{"id":607271,"date":"2024-02-03T22:32:12","date_gmt":"2024-02-03T19:32:12","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/watch-an-attractive-but-elusive-debut-feature\/"},"modified":"2024-02-03T22:32:12","modified_gmt":"2024-02-03T19:32:12","slug":"watch-an-attractive-but-elusive-debut-feature","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/watch-an-attractive-but-elusive-debut-feature\/","title":{"rendered":"Watch An Attractive But Elusive Debut Feature"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a2d7bf40ce92\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a2d7bf40ce92\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-an-attractive-but-elusive-debut-feature\/#%E2%80%9CWatch_Online_An_Attractive_But_Elusive_Debut_Feature%E2%80%9D\" >&#8220;Watch Online An Attractive But Elusive Debut Feature&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-an-attractive-but-elusive-debut-feature\/#%E2%80%9CAn_Attractive_But_Elusive_Debut_Feature%E2%80%9D\" >&#8220;An Attractive But Elusive Debut Feature&#8221;<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CWatch_Online_An_Attractive_But_Elusive_Debut_Feature%E2%80%9D\"><\/span>&#8220;Watch Online An Attractive But Elusive Debut Feature&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9CAn_Attractive_But_Elusive_Debut_Feature%E2%80%9D\"><\/span>&#8220;An Attractive But Elusive Debut Feature&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    There\u2019s a luxuriantly sensuous quality to the prose of British novelist Deborah Levy \u2014 a tactile grasp of land, weather and flesh \u2014 that feels intensely cinematic while reading it, as well as an elliptical, concentrated interior psychology that feels liable to <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a> up any potential adapters. Those rewards and risks hold true in \u201cSwimming Home,\u201d a seductive but opaque adaptation of Levy\u2019s Man Booker-shortlisted novel of the same name, in which the author\u2019s knack for epigrammatic character portraiture and hothouse emotional conflict yields more superficially enigmatic results on screen. In his feature directing debut, British video artist Justin Anderson carries over a chicly serrated, off-kilter audiovisual sense from his commercials and short-form work; his <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">script<\/a>ing is less assured, as is his command of a fine but under-tested ensemble led by Christopher Abbott, Mackenzie Davis and Ariane Labed.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Recently premiered in competition at the Rotterdam Film Festival, \u201cSwimming Home\u201d may prove too elusive and short on feeling to draw the arthouse distributors that might otherwise be lured by its name actors and familiarly sexy premise: A free-spirited stranger aggravates tensions between a drifting couple over the course of a long, hot Mediterranean vacation. Certain adventurous streamers may take interest; in terms of release strategy, it could act as a chaser to a higher-profile but similarly humid Levy adaptation, Rebecca Lenkiewicz\u2019s \u201cHot Milk,\u201d to be unveiled later this year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Anderson signals his intent to discombobulate the viewer early and obviously, with opening credits over gauzy, upended shots of a winding rural road, over an arresting score \u2014 by Greek electronic artist Coti K. \u2014 pitched halfway between choral hum and swarming insect attack. The road, on an unidentified island in what appears to be Greece, leads to a modern, high-end beach villa being rented for the summer by Josef (Abbott), a renowned poet in the throes of a creative drought, and his wife Isabel (Davis), an intrepid war reporter who admits to feeling less at home with her family than she does in the midst of a combat zone. Their sullen 15-year-old daughter Nina (Freya Hannan-Mills) is equally detached from both her parents; an expensive family vacation of mutual avoidance appears to await, brightened only by the neon-hued short shorts of taciturn villa handyman Vito (Anastasios Alexandropoulos).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    When Josef and Isabel pick up family friend Laura (Nadine Labaki, in an oddly curtailed part) from the airport, however, they return to find a stranger stark naked in the pool. Kitti (Labed) claims to be a friend of Vito\u2019s, but she\u2019s rather more interested in the family, im<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">media<\/a>tely ingratiating herself with the otherwise closed-off Nina, and gradually revealing more knowledge of Josef and his past than she initially lets on. Apparently a botanist, she collects wilted plant samples, admires root systems for their brainless problem-solving, and microdoses on local poisonous foliage in order to make her own body an instrument of toxic destruction. Perhaps.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    In Levy\u2019s novel, the nude interloper is an outright, obsessive fan of Josef\u2019s poetry; here, her motives are more abstruse, to slightly dimmed dramatic effect. Josef, a fiftysomething Polish Holocaust survivor in the 1990s-set novel, is here considerably younger, his trauma instead rooted in unspoken memories of the Bosnian War he fled as a child with his parents. Anderson\u2019s script doesn\u2019t examine this revised historical context much beyond the constant faraway gaze that characterizes Abbott\u2019s performance; if it colors his view of his wife\u2019s profession at all, or hers of him, we\u2019re left to intuit that in their brittle silences. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    At any rate, Isabel has long made her peace with Josef\u2019s serial infidelity, finding her own release in nightly excursions to an altogether mystifying nightclub where dancers writhe in erotic torment, where she observes but does not interact. It is a running joke or frustration of \u201cSwimming Home\u201d that this hot little island is heaving with sexual promise that goes untapped by the principals: \u201cJust because the window\u2019s open, doesn\u2019t mean you have to climb through,\u201d says Laura, a character tasked with little more than occasionally putting a description to tacit character dynamics.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Meanwhile, Vito is forever relandscaping the villa\u2019s gardens with large and farcically phallic auger drill, while the beaches and surrounding rocks are dotted with indolently nude men who can\u2019t quite be bothered with come-hither advances. \u201cTake me with you,\u201d Isabel calls out to one such granite-buttocked adonis; \u201cI\u2019m not going anywhere,\u201d he replies indifferently. Thus is the film\u2019s strange, languid erotic holding pattern set. Despite such absurdist flourishes, the dry, prickly humor of Levy\u2019s writing isn\u2019t much in evidence. Anderson takes proceedings seriously, but even as matters tilt toward tragedy \u2014 the losses of the past reflected in the present \u2014 the film doesn\u2019t accrue much power.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Its chief pleasures, then, lie in sensory details: the sun-fuzzed grain, citrussy color stories and woozily flooded lighting of Simos Sarketzis\u2019 cinematography, often slicing the actors\u2019 bodies into alien closeups; the consistently uncanny sonic intrusions of the score, merging organic and synthetic sounds into fidgety aural chaos; or the crisp lines and busy prints of Oliver Garcia\u2019s costumes, which subtly outline the class dynamics at play, while permitting all involved to be elegant in their misery. <\/p>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &#038; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/variety.com\/2024\/film\/reviews\/swimming-home-review-1235896328\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Watch Online An Attractive But Elusive Debut Feature&#8221; &#8220;An Attractive But Elusive Debut Feature&#8221; There\u2019s a luxuriantly sensuous quality to the prose of British novelist Deborah Levy \u2014 a tactile grasp of land, weather and flesh \u2014 that feels intensely cinematic while reading it, as well as an elliptical, concentrated interior psychology that feels liable&#8230;<\/p>\n","protected":false},"author":1,"featured_media":607272,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/variety.com\/wp-content\/uploads\/2023\/12\/Swimming-Home.jpg?w=1000&h=563&crop=1","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-607271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch-movies-tv-seriess"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/607271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=607271"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/607271\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/607272"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=607271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=607271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=607271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}