{"id":618027,"date":"2024-04-23T22:30:14","date_gmt":"2024-04-23T19:30:14","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/tay-keith-reveals-he-was-dragged-for-working-with-sexyy-red\/"},"modified":"2024-04-23T22:30:14","modified_gmt":"2024-04-23T19:30:14","slug":"tay-keith-reveals-he-was-dragged-for-working-with-sexyy-red","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/tay-keith-reveals-he-was-dragged-for-working-with-sexyy-red\/","title":{"rendered":"#Tay Keith Reveals He Was Dragged For Working With Sexyy Red"},"content":{"rendered":"
Tay Keith claims that he was dragged for working with Sexyy Red at first, even by those he considered his closest friends.<\/p>\n

In an interview with Billboard<\/em><\/a> published on Monday (April 22), the Memphis beatmaker reflected on the initial skepticism he dealt with from others when he first partnered up with the rapp<\/a>er.<\/p>\n

\u201cPeople were trolling the s\u2013t [shit] out of me,\u201d the \u201cPound Town\u201d producer said. \u201cThey were real-deal trolling me. It wasn\u2019t much good feedback. It was coming from even people around me, \u2018What you doing?\u2019 I saw the potential. That\u2019s as simple as it was, me believing in her.\u201d<\/p>\n

He also elaborated on his intuition about \u201cGet It Sexyy\u201d being a hit, adding:\u00a0 \u201cWhen I finished the beat, I\u2019m telling Sexyy, \u2018This the one. This the hit.\u2019 I\u2019m telling her team. I\u2019m just knowing when I made it right there I\u2019m like, \u2018This is the hit.\u2019\u201d<\/p>\n

The producer also discussed his working relationship with Sexyy on the heels of the said song becoming a blockbuster.<\/p>\n

\u201cThat whole situation is so crazy,\u201d he contined. \u201cWe had did it in the last week of February or [the] beginning of March. I made the beat and we did the record that week. She did the snippet and it kinda caught on. So when she released the song, it took its course. It was a spontaneous song we had created.<\/p>\n

\u201cWe was in Miami and had just left from Memphis. I flew to go work with her. I\u2019m like, \u2018We gotta get another big record.\u2019 When I had started on the beat, I had my producer send me some chops. We chopped it and I heard it and I\u2019m like, \u2018I know exactly what I had to do with it.\u2019 I made the beat from the sample chop.\u201d<\/p>\n

The 27-year-old also teased new music with his peer, saying: \u201cWe definitely got a collab album on the way. We putting work in, cooking up s\u2013t [shit]. In a sense, we just working on a lot of shit.<\/p>\n

\u201cI touch up a lot of records. I feel like she do what she do best. She don\u2019t necessarily need no writers or other producers. I really just come and do my part, and [not] overstep, and let her be as creative as she wants.\u201d<\/p>\n

Regarding a release date, he said: \u201cI don\u2019t know, man. We still working. I can\u2019t put a date on it. We definitely got some heat. We got a lot of [records] for sure.\u201d<\/p>\n

Sexyy isn\u2019t the only artist that the \u201cFREAKY\u201d producer has a great relationship with. Last month, he recalled how Drake\u00a0treated him after he landed his first big hit.<\/p>\n

In an episode of Aux Money With Chase B<\/em>, Keith told the host about the Canadian superstar\u2019s fair treatment in the wake of BlocBoy JB\u2019s \u201cLook Alive,\u201d which features Drizzy \u2014 the joint went on to become was Tay\u2019s first major hit.<\/p>\n

The experience of working with the Toronto rap star \u201ctaught me a lot about the business,\u201d he said.<\/p>\n

\u201c[O]ne thing I always tell people I respect about Drake the most was, he could have been on some shit like, \u2018Y\u2019all n-ggas ain\u2019t signed? Alright, I\u2019ll do a song with y\u2019all, but I gotta sign y\u2019all.\u2019<\/p>\n

\u201cDrake is the type of n-gga, he don\u2019t want nothing\u2026 He gonna give you your fair share. He\u2019s gonna do fair business. It ain\u2019t gonna be no trying to get over on you or nothing, bro.\u201d<\/p>\n<\/div>\n