{"id":621628,"date":"2024-05-23T18:07:44","date_gmt":"2024-05-23T15:07:44","guid":{"rendered":"https:\/\/en.buradabiliyorum.com\/mary-in-the-junkyard-are-writing-mini-indie-rock-horror-epics\/"},"modified":"2024-05-23T18:07:44","modified_gmt":"2024-05-23T15:07:44","slug":"mary-in-the-junkyard-are-writing-mini-indie-rock-horror-epics","status":"publish","type":"post","link":"https:\/\/buradabiliyorum.com\/en\/mary-in-the-junkyard-are-writing-mini-indie-rock-horror-epics\/","title":{"rendered":"#Mary In The Junkyard are writing mini indie rock horror epics"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<label for=\"ez-toc-cssicon-toggle-item-6a3fd21e992bb\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #dd3333;color:#dd3333\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #dd3333;color:#dd3333\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a3fd21e992bb\" checked aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/buradabiliyorum.com\/en\/mary-in-the-junkyard-are-writing-mini-indie-rock-horror-epics\/#The_British_band_uncover_their_oldest_fears_with_their_new_EP_This_Old_House\" >The British band uncover their oldest fears with their new EP, This Old House.<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"deck\"><span class=\"ez-toc-section\" id=\"The_British_band_uncover_their_oldest_fears_with_their_new_EP_This_Old_House\"><\/span>The British band uncover their oldest fears with their new EP, <i>This Old House<\/i>.<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><\/p>\n<div class=\"content_blocks\">\n<style>\n<\/style>\n<div id=\"content_block-261863\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/Mary_in_the_Junkyard_180923_Gullick_1_2_e9wkek\/mary-in-the-junkyard.jpg 2400w,\" sizes=\"100vw\" alt=\"Mary In The Junkyard are writing mini indie rock horror epics\"><span class=\"img_caption\"><\/p>\n<p>    <span class=\"caption\"><br \/>\n      Mary In The Junkyard<br \/>\n    <\/span><\/p>\n<p>  <span class=\"credit\"><br \/>\n      \u00a0<\/p>\n<p>      Steve Gullick<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261864\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            <i>The Opener is The FADER&#8217;s short-form profile <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/watch-movies-tv-seriess\/\" data-internallinksmanager029f6b8e52c=\"8\" title=\"Watch Movies &amp; TV Series\" target=\"_blank\" rel=\"noopener\">series<\/a> of casual conversations with exciting new artists.<\/i><\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261868\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            Clari Freeman-Taylor grew up in the remote English countryside, isolated and with enough time on her hands to let her imagination run wild. \u201cGrowing up I had a lot of fears and would dream up monsters,\u201d she says over Zoom. \u201cThere\u2019s this whole imaginary world I would use to break away and escape.\u201d When she got older and formed the band <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/maryinthejunkyrd\/?hl=en\">Mary In The Junkyard<\/a> with drummer David Addison and bassist Saya Barbaglia (who are also on the video call), she returned to the anxieties of her youth for <i>This Old House<\/i>, their debut EP. \u201cThe songs have a real feeling of claustrophobia,\u201d she says from her new home in London.<\/p>\n<p>            The line between childlike imagination and unvarnished horror is one Mary in The Junkyard skip over merrily on <i>This Old House<\/i>. The sweeping art-rock \u201cMarble Arch\u201d conjures images of lonely nights and frayed sisterly relationships. The desperate longing of adolescence can also be felt above the gothic waltz of \u201cTeeth\u201d. There is a rabid nature to \u201cGhost,\u201d too, and not just because the band howl some of the backing vocals. Freeman-Taylor describes that song as being initially written while she was \u201cobsessed with moths\u201d but is more reflective of moving to the city and \u201cenjoying the freedom\u201d she desired as a teen. The band cite Joanna <a href=\"https:\/\/buradabiliyorum.com\/en\/category\/news\/\" data-internallinksmanager029f6b8e52c=\"2\" title=\"News\" target=\"_blank\" rel=\"noopener\">News<\/a>om and Leonard Cohen as influences, though the fantastical darkness of a director Guillermo Del Toro or novelist Shirley Jackson feels just as apt a reference point.<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261869\" class=\"content_block paragraph embed triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"media_wrapper\">\n<div class=\"\">\n    <iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1QWJ3ijFhCMroSOOAR61Qf?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261877\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261870\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            This black-laced vulnerability has made Mary In The Junkyard one of the must-see live acts in London over the past 18 months. In the band\u2019s estimation, they played the Brixton Windmill, a venue key to the rise of acts such as Black Midi and The Last Dinner Party, over 30 times as they h<a href=\"https:\/\/buradabiliyorum.com\/en\/category\/download-scripts-themes-apps\/\" data-internallinksmanager029f6b8e52c=\"9\" title=\"Download Scripts &amp; Themes &amp; Apps\" target=\"_blank\" rel=\"noopener\">app<\/a>ily snapped up support slots. Like fellow Windmill alumni Black Country, New Road, Mary in the Junkyard met while studying orchestral music and used their downtime to write what they describe as \u201csilly songs,\u201d pop-oriented material a world apart from both the classics they studied and the \u201cangry weepy chaos\u201d music they would go on to make together. One early memory they have of playing together is a cover of Radiohead\u2019s \u201cCreep\u201d performed with spaghetti as drumsticks. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261871\" class=\"content_block breaker triple_gutter_right triple_gutter_left image\">\n<div class=\"media_wrapper\">\n<p>  <img decoding=\"async\" src=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_1440,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg\" srcset=\"https:\/\/thefader-res.cloudinary.com\/private_images\/w_220,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 220w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_300,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 300w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_400,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 400w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_600,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 600w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_750,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 750w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_840,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 840w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_960,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 960w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1260,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 1260w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_1800,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 1800w,https:\/\/thefader-res.cloudinary.com\/private_images\/w_2400,c_limit,f_auto,q_auto:best\/_Q8A5859.CR2.p_ogsk18\/mary-in-the-junkyard-this-old-house-interview.jpg 2400w,\" sizes=\"100vw\" alt=\"Mary In The Junkyard are writing mini indie rock horror epics\"><span class=\"img_caption\"><\/p>\n<p>  <span class=\"credit\"><\/p>\n<p>      Steve Gullick<\/p>\n<p>  <\/span><\/p>\n<p><\/span><\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261872\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<p>            The man who helped them refine their anything-goes energy was Richard Russell. The band decamped to The Copper House, a south London studio owned by the XL Recordings founder, and got to work at the start of 2024. They set up their equipment in the studio\u2019s kitchen, joking on the call that they wanted to make \u201ckitchen rock\u201d the new bedroom pop. Addison says Russell helped the band shed their perfectionist tendencies while Barbaglia echoes that she was impressed with his laid-back approach. \u201cHe&#8217;s a very spiritual man and I think after a week with him, I felt just so at ease. That kind of mindset was really inspiring and made me realize it\u2019s the way it\u2019s meant to be.\u201d<\/p>\n<p>            Barbaglia describes occasionally feeling \u201cexposed\u201d by performing now. The band prize their live show above almost everything but concede that playing such intimate songs can be hard. It\u2019s something Freeman-Taylor says she often wrestles with too. \u201cI don&#8217;t know whether it&#8217;s really therapeutic or just kind of fucks you up,\u201d she admits. Either way, that high-wire chase for catharsis is what makes the band\u2019s songs so magnetic. <\/p><\/div>\n<\/p><\/div>\n<\/div>\n<style>\n<\/style>\n<div id=\"content_block-261878\" class=\"content_block paragraph text triple_gutter_right triple_gutter_left center_align\">\n<div class=\"content_inner_wrapper\">\n<div class=\"paragraph_wrapper center_align\">\n<div class=\"\" style=\"padding-bottom: 20px; margin-top: 20px; text-align: left;\">\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><\/p>\n<div class=\"author\">\n    <span><br \/>\n      By <span class=\"credit_name\">David Renshaw<\/span><br \/>\n  <\/span><\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<blockquote><p><strong><span style=\"color: #ff6600;\">If you liked the article, do not forget to share it with your friends. Follow us on\u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/news.google.com\/publications\/CAAqBwgKMN63nwsw68G3Aw\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Google News<\/a><\/span>\u00a0too, click on the star and choose us from your favorites.<\/span><\/strong><\/p><\/blockquote>\n<blockquote>\n<p style=\"text-align: center;\"><strong>If you want to read more Like this articles, you can visit our <span style=\"color: #ff9900;\"><a style=\"color: #ff9900;\" href=\"https:\/\/en.buradabiliyorum.com\/social-media\/\" target=\"_blank\" rel=\"noopener\">Social Media category.<\/a><\/span><\/strong><\/p>\n<\/blockquote>\n<p><span style=\"color: black;\"><a style=\"color: #ff9900;\" href=\"https:\/\/www.thefader.com\/2024\/05\/23\/mary-in-the-junkyard-this-old-house-interview\" target=\"_blank\" rel=\"noopener\">Source<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The British band uncover their oldest fears with their new EP, This Old House. Mary In The Junkyard \u00a0 Steve Gullick The Opener is The FADER&#8217;s short-form profile series of casual conversations with exciting new artists. Clari Freeman-Taylor grew up in the remote English countryside, isolated and with enough time on her hands to let&#8230;<\/p>\n","protected":false},"author":1,"featured_media":621629,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/thefader-res.cloudinary.com\/private_images\/c_limit,w_1024\/c_crop,h_533,w_1024,x_0,y_157,f_auto,q_auto:eco\/Mary_in_the_Junkyard_180923_Gullick_1_2_efmfzb\/Mary_in_the_Junkyard_180923_Gullick_1_2_efmfzb.jpg","fifu_image_alt":"","footnotes":""},"categories":[17],"tags":[150266,87510,149213],"class_list":["post-621628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-social-mediaa","tag-mary-in-the-junkyard","tag-rock","tag-the-opener"],"_links":{"self":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/621628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/comments?post=621628"}],"version-history":[{"count":0,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/posts\/621628\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media\/621629"}],"wp:attachment":[{"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/media?parent=621628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/categories?post=621628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buradabiliyorum.com\/en\/wp-json\/wp\/v2\/tags?post=621628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}