{"id":611993,"date":"2024-03-09T16:02:20","date_gmt":"2024-03-09T13:02:20","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/watch-robin-campillos-evocative-memory-piece\/"},"modified":"2024-03-09T16:02:20","modified_gmt":"2024-03-09T13:02:20","slug":"watch-robin-campillos-evocative-memory-piece","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/watch-robin-campillos-evocative-memory-piece\/","title":{"rendered":"Watch Robin Campillo&#8217;s Evocative Memory Piece"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a332e71492ce\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a332e71492ce\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-robin-campillos-evocative-memory-piece\/#%E2%80%9CWatch_Online_Robin_Campillos_Evocative_Memory_Piece%E2%80%9D\" >&#8220;Watch Online Robin Campillo&#8217;s Evocative Memory Piece&#8221;<\/a><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/buradabiliyorum.com\/en\/watch-robin-campillos-evocative-memory-piece\/#%E2%80%9CRobin_Campillos_Evocative_Memory_Piece%E2%80%9D\" >&#8220;Robin Campillo&#8217;s Evocative Memory Piece&#8221;<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h1><span class=\"ez-toc-section\" id=\"%E2%80%9CWatch_Online_Robin_Campillos_Evocative_Memory_Piece%E2%80%9D\"><\/span>&#8220;Watch Online Robin Campillo&#8217;s Evocative Memory Piece&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<h2><span class=\"ez-toc-section\" id=\"%E2%80%9CRobin_Campillos_Evocative_Memory_Piece%E2%80%9D\"><\/span>&#8220;Robin Campillo&#8217;s Evocative Memory Piece&#8221;<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Following the bracing sexual and political candor of \u201cBPM,\u201d writer-director Robin Campillo\u2018s much-laureled film about HIV\/AIDS activism in 1990s Paris, \u201cRed Island\u201d initially <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ears to be a retreat into cozier nostalgia \u2014 a child\u2019s-eye view of life on a French military base in 1970s Madagascar, flooded with sunlight, awash with the thrill of youthful exploration. That might seem an obtuse way to portray a time and place rife with fractious post-colonial tensions, only a couple of years before the African territory freed itself from the French Community to become a fully-fledged republic. But \u201cRed Island\u201d is a cannier work than that, slowly deromanticizing its purposely naive view of European family life, before sharply jackknifing into a different perspective, even a different film, altogether.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    That switch is both arresting and jarring \u2014 a structural pivot that makes for a film easier to admire than it is to embrace. Yet its autobiographical elements are keenly felt, as Campillo grapples intelligently not just with the blind spots of his personal past, but those of his national heritage. Unexpectedly absent from certain major festivals and met with lukewarm reviews on home turf, \u201cRed Island\u201d hasn\u2019t quite the assurance or brio of \u201cBPM\u201d or Campillo\u2019s directorial debut \u201cEastern Boys,\u201d but still confirms its helmer as a major name in contemporary French cinema \u2014 one who can fill a sprawling period canvas with considerable visual imagination and sensory detail. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    The film opens with a disorienting flourish of fantasy: a miniature caper set in a stylized toytown of cardboard and felt, following the crime-fighting exploits of Zorro-masked child superheroine Fant\u00f4mette (Calissa Oskal-Ool). It turns out these are the vivid imaginings of ten-year-old Thomas (Charlie Vauselle), inspired by his favorite <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> of comic books; such daydreams recur throughout the film, indicative of a young mind that readily drifts from reality. Still, there\u2019s adventure and intrigue aplenty in Thomas\u2019 everyday life, which plays out, after all, on a tropical African island far from his homeland. He just needs to know where to look for it \u2014 when, aping Fant\u00f4mette, he begins his own nighttime investigations.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Thomas\u2019 suave army officer father Robert (Quim Guti\u00e9rrez, radiating Belmondo-esque charm) and his mother Colette (Nadia Tereszkiewicz) aren\u2019t overly concerned with their son\u2019s exploits, parenting him and his siblings in vaguely permissive fashion. They\u2019re largely distracted by strains in their own marriage, as Colette begins to doubt her husband\u2019s fidelity. As well she might. An air of blas\u00e9 sexual liberty permeates the base, where soldiers frequent a brothel staffed by local Malagasy women \u2014 one of whom, Miangaly (Amely Rakotoarimalala), becomes an object of obsessive desire for new, married recruit Bernard (Hugues Delamarli\u00e8re). Thomas\u2019 nocturnal snooping turns up no comic-book crime, but it does make him an uncomprehending witness to such fragments of adult mischief.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    Campillo sensitively captures the ensuing transition between childish fancy and disillusionment, which dovetails neatly with the Frenchmen\u2019s apathetic shedding of colonial ideals \u2014 their days there are numbered, and everyone is waiting for the next chapter of their lives to begin. Not so passive are the Malagasy, restlessly reaching for their imminent independence, and backgrounded in the film until Miangaly seizes narrative focus in a denouement that centers her people\u2019s revolution. Meanwhile, the white characters we hitherto assumed were the collective subject are cast into the margins. It\u2019s a stark, pointed shift that will divide audiences: It\u2019s hard not to wish Miangaly\u2019s character had been more richly developed in parallel with the others throughout, though the symbolic impact of her tardy takeover is plain. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n    There\u2019s a hint of self-effacement in Campillo\u2019s demotion of his own coming-of-age tale, an acknowledgement of the smallness of his memories relative to the island\u2019s own seismic story of the time, even if the film never quite gives itself over to more radical ideas. Yet the family scenes still carry weight and pathos, as Thomas gradually tunes into his mother\u2019s suppressed sadness, and Robert\u2019s alpha paternal gestures (including, most bizarrely, a gift to his children of baby crocodiles) take on a near-nihilistic desperation. DP Jeanne Lapoirie shoots the burnt-orange Madagascan days and the humid, inky nights with equally saturated intensity, making it an appropriate backdrop for emotions running hot and bothered on all sides. Campillo\u2019s recall may have evolved and matured, but it clearly hasn\u2019t faded. <\/p>\n<\/div>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/watch-movies-tv-series\/\" target=\"_blank\" rel=\"noopener\">Watch Movies &#038; TV Series <\/a><\/span>category<\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/variety.com\/2024\/film\/reviews\/red-island-review-1235930487\/\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Watch Online Robin Campillo&#8217;s Evocative Memory Piece&#8221; &#8220;Robin Campillo&#8217;s Evocative Memory Piece&#8221; Following the bracing sexual and political candor of \u201cBPM,\u201d writer-director Robin Campillo\u2018s much-laureled film about HIV\/AIDS activism in 1990s Paris, \u201cRed Island\u201d initially appears to be a retreat into cozier nostalgia \u2014 a child\u2019s-eye view of life on a French military base in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":611994,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/variety.com\/wp-content\/uploads\/2023\/07\/red-island.jpg?w=1000&h=562&crop=1","fifu_image_alt":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-611993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch-movies-tv-seriess"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/611993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=611993"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/611993\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/611994"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=611993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=611993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=611993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}