on something that I think defines us.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-251085\" class=\"content_block paragraph image triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong3_1_xdr4on\/bambii-fader-interview-feature.jpg 2400w,\" sizes=\"100vw\" alt=\"Bambii is recontextualizing the rave\"><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Norman Wong<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<p> #content_block-251086,  #content_block-251086 blockquote.pull_quote, #content_block-251086 .img_caption .caption {\n   color: #039cd7;\n }\n<\/style>\n<div id=\"content_block-251086\" class=\"content_block breaker triple_gutter_right triple_gutter_left pull_quote\">\n<div class=\"media_wrapper\">\n<blockquote class=\"pull_quote\"><p>\u201cPretension is codified racism.\u201d<\/p><\/blockquote><\/div>\n<\/div>\n<style>\n<p> #content_block-251087,  #content_block-251087 blockquote.pull_quote, #content_block-251087 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251087\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>Your rave <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a>, JERK, is a very Black-forward production. You\u2019re embracing and publishing this music you play as Black music: house music, techno, jungle, dancehall, all of it. JERK doesn\u2019t shy away from that, and that makes it impossible to deracialize because it\u2019s so visible in the literature and how you present it. Would you say that forces it to remain an underground party?<\/b><\/p>\n<p>            I think it\u2019s to its detriment and also the reason why it\u2019s successful. I have a lot of trouble doing JERK on a logistical level because it\u2019s hard to find a space, to find a sponsor, to sell it to brands or other entities. The emphasis on using particular language marginalizes its marketability. On the other side, I think it\u2019s the reason it has such a cult following. It transcends being a party; it feels like a movement, the way that people are engaged. People are dialed in for that night in a really communal, participatory way that \u2014 not to toot my own horn \u2014 I don\u2019t see at parties a lot. So it wins in that way, but in the other way, it\u2019s very hard when it comes time to figure out who\u2019s gonna pay for it.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            <b>Perhaps JERK is a space where, because there\u2019s such a lack of pretension in the kinds of music that you play, people can release themselves in a way they can\u2019t in other spaces in Toronto. How have you seen pretension materialize in dance music in ways that have affected you personally?<\/b><\/p>\n<p>            Like pretty much every single thing on this planet, music and the identities that we attach to it are very racialized. It\u2019s not only about electronic music being appropriated but also the way it\u2019s gatekept and seen as this higher, more intellectual art form that you have to be of a certain class or operating in a particular way culturally to participate in. It creates this cultural hierarchy and stratifies forms of music that are actually related.<\/p>\n<p>            When I started DJing and was looking for peers or comrades, it felt like I wasn\u2019t white adjacent enough to participate, like I was labeled a normative Black person for being Jamaican and liking Black music. I wasn\u2019t obscure enough. The language is coded, so I see it when people are [talking about] what we think is \u201cbasic,\u201d what we think is \u201cghetto,\u201d what we think is \u201ccool,\u201d what we think is \u201cweird,\u201d how we fragment Blackness. When people wanna be avant garde, they lean into white art forms and toward white artists. When we think of people as basic, we lean back towards Blackness and toward Black artists.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            Pretension is codified racism. The reclamation is [showing that] \u201cthis belongs with these other things that you\u2019re trying to separate it from.\u201d Black people are complex. We\u2019re not only the pioneers of all this shit; we participate. We don\u2019t have to minimize these other parts of ourselves. It feels like to participate in dance music as a person of color, particularly a Black person, you have to make sure you don\u2019t have any indicators of Blackness that feel unpalatable to white people. You have to be operating as the type of Black person who they\u2019re gonna give you social permission to be. That\u2019s what I\u2019m pushing back against. <\/p>\n<p>            I think all parts of me are valuable. I\u2019m not gonna essentialize myself or try to out-obscure or out-weird someone to participate in something I think belongs to me.<\/p>\n<p>            <b><i>Infinity Club<\/i> feels like an implicit pushback against that, in the way the songs stand out from each other. They feel like siblings, drawing from the same source materials but in different ways.<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            It\u2019s a personal thing firstly, but it\u2019s definitely a pushback on the rules we put on how electronic music should be in the presence of Black artists.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-251088\" class=\"content_block breaker triple_gutter_right triple_gutter_left video\">\n<div class=\"media_wrapper\">\n<div class=\"video_wrapper\">\n<div class=\"fluid-width-video-wrapper\" style=\"padding-top: 56.25%;\">\n<p>    <iframe loading=\"lazy\" title=\"BAMBII - Hooked (feat. Aluna) [Official Visualizer]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/k9pFLizm7jQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p><\/div>\n<\/div>\n<p><script>\n \/\/trackYouTubeVideo('251088');\n<\/script><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<p> #content_block-251089,  #content_block-251089 blockquote.pull_quote, #content_block-251089 .img_caption .caption {\n   color: #039cd7;\n }\n<\/style>\n<div id=\"content_block-251089\" class=\"content_block breaker triple_gutter_right triple_gutter_left pull_quote\">\n<div class=\"media_wrapper\">\n<blockquote class=\"pull_quote\"><p>\u201cClub music is like a one night stand: You wanna get someone\u2019s attention for a second, and then you\u2019re out<\/p><\/blockquote><\/div>\n<\/div>\n<style>\n<p> #content_block-251090,  #content_block-251090 blockquote.pull_quote, #content_block-251090 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251090\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>\u201c<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=8J4DHJI-QVc&amp;pp=ygUTcmlkZSB3aXRoIG1lIGJhbWJpaQ%3D%3D\">Ride With Me<\/a>\u201d was a big sonic shift for you last year.<\/b><\/p>\n<p>            I\u2019m obviously not a singer, so I\u2019m a little bit embarrassed when people are like, \u201cSo, \u2018Ride With Me,\u2019 what were you\u2026?\u201d I\u2019m like, \u201cAh! I was just trying something for a second!\u201d It\u2019s like one of my kids. I still love it, but [it gives me] a cringe moment sometimes.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            <b>When I listened to \u201cHooked\u201d on the new project,  \u201cRide With Me\u201d made a lot more sense. Maybe you had to make \u201cRide With Me\u201d to make \u201cHooked,\u201d like, \u201cOK, this is the <i>Billboard<\/i> Hot 100 proof-of-concept shit.\u201d Can you talk about the way you explore pop in both \u201cRide With Me\u201d and \u201cHooked,\u201d and how your approach differed from when you made the other songs on this record?<\/b><\/p>\n<p>            When I\u2019m doing pop, I want an anthem moment. I love pop music with a critical eye; I have a boundary, but I love pop music. I\u2019m presenting it from my perspective of wanting people to feel like it\u2019s something that they can easily engage with, that has playback value, but that also has elements that feel experimental and challenging production-wise, with the synths I use, the way I sample things, the choices I make with drums. Both songs are trying to do something that feels Caribbean, that feels R&amp;B, but also feels like pop, because there aren\u2019t so many songs that fall in all three categories.<\/p>\n<p>            <b>Did either of those songs come out of your sessions with Kelela and for her record?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            I feel like [they did] subconsciously \u2014 working with her, watching her arrange, being close to someone who\u2019s so narrative based in their music in a way club music isn\u2019t. Club music is like a one night stand: You wanna get someone\u2019s attention for a second, and then you\u2019re out. [When you\u2019re working with] R&amp;B \u2014 songs that have a start, middle, and ending \u2014 it\u2019s different. Working with [Kelela] gave me a sense of building narratives in songs, which definitely carried over into \u201cRide With Me\u201d and \u201cHooked.\u201d I\u2019m much more verse-hook-bridge focused than when I first started making music. Percussion was the first thing I was thinking about [back then] \u2014 hard-hitting drums.<\/p>\n<p>            <b>\u201cNitevision\u201d has the hardest hitting drums, I think, of any song you\u2019ve released thus far. You dropped that song in November 2019 and then held off releasing new solo stuff until May 2021. In that time, you were trying out socially distanced raves. Did those occasions teach you anything about the music you\u2019d go on to create?<\/b><\/p>\n<p>            One thing the pandemic did that was really good for Toronto was radicalize people musically. People were isolated, and a lot of people became despondent. This surge of socially distanced, illegal raves forced people to collaborate across cultural lines. I saw a lot of people creating social spaces that had nothing to do with who they were before or who they usually hung out with. They were just doing it for the act of doing it, and I was hearing songs I\u2019d never [have heard otherwise]. It became a cult culture that reminded me of an era I [hadn\u2019t even experienced]. The way people were following to see when the next one was and working together gave the feeling of true youth culture. That\u2019s the only way I know how to describe it. That was the only music that felt how the world felt at the time.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-251094\" class=\"content_block paragraph image triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/BAMBII_NormanWong_2_1_scpegl\/bambii-fader-interview-feature.jpg 2400w,\" sizes=\"100vw\" alt=\"Bambii is recontextualizing the rave\"><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Norman Wong<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<p> #content_block-251095,  #content_block-251095 blockquote.pull_quote, #content_block-251095 .img_caption .caption {\n   color: #afe2e5;\n }\n<\/style>\n<div id=\"content_block-251095\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <b>It sounds like a very potent, if fleeting, catharsis. Do you feel like you\u2019re still chasing it with the parties and the shows you\u2019re doing now?<\/b><\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            I\u2019m always chasing catharsis, and I feel like the parties are better for it. I\u2019m seeing all these new collectives popping up. The way people party has shifted, and it kind of feels like research. People are annoyed that everyone calls a party a rave now, and I guess it could be a misuse of the word, but I like using it because I feel like on a political level it\u2019s more indicative of young, Black and queer people taking the space. I like that reclamation of the word because I think the political circumstances are still present, regardless of if we\u2019re in a DIY venue or not. <\/p>\n<p>            Pre-pandemic, I don\u2019t think people were dialed in like that. I didn\u2019t see that physical release happening at parties. The level of dancing and physical exertion I\u2019m seeing [now] is different than before. There\u2019s definitely a moment happening here. I think it\u2019s unique, or maybe it\u2019s cyclical, but it\u2019s a good moment.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Jordan Darville<\/span><br \/>\n  <\/span><\/div>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><script async defer src=\"https:\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMLG0nwswvr63Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\">For forums sites go to <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/forum.buradabiliyorum.com\/\" target=\"_blank\" rel=\"noopener\">Forum.BuradaBiliyorum.Com<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2023\/08\/03\/bambii-fader-interview-feature\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bambii is recontextualizing the rave The progressive dancehall DJ and producer discusses her constant quest for transcendent moments on The FADER Interview. By Jordan Darville Bambii. Photo by Norman Wong. \u00a0 Ten years ago, Bambii had an idea. A Jamaican-Canadian resident of Toronto at the start of her DJ career, she wanted to host a&#8230;<\/p>\n","protected":false},"author":1,"featured_media":585528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_533,w_1024,x_0,y_45,f_auto,q_auto:eco\/Bambii_NormanWong_square_ix3prf\/Bambii_NormanWong_square_ix3prf.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[28101,104480,87599,75360,87594,105545],"class_list":["post-585527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-pop","tag-bambii","tag-dancehall","tag-podcast","tag-rb","tag-the-fader-interview"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/585527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=585527"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/585527\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/585528"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=585527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=585527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=585527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}