{"id":611927,"date":"2024-03-08T19:01:13","date_gmt":"2024-03-08T16:01:13","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/"},"modified":"2024-03-08T19:01:13","modified_gmt":"2024-03-08T16:01:13","slug":"oscars-2024-what-to-watch-after-each-best-picture-nominee","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/","title":{"rendered":"#Oscars 2024: What to watch after each Best Picture nominee"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3d82f4870ae\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3d82f4870ae\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#10_more_great_movies_for_fans_of_Oppenheimer_Barbie_Past_Lives_and_more\" >10 more great movies for fans of Oppenheimer, Barbie, Past Lives, and more.<\/a><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><ul class='ez-toc-list-level-5' ><li class='ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#American_Fiction\" >American Fiction<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#Killers_of_the_Flower_Moon\" >Killers of the Flower Moon<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#Maestro\" >Maestro<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#Oppenheimer\" >Oppenheimer<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#The_Holdovers\" >The Holdovers<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#The_Zone_of_Interest\" >The Zone of Interest<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#Poor_Things\" >Poor Things<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#Barbie\" >Barbie<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#Anatomy_of_a_Fall\" >Anatomy of a Fall<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-5'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/buradabiliyorum.com\/en\/oscars-2024-what-to-watch-after-each-best-picture-nominee\/#Past_Lives\" >Past Lives<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"10_more_great_movies_for_fans_of_Oppenheimer_Barbie_Past_Lives_and_more\"><\/span>10 more great movies for fans of <i>Oppenheimer<\/i>, <i>Barbie<\/i>, <i>Past Lives<\/i>, and more. <span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-260599\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/MixCollage-08-Mar-2024-11-00-AM-3012_uvowgp\/oscars-2024-what-to-watch-after-each-best-picture-nominee.jpg 2400w,\" sizes=\"100vw\" alt=\"Oscars 2024: What to watch after each Best Picture nominee\"><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260569\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            Whenever the Oscars announce the nominees for Best Picture, there\u2019s always a tidal wave of people yelling at the Academy over some perceived \u201csnub.\u201d But that doesn\u2019t mean these other flicks don\u2019t deserve some kind of recognition as well, which made us want to share a supplemental list of <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">movies<\/a> to watch after each Best Picture nominee, with the goal of going one step further than a \u201cif you like this, then watch this\u201d type list. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            Instead, we wanted to choose films with the potential to spark further discussion about the issues, <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">theme<\/a>s, and narratives from each nominee. We\u2019re talking about movies that can provide more IRL context, a different perspective, or room for some extra critical analysis. Here are the 10 films we think you should watch alongside all 10 contenders for the Oscars\u2019 coveted Best Picture award. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-260570\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"American_Fiction\"><\/span>\n        <i><b>American Fiction<\/b><\/i><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            It\u2019s still an unfortunate part of the POC experience to be trapped inside a losing <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/game\/\" data-internallinksmanager029f6b8e52c=\"7\" title=\"Game\" target=\"_blank\" rel=\"noopener\">game<\/a> based on racial stereotypes and binary thinking. For Black Americans, though, white folks assume that the Black experience is a monolith, made up of sex workers, hustlers, or gang members \u2014 a concept at the heart of both Cord Jefferson\u2019s <i>American Fiction<\/i> and Juel Taylor\u2019s <i>They Cloned Tyrone<\/i>. <\/p>\n<p>            In <i>American Fiction<\/i>, Thelonious \u201cMonk\u201d Ellison is an academically acclaimed writer having trouble \u201cmaking it\u201d in mainstream publishing \u2014not because of his writing, but because white publishers only want content that reinforces their own ideas about Black people. This leads to Monk drunkenly writing a joke manuscript that leans into this, resulting in two hours of witty observational comedy and a spot-on depiction of lukewarm white liberalism at its finest.  <\/p>\n<p>            Meanwhile, <i>They Cloned Tyrone<\/i> is a comedic sci-fi thriller that doubles down on these aforementioned stereotypes by modeling itself after a \u201870s Blaxploitation flick. Bringing together a trio composed of a \u201chustler,\u201d \u201cpimp,\u201d and a \u201cpro\u201d \u2014 as noted in the trailer \u2014 they end up stumbling upon a secret government program experimenting on Black people through cloning, hypnosis, and other forms of. The goal? Maintaining the status quo by sprinkling a mysterious white powder into hair relaxers, grape soda, and even fried chicken in order to keep Black people happy in a cycle of poverty and violence.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260571\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"They Cloned Tyrone | Official Trailer | Netflix\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2S3M1xFVdVg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260572\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Killers_of_the_Flower_Moon\"><\/span>\n        <b><i>Killers of the Flower Moon<\/i><\/b><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            Based on David Grann\u2019s nonfiction book, <i>Killers of the Flower Moon<\/i> is about a nascent FBI\u2019s investigation into the serial murders of Osage Nation members in 1920s Oklahoma. A dramatized Western featuring a powerhouse cast and standout newcomer, Lily Gladstone, the film offers a sobering look at the colonization and exploitation of Indigenous people. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            An overt example of American greed motivated by the natural resources found on sacred land belonging to Indigenous folks, <i>Killers of the Flower Moon<\/i> concerns an ongoing issue that\u2019s chronicled in <i>Lakota Nation vs. The United States<\/i>. With a story that begins more than a century before <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.npr.org\/sections\/thetwo-way\/2017\/02\/22\/514988040\/key-moments-in-the-dakota-access-pipeline-fight\">the Standing Rock pipeline fight<\/a>, the documentary is a powerful, Indigenous-led production about the Lakota Nation\u2019s ongoing fight to reclaim the Black Hills after gold was found there in the 1870s. Similar to what happened with the Osage Nation, the discovery resulted in the American government <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.smithsonianmag.com\/smithsonian-institution\/1868-two-nations-made-treaty-us-broke-it-and-plains-indian-tribes-are-still-seeking-justice-180970741\/\">violating the Fort Laramie Treaty of 1868<\/a>, as well as the subsequent <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.usdakotawar.org\/history\/aftermath\/trials-hanging\">murders of 38 Lakotans who pushed back<\/a>. Both historically enlightening and visually compelling, <i>Lakota Nation vs. The United States<\/i> uses archival footage and eye-opening interviews with Lakota elders and activists to provide a real-life look at the issues brought up by <i>Killers of the Flower Moon<\/i>.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260578\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Lakota Nation vs. United States - Official Trailer | HD | IFC Films\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/eV9Oeut62vw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-260573\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Maestro\"><\/span>\n        <i><b>Maestro<\/b><\/i><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            Bradley Cooper makes for an incredible Leonard Bernstein, honing in on the musical legend\u2019s well-known conversational tics and overly expressive mannerisms, as well as his complicated personal life. But critics argue that <i>Maestro<\/i> <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.wsj.com\/arts-culture\/film\/maestro-review-bradley-cooper-leonard-bernstein-biopic-carey-mulligan-netflix-e82b1c0c\">prioritizes the controversy<\/a> caused by Bernstein\u2019s bisexuality and failing marriage to rising actress Felicia Montealegre, allowing the drama to completely overshadow his musical genius and tremendous cultural impact as a composer and conductor. <\/p>\n<p>            Instead, Carey Mulligan has garnered the most praise with brilliant portrayal as the increasingly disillusioned Montealegre, who knows about all of Bernstein\u2019s affairs but says nothing. She bites her tongue at her own expense, mostly to save her husband from the homophobia of 1940s America. It makes you wonder about the alienation and disappointment felt by every woman that felt obligated to stand behind their man, including Elvis\u2019 child bride, Priscilla Presley.<\/p>\n<p>            Based on Priscilla\u2019s own memoir, Sofia Coppola\u2019s <i>Priscilla<\/i> is a tender coming-of-age film that touches on power dynamics, female autonomy, and how powerful women are relegated to the shadows far too often. It\u2019s a film that will speak to any woman who remembers being naiv\u00eb enough to get swept up in the fantasy of \u201cfirst love.\u201d Like Mulligan, Cailee Spaeny provides a painfully realistic depiction of a young woman suddenly thrust into the spotlight, all because of a glamorous whirlwind romance with a famous older man. The sparkle and sheen of being married to the world\u2019s most famous man, however, begins to dissipate when she realizes how lonely it is to be at the top and completely estranged from the rest of the world. And just like Montealegre, the complexity of Priscilla\u2019s sadness also deserves to be seen on-screen, told from the perspective of a teenage girl trapped inside a gilded cage called Graceland.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260574\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Priscilla | Official Trailer HD | A24\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DBWk6BohVXk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260575\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Oppenheimer\"><\/span>\n        <i><b>Oppenheimer<\/b><\/i><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            Another biopic, Christopher Nolan\u2019s film about \u201cthe father of the atomic bomb\u201d spends most of its time focused on theoretical physicist Robert J. Oppenheimer being dragged into a petty political fight through the weaponization of his Communist past. But Oppenheimer is also occupied with the grave moral dilemmas presented by the atomic bomb. Was killing hundreds of thousands of innocent Japanese people worth ending the deadliest war in human history? As an academic and theoretical physicist, was he wrong to pursue his theory, especially knowing that could also result in positive technological advances? And most importantly, would his creation deter future conflict or would he be unleashing a weapon with the potential to destroy the entire world?<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            <i>How to Blow Up a Pipeline<\/i> is about explosives and a moral dilemma, albeit on a way smaller scale. An eco-thriller based on a book arguing that property destruction is justified in cases of activism, the film itself is a bit more critical of this belief. Throughout the film, you\u2019re asked to consider whether you agree with the \u201cends are worth the means\u201d argument, and whether extreme action that affects other people \u2014 regardless of their own greed and destruction \u2014 is considered \u201cterrorism\u201d or \u201cactivism.\u201d<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260579\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"How To Blow Up A Pipeline - Official Trailer - In Theaters April 7\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bSb585bGYmQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-260576\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"The_Holdovers\"><\/span>\n        <b><i>The Holdovers<\/i><\/b><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            The \u201ccynical curmudgeon coaxed out of his shell by some irritating rapscallion\u201d premise is a hard one to get right, especially since it often comes out feeling a little forced or overly saccharine. In <i>The Holdovers<\/i>\u2019 case, though, that\u2019s not a problem thanks to its sharply written characters, beautifully bittersweet narrative, and moments of absolute hilarity. It\u2019s  one of the warmest, most touching depictions of how a motley crew of lonely misfits can come together as a chosen family, so maybe it\u2019s better to suggest a movie that\u2019s its complete diametric opposite in every way, shape, and form. <\/p>\n<p>            Cue <i>The Humans<\/i>, a psychological horror film about a dysfunctional family, who\u2019ve absolutely rejected the honesty, vulnerability, understanding, and selfless care that makes <i>The Holdovers<\/i> so heartwarming. Uncomfortably eerie and misanthropic, the pitch-black comedy shows what happens after a biologically connected family can become estranged from each other by a lifetime of lies, silence, and suppression. In this case, <i>The Humans<\/i> proves that blood isn\u2019t thicker than water, and when you let the unspoken fester in the dark, it\u2019ll become as ugly and frightening as the apartment <i>The Humans<\/i> is staged in.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-260581\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"The Humans | Official Trailer HD | A24\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/dp3Whb77eXc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260577\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"The_Zone_of_Interest\"><\/span>\n        <b><i>The Zone of Interest<\/i><\/b><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <i>The Zone of Interest<\/i> is the kind of movie that shakes you to the core without any graphic imagery or overt brutality. Instead, it\u2019s a film where there are beautifully tended gardens and scenic shots of children playing in a river, images of an idyllic life uninterrupted by the systematic murder of hundreds of thousands of Jewish people next door. And it\u2019s this knowledge that makes the day-to-day banality of <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.smithsonianmag.com\/history\/the-real-history-behind-the-zone-of-interest-and-rudolf-hoss-180983531\/\">the H\u00f6ss family<\/a> almost unbearable, especially once you realize you\u2019re sitting on the same side of the fence as observers. But that\u2019s how you\u2019re supposed to feel, unnerved by how easy it is to be coldly indifferent to the suffering of others when it\u2019s out of sight, out of mind. <\/p>\n<p>            Given current events, complacency in the face of evil is something that\u2019s especially important to recognize right now by watching a documentary like <i>No Other Land<\/i>. The recipient of the Best Documentary award at the 2024 Berlin International Film Festival, the film forces the viewer to actively confront the everyday struggles of the Palestinian people. Made by Israeli journalist Yuval Abraham and Palestinian activist Basel Adra, the film focuses on the stark difference between living on one side of the border versus the other, something the film\u2019s producer James Wilson addressed in <i><a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/the-zone-of-interest-producer-james-wilson-interview-1235836644\/\">The Hollywood Reporter<\/a><\/i>. Saying he sees \u201cstark\u201d parallels between his movie and what\u2019s happening in Gaza right now, he talks about innocent Palestinians stuck in the ongoing conflict between Israel and Hamas after the latter launched a surprise attack last October.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            \u201cIt doesn\u2019t seem to me that complicated to condemn both losses of innocent life \u2014 on a basic human empathetic level, there just seems to be the sort of extraordinary empathy dissonance,\u201d Wilson said. \u201cI think the sad fact is that the selective empathy that marks our culture is a continuum, is actually not a moment \u2014 probably for hundreds of years before the Holocaust, during the Holocaust, and for the 80-plus years since.\u201d<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260582\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"NO OTHER LAND | CPH:DOX 2024\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7VpWvy-G82o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-260583\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Poor_Things\"><\/span>\n        <b><i>Poor Things<\/i><\/b><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <i>Poor Things<\/i> and <i>Beau Is Afraid<\/i> are both absurdist dark comedies that challenge traditional notions of gender, sex, and the id\/ego, through a pair of characters named \u201cBella\u201d and \u201cBeau,\u201d no less. And coincidentally, both also embark on surreal quests that involve searching for their identities, which they approach with completely opposite dispositions.<\/p>\n<p>            In <i>Poor Things<\/i>, the brave and endlessly curious Bella is determined to exercise her autonomy and challenge every man who gets in her way as a woman in a steampunk-inspired take on Victorian-era England. One way she does this is by exploring her body through masturbation and sex, which she refers to throughout the movie as \u201cfurious jumping.\u201d But in addition to tackling the still-taboo idea of female pleasure, Bella is also constantly questioning the restrictions of this bizarre world she\u2019s been given a second chance to experience <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.britannica.com\/topic\/tabula-rasa\">tabula rasa<\/a>. With her carefree attitude and pure-hearted innocence, she\u2019s unhampered by the kind of deep-set <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/social-mediaa\/\" data-internallinksmanager029f6b8e52c=\"1\" title=\"Social Media\" target=\"_blank\" rel=\"noopener\">social<\/a> conditioning or patriarchal norms that want to force her into becoming something she\u2019s not. <\/p>\n<p>            Beau, on the other hand, is a crock pot of people-pleasing and emotional repression thanks to his Oedipal relationship with his mother, a formidable business magnate named Mona Wasserman. A self-professed \u201ccoward,\u201d he\u2019s a middle-aged white man who was never allowed to be autonomous. In fact, he\u2019s never taken action or made a real decision for himself, only reacting to whatever is thrown at him inside a strange world entirely created by the trauma of his mother\u2019s unrelenting guilt <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/trip-and-travel\/\" data-internallinksmanager029f6b8e52c=\"10\" title=\"Trip &amp; Travel\" target=\"_blank\" rel=\"noopener\">trip<\/a>s, elaborate traps, and manipulative lies, one of which has made him terrified of sex. It\u2019s probably a twisted result of Mona wanting to be the only woman in his life, but either way the effect\u2019s been the same: an identity that doesn\u2019t exist outside of shame, anxiety, and his mother.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260584\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Beau Is Afraid | Official Trailer HD | A24\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PuiWDn976Ek?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260585\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Barbie\"><\/span>\n        <b><i>Barbie<\/i><\/b><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            An absolute delight of a movie, <i>Barbie<\/i> may be the most stylish and creative film from the past year. Jam packed with bright candy-colored looks, laugh-out-loud jokes, and genuinely heartfelt moments, there\u2019s a lot to love about the movie, including its ability to engage and educate audiences on the importance of feminism and being your authentic self. Plus, the A-list ensemble of strong female characters makes it exciting to think of the possible impact it\u2019ll have on the young girls and future generations, let alone the adults who loved the movie as well.  <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            But <i>Barbie<\/i> is a great introduction to something a little spicier, especially for any adult women who \u2014 through no fault of their own \u2014 continues to struggle with truly \u201cowning\u201d her sexual sides thanks to a puritanical society that\u2019s made female pleasure and sex extremely taboo. So in the spirit of feminist growth and rejecting patriarchal double standards, we suggest the R-rated <i>Joy Ride<\/i> who enjoyed the feminist message of <i>Barbie<\/i> and are looking for a movie that specifically tackles the one feminist issue <i>Barbie<\/i>, for obvious reasons, couldn\u2019t really touch: female sexuality. <\/p>\n<p>            A raunchy road trip comedy about a Chinese-American adoptee searching for her birth family with the help of three friends, it\u2019s an outrageously funny and courageously crude film that\u2019s also kind of like an extremely colorful and horny version of <i>The Sisterhood of Traveling Pants<\/i> that\u2019s also pee-your-pants levels of funny. But <i>Hangover<\/i>-esque humor and dick jokes aside, <i>Joy Ride<\/i> is another film that challenges societal expectations of how a woman \u2014 especially an Asian American woman \u2014 \u201cshould\u201d approach sex and sexuality. So while it may have a filthy mouth and rebellious streak, <i>Joy Ride<\/i> is also a surprisingly warm and earnest movie containing a lot of the same themes as <i>Barbie<\/i>, whether we\u2019re talking self-love, pushing back against deeply ingrained social expectations, and the age-old lesson of just being yourself.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-260586\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"Joy Ride (2023) Official Red Band Trailer - Ashley Park, Sherry Cola, Stephanie Hsu, Sabrina Wu\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jyI-AM5VXDo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260587\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Anatomy_of_a_Fall\"><\/span>\n        <i><b>Anatomy of a Fall<\/b><\/i><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            For the past several years, American pop culture\u2019s been inundated with a never-ending stream of soapy legal dramas and lazy true crime, meaning the only thing you probably care about at this point is Ice-T hard-carrying <i>SVU<\/i>. But this year, the French have blessed the world with two films actually worth watching, including the Oscar-nominated <i>Anatomy of a Fall<\/i>, which tells the story of a writer trying to prove that she didn\u2019t murder her husband. <\/p>\n<p>            A multilayered courtroom drama featuring an incredible performance by lead actress Sandra H\u00fcller, <i>Anatomy of a Fall<\/i> is a subtle yet gripping movie about the ambiguity of \u201ctruth\u201d and how your latent biases factor into the narratives you tell yourself. What makes <i>Anatomy of a Fall<\/i> truly brilliant, though, is that it also asks the viewer to sit in the jury box through minute actions and allusions to important events that aren\u2019t shown in the film, forcing you to fill in the blanks and come up with your own conclusions. In a way, it\u2019s a fascinating experiment in audience participation, a film that\u2019s supposed to leave you uncertain, uncomfortable, and second-guessing your own views, which is an issue that\u2019s also presented in the equally complex courtroom drama, <i>Saint Omer<\/i>. <\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div>\n<p>            As a warning, <i>Saint Omer<\/i> is a film that\u2019s haunted by the heaviness of the crime, which involves a woman accused of murdering her infant daughter by leaving her at the beach and letting the tide sweep her away. Based on director and writer Alice Diop\u2019s own experience covering the same crime while pregnant, it\u2019s a daunting, difficult, but incredibly necessary watch that, like Anatomy of a Fall, urges viewers to make their own judgments. And with a lack of graphic imagery or any hint of sensationalism, Saint Omer is a film that should be approached with a thoughtful attitude, as an emotional yet unflinching depiction of a struggling woman who did the unthinkable.  <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260588\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"SAINT OMER | Official Trailer | Hand-picked by MUBI\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7rnTqLRXhPE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div class=\"content_block paragraph triple_gutter_right triple_gutter_left\">\n<div class=\"content_inner_wrapper\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<style>\n<\/style>\n<div id=\"content_block-260589\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<h5 class=\"headline\" style=\"margin-bottom: 30px;\"><span class=\"ez-toc-section\" id=\"Past_Lives\"><\/span>\n        <b><i>Past Lives<\/i><\/b><br \/>\n      <span class=\"ez-toc-section-end\"><\/span><\/h5>\n<div class=\"paragraph_wrapper center_align\">\n<p>            <i>Past Lives<\/i> is one of the most moving and heart-wrenching portraits of love, yearning, and memory in recent memory. The story of two childhood friends whose relationship evolves over long stretches of time and distance, it seems like it\u2019d be a deceptively simple tale about longing and \u201cwhat ifs.\u201d But it\u2019s <i>Past Lives<\/i>\u2019 lack of drama and its tender touch that actually makes it a beautiful and powerful film, flush with subtle emotion told through poignant silences and quick glances. Much like <i>Return to Seoul<\/i>, it\u2019s a film that contemplates the complexities of the Korean immigrant experience, including cultural identity and unrealized opportunities. That said, the former presents these ideas in a much more rebellious and dynamic form, one that vehemently rejects the stereotypes assigned to Korean women by the Western world.<\/p>\n<p>            As the title hints, <i>Return to Seoul<\/i> is about a Korean woman named Freddie, who was adopted by French parents and has never been to Korea. But when she accidentally ends up in Seoul, she starts a hesitant search for her biological parents, which is only complicated by the years of trauma that comes with being French but not looking like it.  <\/p>\n<p>            Added to her naturally impulsive, wilful, and explosive personality, Freddie initially approaches everything with a prickly attitude and lets her resentment get in the way, which is also reflected in the chaos and volatility of the filmmaking \u2014 something that lasts until she begins to reach resolve. But even though <i>Return to Seoul<\/i> is the tonal antithesis of <i>Past Lives<\/i>, as a Korean American with little connection to her own heritage, there\u2019s something to be said about both films proving that appearances can often be deceptive.<\/p>\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-260590\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe loading=\"lazy\" title=\"RETURN TO SEOUL | Official Trailer (2022)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/oaPiUlPpRWE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">Sandra Song<\/span><br \/>\n  <\/span><\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2024\/03\/08\/oscars-2024-what-to-watch-after-each-best-picture-nominee\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>10 more great movies for fans of Oppenheimer, Barbie, Past Lives, and more. Whenever the Oscars announce the nominees for Best Picture, there\u2019s always a tidal wave of people yelling at the Academy over some perceived \u201csnub.\u201d But that doesn\u2019t mean these other flicks don\u2019t deserve some kind of recognition as well, which made us&#8230;<\/p>\n","protected":false},"author":1,"featured_media":611928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_705,w_1440,x_0,y_-15,f_auto,q_auto:eco\/MixCollage-08-Mar-2024-11-00-AM-3012_s8e3h0\/MixCollage-08-Mar-2024-11-00-AM-3012_s8e3h0.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[33587],"class_list":["post-611927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-film"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/611927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=611927"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/611927\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/611928"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=611927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=611927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=611927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}